551:"The album received positive reviews from critics. The songs "Pazham Neeyappa", "Oru Naal Podhuma", "Isai Thamizh" and "Paattum Naane" still remain popular among the Tamil diaspora. Film historian Randor Guy stated in his 1997 book Starlight, Starbright: The Early Tamil Cinema that "Pazham Neeyappa", performed by Sundarambal, "became the favourite of millions". Film producer and writer G. Dhananjayan called the songs "evergreen" and stated that they contributed to the film's success. Meera Ramanathan of Behindwoods praised T. M. Soundararajan's singing in "Paattum Naane", saying: "The pronunciations, pitch and tone is perfect and for a moment we think that the almighty would sing with the same booming modulations." On "Oru Naal Podhuma", another writer from the same website, Rekhs, said, "What's special about this song is the garland of ragas intertwined by the lyricist and the composer enchantingly, sung mellifluously by Dr Balamuralikrishna". On "Vaasi Vaasi", which is based on the Neelambari raga, singer Charulatha Mani, writing for The Hindu, said it was: "a pure and pristine depiction of the raga in the ringing voice of K. B. Sundarambal". Mani also praised M. Balamuralikrishna's rendition of "Oru Naal Podhuma". Mana Baskaran of The Hindu Tamil described the album as: "an attractive package for all to listen to."[44" -I find this section a bit rambling and repetitive. I think you could remove a review or two or restructure in a way which flows better for the reader.
576:"The album received positive reviews from critics, and the songs "Pazham Neeyappa", "Oru Naal Podhuma", "Isai Thamizh" and "Paattum Naane" still remain popular among the Tamil diaspora. The Film historian Randor Guy identifies "Pazham Neeyappa" in particular, performed by Sundarambal, as the "favourite of millions". Meera Ramanathan of Behindwoods was enthusiastic towards T. M. Soundararajan's treatment of "Paattum Naane", considering his pronunciations, pitch and tone to have reached perfection. The singer Charulatha Mani, writing for The Hindu, believed that K. B. Sundarambal had produced a "pure and pristine depiction" of the Neelambari raga in "Vaasi Vaasi", and expressed approval of M. Balamuralikrishna's rendition of "Oru Naal Podhuma". Mana Baskaran of The Hindu Tamil described the album as: "an attractive package for all to listen to."
859:: That is also why I delayed my work on the article (I was planning to do it this January-February). I couldn't find proper scholarly material and hardly any information on the sections before. Most of them were all "praises, praises and praises" like "This is the greatest thing that's ever happened to us!" and even if there are any information on the Production, they are not clearly stated and it is quite difficult to follow and interpret what the interviewee is saying. It is that way with most Indian articles but as of now, the article looks very much better with your useful suggestions. Thank you once again, Dr. Blofeld for undertaking the review. What is your favourite portion in the film?
487:" According to Nagesh, the scene was inspired by two assistant directors discussing whether Ganesan would be ready before or after lunch — one said he would be ready while the other said he would not — and by a passerby he spotted near the tank located at Adikesava Perumal temple, Mylapore talking to himself about how the world had fallen on bad times" -difficult to follow here, can you find a way to copyedit and rephrase?
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647:"It ran for 25 weeks in Shanti, a theatre owned by Ganesan. It also had a 25-week run in the Crown and Bhuvaneshwari theatres in Madras and in theatres across South India." -to avoid repeating 25 weeks here you could say "It ran for 25 weeks in Shanti, a theatre owned by Ganesan, and ran for the same duration in the Crown and Bhuvaneshwari theatres in Madras and in theatres across South India."
303:"shows his sense of right and wrong as being so precise that he confronts Shiva when he commits an error in composing a poem. " -awkward, no idea what you mean by "as being so precise". Do you mean something like The scene in the film, which exaggerates the sensitivity of Tamil poet Nakkeerar to right and wrong when he confronts Shiva over an error in his poem, laid the foundation for
457:"scenes. When he learned that Ganesan's arrival was delayed because his make-up for the scene not been completed, he asked Nagarajan whether they could film any remaining solo scenes. These included a scene where Dharumi rants about his misfortune in the Meenakshi Amman Temple. While filming the scene, " -five mentions of the word "scene" in two sentences!!
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773:
Definitely overcooked this. Masses of it. It's too much. It looks more like a tribute. I'd chop it by a good half and merge into one section. The length I think should be about three paragraphs, similar to the length of the Legacy section. A possibility is creating a sub article on
827:
Much much better, though I'm not sure how long the new article will last in its own right. I don't see why landmark/influential films in a given cinema industry shouldn't have such articles but they really need to be very well done with scholarly material I think to stick.♦
791:
Overall I think we need to dial down on the sheer number of review comments and praise throughout. It's a pity there isn't more info available on production and themes given that it's a devotional epic of renown in India, but I can understand that.♦
969:
Right now I'm going out. But you can do one thing: the Mayyam refs may stay, but the title/publisher info of the Mayyam refs should be what is the title/publisher info of the newspaper/magazine articles appearing in Mayyam.
205:"Dhatchayini disobeys him and goes only to be insulted by Dhatchan. Dhatchayini curses her father and returns to Shiva who is angry with her for disobeying him." -rep of disobeys
925:: I have copyedited the production section, Dr. Blofeld. Please do give it another read in your own time and let me know if there are any more changes to make. Thank you.
