1040:"The album received positive reviews from critics. The songs "Pazham Neeyappa", "Oru Naal Podhuma", "Isai Thamizh" and "Paattum Naane" still remain popular among the Tamil diaspora. Film historian Randor Guy stated in his 1997 book Starlight, Starbright: The Early Tamil Cinema that "Pazham Neeyappa", performed by Sundarambal, "became the favourite of millions". Film producer and writer G. Dhananjayan called the songs "evergreen" and stated that they contributed to the film's success. Meera Ramanathan of Behindwoods praised T. M. Soundararajan's singing in "Paattum Naane", saying: "The pronunciations, pitch and tone is perfect and for a moment we think that the almighty would sing with the same booming modulations." On "Oru Naal Podhuma", another writer from the same website, Rekhs, said, "What's special about this song is the garland of ragas intertwined by the lyricist and the composer enchantingly, sung mellifluously by Dr Balamuralikrishna". On "Vaasi Vaasi", which is based on the Neelambari raga, singer Charulatha Mani, writing for The Hindu, said it was: "a pure and pristine depiction of the raga in the ringing voice of K. B. Sundarambal". Mani also praised M. Balamuralikrishna's rendition of "Oru Naal Podhuma". Mana Baskaran of The Hindu Tamil described the album as: "an attractive package for all to listen to."[44" -I find this section a bit rambling and repetitive. I think you could remove a review or two or restructure in a way which flows better for the reader.
1065:"The album received positive reviews from critics, and the songs "Pazham Neeyappa", "Oru Naal Podhuma", "Isai Thamizh" and "Paattum Naane" still remain popular among the Tamil diaspora. The Film historian Randor Guy identifies "Pazham Neeyappa" in particular, performed by Sundarambal, as the "favourite of millions". Meera Ramanathan of Behindwoods was enthusiastic towards T. M. Soundararajan's treatment of "Paattum Naane", considering his pronunciations, pitch and tone to have reached perfection. The singer Charulatha Mani, writing for The Hindu, believed that K. B. Sundarambal had produced a "pure and pristine depiction" of the Neelambari raga in "Vaasi Vaasi", and expressed approval of M. Balamuralikrishna's rendition of "Oru Naal Podhuma". Mana Baskaran of The Hindu Tamil described the album as: "an attractive package for all to listen to."
1348:: That is also why I delayed my work on the article (I was planning to do it this January-February). I couldn't find proper scholarly material and hardly any information on the sections before. Most of them were all "praises, praises and praises" like "This is the greatest thing that's ever happened to us!" and even if there are any information on the Production, they are not clearly stated and it is quite difficult to follow and interpret what the interviewee is saying. It is that way with most Indian articles but as of now, the article looks very much better with your useful suggestions. Thank you once again, Dr. Blofeld for undertaking the review. What is your favourite portion in the film?
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976:" According to Nagesh, the scene was inspired by two assistant directors discussing whether Ganesan would be ready before or after lunch — one said he would be ready while the other said he would not — and by a passerby he spotted near the tank located at Adikesava Perumal temple, Mylapore talking to himself about how the world had fallen on bad times" -difficult to follow here, can you find a way to copyedit and rephrase?
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792:"shows his sense of right and wrong as being so precise that he confronts Shiva when he commits an error in composing a poem. " -awkward, no idea what you mean by "as being so precise". Do you mean something like The scene in the film, which exaggerates the sensitivity of Tamil poet Nakkeerar to right and wrong when he confronts Shiva over an error in his poem, laid the foundation for
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946:"scenes. When he learned that Ganesan's arrival was delayed because his make-up for the scene not been completed, he asked Nagarajan whether they could film any remaining solo scenes. These included a scene where Dharumi rants about his misfortune in the Meenakshi Amman Temple. While filming the scene, " -five mentions of the word "scene" in two sentences!!
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2016:
The movie's verdict is that the
Bhagavathar lost but the actual competition was between the songs sung by Bala Murali Krishna and T. M. Soundara Rajan. While scholars could qualitatively assess who sang better and may even hand over the prize to the former, to common folks both are of equal pleasure.
1262:
Definitely overcooked this. Masses of it. It's too much. It looks more like a tribute. I'd chop it by a good half and merge into one section. The length I think should be about three paragraphs, similar to the length of the Legacy section. A possibility is creating a sub article on
1316:
Much much better, though I'm not sure how long the new article will last in its own right. I don't see why landmark/influential films in a given cinema industry shouldn't have such articles but they really need to be very well done with scholarly material I think to stick.♦
1280:
Overall I think we need to dial down on the sheer number of review comments and praise throughout. It's a pity there isn't more info available on production and themes given that it's a devotional epic of renown in India, but I can understand that.♦
1458:
Right now I'm going out. But you can do one thing: the Mayyam refs may stay, but the title/publisher info of the Mayyam refs should be what is the title/publisher info of the newspaper/magazine articles appearing in Mayyam.
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be removed from this article, but the
Youtube jukebox link is apparently the only accurate source for the soundtrack. Is it possible to spare the source at the cost of the link?
694:"Dhatchayini disobeys him and goes only to be insulted by Dhatchan. Dhatchayini curses her father and returns to Shiva who is angry with her for disobeying him." -rep of disobeys
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1414:: I have copyedited the production section, Dr. Blofeld. Please do give it another read in your own time and let me know if there are any more changes to make. Thank you.
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This article was automatically assessed because at least one WikiProject had rated the article as stub, and the rating on other projects was brought up to Stub class.
