Talk:List of photographers - Knowledge (XXG)

2805:

2005. That telnet database was an extension of a 3 vol. International Photography index edited by Andrew Eskind and published by GEH. That work was based on surveys of public photographic collections beginning as early as 1973. As such, it was, for better or worse, a fair representative of photographic collecting and scholarship of its time. The telnet database did die, but only after I'd saved skeletal copy of it (the former editors now host their own copy of it at photographydatabase.org). I manually cleaned and de-duped the 95,000 GEH entries, resulting in about 60,000 entries that formed the core of what became PIC. I then scraped other endangered online sources by respected researchers, such as John S. Craig's Daguerreian Registry and Michael Pritchard's photoLondon.org. So my initial focus was on preserving endangered scholarship, and the bulk of what existed was focused on the English speaking world in the first century of photography's history. I am largely limited to English language sources (it is my only proficient language), and only somewhat recently has it become more common to find biographical dictionaries in English (or any language, for that matter) of local photographers outside of the US and western Europe. I have added those sources as time has permitted (though time has not permitted much this last year, and I am a team of one). Regarding "Source"/"Data from": we could explain or word this better.... You can read that simply as "There is a corresponding record for this entity in this other publication or database." (However, any of the sources that link you to Ancestry.com indicates original research done by me personally). The majority of entries have multiple sources, though some have only one. I'm happy to post a list of PIC entries which ONLY have Wikidata as a source (if I ran my query right, it looks like there are 1,644 entries out of 129,000 for which Wikidata is the only source).

