449:
exhibited the multi-media installation âDelay,â a collaboration with sound artist
Florian Grond at Trondheim's Norwegian University of Science and Technology's Galleri KiT, which was subsequently shown at Oboro as part of the International Digital Art Biennial (BIAN) and the Montreal Digital Spring 2016. For this piece, Brett Bouma and Martin Villiger at The Wellman Center for Photomedicine (Massachusetts General Hospital Harvard Medical School) provided the Fourier-domain Optical Coherence Tomography Scanning of the surface one of Shermanâs early paintings, which Grond subsequently sonified and Sherman and Grond turned into an installation, where the âvoiceâ of the painting could be heard. This exhibition took place just prior to a survey of Shermanâs work, focusing on her interest in the correlation between the visual, aural and haptic senses, also presented at Oboro in fall of 2016. In 2020 Mario Diacono organized a showing of her audience-triggered Black Box, which transforms a typically rational computational device (a typical black box) into something emotionally fraught through a choreographed play of light, movement and sound â musical composition composed by Mathieu Corajod. The piece was first shown in 2019 during the artistsâ residencies at the CitĂ© des international arts.[12.)
464:
Chicago and
Viennese artists that included a film series, concert and reading program (supported by Another Chicago Magazine) encouraged transdiciplinarity and international collaboration, which have become the nonprofitâs hallmark. Since its founding, TransCultural Exchange has produced over 200 projects, cultural exchanges, exhibitions, and public art works in more than 60 countries. In 2002, UNESCO awarded TransCultural Exchange sponsorship for its Tile Project: Destination: The World. In 2007, the organization began producing the largest international forum for working artists to meet, network and exchange best practices, TransCultural Exchangeâs International Conferences on Opportunities in the Arts.
181:
119:
95:
311:
293:
227:
209:
381:
321:
64:
556:
237:
129:
443:
Sherman was born in
Pensacola, Florida in 1957. Three months after her birth, her family moved to Midway Island and later settled in Virginia in 1963. After graduating with a B.A. from Boston College in 1980, she went on to receive her M.F.A. in 1998 from New York University. As a graduate student,
451:
Sherman also teaches at Boston
College and Northeastern University and has served as the interim Associate Director of Massachusetts Institute of Technology's Program in Art, Culture and Technology. From 2003 to 2004, she was an Artist in Residence at MIT in mechanical engineering. While there,
460:
In 2009, Sherman was awarded a
Fulbright to the Taipei National University of the Arts, in 2012 to Koç University (Istanbul) and in 2012 to Trondheim's Norwegian University of Science and Technology. In 2016, Leonardo Electronic Almanac/MIT Press published Mary Sherman: What if You Could Hear a
463:
In 1989, Sherman, along with a number of
Chicago artists founded the artists-run TransCultural Exchange, which was incorporated September 17, 2002 as a 501(c)(3) nonprofit organization. Like Shermanâs work, TransCultural Exchangeâs first project, âReverse Angleâ â a traveling exhibition between
448:
Shermanâs works activate traditional fine art materials with digital tools to create multi-sensory installations, often collaborating with composers. In 2012, her piece Eri After Dark, a collaboration with the French composer Benoit
Granier, premiered at the Beijing Conservatory. In 2014, she
457:
Earlier in her career, while pursuing her art work, she also worked as an art critic, publishing numerous articles on the visual arts in such publications as ARTnews and Arts
International. She also wrote criticism as a regular contributor for The Boston Globe (1990) and The Boston Herald
425:
Thanks again for all your help with this matter. Please see below the revised text for Mary
Sherman's individual page. I leave it up to you and the editors to determine if this falls within the Knowledge (XXG) guidelines!
762:
802:
757:
190:
105:
43:
797:
767:
685:
681:
667:
522:
Quebec Daily
Examiner, "Exploring New Horizons: TransCultural Exchangeâs 6th International Conference on Opportunities in the Art," by Asheley Owens, November 6, 2017.
488:
ETC MEDIA108, Dans les internets/Inside the Internet, âDelay (2012) de Mary Sherman You lâaudification du regard,âp. 9, June-September 2016, by Abenavoli, Lorella.
