Knowledge (XXG)

Talk:Henryk Górecki

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on it (this can easily be fixed, by adding "citation on ", the usual method in the print media). However, should a new reference to a different page in this article be added later, the normal procedure is to shorten the reference (in this case, perhaps to "Perlez, 'Górecki'"" or just to "Perlez" and the page number. This is fine if the new entry occurs after the original one but, if it occurs before, then the full entry must be moved there, and the original reduced to short-title form. If on the other hand the original reference (and the matter being cited in the text) is deleted in a later edit, then the editor must take care not to leave short-title references to the same work, but rather to find the earliest one and expand it to full-biblio form. For this reason, the short-title convention normal to print media cannot safely be used, and it becomes necessary to repeat the entire bibliographical data at each entry. There is also the awkward fact that items you cite in full-footnote form are not included in the Bibliography, so the reader cannot at a glance see all of the relevant literature. This all is, I think, eloquent testimony in support of consistent citation formats, and I cannot agree that your proposal is cleaner, clearer and less intrusive. It may be easier to follow for you, but it certainly is not for me nor, I suspect, is it for most readers.—
1002:, I had to move there because when I tried to work on thim here you reverted me each time. By forked I mean that as we are both working on seperate articles our effort is split, and it might be difficult to merge the two. I perfer the ref format in the link above as it is cleaner, clearer, less intrusive and for me easy to follow. I'm not doe yet but the idea is that the publication date is only in a ref if the aurthor has two or more titles in the biblo. Also, I think the biblo should include books only, journals etc would appear in the notes only. 950:. With all the respect due to a major contributor, the guideline appears designed to provide an arbitrary but impersonal means of resolving such inconsistencies in an environment that does not favor one style over another. I may add that it is not true that I "dislike" the style of reference used in this article (namely, footnotes), merely that I prefer another one (in-text author-date citations). I'm sure I have no idea of the meaning of the colloquialism you appear to be using to describe me, but it does sound to me like a possible breach of 783:
preference. In this case, reference citations were first added at 04:21 on 31 May 2007 by anonymous editor 83.12.152.170. These were in author-date citation format, in footnotes. It is to this format I am attempting to turn some subsequently added citations, which are in various conflicting formats. FWIW, my own preference is for the University of Chicago Press in-text author-date citation format, but I am respecting Knowledge (XXG) policy and guidelines in deferring to the first editor's choice.—
129: 1017:(no year; citations 1 and 4 are examples), and (3) full-bibliographical footnote format (citation 7 is an example). Your rationale for mixing (1) and (2) is essentially what is done where (2) alone is the norm. This format is an informal one seldom found in formal scholarly writing. Splitting book and article references in the way you suggest is entirely nonstandard, if for no other reason than that some publications are regarded as being simultaneously a journal and a series of books ( 969:
Wouldn't it be just great if we just dropped this and worked together; you obviously have good knowledge and are enthuastic, and I see most of your edits are sound. What a shame for us to squabble over this when we both clearly have the article's best interests at heart, when we could instead be working on its content. I'd like to get this to FAC again by mid January; if you want to work with me and achieve that, I would appreciate it very much.