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can relay what I said about it after seeing it. I think I said I liked the comic scenes in the palace and the
Kailash setting at the beginning with the fruit.♦
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I think that sort of thing needs doing throughout reception and legacy sections. Find a way to make it look more stylish and balanced, so it flows better.♦
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dictates that it should generally not be used as a reference in articles. Also, I have some copyright violation concerns. Let me know what you think.
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Is there nothing negative to say about the film at all? I've seen it, I know it's a great film, but somebody usually has something to say!
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Given that Mayyam is not a reliable source, I think we shall only keep the names of the media articles appearing in the site's pages.
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I've given the critical reception section a copyedit. The production could do with sharpening up a bit before I'm ready to pass too.♦
1166:"be dubbed in the language since 1955 " -do we know the name of the 1955 film here? Perhaps a footnote or put it in brackets if known.
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So what was the Thiru
Vilayaadal? It was the ego-sense of the scholar (and all of us) that got neutralized by Lord Shiva's trickery.
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and condense to a summary but I think people might question it's neutrality and legitimacy as an article and it wouldn't last long.♦
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1862:(1987) but that will be after my doing my research on my Final Year Project, which will keep me busy until mid-to-late December.
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1086:: I have done as per your suggestion. Please do re-check again and let me know if there are any more changes to make. Thank you.
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That would be good, Ssven has been on to me about watching that which I'll get around to by the time you're written it!♦
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raises legitimate copyright concerns, and FACs (in particular) are very carefully checked for copyvios. All the best,
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Keep up the great work, look forward to reviewing the next one. Any idea what that might be?♦
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1384:: I am very happy to hear that, Dr. Blofeld. I will copyedit the production section now.
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hi! This article uses YouTube a reference multiple times, should this allowed as
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Don't confuse the supposed liberties the film took with what is in the
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I'll come back to this in a few hours time and give it another read.♦
826:"five sections" - "five parts" would probably seem more natural here.
402:-related topics. If you would like to participate, please visit the
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1824:: Thank you very much for undertaking the review, Dr. Blofeld.
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B. Images are provided where possible and appropriate, with
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916:"Vasu Studios" - , in Chennai (for those non Tamil folk)
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1593:: Yes. I have made the change as per your suggestion.
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Thiruvilaiyadal was dubbed in telugu as Shiva
Leelalu
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1670:B. Citation of reliable sources where necessary:
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1044:Can you give me an idea on how to go about it,
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757:"called by the names " -"also referred to as"?
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1930:I think verified YouTube pages can be used.
1507:: Anything more to change, Dr. Blofeld? :)
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2012:Hemantha Bhagavathar versus Banabathirar
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2093:Indian cinema task force articles
1560:Oru Kanniyum Moonu Kalavaanikalum
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1477:: Done as per your suggestion.
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1048:? It would be very useful. :)
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58:has been listed as one of the
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1858:: I will probably start on
1445:: Yes, that would be good.
654:May take up to five days.♦
483:the Indian cinema workgroup
414:Knowledge:WikiProject India
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1806:Much improved, good job!♦
1662:A. References to sources:
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174:Good article
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72:please do so
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1882:Dr. Blofeld
1856:Dr. Blofeld
1842:Dr. Blofeld
1822:Dr. Blofeld
1810:Dr. Blofeld
1591:Dr. Blofeld
1579:Dr. Blofeld
1573:mobile apps
1551:mobile apps
1527:Dr. Blofeld
1505:Dr. Blofeld
1412:Dr. Blofeld
1401:Dr. Blofeld
1382:Dr. Blofeld
1370:Dr. Blofeld
1364:User:Ssven2
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671:Dr. Blofeld
658:Dr. Blofeld
636:Dr. Blofeld
621:transcluded
258:Film portal
31:peer review
29:received a
2057:Categories
1950:WP:YOUTUBE
1905:WP:YOUTUBE
1656:verifiable
787:Production
574:Authorship
560:GA toolbox
520:Sajeeth100
351:Tamil Nadu
287:guidelines
275:open tasks
163:Copyedited
125:Copyedited
66:under the
1911:SshibumXZ
1909:Regards,
1211:Changed.
1151:Changed.
886:sceness ?
841:Changed.
772:Changed.
633:Reviewer:
597:Templates
588:Reviewing
553:GA Review
1921:contribs
1755:contain
1753:Does it
1613:WP:WIAGA
1362:Perhaps
646:contribs
602:Criteria
195:GA-class
80:reassess
36:archived
2033:Puranam
1860:Nayakan
1790:Overall
1720:neutral
1131:Release
438:on the
103:Process
2044:(talk)
1997:(talk)
1966:apolis
1939:(talk)
1757:images
1738:stable
1736:Is it
1717:Is it
1692:Is it
1649:Is it
1620:Is it
535:source
355:Cinema
229:Indian
201:scale.
144:Listed
106:Result
1569:icons
1547:icons
1036:Music
623:from
411:India
400:India
346:India
2023:talk
1957:Mini
1915:talk
1653:and
1465:talk
1433:talk
1238:Done
1208:Done
1178:Done
1148:Done
1113:Done
1018:Done
988:Done
958:Done
928:Done
898:Done
868:Done
838:Done
808:Done
769:Done
752:Cast
736:Done
706:Done
689:Plot
681:Lede
640:talk
543:talk
524:talk
292:Film
277:and
224:Film
100:Date
1986:can
1923:).
1678:C.
1637:MoS
1635:B.
1575:?♦
1571:on
430:Low
2059::
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