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Word painting

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In Handel's melody, the word "valley" ends on a low note, "exalted" is a rising figure; "mountain" forms a peak in the melody, and "hill" a smaller one, while "low" is another low note. "Crooked" is sung to a rapid figure of four different notes, while "straight" is sung on a single note, and in "the
115:. While it originated in secular music, it made its way into other vocal music of the period. While this mannerism became a prominent feature of madrigals of the late 16th century, including both Italian and English, it encountered sharp criticism from some composers. 430:", each time the word "Lord" occurs, it is sung as the highest note at the end of an ascending passage. In the same piece, the lyrics "I've got no rhythm; I just keep losing my beat" fall on off beats to create the impression that he is out of time. 276:
includes another example of word painting. In the line "It goes like this, the fourth, the fifth, the minor fall and the major lift, the baffled king composing hallelujah," the lyrics signify the song's chord progression.
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rough places plain", "the rough places" is sung over short, separate notes whereas the final word "plain" is extended over several measures in a series of long notes. This can be seen in the following example:
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In Miley Cyrus’ ‘Wrecking Ball’, every time the title of the song is mentioned, all instruments engage in one huge wall of sound, therefore mimicking the sound of a wrecking ball whenever the chorus comes in.
394:"Who's That Woman?" contains the line "Who's been riding for a fall?" followed by a downward glissando and bass bump, and then the line "Who is she who plays the clown?" followed by mocking saxophone wobbles. 763: 452:, the lyrics include "animals let you down, down, down down" and "they're never there when you call them down, down, down," with each "down" being lower the last in both cases. 482:
sings "I asked you how is playing drums," right before the drums kick in. Bridgers also sings "And what about the band" before the rest of the instruments enter the song.
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In Richard Rodgers and Lorenz Hart's "My Romance," the melody jumps to a higher note on the word "rising" in the line "My romance doesn't need a castle rising in Spain."
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uses word painting throughout the song. The first use of word painting is in the lyric "deeper than I've ever dreamed of" where she sings down to the bottom of the
261:, the song "Smash the Mirror" contains the line "Rise, rise, rise, rise, rise, rise, rise, rise, rise, rise, rise, rise, rise...." Each repetition of "rise" is a 123:
in 1601, said of it: "... where the nature of everie word is precisely expresst in the Note … such childish observing of words is altogether ridiculous."
324:", there is an inverse word painting where "down, down, down" is sung to the notes rising, and 'higher' is sung dropping from a higher to a lower note. 379:, as, during the line "Just a spoonful of sugar helps the medicine go down," the words "go down" leap from a lower to a higher note. 227: 269: 194: 427: 460: 822: 152:
Every valley shall be exalted, and every mountain and hill made low; the crooked straight, and the rough places plain.
68:. Musical patterns expressed both emotive ideas and theological meanings in these chants. For instance, the pattern 809:
How to Listen to and Understand Great Music, Part 1, Disc 6, Robert Greenberg, San Francisco Conservatory of Music
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Sunday) in the Christian faith it signifies that Christ liberates us from sin through his death and resurrection.
467:, another example is also in the lyric "You make me feel so high" with the word "high" being sung with ascending 339:," the singer's voice sinks on the last word of the line, "I'll tell the man to turn the juke box way down low." 209: 205: 131: 368:
and others intentionally sing the wrong note on the word "key" in the phrase "the way you sing off-key".
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Word painting developed especially in the late 16th century among Italian and English composers of
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descend an octave and then return to the upper octave, as though it was going around in a circle.
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sings "I wanted the world till my whole world stopped" and pauses briefly on the word "stopped".
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of composing music that reflects the literal meaning of a song's lyrics or story elements in
528: 508: 387: 347: 136: 108: 92:"). Such musical words are placed on words from the Biblical Latin text; for instance when 479: 423: 416:", the words "you raise me up" are sung in a rising scale at the beginning of the chorus. 413: 365: 357: 310: 65: 806:. Carter, Tim. The New Grove Dictionary of Music and Musicians. Second edition, vol. 27. 658: 523: 503: 391: 155: 116: 422:
use word painting in many of their songs (in particular, those written by lead singer
816: 709: 683: 513: 464: 449: 445: 273: 127: 456: 434: 419: 361: 343: 283:'s song "What Goes Around" is another popular example of text painting. The lyrics 248: 799:, edited by Williams Wells Belan, San Carlos (CA): Thomas House Publications, 1993 606: 433:
Queen also uses word painting through music recording technology in their song "
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higher than the last, making this an especially overt example of word-painting.
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First Nights (Literature & Arts B-51, Fall 2006, Harvard University)
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effect is placed on the vocals during the word "laser-beam" in bar 17.