2884:, sort of. The PIC data lives in the NYPL Photography (and Print) Department cataloging database (a SQL database called TMS ). There are 3 of us working with photographs (and another 3-4 with prints), all of whom are either Librarians or Specialists with many years' tenure at NYPL. So in the course of our cataloging we all have eyes on these records, though I am most engaged of the staff in this kind of authority work. Also, I should point out that the majority of the research on these names is done by the author(s) of the sources I am indexing. For example, Palmquist & Kailbourne's Pioneer Photograpers books: I am matching their entries to PIC's (and adding information from them where PIC is lacking); else I am adding a new entry to PIC where they have a photographer I lack. These editors are known quantities in photo research, and I take their work on authority in absence of any conflicting information. For the most part, PIC is aggregating, organizing and normalizing information that I (as a photograph cataloger) would consult otherwise in the course of my work. I do original research on photographers when I cannot find (any, enough, or good enough) information elsewhere in the literature. But, no, there's not a peer-review in the sense of a journal. 4233:. That does allow for inclusion of notable people who don't have articles if we provide enough sources showing they could have their own article, but that's not really at issue here (and, at which point, why not just create the article). It's very uncommon that a list of examples like this (as opposed to an exhaustible list) should include non-notable examples, and doubly so when it's a list of people. There is no definition of "noteworthy" apart from "notable" and a post hoc sense of what was suitable to include in a particular article. It sounds like you're defining it as "one reliable source"? Putting aside these policy/guideline issues, that's quite low standard. We don't need to open a flood gate of "every photographer that gets enough for a one-line substub in a reliable source gets a namecheck in Knowledge (XXG)" when we aren't exactly hurting for entries that 3629:(Sea of Japan)". However, the clarity/summarizability of Kondō's interests make him atypical. Select five photographers on this list o' lists at random, and I think on average each will be harder to summarize in a short sentence, other perhaps than blandly/generically ("photojournalist of world trouble spots", "photographer of near-abstract compositions", etc.) ¶ As for sortable lists, I think they're very good for certain purposes. For example, when looking for alternative software for a given purpose, I like lists that let me select what runs under Linux. For this list, I don't see how they'd be useful; and I can easily imagine how often the markup would be broken by a lot of those simple folks (inexperienced SPAs) more or less desperate to add entries about their employers, uncles, selves, etc. -- 4076:. And after all the work that I put into it, it's pretty much the same other than for the addition of a reference saying "credible source X says that this person is/was a 'street photographer', does 'street photography', photographs in the street, or photographs in a way associated with 'street photography'". In retrospect, (i) all that dreary work of adding references has achieved is to make it harder for people to add links to dubious (and probably CoI-influenced) articles; (ii) I have trouble detecting any other utility in that list; (iii) I wish I'd instead put all that time into improving an article. (This couldn't have been Sutkus: Unfortunately I don't read Lithuanian, and didn't/don't have access to a copy of the large 4103:, "2,266 editors" yes, but how many do anything more than drop by to drop in a wikilink? Your point about "List of street photographers" is my point entirely: 1 person of very few doing any sizeable work in this space. Everyone has areas in which they specifically enjoy editing and I'm not going to tell anyone they shouldn't be working on one area and should be working on another. More power to you if you want to work on this list. However we're devising a system here that you're suggesting others will contribute to. My experience of watching this list doesn't bear out your expectations. That's it from me on this now, I don't want to labour the point. -- 1354:). If someone knows the name that they're looking for, they're not going to consult this Knowledge (XXG) list and "look them up" by finding the right place in the alphabet, they're going to type it in the search box. But for those who are browsing the list without a particular name in mind, chronological ordering helps them understand the historical context, like who that photographer's peers were/are. It appropriately puts 19th-century photographers and contemporary photographers at opposite ends, whereas alphabetical sorting might put them side-by-side merely because their last name starts with the same letter. 3258:, it's pretty obvious what source is being spoken of, and we shouldn't cite that one at all, let alone everywhere. Also, the confirmation bias in the above section regarding the reliability of PIC and whether or not it gets its information from Knowledge (XXG) needs to stop. (Full disclosure: I know I'm late to the game on this one; I monitor the Japanese AFD listings, and at one of them Hoary told me about the discussion on this page, which was largely inactive for a week before I got here yesterday, but given Qono's response to me above it seems this still merits mentioning.) 476: 3562:? Oh, good! Note a couple of things: First, chasing up these more-or-less explicit references to "street photography", and then providing these as references (in the Knowledge (XXG) sense), took a load of time and energy: more per photographer than can be devoted to a member of a not-narrowed-down set of photographers in general. Secondly, the terms "street photography" and "street photographer" have been used by knowledgable people with meanings entirely different to that expressed in that list's introductory text. (See as examples 2143:. Surely then in this case the very vast majority of DoBs and DoDs will not require references to be repeated in this list article. They do need to be referenced in the subject article. It is a direct contradiction of purpose if a list is to have some benefit over a category by having some basic further information included and each such piece of information being referenced then turns the page into a 300-400k behemoth but provides no further verfiablity than is already available one click away. Ditto nationality. 