48:
747:
782:
597:
on behalf of Mary Sherman. Their editing has included contributions to this article. This user has been banned and may therefore be reverted on sight, per
31:) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or
259:
653:
147:
23:
792:
590:
343:
777:
772:
151:
250:
214:
787:
334:
298:
617:) has been paid by TransCultural Exchange on behalf of Transcultural Exchange. Identifies as a board member of TransCultural Exchange
146:, a collaborative effort to create, develop and organize Knowledge (XXG)'s articles about people. All interested editors are invited to
752:
155:
408:
142:
100:
663:
When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.
452:
she also worked with the MIT glass lab to cast a painting in glass, which led to a residency at the Pilchuck Glass School. Link to:
400:
392:
614:
458:(1991-2003), and was the chief art critic for the Chicago Sun-Times (from 1988-1990) and a columnist for WBUR's online magazine.
75:
584:
728:
566:
654:
https://web.archive.org/web/20150402130958/http://www.miraslist.com/2010/07/interview-with-transcultural-exchange.html
569:
require that editors disclose their "employer, client, and affiliation" with respect to any paid contribution; see
32:
684:
to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
580:
657:
574:
81:
520:
Architecture, Time, Space & People, Vol. 4, Issue 8, (August, 2004), "The Tile Project," Merher Pestonji.
719:
645:
641:
598:
703:
If you have discovered URLs which were erroneously considered dead by the bot, you can report them with
691:
637:
342:
on Knowledge (XXG). If you would like to participate, please visit the project page, where you can join
258:
on Knowledge (XXG). If you would like to participate, please visit the project page, where you can join
644:. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit
494:
Stuttgarter-Zeigung, âDas Performanceduo Naf feiert den Erfolg,â January 28, 2019, by Nicole Golombek.
608:
562:
542:
431:
42:. If such material is repeatedly inserted, or if you have other concerns, please report the issue to
63:
533:
326:
46:.If you are a subject of this article, or acting on behalf of one, and you need help, please see
688:
before doing mass systematic removals. This message is updated dynamically through the template
482:
Zeitschrift fĂŒr Neue Musik, âForschen mit den Ohren,â p. 65-66, November 2015, by Anna Beerlink.
39:
704:
180:
492:
S-Nord/S-Ost, âIm Stau gegen die Selbstoptimierung,â January 29, 2019, by Susanna MĂŒller-Baji.
570:
242:
134:
711:
604:
538:
427:
508:
670:, "External links modified" talk page sections are no longer generated or monitored by
710:
If you found an error with any archives or the URLs themselves, you can fix them with
677:
490:
Le Devoir, "Peintures cinétiques et chatouilleuses," Nov. 19, 2016, by JérÎme Delgado.
741:
518:
Gallerie, India, "The Coaster Project, Destination: The World, feature article, 2000.
255:
512:"Mary Sherman of TransCultural Exchange". Art New England. Retrieved March 26, 2015.
498:
507:
MIT Tech Talk, (Nov. 16) âArtistsâ dreamscape builds on MIT,â Amanda Smyth. Link:
444:
Sherman did an internship with Ursula von Rydingsvard, who inspired Sherman's work
733:
546:
503:
496:
The Boston Globe, âMary Sherman: Black Box,â by Cate McQuaid, February 23, 2020.
435:
339:
380:
118:
94:
676:. No special action is required regarding these talk page notices, other than
524:
Art New England, "TransCultural Exchange," January/February 2016, by Meg Pier.
316:
232:
124:
486:"BIAN 2016 | AUTOMATA". bianmontreal.ca (in French). Retrieved June 6, 2017.
658:
http://www.miraslist.com/2010/07/interview-with-transcultural-exchange.html
453:
310:
292:
226:
208:
320:
514:
Die Presse, "Viel frischer Wind," November 11, 1989, Markus Mittringer.
477:
154:. For instructions on how to use this banner, please refer to the
484:"Dream Mechanics | OBORO". www.oboro.net. Retrieved June 6, 2017.