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it tends to vary widely section by section, and the effect of the whole is dependent on the kaleidoscopic juxtaposition of these varied sections. This is a very different thing from the Third Symphony, for example, where each movement consists of one basic texture, and the differences in character of the movements are not drastic.—
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What is it that inspired Górecki to change from serialism and dissonance to holy minimalism, as this change was described in the article? Did something happen in the 1970's with either Górecki or the music world that motivated this change? I ask partly because of my own interest, and partly because I
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I'm not sure under these circumstances what it is your version has got that I have not already put into the notes and bibliography—apart from the unnecessary but perfectly acceptable use of the abbreviation for "page" (particularly unnecessary in this variant of the format, where the year is enclosed
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Citation 18 is as good an illustration as I could ask for to show how awkward this time-honored format is when used in web media (as opposed to print media). It gives the full bibliographical information for the article (which is necessary, of course), but fails to pinpoint the page with the citation
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I don't understand half of what you are saying ("forced into userspace", "progress has been forked"), but I am pleased that you understand we are on the same side, as it were, and this is beginning to sound more civil. As to the format of references, if you have good arguments for why these should be
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As i believe there is no monkey in Poland (try looking in africa). Your pagan prussians were killed about XI century by German Teutonic Order which took their lands as their own. Poland later was given this area as a recompensation for II WW, and for eastern teritories taken away by USSR. There is no
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Once we have agreed and moved past this, would you be on for working together on resolving this issues at FAC, and trash through which areas in the article need work or expansion, and help finding more book sources? It would be a shame and a waste if two editors with shared interests can't get along
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The selection you have chosen represents the sparse, post-Webernian texture fairly well but, to be honest, I do not know the First Symphony, so I cannot say whether some other segment might be a better choice. However, the great difficulty with representing this style in a short "sound bite" is that
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Thanks for explaining the jargon. I understand what you are saying now. In the version in the link, I see not one but at least three reference formats: (1) author-date format of the type initiated in this article by the anonymous Polish editor (citations 2 and are examples), (2) author-alone format
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decide the reference formats makes me think that you are either one of the most dry editor (v good) or stupid (v bad) editors I have met in a dizzy arena of very dry and very very stupd editors. Either way you make my head spin, and tbh I strongly supsect the latter explanation. So Im done with you
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As Professor Thomas is one of the main experts on Gorecki quoted in this article, Chamber Domaine have just released a CD of Gorecki music and never-before-heard music was performed in the concert, it seems that this should certainly be linked, if not directly referenced in the article. (I only
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handling of inclusive page numbers in the bibliography (I thought you wanted to use the abbreviation(s) for "page(s)" in such cases, rather than just the numerals)? There are half a dozen standard reference/bibliography formats described in WP:MOS. Which of them are you trying to emulate here?—
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Now that you have put your revised citations into the article, I have some questions for you. First, I thought we were agreed that articles (what you call "journal extracts") should be included in the bibliography along with everything else. Second, what is your reasoning behind the eccentric
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You did more than 'misspoke'. You have reverted multiple times because you think we should format cites on the basis of some, ok, 'guideline' that the ips stylistic preferance is law. Fine, but the result is I have been forced into userspace, and now progress on the article has become forked.
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Now, the point is that Knowledge (XXG) policy is to have consistency of reference formats (I think we agree on this as a goal, in any case). Knowledge (XXG) does not have a preference for one format over another and, in cases where inconsistency arises, the format first established is to take
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Generally, info should be added from more scholarly sources that can be adduced from Groves or other such resources; in the event that a noted critic has provided such information in liner notes, they can usually be sourced originally to a more authoritative and encyclopedic source.
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and work together. I don't know about you but I work better when collaborating, and apart from the mess above (I admit shared blame, and apologise), you seem like a capable and knowedgable guy. Working with a musicologist and music theorist would be an honour, frankly.
911:? Being misinformed and a wonk is a dangerous and unfortunuate combination. The policy (actually its a guideline) as I understand it is that the style preferences of the major editors should be respected as long as they are consistent. I wrote the majority of this page, 1283:
Górecki’s First Symphony (1959) "expressed (he has said) something of the sense of a new start—both in his own life (it was, among other things, the year of his marriage) and in Poland itself." This last comment alludes to the "thaw" of the late 1950s, which proved
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As I am sure you are aware, a serious problem exists with free-use on Knowledge (XXG). Free use is more easily claimed under US copyright law than it is elsewhere in the world and, though Knowledge (XXG) is US based, it is accessible everywhere. The source of the
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The article on "Beatus Vir" says the piece was commissionned by Karol Wojtyła for the 900th anniversary of the martyrdom of St. Stanisław, whereas this article says it was composed for the appointment of Karol Wojtyła. None of the statements have a reference.