3867:? If so, I don't think that this will work. You could do it up to fifty times or so, but there are now very roughly two hundred Youkay British photographers listed. So are you going to break this down to "List of British documentary photographers" (but a huge percentage are "documentary" in some sense or other); "List of British photojournalists" (but "photojournalist" is an untrendy term that many photographers avoid, I suspect in part because it creates an image incompatible with that of Artist and high-priced 3435:. It is difficult to nail a good enough proportion of photographers down to these attributes. This has the potential to rot for living persons. I cannot see me as a reader being interested in using them to navigate this list. Those attributes that exist in this list already are too broad to be of much worthwhile description. The simplest solution that we decide upon will be the one most likely followed by editors, and thus be of greatest value as it will remain maintained. -- 2867:. Thank you for your amazing efforts on PIC! It is impressive. I do have a question, which has bearing only on the use of PIC as a reliable source here, and not its general value or usefulness, which I think is tremendous. The question is this: do you have sole editorial oversight over the entries-- i.e. is anyone else involved in the editorial side of PIC, or does anyone else review your work in house, as part of the PIC team as would happen in a journal or newspaper? 2849:. I refer to the Knowledge (XXG) page where I find them to exist; that is all. And my primary interest in getting data from Wikidata has been Identifiers for other databases (Library of Congress, BnF, etc.) where I did not already have them. I'm sure there have been instances where I've taken a date from Wikidata, but that would be an exception, and not a common practice. I generally already have life dates, and use those to confirm my match to the Wikidata entry. 416: 389: 581:(incidentally, a highly problematic article): "born in Gyumri, Armenia" (which would actually have been the Armenian SSR at the time), active in Armenia. Of these six, Sevada is the only one with Armenian nationality. Now, I've no particular objection to use of "Armenian" to cover people who, regardless of nationality or domicile, consider(ed) themselves Armenian; but if we do that, then why not Basque, Catalan, Kurdish photographers? -- 982:" guideline that I suggested is not meant to be exclusive, but a rough starting point. It is an objective way of establishing notability for inclusion in this list (I'm not talking about notability for inclusion on Knowledge (XXG), or inclusion in other sublists of photographers). Notability can certainly be established in other ways, I'm just suggesting that an objective level of prominence would be a useful guideline. 290: 259: 21: 1616:- I am as likely to search with my eyes as I am with the search tool. I'm not sure chronologically shows peoples' contemporaries, other than in a very broad sense, as what matters is years active. What do we do when year of birth is not known? The simplest solution that we use will be the one most likely followed by editors, and thus be of greatest value as it will remain maintained. -- 917:". This is an amusing idea. It concentrates on those galleries to which tour groups are bussed in to take selfies in front of famous paintings and that host "blockbuster" exhibitions (the huge majority of which have nothing to do with photography). Also it would recognize photographers who had the good sense to take pix of artists and art hangers-on. Tough for such photographers as 339: 321: 4735:, meaning that if someone is in "Spanish women photographers" that person can also be in "Spanish photographers". I'm not sure if there's a rule that applies to lists, too, but I don't see why the principle is any different. We shouldn't have "male" be the "null gender". In mainspace, though, there are concerns about duplicating content that don't apply to categories... — 1051:, but I'm still puzzled. What's the purpose in limiting the number of photographers included? (Right now, I can only think of one possibility. If somebody produces a vanity article about themself, they can prevent it from being an orphan by linking it from here. But the corollary is that listing here can work rather well as a guide to freshly added spam.) -- 3940:). And US photographers are disproportionately well written up and easy for anglophone editors to research. Japanese photographers are increasingly well known, even in English; virtually no Japanese photographer, however significant, gets an article here that goes beyond the perfunctory. When we get to, say, Lithuanian photographers, even the article on 4310:, but thank you for clarifying that what we are talking about is including those who have an entry in an encyclopedic work on the topic. That's obviously better than just "one reliable source," as I mistakenly inferred above, but ultimately doesn't change my opinion. There's another question implied here, though: whether to include 3718:. Most of the names would have been in red. These are photographers that, six user IDs and some IP numbers thought, many people would want to look up in an encyclopedia: Let's create articles on them, and watch the red turn blue. (In retrospect, this list of redlinks was hardly the stuff of an article, well intended though it was.) 3330:. These designations could be included on a case-by-case basis as long as they are sourced, but we don't need these restrictive categories with abbreviations next to entries that require a key to decode. As it is now, being unsourced, this tagging largely constitutes original research, which goes against Knowledge (XXG) policy ( 1231:, "baseline notability" is described in existing guidelines. Want something stricter in order to qualify for listing here? About 36 hours before you posted the comment immediately above, I asked (on this talk page, a short way above): "What's the purpose in limiting the number of photographers included?" I'm still wondering. -- 1430:(PS: Chronological) There is no point if the entries are split by country. Their peers are spread everywhere. If chronological ordering is to be used then all photographers should be together by, for example, decade, and it should not be by date of birth but rather by years active, if it is to show historical context. 1641:'s points to create a compromise, can we agree to list photographers alphabetically but also allow chronological sections by years active, where it makes sense? While there may be a few photographers who overlap, a 19th and 20th century split is a commonly used periodization in photography references, for example. 3812:(born 1952), British documentary photographer, photojournalist and photobook collector, known for photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world. 3861:(born 1952), documentary photographer, photojournalist and photobook collector, known for photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world. 3888:

There are many photographers that are difficult to categorise under topics, unless those categories are as broad as, perhaps, "documentary", "art", "portrait", "landscape" and "commercial", which are so broad as to be mostly pointless. "Documentary" and "art" being most so. And so many photographers

2966:

A qualified okay. I would agree if the above two discussions, and the advice, is retained in an easily identifiable position, for example as formally (yet to be) closed discussion retained with the project banners at the top of this talk page? And perhaps also easily linkable to from other articles

2518:

Please read my comments more carefully. I was quite clear that I think an entry in this list should require an entry in a reliable source's list of noteworthy photographers. That would make this list much more useful than what it is now, which is essentially a list of links with unsourced attribution

2435:

See the AFD comment(s) I linked to. Hobo is an example of a photographer who is NOTEWORTHY enough for inclusion in a list (hence his having brief entries in other encyclopedic works), but apparently not NOTABLE enough for a standalone article. My argument was conditional on the idea that all the info

1404:

Chronological is a pain to edit, and if one is checking for the existence of someone on the list, editing or not, another large pain as you have to read every entry. (On another point, I cannot but help notice that in this entire process you have not bent and inch from your initial position, despite

1213:

I totally agree. The source isn't perfect and it shouldn't be the only source we rely on. But it is a reliable source for nationality and birth and death information, so my using it as such to cite my sources is appropriate. It is especially important to cite when talking about living persons. It has

3839:

Taking the long view, Martin Parr might appear in multiple lists that would eventually be linked to on this page: List of British photographers, List of documentary photographers, List of photojournalists, etc. Taking the shorter view, I think that the short introduction you wrote is a fine example,

3647:

Sourcing, for example as is used in the list of street photographers, requires meticulous attention to find an independent reliable source to support the claim that a photographer works in a particular genre (consider, for example, is street portraiture 'street photography', or 'portraiture'. I say

3778:

asks an important question. My thinking is that this list would develop and grow and be split off to become a jumping-off point to various sub-lists of photographers by nationality, area of practice, time period, artistic movement, and so on. The purpose is to provide an entry point for the curious

3698:

much less cynically pointed out that it's a good way to spot new, well-intended articles that might benefit from assistance. Yes, true. I also said that, if the entries were amplified with short summaries, it might serve as a memory jogger. ("What was the name of the Magnum photographer who did the

2947:

has clarified that the PIC does not use Knowledge (XXG) as a source, and so its usage is not circular. Given that, and considering that the PIC builds and verifies its information from several reliable sources, I propose that PIC is accepted a reliable source for for nationality, date of birth, and

2804:

Hi, I'm David Lowe, the editor/compiler of PIC. I'm happy to offer clarification or insight on the data, and answer any questions. A bit of its pre-history: PIC began as an attempt to save a personal copy of a database once maintained by the George Eastman House (now Eastman Museum) beginning about

1198:

Ok but in the Canada section, for example, you use it exclusively to establish something or other (notability? that is already in the article). It is a)incomplete as did not include several people I checked), b) reliance on a single source excessively (if we are just going to use their database for

4283:

Did either of you read my comment? I'm not talking about "bypassing notability guidelines" (I explicitly cited the guideline that says notability does not apply to content within articles) or shoehorning in non-notable individuals, but allowing this list to be a merge target for articles on people

3643:

I think this list is so broad and long that no-one is likely to use it. I do not base that on having examined stats, but we should, rather than giving just our own opinions! I use this list only to be notified of new articles (whether "COI junk" or articles requiring some attention). It would be a

706:

Yes there might be a size problem. However, I do not think I would agree in any way to redefining notability. If a person meets our notability standards for them to have their own article then they can and should be listed in appropriate lists accordingly. If size becomes a problem then perhaps

3418:. I would furthermore say that they're useless here. Why would someone look first to a country and then alphabetically just to see what type of photographer is there? What would make more sense, if sources can be found for them, would be to create separate pages for e.g. list of photographers. — 1000:, which is tougher than WP:GNG or ANYBIO? Being in several collections or having authored a significant body of work seems reasonable. That said, I am not really sure that stricter criteria are required, since as Hoary says, no one reads this as prose. There is more pressing work to be done here. 3644:

shame to be without that as an editor's tool. There are many and better ways in which this is done using more narrowly defined lists, and categories (though categories do not seem to be able to be used to link to in the way lists are, but they already provide all the sub-dividing Qono dreams of).

2255:

material should be sourced. If you see something that's unsourced, however, your first instinct shouldn't be to remove it. Check the article for a source and copy it over. If it's not there, you can decide whether to do a search for a source or tag it with citation needed. Of course, if you have

858:

I did add any that were in the long list but missing from the country-specific list, but I didn't add the genres, which I've long disliked. I find them restrictive and at times pointless because people do not always fall neatly into them. I usually leave them off for photographers I have written

3913:

In regards to how various lists will be split once they reach an unmanageable size, I think the editors of each list can cross that bridge when they get there. I don't think it something we need to map out right now. That said, lists like "List of 19th-century British photographers" or "List of

3234:. I don't understand why not. (It's not as if any source considered here were notoriously retrogressive/anarchist/etc, and heavy reliance on it might lead an article propagate that world view.) But this is moot because the source that's primarily in mind here cannot be regarded as reliable. -- 2752:

Please be a bit more skeptical if you are going to discuss sourcing; the word of a Knowledge (XXG) account claiming to be involved in the site in question, saying that it doesn't get information from Knowledge (XXG), when the site itself clearly says otherwise (and this is backed up by a quick

3990:

I'm interested in improving all areas of Knowledge (XXG). Editors are free to edit wherever they please, but if we're counting, this list is more trafficked than the article on Antanas Sutkus (249 pageviews vs. 6,119 in the last 30 days). Given that measure, one might argue this list is more