534:
https://www.youtube.com/watch?time_continue=1&v=9hj5B1k2HkQ
763:
Unknown-importance biography (arts and entertainment) articles
550:
375:
57:
38:
from the article and its talk page, especially if potentially
15:
407:
here on the Talk page for independent editors to review, or
379:
179:
648:
for additional information. I made the following changes:
516:
Der Standard, "Watchlist: Ausstellung," October 10, 1989.
618:
404:
509:
http://news.mit.edu/2005/artists-dreamscape-builds-mit
475:"Baby, it's cold out there". The Boston Phoenix. 2004.
573:. For advice about reviewing paid contributions, see
461:
Painting, devoted to her work in painting and sound.
338:, a collaborative effort to improve the coverage of
254:, a collaborative effort to improve the coverage of
803:
Talk pages of subject pages with paid contributions
758:
C-Class biography (arts and entertainment) articles
680:using the archive tool instructions below. Editors
499:https://www.citedesartsparis.net/en/mary-sherman
471:"Move Me" (PDF). SJH. Retrieved March 26, 2015.
666:This message was posted before February 2018.
454:https://en.wikipedia.org/Pilchuck_Glass_School
504:http://act.mit.edu/people/staff/mary-sherman/
8:
798:Paid contributions with no listed employer
768:Arts and entertainment work group articles
636:I have just modified one external link on
287:
203:
89:
268:Knowledge (XXG):WikiProject Women artists
389:Individuals with a conflict of interest
352:Knowledge (XXG):WikiProject Visual arts
289:
205:
91:
61:
629:External links modified (January 2018)
405:request corrections or suggest content
399:not to directly edit the article. See
532:Official Website www.marysherman.org
191:the arts and entertainment work group
164:Knowledge (XXG):WikiProject Biography
7:
478:http://ohprojects.com/about/news.php
401:Knowledge (XXG):Conflict of interest
332:This article is within the scope of
248:This article is within the scope of
140:This article is within the scope of
748:Biography articles of living people
80:It is of interest to the following
783:WikiProject Women artists articles
271:Template:WikiProject Women artists
14:
640:. Please take a moment to review
793:WikiProject Visual arts articles
554:
395:the subject of the article, are
355:Template:WikiProject Visual arts
319:
309:
291:
235:
225:
207:
127:
117:
93:
62:
21:This article must adhere to the
417:Dear Graywalls and Goingbatty,
778:C-Class Women artists articles
773:WikiProject Biography articles
167:Template:WikiProject Biography
1:
530:www.transculturalexchange.org
346:and see a list of open tasks.
262:and see a list of open tasks.
188:This article is supported by
24:biographies of living persons
788:C-Class visual arts articles
734:12:03, 20 January 2018 (UTC)
152:contribute to the discussion
36:must be removed immediately
819:
753:C-Class biography articles
697:(last update: 5 June 2024)
633:Hello fellow Wikipedians,
501:, accessed March 3, 2020.
480:, accessed March 3, 2020.
304:
251:WikiProject Women artists
220:
187:
112:
88:
547:12:50, 1 June 2020 (UTC)
440:Early life and education
436:12:50, 1 June 2020 (UTC)
411:if the issue is urgent.
335:WikiProject Visual arts
384:
274:Women artists articles
184:
106:Arts and Entertainment
70:This article is rated
638:Mary Sherman (artist)
391:, particularly those
383:
183:
143:WikiProject Biography
74:on Knowledge (XXG)'s
678:regular verification
563:Wikimedia Foundation
358:visual arts articles
668:After February 2018
593:) has been paid by
581:Muhammad Ali Khalid
722:InternetArchiveBot
673:InternetArchiveBot
385:
327:Visual arts portal
185:
170:biography articles
76:content assessment
698:
626:
625:
415:
414:
374:
373:
370:
369:
366:
365:
286:
285:
282:
281:
202:
201:
198:
197:
56:
55:
810:
732:
723:
696:
695:
674:
558:
557:
551:
397:strongly advised
376:
360:
359:
356:
353:
350:
329:
324:
323:
313:
306:
305:
295:
288:
276:
275:
272:
269:
266:
245:
243:Biography portal
240:
239:
238:
229:
222:
221:
211:
204:
172:
171:
168:
165:
162:
148:join the project
137:
135:Biography portal
132:
131:
130:
121:
114:
113:
108:
97:
90:
73:
67:
66:
58:
44:this noticeboard
16:
818:
817:
813:
812:
811:
809:
808:
807:
738:
737:
726:
721:
689:
682:have permission
672:
646:this simple FaQ
631:
619:at the Teahouse
555:
528:External links.
