168:. The temple (and the forum within which it was placed) was part of imperial propaganda campaign to glorify and bring about an acceptance of the authority of the new Augustan empire. To the imperial regime, it was vital to accentuate the favour of the gods, as well as glorifying the ancestral figures and past of Rome, and so overcome the disorder of the civil wars that had plagued the state for over 50 years. In the words of Augustus himself, “I have fashioned this to lead the citizens to require me, while I live, and the rulers of later times as well, to attain the standard set by those great men of old.”
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On the pediment of the temple was inscribed the name of
Augustus, along with a series of reliefs honouring the divinities that played a part in influencing the outcome of battles and wars through their intercession. In the centre was the figure of
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depicted in full military dress, holding a large spear in his right hand and a shield in his left. On the right side of the god stood a statue of the goddess Venus, with Cupid – it was Venus whom all of the
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was critical in
Augustus’s attempts to refashion the events of his coming to power in a way that obscured the illegality of much of his actions during those years.
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in 20 BCE (and to a lesser extent, his victory at the Battle of
Philippi as an act of filial vengeance against the assassins of his adoptive father,
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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A view of the ruins of Temple of Mars Ultor (Mars the
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Actium and
Augustus: The Politics and Emotions of Civil War
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Rome and Judaea: International Law
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on display in the Temple of Mars the Avenger in Rome
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