1696:. While reading I noted that some statements were not explained or developed - "marked a further musical move away from American influences". Some statements are made in the lead which are not then picked up in the main body- "arguably reached its peak" and ""A Sailor's Life", is seen as pivotal in the development of English folk rock music." (the track is mention in the body, but not as pivotal in the development of English folk rock music - the song sample is captioned "the extended song in which folk and rock came together" which is unsourced). ""Who Knows Where the Time Goes?", a song covered by many other performers and now regarded as a classic" - not in the main. "the album also marked Sandy Denny's maturation as a singer and songwriter," mentioned in lead, but not explained or further mentioned in the main body.
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recording sessions themselves, and nothing I think adds to the understanding. Have been unable to source any comments from
Richard Thompson, despite his pivotal guitar parts, but again, I'm not sure they're necessary. Other commentators have described his input. As for a tour to promote the album, I don't think they did one, being too busy recovering from the crash and writing/finding material for the follow-up. If there are any remaining concerns, please bring them to my attention; meanwhile, I humbly propose this article for GA status. Thanks for all your input. --
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something you need to know straight off at the top of the article and it doesn't make sense to anyone who doesn't know the band. The "Background" section is full of stubby paragraphs; consider forking some of it off to a 'music' or 'musical style' (or whatever) section. It's also not great to have the sound clips like that in the middle of the text; see for example
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I see there have been some nonsense edits, and ridiculous removals of images. If it's the last think I do before I die, it will be to retain this as a GA, considering the work that's gone into it. My time is thinly spread these days, but once I have finished with it, it will be perfectly justifiable
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I wasn't aware that the review had been completed, since I wasn't notified. There is clearly some work to be done, which I will address perhaps when my current chronic insomnia has been overcome. Meanwhile, I see no rush to close this review one way or the other and it would be somewhat pointless to
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for how to include music samples without breaking up the text. You should probably mention the chart stuff again in the 'reception' section, or else include a section on the chart history (as per nearly every other album GA). Personally I'd put it on hold for the time being and allow
Rodhullanemu a
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Sources are tricky with some bands - even for fairly significant albums such as this - so it's pleasing to see that sources have been found, especially ones which can be checked online. However, some links are dead. I have found one source in the wayback machine, and it would be worth checking for
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For a labour of love, I've learned a lot about this album that I really should have known before. However, I hope it's now ready for approval. The lead, I think now gives an overview of the album's history and importance, both of which are addressed in detail in the body. There is little about the
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the article - there's a fair bit of information in there that doesn't appear elsewhere particularly the chart and single release info. Consider adding a 'Release' section for details about the formats it was released in, details of singles, how it did in the charts (in prose form), any information
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The prose is sometimes unclear - "After their previous album had seen original singer Judy Dyble replaced by Sandy Denny, the group's male vocalist Iain
Matthews left during the recordings for Unhalfbricking, and Denny took a more central role." Is this saying that Iain Matthews left because Judy
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It's not clear what is the focus of the section called "Music". And following it is a section called "Background" which is mainly about a car crash, and then has a statement that "Dave
Swarbrick was invited to join full-time for the follow-up, Liege & Lief." The connection is not immediately
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If there is other other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as
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Hola. Personally I think it could do with a copyedit as some parts are unclear and/or confusing. For example the second sentence in the lead - I thought at first that by 'label' you meant 'record label', and then I realised it was a nickname, and then I was like "uh.." because well, it's not
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Describing
Genesis Hall as a waltz is kinda bizarre. It may be in three time, but the rhythym is too syncopated and especially Sandy's phrasing too idiosyncratic for a couple in sequins to dance around the room to. Doesn't really sound like an Elizabethan tune, but RT has made some amazing
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There is an impression that the writers are aware of material on the album, and have made allusions to this material, but haven't really developed it so that the reader is given the full information. The lead teases with information, but does not satisfy with detail.
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Thanks for the nudge. Yes, I agree it is better to improve an article than delist it. I had intended to do some more work on this, but got distracted. Let's put a 14 day target on this to allow improvements to be made, and assess the situation again on Feb 10th.
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The article is quite bitty, with snippets of information, and single sentence paragraphs. There's an unfinished feel about it, and a lack of organisation which means it is difficult for the reader to get an easy grasp on what information is being presented.