4332:(as in notable enough to have an article). Theoretically, the only reason we can't build an article out of sourced descriptions and commentary on Hobo's photographs is that that information would make little sense without the photos themselves, and those won't be under copyright forever. 3721:

That reason for the list evaporated quite some time ago. (Actually I may have been the person who instituted the "no red links" rule.) There's nothing necessarily wrong with a creation outliving its original purpose and gaining another, quite different purpose. But what's the purpose? --

3651:

I think we're creating unnecessary work for ourselves. Across the board, articles on photographers are given little editor input, and I speak as someone who has probably touched base with most of them. I hope we choose a solution that requires as little effort as possible to maintain.

947:

I agree with Hoary's comments, in particular that the one million annual visitors means excluding many quality photographers and potentially pandering to the agenda of museums that can stage blockbuster-type shows. Excellent artists who show at smaller but high quality galleries

4284:

who are notable but not "notable" in the sense of already having their own article. I gave a clear method of determining this (having an entry in an encyclopedic work on the topic), which would rule out random non-notable people who call themselves renowned photographers.

3217:: "A single source is usually less than ideal, because a single source may be inaccurate or biased. Without other sources for corroboration, accuracy or neutrality may be suspect. By finding multiple independent sources, the reliability of the encyclopedia is improved." 537:

Depends on what you mean by nationality? Where they were born, where they grew up, where they plied their trade which could be multiple countries? Can you describe the internationality of the coverage that will be provided by each of the authorities you plan to use?

3098:

not only cites Knowledge (XXG) in the same fashion but its giving the photographer's name in Japanese order because he was born before 25 January 1868, without any indication that that is what it is doing, is a tell-tale sign that it copied our article with its

4688:

I'm in favour of putting them all in the one list. I was originally thinking that organising by period seemed sensible, but imagined the overlap would make it untenable. However on reflection, given you seem to be taking overlap in your stride, it seems OK.

3544:. (that is informative in its own right by way of notes and leads our readers to even more information because of the references) Having an RfC for a page with zero sources for BIO info and sub-classification within their field is not a good thing.-- 4673:

If this list is to be chopped up, I'd much rather it were chopped up by period than by sex. How about people active –1874, 1875–1899, 1900–1924, 1925–1949, 1950–1974, 1975–1999, 2000–2024? (Of course, a lot of people would make multiple appearances.) --

3104: 1028:

is also useful here. I understand that nobody reads this as prose; "readable prose" is just a phrase used to mean article content excluding references and other code. For the list to be useful, it needs to be a reasonable size and have some sort of

2273:- I have not examined the policy but, only existing articles are allowed in the list, and for there to be an article there must be adequate sources in that article, otherwise we would take it to at AfD. I cannot see this being maintained. -- 912:

it even if it were one quarter the length. So I don't know why anyone would want to invest a lot of time and energy in shortening it. However, if you must, then let's consider: "photographers with works in the collection of four or more

3191:) does not restrict the number of times a reliable source can be used. A diversity of sources may be preferable, but a reliable source is better than no source. There should be no limit on the number of times a reliable source is used. 2206:

use inline citations, but the standard isn't that we only use citations on Knowledge (XXG) when we absolutely must, but that we use citations whenever we can, otherwise it is original research, which goes against Knowledge (XXG) policy

2380:

I thought it was a given that lists include people who don't have their own articles, but it doesn't really matter here, since I only said it to summarize my reasoning given in mor detail at the AFD, as an explanation for my answer to

2581:, Photographers' Identity Catalog (PIC) is not a reliable source for nationality, date of birth, and date of death because to an unknown extent, some of their data is sourced from Knowledge (XXG) or Wikidata. The PIC entries for 4204:, this page would be expanded massively, but that's normally dealt with by splitting articles, not blanking information that is reliably sourced and interesting but doesn't meet some arbitrary page-specific inclusion criterion. 4178:

This was talked about a bit above. Obviously I don't support inclusion of vanity content cited to primary sources by the non-notable photographers themselves. I'm talking about people who, for instance, have short entries in

4181: 205: 3801:; anyway, one or two photographers that we people discussing the matter here on the talk page can be expected to know -- and try to provide a sample, or samples, of fully formed entries. (Some way above, I did this for 828:

If you're replacing the list of photographers with a link to the country's list article, it is best that you migrate the members of that list as well, including the designations that the photographers have been tagged

732:

I'm not recommending new notability guidelines for photographer entries, or even for lists of photographers, but I do think that for this high-level list, we should have stricter, objective guidelines for inclusion.