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There should be a citation on the photo. USC's Polish Music Center website has the exact same photo, and attributes the picture to Maja Trochimczyk. I think whoever put up the photo should say where they got it, or add that it was a photo taken by
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preferences (which are quite different, I assure you), and I have been working on this article for some time, myself. The problem has to do with inconsistent citation styles, and the majority are and have been author-date, which is why there is a
133: 1220:) identifies the recording from which the (fair-use) sample was taken. Further, I see that in the Górecki article (as opposed to the Miserere and Symphony No. 2 articles), someone has replaced the "info" links with this notice: 1233:, Nonesuch Records, as a US-based company, is more defensible to use under free-use provisions of copyright law than recordings owned by companies based in other countries (Kontrapunkt, Philips, or Koch-Schwann, for example).— 558:
can polish monkeys explain why Prussian and Lithuanian land is in poland and none of Prussian left alive and only 5000 Lithuanians left??????? 1/3 of poland is ancient Lithuanian-Prussian land like silesia is ancient polish
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For a start, what do you think about replacing the Lerchenmusik sample with an excerpt from the First Symphone? I think then we have samples from each of his three broad phases (modernism, transitional and miminalist) ?
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is a good example). In addition, short-title subsequent references cannot be distinguished from one another, so the reader cannot know whether to look for the full reference in the Bibliography, or further back in the
695:. Note that to play an .ogg file every browser needs to download the file first, one way or another. I suspect that a browser's reaction to clicking an .ogg file is highly dependent on the user's local configuration. 800:: In the interest of civility, I am suspending work on this matter until a discussion has been possible. If there are valid reasons for overriding the first editor's format decision, then I am willing to listen.— 70: 34: 1042:
Ok I conceed, you got me ;). I'm going to switch the article in my user space to you preferered style ie year of publication in each ref, and journal extracts included in the biblo. I'll fight you though on
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For sure, it was difficult to choose. In the end I went with a pasasge that was self contained and made some sence as a 29 second burst, and to be honest that I like (I dont like most of the First).
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Please stop imposing your own preferences on an article that has long been worked on. You are near 3RR, as am I, and it is just silly. If you want to add content feel free, but just.stop.this.
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I see the usual icons are not present here. When I click on the sound files, it starts downloading them (which I don't really want). Is there a reason for this, I wonder? --
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I think the first quote (which looks like a paraphrase) would be a valuable addition. Marek, T. & David Drew. "Górecki in Interview (1968) -- and 20 Years After."
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It is indeed a work in progress (as are all articles on Knowledge (XXG)), and this discussion really belongs on the Talk:Henryk Górecki page, where I am moving it.—
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There is a lecture & performance entirely on Gorecki by Professor Adrian Thomas and Chamber Domaine which is avaliable online (transcript, audio & video):
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in parentheses). Do please remember to put a space between the period and the page number, however, to avoid making it look like a decimal fraction.—
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You are correct, it is a guideline, rather than apolicy. I misspoke. The specific guidelines may be found at several places: in general form at
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I think that the fact that Boulez was a friend of HG is not a reason to have his picture in the article. I suggest it is removed. Thank you--
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don't put it up myself as there is a possible conflict-of-interest as I am connected with Gresham College, where the lecture was given).
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Didn't there used to be a picture of the composer in this article? The edit summaries in the history don't suggest a copyright removal.--
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https://web.archive.org/web/20160304095501/http://www.theguardian.com/music/musicblog/video/2014/apr/14/philharmonic-orchaestra-video
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Henryk Gorecki passed away in 2010. I find it odd how there is no section about his death. Can someone please provide more detail?
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Yes, I think that would give a more balanced picture of his work. BTW, I notice that only one of the three sound samples (the
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Drew draws significance from the fact that both the composer’s birthplace and Katowice, where he studied music, are close to
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has it own page with the sound file included, and Lerchenmusik does not, probably we should loose the Miserere file instead.
751: 2081: 1971: 1861: 1735: 1625: 947: 854: 282:, a group of editors writing and developing biographical articles about composers of all eras and styles. The project 943: 1458:
think that this information (if someone else knows) would be a great addition to the wikipedia entry. Thank you. --
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Will try and fix these. Are you happy with the section of the First I selected for the sample; I was quite unsure.
