36:
178:
246:
Membership has very few restrictions, does not require elaborate spending, and requires much less expertise and money than certain school activities. The subculture is suited to being followed at school or home, and girls can hold a party with just a bedroom, a music player, and permission to invite
230:
The subculture is exclusive to early adolescent girls. As a subculture, it is a retreat, allowing girls to relate to their peers and have "girl culture" without male mockery. While the subculture allows girls to have a space of their own with their peers, the subculture magazines also offer
238:
elaborated around teenyboppers serve as distractions for aspects of life felt to be unrewarding, such as school or work. When shared with other teenyboppers, it allows for defensive solidarity. It allows its members to define themselves apart from younger and older girls.
242:
It has a commercial origin and is "an almost packaged cultural commodity", emerging from the pop business and relying on commercial magazines and TV. As a result, it has fewer creative elements than other subcultures.
274:
The difference that the 70s' "Teeny Bopper syndrome" had with prior idol phenomena was that these new teen idols were directed at even younger girls, down to 15 years old, who were too young to have heard
164:
became widely used again in the late 1960s and early 1970s, following an increase in the marketing of pop music, teen idols and fashions aimed specifically at younger girls, generally 10–15 years old.
286:
The teenybopper idol image is that of the young boy next door, with "girlish" looks and singing about longing for romance. Their music is consumed by young girls, who collect posters and
259:
music school, but molded by it. It was no longer written by the old established songwriters of Tin Pan Alley, but by young people. They helped to establish the new
283:
music of the time that their elder siblings listened to. This new market has a quick turnover potential and it boosted the benefits of many broadcasting companies.
667:
491:
188:
199:
642:
614:
581:
556:
535:
217:
119:
672:
624:
57:
100:
72:
53:
156:
of its own. The term was introduced in the 1950s to refer to teenagers who mainly listened to popular music and/or
79:
46:
677:
86:
662:
192:
that states a
Knowledge (XXG) editor's personal feelings or presents an original argument about a topic.
68:
400:
682:
309:
405:
638:
628:
610:
598:
577:
552:
531:
521:
546:
369:
141:
93:
324:
656:
314:
256:
157:
548:
Semiotics of
Popular Music: The Theme of Loneliness in Mainstream Pop and Rock Songs
149:
567:
334:
329:
299:
287:
276:
235:
35:
268:
153:
634:
606:
573:
527:
280:
264:
260:
145:
17:
27:
Young teenager who follows adolescent trends in music, fashion, and culture
319:
231:
idealized teen idols, allowing girls to fantasize about future marriage.
137:
566:
Gelder, Ken (2005) . "Introduction to part two". In Gelder, Ken (ed.).
492:""I Want It That Way": Teenybopper Music and the Girling of Boy Bands"
304:
630:
Resistance
Through Rituals: Youth Subcultures in Post-war Britain
453:
451:
449:
447:
445:
443:
441:
144:
in music, fashion, and culture. The term may have been coined by
255:
In the 1960s, a new type of music appeared, different from the
428:
426:
424:
422:
171:
29:
263:
and wrote the so-called "teeny bopper songs", which "blend
189:
personal reflection, personal essay, or argumentative essay
474:
472:
470:
468:
466:
195:
382:
380:
378:
523:
The
Sociology of Youth Culture and Youth Subcultures
361:
359:
357:
355:
353:
351:
349:
60:. Unsourced material may be challenged and removed.
457:
432:
8:
627:; Jefferson, Anthony ‘Tony’, eds. (1993).
597:McRobbie, Angela; Garber, Jenny (2005) ,
218:Learn how and when to remove this message
120:Learn how and when to remove this message
478:
345:
365:
386:
7:
58:adding citations to reliable sources
668:Youth culture in the United States
279:and were not attracted to the new
25:
176:
34:
45:needs additional citations for
520:Brake, Michael ‘Mike’ (1980).
1:
699:
399:Zimmer, Ben (2010-05-28).
545:Elicker, Martina (1997).
458:Hall & Jefferson 1993
433:Hall & Jefferson 1993
637:. pp. 219–21, 228.
601:, in Gelder, Ken (ed.),
673:Age-related stereotypes
599:"Girls and subcultures"
140:who follows adolescent
603:The Subcultures Reader
569:The Subcultures Reader
198:by rewriting it in an
54:improve this article
251:Musical preferences
236:narrative fantasies
168:Subcultural aspects
160:and not much else.
152:, later becoming a
609:, pp. 111–2,
460:, pp. 219–21.
406:The New York Times
200:encyclopedic style
187:is written like a
148:professionals and
496:Genders 1998-2013
481:, pp. 28–29.