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can relay what I said about it after seeing it. I think I said I liked the comic scenes in the palace and the
Kailash setting at the beginning with the fruit.♦
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I think that sort of thing needs doing throughout reception and legacy sections. Find a way to make it look more stylish and balanced, so it flows better.♦
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813:, as per your suggestion and have trimmed the Legacy and In Popular Culture sections and have merged them as well. Please do re-check it again.
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Is there nothing negative to say about the film at all? I've seen it, I know it's a great film, but somebody usually has something to say!
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Given that Mayyam is not a reliable source, I think we shall only keep the names of the media articles appearing in the site's pages.
841:
I've given the critical reception section a copyedit. The production could do with sharpening up a bit before I'm ready to pass too.♦
677:"be dubbed in the language since 1955 " -do we know the name of the 1955 film here? Perhaps a footnote or put it in brackets if known.
778:
and condense to a summary but I think people might question it's neutrality and legitimacy as an article and it wouldn't last long.♦
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1373:(1987) but that will be after my doing my research on my Final Year Project, which will keep me busy until mid-to-late December.
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597:: I have done as per your suggestion. Please do re-check again and let me know if there are any more changes to make. Thank you.
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That would be good, Ssven has been on to me about watching that which I'll get around to by the time you're written it!♦
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Keep up the great work, look forward to reviewing the next one. Any idea what that might be?♦
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895:: I am very happy to hear that, Dr. Blofeld. I will copyedit the production section now.
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1074:(2014) likens the way Shiva plays his divine games by intervening in human affairs in
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I'll come back to this in a few hours time and give it another read.♦
337:"five sections" - "five parts" would probably seem more natural here.
1068:. I don't quite follow what you're trying to at here? Do you mean
1335:: Thank you very much for undertaking the review, Dr. Blofeld.
1286:
B. Images are provided where possible and appropriate, with
1274:
A. Images are copyright tagged, and non-free images have
235:" leaves the kingdom immediately, leaving " -rep of leave
427:"Vasu Studios" - , in Chennai (for those non Tamil folk)
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1104:: Yes. I have made the change as per your suggestion.
707:"showing his versatility" -"displaying versatility"?
1181:B. Citation of reliable sources where necessary:
555:Can you give me an idea on how to go about it,
268:"called by the names " -"also referred to as"?
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1018:: Anything more to change, Dr. Blofeld? :)
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1078:to the use of touchscreen human face
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1237:Fair representation without bias:
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1071:Oru Kanniyum Moonu Kalavaanikalum
1053:Oru Kanniyum Moonu Kalavaanikalum
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559:? It would be very useful. :)
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1034:Let me give it another now.♦
809:, I have created an article,
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811:Influence of Thiruvilaiyadal
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1369:: I will probably start on
956:: Yes, that would be good.
165:May take up to five days.♦
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1317:Much improved, good job!♦
1173:A. References to sources:
752:Added one mixed review by
1271:to illustrate the topic?
769:Legacy/In popular culture
1133:reasonably well written
382:Changed the sentence.
322:Changed the sentence.
250:Changed the sentence.
220:Changed the sentence.
1205:broad in its coverage
532:Changed the wording.
502:Changed the wording.
472:Changed the wording.
412:Changed to "scenes".
1191:No original research
1050:What do you mean by
754:S. Theodore Baskaran
18:Talk:Thiruvilaiyadal
1276:fair use rationales
1254:No edit wars, etc:
1210:A. Major aspects:
1162:factually accurate
1138:A. Prose quality:
627:Added references.
612:Ref for tracklist?
196:Copyedited myself
1288:suitable captions
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178:Reading now.♦
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117:Article talk
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81:Instructions
1393:Dr. Blofeld
1367:Dr. Blofeld
1353:Dr. Blofeld
1333:Dr. Blofeld
1321:Dr. Blofeld
1102:Dr. Blofeld
1090:Dr. Blofeld
1084:mobile apps
1062:mobile apps
1038:Dr. Blofeld
1016:Dr. Blofeld
923:Dr. Blofeld
912:Dr. Blofeld
893:Dr. Blofeld
881:Dr. Blofeld
875:User:Ssven2
857:Dr. Blofeld
845:Dr. Blofeld
832:Dr. Blofeld
807:Dr. Blofeld
796:Dr. Blofeld
782:Dr. Blofeld
595:Dr. Blofeld
583:Dr. Blofeld
557:Dr. Blofeld
182:Dr. Blofeld
169:Dr. Blofeld
147:Dr. Blofeld
104:visual edit
1167:verifiable
298:Production
48:Authorship
34:GA toolbox
722:Changed.
662:Changed.
397:sceness ?
352:Changed.
283:Changed.
144:Reviewer:
71:Templates
62:Reviewing
27:GA Review
1266:contain
1264:Does it
1124:WP:WIAGA
873:Perhaps
157:contribs
76:Criteria
1371:Nayakan
1301:Overall
1231:neutral
642:Release
127:history
108:history
94:Article
1268:images
1249:stable
1247:Is it
1228:Is it
1203:Is it
1160:Is it
1131:Is it
1080:icons
1058:icons
547:Music
136:Watch
16:<
1164:and
976:talk
944:talk
749:Done
719:Done
689:Done
659:Done
624:Done
529:Done
499:Done
469:Done
439:Done
409:Done
379:Done
349:Done
319:Done
280:Done
263:Cast
247:Done
217:Done
200:Plot
192:Lede
151:talk
123:edit
100:edit
1189:C.
1148:MoS
1146:B.
1086:?♦
1082:on
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