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changed to something other than they are at present, please, please state them. (I have asked before, after all.)—
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https://web.archive.org/web/20160227073621/http://www.usc.edu/dept/polish_music/PMJ/issue/6.2.03/Gorecki1962.html
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to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
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to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
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to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
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to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
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to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
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Was Gorecki a graduate of this academy? The article on the academy (both pl and en) claim that he was. Cheers.
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and have moved work to user space where I can avoide reverted your child like one edit per single . in peace.
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The Second Symphony was "a full-throated answer" to the disillusion resulting from the end of that thaw.
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The liner notes accompanying the London Sinfonietta recording of Symphony No. 3 are by British critic
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https://web.archive.org/web/20120917102253/http://www.mahlerarchives.net/archives/ellisevocations.pdf
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https://web.archive.org/web/20101226224921/http://gresham.ac.uk/event.asp?PageId=108&EventId=815
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Its a work in progress, can you bear with me, I'm off to bed now (early start <sigh: -->
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http://www.theguardian.com/music/musicblog/video/2014/apr/14/philharmonic-orchaestra-video
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The picture I referred to was a sketch - take a look at the history page c.October 2005.--
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I take it, then, that you reject Wiklipedia policy. In which case, what can I say?—
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http://www.newyorker.com/culture/cultural-comment/cult-fame-discontents
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http://www.newyorker.com/culture/cultural-comment/cult-fame-discontents
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http://www.usc.edu/dept/polish_music/PMJ/issue/6.2.03/Gorecki1962.html
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This article has been given a rating which conflicts with the
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http://www.gresham.ac.uk/event.asp?PageId=108&EventId=815
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and contain a few pieces of information which may be useful:
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When you have finished reviewing my changes, please set the
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http://www.gresham.ac.uk/event.asp?PageId=45&EventId=815
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What's the matter with the current section headed "Death"?—
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for additional information. I made the following changes:
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for additional information. I made the following changes:
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http://www.mahlerarchives.net/archives/ellisevocations.pdf
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for additional information. I made the following changes:
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for additional information. I made the following changes:
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for additional information. I made the following changes:
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This is very interesting and usefull, thanks for sharing!
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The idea that the first editor to add a ref; in this case
