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Tanam consists of expanding the raga with syllables "a-nam-tam". The origin of this usage is not very clear. It could have originated from the
Sanskrit word "tanyate" (that which is elaborated) or "tena" indicative of an auspicious object. Tanam is rendered as a rhythmic variation of raga alapana, in
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is about to begin. Among these three modes, tanam is rarely sung very elaborately when compared to raga and pallavi, the reason usually cited for this being that tanam singing requires a lot of physical stamina, sound knowledge of the fundamentals of classical music, good practice and experience.
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Tanam is almost always rendered without percussion accompaniment; the element of rhythm is embedded within the repetition of the syllables "a-nam-tham".
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In violin and veena solo concerts, however, tanam is almost always performed as part of the main piece.
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chaturasra nadai, though there is no specific talam that is followed.
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151:(pronounced tānam) is one of the methods of
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