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This section feels a little stubby, especially for such an important album. Do you have any contemporary reviews? Your should aim to "synthesize the general critical reception of the album, being as detailed as possible" according to album project
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contemporary reviews tend not to be online, although have retitled to "Reception and influence" to reflect importance of the album. The fact that it's even now regarded as pivotal in its influence, although not perhaps as much as
814:"is seen as a transitional album in the band's history, marking a musical direction away from American influences towards more traditional English folk songs." should be referenced in the lead not just the 'reception' section.
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has been firmly enough linked to this article. If this is the performance of Si Tu Dois Partir on TOTP, that should be made clear. Also, the appropriate source for the image should be stated.
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The whole article feels a little stubby, consider adding info about the album's influence, any tour to support the album (particularly given the death of the band's drummer before its release)
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As this is my first GA review I'm going to put on hold and request a second opinion but my thoughts are - it's a really good start but there's a lot to do at this stage to reach GA status.
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Matthew
Greenwald wrote at Allmusic that "Genesis Hall" is an "exquisite adaptation of an old, Elizabethan folk-based melody with a modernist approach". The review has later been replaced.
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is an easy way to insure that your image is in compliance with
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about bonus tracks or alternative versions, etc. (would be a good place to explain in prose the information relating to the bonus tracks that's hidden away in the reference section)
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I think there's a good article to be made out of the available material on this album, but we are not quite there at the moment. I'll inform the significant contributor,
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Also think it would be good to have some song samples accompanying a discussion of the music in a bit more depth as well as some relevant illustrations (if available)
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LOL as the kids would say. Info you've added seems fair enough (I've heard lots of people speculate about the name before but never knew the real reason)
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1723:. I haven't checked all statements yet, though some - such as the statements made in the lead which are not followed up in the body - need sourcing.
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Other than stating that his girlfriend was killed you don't mention
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Have sourced & added this to the article: Arthur Road, Wimbledon SE19. The church in the background is at 51 25'43.03N, 0 12'37.67W. --
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947:"after a period of intense reflection about their future they decided to pursue the folk rock idea further" - again could do with a ref
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When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.
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Very little has changed since the . It makes no sense to go over old ground, so perhaps primarily the diffs should be addressed.
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1874:, these subpages are now deprecated. The comments may be irrelevant or outdated; if so, please feel free to remove this section.
1711:"The latter track had been a traditional English folk song collected by A. L. Lloyd..." - I think this is just a grammar error.
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I'm closing the review for now, as I don't want to keep it open indefinitely, and I haven't had time to look at it closely.
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Lacks prose, which is depressing as this is actually a well cited article! Just split it up to get up to a b-status!
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I'll carry on working on it, and if I come across any further information, I'll expand this section. --
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I think "Si Tu Dois" & "Who Knows Where" would probably be representative; I'll sort this out. --
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Track times, as given on the back of the UK Island IMCD 293 (Island Re-Masters series) CD, can seen
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is being used on this article. I notice the image page specifies that the image is being used under
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on
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The review on this album was done a while ago, and doesn't seem to have been covered by the
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added detail about his contributions and I'll see what the man himself said about it. --
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Borderline Top importance IMHO for "A Sailor's Life" which is a hugely influential song
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Last edited at 21:33, 6 August 2008 (UTC). Substituted at 09:32, 30 April 2016 (UTC)
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Would anybody here happen to know if this is true and which melody it is based on? –
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as to why its use in
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Fair use rationale for Image:Fairport Convention-Unhalfbricking (album cover).jpg
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916:"set the tone for the future of British folk rock" - sounds POV, is there a ref?
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Thanks, I've still got some release information to add, shouldn't take long. --
2018:. No special action is required regarding these talk page notices, other than
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The images and sound clips have free use statements - though I am not sure if
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In my humble opinion the article has much improved and is now GA quality.
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A track listing containing track lengths and authors for all songs
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quotes now cited from Hutchings & Nicol should show this. --
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At least one section of prose (in addition to the lead section)
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as a GA- not that it wasn't already. Kindly leave it with me.
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Thanks Naerii, have put on hold until concerns are addressed.
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B. Images are provided where possible and appropriate, with
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for additional information. I made the following changes:
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Image:Fairport Convention-Unhalfbricking (album cover).jpg
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A. Images are copyright tagged, and non-free images have
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Dyble had been replaced by Sandy Denny? Clarity needed.
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Can anyone tell me where this photo was taken please?