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I agree and have credited the photo to Maja Trochimczyk --
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http://pages.sbcglobal.net/jameswierzbicki/gorecki.htm
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Thanks, I'll try and fix this. By the way, I think as
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Start-Class articles with conflicting quality ratings
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Knowledge (XXG):Manual_of_Style#Stability_of_articles
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http://www.usc.edu/dept/polish_music/PMJ/issues.html
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Editors 998:Ok, by user space I mean i am working on the refs 554:multiculturalism in poland??? it's a joke, right? 2161:Knowledge (XXG) level-5 vital articles in People 1473:Circumstances of the composition of "Beatus Vir" 942:, and with particular reference to citations at 940:Knowledge (XXG):MoS#Consistency_within_articles 2019:This message was posted before February 2018. 1909:This message was posted before February 2018. 1799:This message was posted before February 2018. 1673:This message was posted before February 2018. 1563:This message was posted before February 2018. 944:Knowledge (XXG):Citing_sources#Citation_styles 2201:Mid-importance biography (musicians) articles 754:. One edit per . is a bit much, in fairness. 8: 225:Knowledge (XXG):WikiProject Classical music 1989:I have just modified one external link on 1879:I have just modified one external link on 1643:I have just modified one external link on 443: 325: 244: 156: 42: 15: 1753:I have just modified 3 external links on 1507:I have just modified 2 external links on 1353:New York Times profile of the composer. 2151:Knowledge (XXG) vital articles in People 1221: 936:Knowledge (XXG):MoS#Internal_consistency 276:This article is within the scope of the 907:You can take it, then, I ask that what 445: 327: 246: 158: 117: 2196:C-Class biography (musicians) articles 2146:Knowledge (XXG) level-5 vital articles 1552:to let others know (documentation at 400:Knowledge (XXG):WikiProject Biography 292:Knowledge (XXG):WikiProject Composers 7: 2171:WikiProject Classical music articles 2136:Knowledge (XXG) In the news articles 581:Lithuanian land in current Poland. 491:This article is within the scope of 376:This article is within the scope of 228:Template:WikiProject Classical music 201:This article is within the scope of 147:It is of interest to the following 1185:I would be very pleased to do so.— 511:Knowledge (XXG):WikiProject Poland 314:project-independent quality rating 14: 1993:. 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should 514:Template:WikiProject Poland 204:WikiProject Classical music 2242: 2191:C-Class biography articles 2050:(last update: 5 June 2024) 1986:Hello fellow Wikipedians, 1940:(last update: 5 June 2024) 1876:Hello fellow Wikipedians, 1830:(last update: 5 June 2024) 1750:Hello fellow Wikipedians, 1704:(last update: 5 June 2024) 1640:Hello fellow Wikipedians, 1594:(last update: 5 June 2024) 1504:Hello fellow Wikipedians, 1437:I agree and have removed. 1374:Online Resource Suggestion 1152:I've been adding content. 621:16:10, 29 July 2006 (CST) 537:project's importance scale 71:Featured article candidate 31:featured article candidate 2121:16:55, 23 July 2018 (UTC) 2106:06:06, 23 July 2018 (UTC) 1867:15:06, 27 July 2017 (UTC) 1741:06:42, 1 April 2017 (UTC) 1393:17:22, 3 March 2009 (UTC) 1019:Contemporary Music Review 640:01:36, 30 July 2006 (UTC) 630:22:53, 29 July 2006 (UTC) 530: 463: 423: 348: 311: 264: 173: 155: 45: 41: 231:Classical music articles 2216:C-Class Poland articles 1982:External links modified 1872:External links modified 1746:External links modified 1636:External links modified 1500:External links modified 1417: 2141:C-Class vital articles 1226: 420: 196:Classical music portal 2091: 1225: 427:WikiProject Musicians 419: 379:WikiProject Biography 279:WikiProject Composers 141:on Knowledge (XXG)'s 134:level-5 vital article 2031:regular verification 1921:regular verification 1811:regular verification 1685:regular verification 1575:regular verification 1385:Jamesfranklingresham 693:Media Player Classic 2021:After February 2018 1911:After February 2018 1801:After February 2018 1675:After February 2018 1565:After February 2018 1544:parameter below to 730:Nothing to do with 2075:InternetArchiveBot 2026:InternetArchiveBot 1965:InternetArchiveBot 1916:InternetArchiveBot 1855:InternetArchiveBot 1806:InternetArchiveBot 1729:InternetArchiveBot 1680:InternetArchiveBot 1619:InternetArchiveBot 1570:InternetArchiveBot 1253:Miserere (Górecki) 1227: 494:WikiProject Poland 421: 406:biography articles 298:Composers articles 143:content assessment 46:Article milestones 2051: 1941: 1831: 1705: 1595: 1484:comment added by 918:nonsence please. 