228:
227:
220:
130:
129:
122:
104:
16:(Redirected from
690:
678:1950s neologisms
648:
619:
593:
591:
590:
562:
541:
507:
506:
504:
503:
488:
482:
476:
461:
455:
436:
430:
417:
416:
414:
413:
396:
390:
384:
373:
363:
223:
216:
212:
209:
203:
180:
179:
172:
125:
118:
114:
111:
105:
103:
62:
38:
30:
21:
698:
697:
693:
692:
691:
689:
688:
687:
653:
652:
651:
645:
623:
617:
596:
588:
586:
584:
565:
559:
551:. Gunter Narr.
544:
538:
519:
515:
513:Further reading
510:
501:
499:
490:
489:
485:
477:
464:
456:
439:
431:
420:
411:
409:
398:
397:
393:
385:
376:
364:
347:
343:
296:
253:
224:
213:
207:
204:
196:help improve it
193:
181:
177:
170:
126:
115:
109:
106:
63:
61:
51:
39:
28:
23:
22:
15:
12:
11:
5:
696:
694:
686:
685:
680:
675:
670:
665:
655:
654:
650:
649:
643:
621:
615:
594:
582:
563:
557:
542:
536:
516:
514:
511:
509:
508:
483:
462:
437:
435:, p. 220.
418:
391:
389:, p. 143.
374:
344:
342:
339:
338:
337:
332:
327:
325:Disney Channel
322:
317:
312:
307:
302:
295:
292:
252:
249:
226:
225:
184:
182:
175:
169:
166:
128:
127:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
695:
684:
681:
679:
676:
674:
671:
669:
666:
664:
663:Social groups
661:
660:
658:
646:
644:0-415-09916-1
640:
636:
632:
631:
626:
622:
618:
616:0-415-34416-6
612:
608:
604:
600:
595:
585:
583:0-415-34416-6
579:
575:
571:
570:
564:
560:
558:3-8233-4658-X
554:
550:
549:
543:
539:
537:0-7100-0364-1
533:
529:
525:
524:
518:
517:
512:
497:
493:
487:
484:
480:
475:
473:
471:
469:
467:
463:
459:
454:
452:
450:
448:
446:
444:
442:
438:
434:
429:
427:
425:
423:
419:
408:
407:
402:
395:
392:
388:
383:
381:
379:
375:
371:
367:
362:
360:
358:
356:
354:
352:
350:
346:
340:
336:
333:
331:
328:
326:
323:
321:
318:
316:
315:Bubblegum pop
313:
311:
308:
306:
303:
301:
298:
297:
293:
291:
289:
284:
282:
278:
272:
270:
266:
262:
258:
257:Tin Pan Alley
250:
248:
244:
240:
237:
232:
222:
219:
211:
208:December 2013
201:
197:
191:
190:
185:This section
183:
174:
173:
167:
165:
163:
159:
158:rock and roll
155:
151:
150:psychologists
147:
143:
139:
135:
124:
121:
113:
102:
99:
95:
92:
88:
85:
81:
78:
74:
71: –
70:
69:"Teenybopper"
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
629:
625:Hall, Stuart
602:
587:. Retrieved
568:
547:
522:
500:. Retrieved
498:. 2002-03-01
495:
486:
479:Elicker 1997
410:. Retrieved
404:
394:
285:
273:
254:
245:
241:
233:
229:
214:
205:
186:
161:
133:
131:
116:
110:October 2014
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
18:Teeny-bopper
683:Stereotypes
366:Gelder 2005
330:Nickelodeon
310:Bobby soxer
300:Adolescence
277:the Beatles
162:Teenybopper
136:is a young
134:teenybopper
657:Categories
589:2008-08-15
502:2022-01-08
412:2011-05-20
387:Brake 1980
368:, p.
341:References
269:pop ballad
261:teen idols
154:subculture
80:newspapers
635:Routledge
607:Routledge
574:Routledge
528:Routledge
281:hard rock
265:soft rock
247:friends.
146:marketing
320:Teen pop
294:See also
138:teenager
288:pin ups
194:Please
94:scholar
641:
613:
580:
555:
534:
401:"Cool"
142:trends
96:
89:
82:
75:
67:
335:Yé-yé
305:Tween
267:with
101:JSTOR
87:books
639:ISBN
611:ISBN
578:ISBN
553:ISBN
532:ISBN
234:The
73:news
271:".
56:by
659::
633:.
605:,
576:.
572:.
530:.
526:.
494:.
465:^
440:^
421:^
403:.
377:^
370:84
348:^
290:.
132:A
647:.
620:.
592:.
561:.
540:.
505:.
415:.
372:.
221:)
215:(
210:)
206:(
202:.
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