4703:

I'll be candid and say that if I'd be taking overlap in anybody's stride, it wouldn't be my stride. Sorry, but I have no appetite for doing even a co-conspirator's share of what would probably be a lot of work. (As

4133:

Arguing that an article is a waste of time or putting effort into it a waste of time is just deplorable. Blocking people trying to improve articles for accessibility for our readers is shocking to see.... should be

2655:

but not 500 times. Seriously? it is US-centric, does not include many artists on the page and leads to the page being entriely referenced form a single database. We are looking for diversity of sources, as always.

3212:

is just bad form as it causes the page to be heavily dependent on that source. As well, it appears from above that a source is not really required when the linked article contains the DOB with source. Quoting the

4185:, but about whom we do not have enough to build a standalone article here at the moment. My reasoning is that, if any of the above proposals about including sourced dates, etc., pass, then one-line substubs like 3889:

can be categorised under multiple titles. Unless someone's total repertoire can be categorised as, for example, "street photography", whcich is not often, then I usually give up categorising out of frustration. -

2362:, you're proposing a radical change to the list as it is now. It is, of course, entirely legitimate to make this proposal, but please do so under a new subheading, one that will draw people's attention to it. -- 1159:

The PIC is published by the New York Public Library, which is absolutely a reliable source. Knowledge (XXG) is not a source for the PIC, it merely points to Knowledge (XXG) articles when there is a corresponding

2408:

This isn't a question of "should we include non-notable individuals." Lists of examples of people should, as a rule, include only notable examples (as opposed to lists that can be exhaustive, etc.). That's just

1409:, one might think you would like to bend a bit, accept the views of more experienced editors (and I do not mean me) and get on with things? it's a waste of time to beat a dead horse on this one. Just a thought.) 3805:-- I know him fairly well, but for some reason keep forgetting his name -- but he's little known and atypically pigeonholable.) Let me kick this off, unashamedly ripping off the intro to the linked-to article: 2781:- If it takes material from Knowledge (XXG), that's a problem. Doesn't matter if it's US-centric, though -- nobody's saying we should only include material from there. Surely nobody would say we discount e.g. 1371:

This is not the history of photography, as another editor mentions above. Chronological ordering serves no evident purpose other than providing a historical order, which we are not interested in in this list.

2999:(not "clarified") that PIC does not use Knowledge (XXG) as a source; this claim is contradicted by the explicit wording used on PIC itself, and by a critical reading of the content cited to Knowledge (XXG). 1065:

I use it all the time as a spam radar. This could be an argument for bringing back those from the country-specific lists I so unhesitatingly moved (and more, where those lists were more thorough than this).

2176: 4596:

Entirely agree. Let's get rid of the separation by gender (it's always been a sexist, male-dominated industry) but do include a separate list of women photographers for the many researchers interested.

565:(the Armenian form of whose name is different): born in the Ottoman empire, more specifically perhaps in what is now Armenia (but I didn't check), worked in what is now Armenia for part of his career. 3961:'s comment strikes me as a highly articulate (much better than I can muster, for sure) way to say that the juice is in the articles, not the lists, and our time is better spent there. I tend to agree. 2417:-- lists that include non-notable examples inevitably turn into heaping piles of steaming spam). This question is just about whether inline citations are needed for basic biographical information. — 3910:

I think the work required to reach this ideal doesn't mean we shouldn't strive for that ideal. Even with 200 entries, if 10 editors put work in, that's 20 entries each. Over time, that's manageable.

1991:). These policies still apply if the material is cited in another article, and we can't rely on Knowledge (XXG) articles as a source of information because Knowledge (XXG) is not a reliable source ( 4519:; or separate by nationality—we already have the following country-specific lists (but, apart from Japan, none for the countries with the longest lists of photographers: USA, UK, Canada, Germany): 2630:. The Photographers' Identity Catalog is published by the New York Public Library. It uses trusted sources for its information, including The Getty Research Institute's Union List of Artist Names, 2315:, this list is useless if all it is is a list of links to articles—that's what categories are for. This list should include both links to articles and entries on photographers who, like Hobo, are 1390:

the purpose of chronological ordering, and one that is more helpful to readers than alphabetical order, which is arbitrary and provides no value. What purpose does alphabetical ordering serve?