473:
423:
357:
354:
351:
348:
347:
325:
318:
273:
270:
267:
264:
263:
241:
236:
234:
169:
166:
163:
160:
159:
133:
128:
126:
103:
71:
12:
11:
5:
816:
814:
806:
805:
800:
795:
790:
785:
780:
775:
770:
765:
760:
755:
750:
740:
739:
716:
715:
708:
661:
660:
652:Added archive
630:
627:
624:
623:
622:
621:
602:
575:WP:COIRESPONSE
559:
531:
529:
525:
523:
521:
519:
517:
515:
513:
511:
506:
502:
497:
495:
493:
491:
489:
487:
485:
483:
481:
476:
472:
470:
465:
462:
459:
456:
450:
447:
445:
442:
441:
422:
419:
413:
412:
386:
372:
371:
368:
367:
364:
363:
361:
344:the discussion
331:
330:
314:
302:
301:
296:
284:
283:
280:
279:
277:
260:the discussion
247:
246:
230:
218:
217:
212:
200:
199:
196:
195:
186:
176:
175:
173:
139:
138:
122:
110:
109:
98:
86:
85:
79:
68:
54:
53:
49:this help page
33:poorly sourced
19:
13:
10:
9:
6:
4:
3:
2:
815:
804:
801:
799:
796:
794:
791:
789:
786:
784:
781:
779:
776:
774:
771:
769:
766:
764:
761:
759:
756:
754:
751:
749:
746:
745:
743:
736:
735:
730:
725:
724:
713:
709:
706:
702:
701:
700:
693:
687:
683:
679:
675:
669:
664:
659:
655:
651:
650:
649:
647:
643:
639:
634:
628:
620:
616:
613:
610:
606:
603:
600:
596:
592:
589:
586:
582:
579:
578:
576:
572:
568:
564:
560:
553:
552:
549:
548:
544:
540:
536:
535:
526:
510:
505:
500:
479:
469:
466:
455:
438:
437:
433:
429:
420:
418:
410:
406:
402:
398:
394:
390:
387:
382:
378:
377:
362:
345:
341:
337:
336:
328:
322:
317:
315:
312:
308:
307:
303:
300:
297:
294:
290:
278:
265:Women artists
261:
257:
256:women artists
253:
252:
244:
233:
231:
228:
224:
223:
219:
216:
215:Women artists
213:
210:
206:
193:
192:
182:
178:
177:
174:
157:
156:documentation
153:
149:
145:
144:
136:
125:
123:
120:
116:
115:
111:
107:
102:
99:
96:
92:
87:
83:
77:
69:
65:
60:
59:
51:
50:
45:
41:
37:
34:
30:
26:
25:
20:
18:
17:
720:
717:
692:source check
671:
665:
662:
635:
632:
611:
599:WP:REVERTBAN
594:
587:
567:Terms of Use
537:
527:
474:
467:
439:
424:
416:
396:
393:representing
388:
333:
249:
189:
141:
82:WikiProjects
47:
35:
28:
22:
468:Footnotes:
349:Visual arts
340:visual arts
299:Visual arts
742:Categories
729:Report bug
605:Srcohen614
539:Srcohen614
428:Srcohen614
409:contact us
403:. You may
712:this tool
705:this tool
161:Biography
101:Biography
40:libellous
718:Cheers.â
615:contribs
591:contribs
421:Untitled
642:my edit
595:unknown
571:WP:PAID
72:C-class
446:Career
78:scale.
609:talk
585:talk
561:The
543:talk
432:talk
150:and
686:RfC
656:to
577:.
565:'s
29:BLP
744::
699:.
694:}}
690:{{
545:)
434:)
104::
731:)
727:(
714:.
707:.
612:·
607:(
601:.
588:·
583:(
541:(
430:(
194:.
158:.
84::
52:.
27:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