711:Reference formats 587:comment added by 565:comment added by 551: 550: 547: 546: 543: 542: 442: 441: 438: 437: 324: 323: 320: 319: 243: 242: 239: 238: 219:for more details. 112: 111: 106:November 12, 2010 80: 79: 64:December 15, 2008 2233: 2085: 2076: 2049: 2048: 2027: 1975: 1966: 1939: 1938: 1917: 1865: 1856: 1829: 1828: 1807: 1739: 1730: 1703: 1702: 1681: 1629: 1620: 1593: 1592: 1571: 1559: 1496: 1453:Changes in style 1418:Boulez's picture 864: 837:deleted contribs 697:Michael Bednarek 678: 673: 599: 577: 519: 518: 515: 512: 509: 488: 483: 482: 481: 472: 465: 464: 459: 451: 444: 408: 407: 404: 401: 398: 384:join the project 373: 371:Biography portal 368: 367: 366: 357: 350: 349: 344: 333: 326: 300: 299: 296: 293: 290: 273: 266: 265: 260: 252: 245: 233: 232: 229: 226: 223: 198: 193: 192: 191: 182: 175: 174: 164: 157: 140: 131: 130: 123: 122: 114: 89: 66: 43: 23: 16: 2241: 2240: 2236: 2235: 2234: 2232: 2231: 2230: 2126: 2125: 2094: 2092:Gorecki's death 2079: 2074: 2042: 2035:have permission 2025: 1999:this simple FaQ 1984: 1969: 1964: 1932: 1925:have permission 1915: 1889:this simple FaQ 1874: 1859: 1854: 1822: 1815:have permission 1805: 1763:this simple FaQ 1748: 1733: 1728: 1696: 1689:have permission 1679: 1653:this simple FaQ 1638: 1623: 1618: 1586: 1579:have permission 1569: 1553: 1517:this simple FaQ 1502: 1486:209.104.107.138 1479: 1475: 1455: 1420: 1376: 1273: 822: 713: 676: 671: 666: 647: 605: 582: 560: 556: 517:Poland articles 516: 513: 510: 507: 506: 484: 479: 477: 457: 405: 402: 399: 396: 395: 369: 364: 362: 339: 297: 294: 291: 288: 287: 284:discussion page 258: 230: 227: 224: 222:Classical music 221: 220: 209:classical music 194: 189: 187: 168:Classical music 138: 128: 62: 12: 11: 5: 2239: 2237: 2229: 2228: 2223: 2218: 2213: 2208: 2203: 2198: 2193: 2188: 2183: 2178: 2173: 2168: 2163: 2158: 2153: 2148: 2143: 2138: 2128: 2127: 2124: 2123: 2093: 2090: 2069: 2068: 2061: 2014: 2013: 2005:Added archive 1991:Henryk Górecki 1983: 1980: 1959: 1958: 1951: 1904: 1903: 1895:Added archive 1881:Henryk Górecki 1873: 1870: 1849: 1848: 1841: 1794: 1793: 1785:Added archive 1783: 1775:Added archive 1773: 1755:Henryk Górecki 1747: 1744: 1723: 1722: 1715: 1668: 1667: 1659:Added archive 1645:Henryk Górecki 1637: 1634: 1613: 1612: 1605: 1538: 1537: 1529:Added archive 1527: 1509:Henryk Górecki 1501: 1498: 1474: 1471: 1454: 1451: 1450: 1449: 1419: 1416: 1415: 1414: 1413: 1412: 1375: 1372: 1370: 1368: 1367: 1366: 1365: 1347: 1326: 1325: 1296: 1295: 1288: 1285: 1272: 1269: 1268: 1267: 1249: 1248: 1247: 1246: 1245: 1199: 1198: 1197: 1166: 1165: 1164: 1150: 1149: 1148: 1147: 1146: 1145: 1144: 1143: 1142: 1141: 1140: 1095: 1094: 1093: 1078: 1040: 1039: 1038: 1023: 981: 932: 931: 930: 816: 815: 814: 813: 812: 780: 747: 735:Bibliography.— 712: 709: 708: 707: 665: 662: 651:Stan J. 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bug 1626:Report bug 1277:David Drew 1022:footnotes. 855:block user 849:filter log 213:guidelines 104:column on 2065:this tool 2058:this tool 1955:this tool 1948:this tool 1845:this tool 1838:this tool 1719:this tool 1712:this tool 1609:this tool 1602:this tool 1460:Pittsoc25 861:block log 397:Biography 342:Musicians 337:Biography 289:Composers 256:Composers 137:is rated 94:Main Page 2071:Cheers.— 1961:Cheers.— 1851:Cheers.— 1725:Cheers.— 1615:Cheers.— 1482:unsigned 1424:Karljoos 1355:Kablammo 1337:Kablammo 1315:Eusebeus 1299:Kablammo 1292:Oświęcim 1231:Miserere 1218:Miserere 952:civility 831:contribs 619:escobar2 585:unsigned 563:unsigned 1995:my edit 1885:my edit 1759:my edit 1649:my edit 1542:checked 1513:my edit 603:Picture 535:on the 139:C-class 96:in the 54:Process 35:archive 1550:failed 1049:p.171. 909:policy 637:Coil00 627:Shtove 609:shtove 508:Poland 499:Poland 455:Poland 145:scale. 57:Result 1439:Ceoil 1402:Ceoil 1333:Tempo 1257:Ceoil 1204:Ceoil 1171:Ceoil 1154:Ceoil 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