3874:

prints); "List of British photographers L–R" (probably contravenes MoS); or both "List of British photographers active 1975–1999" and "List of British photographers active 2000–"; or what? --

1935:. Thus, per status quo, there is no mandatory requirement for "nationality, date of birth, and date of death" to be cited — but, best practice is to source statements wherever they appear per 485: 399: 2504:

chosen for that list." What you're suggesting is a change in this criteria here... adding people not notable enough for their own article to this list that doesn't contain any sources. --

3094:

and repeats Japanese Knowledge (XXG)'s unsourced claim that he was born in Kamakura (note that I'm not saying he wasn't born in Kamakura -- I'm saying the info came from Knowledge (XXG));

4377:"If an article becomes too large, or a section of an article has a length that is out of proportion to the rest of the article, it may be appropriate for some or all of the article to be 3991:

important. This is all moot; discussions about how to focus editor effort might be more appropriate on WikiProject pages. Discussion here should focus on how best to improve this list (

3914:

British photographers active 1900–1950" or similar sublists like you mentioned would be a potentially useful way to split up those articles once they got to be too large on their own.

3514: 908:"this list will exceed the 50kB 'readable prose' size guideline given for article sizes". Yes, and this won't matter in the slightest, because it's not prose and nobody would want to 1248:, you say that PIC "is a reliable source for nationality and birth and death information". I thought I'd look. Up for the challenge of, uh, leaving my comfort zone, I looked at the 961: 4371:

split into various "List of X women photographers" articles. We potentially give the appearance of a canonical list of photographers, but which predominantly only contains men.

3084:

I don't buy that: a COI editor tells us "Don't worry -- my website doesn't take its information from Knowledge (XXG)", despite the fact that the website itself says otherwise:

199: 577:: "son of Syriac-Armenian photographer Pascal Sébah" (and some unspecified lady); presumably born in either what is now Egypt or what is now Turkey; active in Constantinople. 4793: 807:

Sorry I am trigger happy and rushed ahead with splitting up by country. There are often many articles in those lists of photographers by country that were not in this list. -

691:

With this new formatting, this list will exceed the 50kB "readable prose" size guideline given for article sizes. To mitigate this, I would like to come up with some kind of

48:, but as long as nationality, date of birth, and date of death are sourced in their respective articles, they shouldn't be removed from this list just for lacking a citation. 2909:, if not from Knowledge (XXG)? Per my analysis below, it seems highly unlikely that the information was originally taken from any source other than English Knowledge (XXG). 1130:

I suggest that PIC is NOT a suitable reference for use in Knowledge (XXG). One of its major sources IS Knowledge (XXG), hence any such reference is circular and useless?

250: 1541:

chronological order; I just think that it would be more troublesome than name order. (More complex too, as you'd need name order among the entries for a given year.) --

2827:. Very helpful. I just wanted to confirm, since this currently is the major point of contention on whether or not the PIC is a reliable source, that Knowledge (XXG) is 3506: 2063:

If the DoB info, etc. is cited on entry's article, it is attributable, but only on that article's page. The citation does not carry over to other pages automatically.

3928:

That seems a lot of time and effort by people whose Knowledge (XXG)-photographic energies would be far better employed elsewhere. My recent work creating the article

557:. Their years of birth and death, where known, seemed helpful, so I added them. (Feel free to delete them if you don't like this innovation.) But their Armenianness? 2436:

currently in the article would be more useful if incorporated into a longer article. If this list included his dates, the article would be a complete content fork.

1033:. It seems that we're generally in agreement that photographers listed here should be notable and follow Knowledge (XXG)'s general notability guidelines for lists. 3706:

Each of these strikes me now as a rather desperate attempt to come up with one or more uses for something that outlived its original usefulness over a decade ago.

2312: 600:

The various attributes tagged to photographers ("abstract", "advertising", "aerial") can be used to start new lists such as "List of abstract photographers", etc.

533:

Many of the nationalities listed for these photographers are incorrect. I plan on correcting this information using sources like PIC, ULAN, and other authorities.

466: 3586:

It would be good to add information. I often am puzzled by such questions as "Um, who was that amateur photographer who left a pile of glass plates of scenes in

1924:

Should nationality, date of birth, and date of death information be supported using reliable sources if that information is in the entry's corresponding article?

1285:

Should nationality, date of birth, and date of death information be supported using reliable sources if that information is in the entry's corresponding article?