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High-importance Regional and national music articles
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314:on Knowledge's
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1377:Thank you. --
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123:Find sources:
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110:Verifiability
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52:Learn to edit
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2034:source check
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1939:Andrzejbanas
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1565:B. Focused:
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728:Genesis Hall
694:
681:. Thank you.
671:
656:
633:
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592:
548:
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494:
446:
440:Music portal
366:project page
359:
322:WikiProjects
291:Good article
290:
273:
258:
218:
216:
212:please do so
200:
199:
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171:
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94:
19:This is the
2081:Track times
1405:transcluded
1130:The Beatles
773:transcluded
563:push to 1.0
557:to see the
470:Roots music
409:Roots music
270:May 2, 2011
148:free images
31:not a forum
2107:Categories
2071:Report bug
1708:apparent.
1494:verifiable
1084:guidlines.
845:Background
697:Bill lenny
370:discussion
206:under the
2054:this tool
2047:this tool
1611:edit wars
1078:Reception
806:summarise
765:GA Review
691:Cover pic
88:if needed
71:Be polite
21:talk page
2060:Cheers.—
1824:SilkTork
1802:SilkTork
1774:Comments
1742:SilkTork
1694:GA Sweep
1629:contain
1627:Does it
1423:WP:WIAGA
1197:Doing...
1161:Doing...
1095:Doing...
958:Doing...
927:Doing...
831:Jakisbak
652:fair use
640:fair use
312:GA-class
220:reassess
56:get help
29:This is
27:article.
1984:my edit
1952:Cavie78
1845:Rodhull
1782:Rodhull
1759:Rodhull
1672:Overall
1613:, etc:
1582:neutral
1467:fiction
1380:Rodhull
1363:Cavie78
1345:Rodhull
1318:Rodhull
1280:Cavie78
1246:Cavie78
1228:Rodhull
1202:Rodhull
1166:Rodhull
1135:Rodhull
1118:General
1105:Rodhull
1059:Rodhull
1044:Cavie78
1029:Rodhull
989:Rodhull
963:Rodhull
932:Rodhull
901:Rodhull
868:Rodhull
786:Cavie78
737:Hattrem
713:Rodhull
614:Comment
595:on the
555:listing
497:on the
243:Process
154:WP refs
142:scholar
1850:andemu
1787:andemu
1764:andemu
1631:images
1604:stable
1602:Is it
1579:Is it
1546:Is it
1487:Is it
1469:, and
1459:layout
1430:Is it
1385:andemu
1350:andemu
1323:andemu
1304:naerii
1269:naerii
1233:andemu
1207:andemu
1171:andemu
1140:andemu
1110:andemu
1064:andemu
1034:andemu
994:andemu
968:andemu
937:andemu
906:andemu
873:andemu
718:andemu
375:Albums
341:Albums
318:scale.
265:Listed
246:Result
126:Google
1471:lists
1407:from
1337:Ready
775:from
453:roots
169:JSTOR
130:books
84:Seek
2095:talk
2087:here
1956:talk
1943:talk
1721:this
1491:and
1455:lead
1367:talk
1284:talk
1250:talk
1222:Done
1048:talk
1023:Done
983:Done
895:Done
862:Done
835:talk
826:Done
799:Lead
790:talk
756:talk
741:talk
701:talk
587:High
489:High
459:and
457:folk
280:Kept
240:Date
162:FENS
136:news
73:and
2028:RfC
1998:to
1609:No
1528:C.
1500:A.
1451:MoS
1449:B.
176:TWL
2109::
2097:)
2041:.
2036:}}
2032:{{
1958:)
1945:)
1880:*
1674::
1657::
1641::
1606:?
1585:?
1550:?
1532::
1504::
1497:?
1473::
1465:,
1461:,
1457:,
1434:?
1419:GA
1369:)
1286:)
1252:)
1050:)
837:)
792:)
758:)
743:)
703:)
654:.
455:,
223:it
214:.
156:)
54:;
2093:(
2073:)
2069:(
2056:.
2049:.
1954:(
1941:(
1931:Y
1920:Y
1909:Y
1898:Y
1887:Y
1828:*
1806:*
1746:*
1365:(
1282:(
1248:(
1046:(
833:(
788:(
754:(
739:(
699:(
599:.
565:.
501:.
372:.
324::
225:.
172:·
166:·
158:·
151:·
145:·
139:·
133:·
128:(
58:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.