573:: "born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother"; active in what are now Egypt and Turkey. 1214:

the nice side-effect of establishing some kind of baseline notability as well, though, again, it should not be the only source used for determining notability.

96: 131: 2256:

reason to challenge the factual nature of the information, then go ahead and remove it pending a citation, but not just because it doesn't have a citation. —

2049:, "If, based on your experience, a given statement has a less than 50% chance of being challenged, then inline citations are not required for that material." 4788: 3944:

is feeble. Is there no photographer article that you're equipped to improve and whose improvement seems more worthwhile than work on this or other lists? --

456: 882:

prints are Fine Art, their resale value will appreciate, and your handing over a wad of moolah for them will make you feel like a Fine Art connoisseur." --

3840:

assuming that it would be well sourced and cited properly. Even better, for select entries we could add an image that exemplifies the photographer's work.

702:." Using the NYPL Photographers' Identities Catalog as a reliable source, this might be around 1000 photographers total, which should keep us around 50kb. 4314:

people who just don't have articles yet, but I don't think you're asking about that, right? It sounds like that wouldn't apply to the example you gave? —

3676:

asks various questions. Should the list(s) (or we) do this, or do that? Each, in context, is sensible enough. I mean, given that the goal is (goals are)

1943:. Noting further, that this proposal was in line of the status quo itself and a no consensus close implies there is no deviation from current policies. -- 1775:. While this additional information shouldn't be a requirement, annotating the entries with this information provides useful information for the reader. 4653:" of the latter. The same principle should be applicable elsewhere (though it might need advocacy and agreement beforehand in some discussion page). -- 3208:. Using a source 573 times on a single page is why we have things like the "reliance on a single source template. Diversity of sources is good. Using a 1987:) clearly states "all material must be attributable to reliable, published sources." This is especially important for content regarding living persons ( 1562:

I appreciate the concern over the potential difficulty of implementation, but which ordering do you think would be more helpful to the reader, and why?

4798: 432: 4783: 1252:. An unspecified amount of the (minimal) data is described as from Knowledge (XXG) and/or Wikidata. If this is true, then no, it's not reliable. -- 137: 4418: 3854:

OK, let's take the first of your little list of links: British photographers. No need to say within this that he's British. Do you then envisage:

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I was referring to them being split alphabetically, not by country. By country is something else again, and could/should operate in parallel.

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their being many differing views here that you could at least try to accommodate on at least one or two points. Coming from an editor with a

957: 4598: 4496: 4490: 4472: 4436: 4400: 4388: 2647: 2496:"Lists of "notable people" in an article, such as the "Notable alumni" section in an article on a university, tend to accrue red links, or 246: 242: 82: 2456: 423: 394: 4193:

would be an acceptable place to incorporate the three pieces of information in the article at the moment) will be useless content-forks.

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reader to find out more about photographers, depending on what that reader's interest is, be it a particular subject matter or country.

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I have followed that rule in moving women to the women's lists. Here are the women's articles (with number of entries in parenthesis):

4515:

But why are we even separating by gender? We could instead have one list for all photographers; or a "List of male photographers" and

4448: 4424: 4406: 4254:

this seems like a bypass of article notability rules. We're building an encyclopedia of notable people and things, not a general list.

873:

Hey, "Fine Art photographer" (preferably so capitalized) is unambiguous and unrestrictive. It means "I am an Artist. Therefore these

949: 151: 4536: 4430: 3521:. I support efforts to add useful information, and to start building this list toward something that could be accepted as Featured. 3510: 837: 752: 220: 3714:. And then one realizes: that misspelled red link wouldn't have stood out back then, four years before the start of the article on 156: 72: 3513:, etc. Too much information in a list would make it difficult to use. But too little information reduces the value of a list. See 3032:

I'm frankly shocked anyone would consider this an appropriate conversation to hold on an article talk page, let alone answer yes.

187: 979: 914: 699: 1830:...never make readers search for verifiability and sources in other articles that may or may not have supporting references. -- 350: 326: 126: 4646: 4560: 4542: 772: 764: 554: 1585:- Already sorted by country, so chronological is thrown off. People can get a sense of the time period from the birth date. — 301: 4548: 4524: 4341: 4306:

Yes, though you did not specify a specific inclusion criteria in that post. The Encyclopedia of Japanese Photographers was a

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I rather cynically suggested (some way above) that this list was a useful for us disinterested editors to spot new COI junk.

3485:

You can have both alphabetical and chronological if you make this a sortable list. Different forms of list are allowable per

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