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M. Clement Morin and Robert M. Fowells, "Gregorian Musical Words", in
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There are countless examples of word painting in 20th century music.
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starting at G5 with the last and highest note being a C7
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Use of musical composition to emulate lyrics or narrative
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Tone painting of words goes at least as far back as
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For paintings and other art incorporating text, see
88:is above the resurrection, His heavenly glory (" 346:sings "I think I'm sinking down," on his song " 735:"A LEVEL Performance Studies: George Gershwin" 639:. The President and Fellows of Harvard College 119:, writing in the preface to his first book of 8: 448:' song "Animals" off their well-known album 288:What goes around, goes around, goes around 371:Another inverse happens during the song " 228:Learn how and when to remove this message 130:period. One well-known example occurs in 797:Choral essays: A Tribute to Roger Wagner 397:At the beginning of the first chorus in 364:'s "They Can't Take That Away from Me," 543: 350:," his voice sinks on the word "down." 147:contains Handel's setting of the text: 126:Word painting flourished well into the 72:signifies the humiliation and death of 633:"Messiah: Listening Guide for Part I" 84:is the note of the resurrection, and 7: 553:"The Introit For Sexagesima Sunday" 773:. Area of study 2: Vocal Music: 97 25: 659:"Word painting in songwriting..." 76:and his resurrection into glory. 243:One example occurs in the song " 182: 771:Pearson Schools and FE Colleges 744:(Version 1): 16. September 2015 573:(1601), quoted in von Fischer, 586:Jennens, Charles, ed. (1749). 1: 631:Bisson, Noël; Kidger, David. 293:Comes all the way back around 80:signifies deprecation, while 208:the claims made and adding 839: 29: 607:"Isaiah#Chapter 40"  335:and Audrey Allison song " 742:Oxford Cambridge and RSA 557:New Liturgical Movement 485:In "What We Ain't Got" 170: 60:Historical development 714:School of Composition 688:School of Composition 662:The Song Writing Desk 245:Friends in Low Places 169: 100:" (e.g., introit for 710:"How to Write Music" 684:"How to Write Music" 571:First Booke of Ayres 616:. 1769 – via 373:A Spoonful of Sugar 823:Musical techniques 613:Bible (King James) 478:In "Scott Street" 331:'s version of the 303:Up Where We Belong 301:In the chorus of " 193:possibly contains 171: 54:programmatic music 356:In recordings of 281:Justin Timberlake 238: 237: 230: 195:original research 50:musical technique 16:(Redirected from 830: 802:Sadie, Stanley. 783: 782: 780: 778: 768: 760: 754: 753: 751: 749: 739: 731: 725: 724: 722: 720: 708:Ellul, Matthew. 705: 699: 698: 696: 694: 682:Ellul, Matthew. 679: 673: 672: 670: 668: 655: 649: 648: 646: 644: 628: 622: 621: 609: 602: 596: 595: 583: 577: 569:Thomas Campion, 567: 561: 560: 551:Krasnicki, Ted. 548: 529:Autological word 509:Musica reservata 428:Somebody to Love 388:Stephen Sondheim 337:He'll Have to Go 233: 226: 222: 219: 213: 210:inline citations 186: 185: 178: 174:In popular music 40:, also known as 21: 838: 837: 833: 832: 831: 829: 828: 827: 813: 812: 792: 787: 786: 776: 774: 766: 762: 761: 757: 747: 745: 737: 733: 732: 728: 718: 716: 707: 706: 702: 692: 690: 681: 680: 676: 666: 664: 657: 656: 652: 642: 640: 630: 629: 625: 604: 603: 599: 585: 584: 580: 568: 564: 550: 549: 545: 540: 534: 495: 480:Phoebe Bridgers 459:'s 1991 single 424:Freddie Mercury 414:You Raise Me Up 366:Ella Fitzgerald 311:Jennifer Warnes 234: 223: 217: 214: 199: 187: 183: 176: 66:Gregorian chant 62: 35: 28: 23: 22: 15: 12: 11: 5: 836: 834: 826: 825: 815: 814: 811: 810: 807: 800: 791: 788: 785: 784: 755: 726: 700: 674: 650: 623: 597: 578: 562: 542: 541: 539: 536: 532: 531: 526: 524:Self-reference 521: 516: 511: 506: 504:Mickey Mousing 501: 494: 491: 305:" recorded by 296: 295: 290: 236: 235: 190: 188: 181: 175: 172: 160: 159: 117:Thomas Campion 96:is placed on " 90:surrexit Jesus 61: 58: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 835: 824: 821: 820: 818: 808: 805: 804:Word Painting 801: 798: 794: 793: 789: 772: 765: 759: 756: 743: 736: 730: 727: 715: 711: 704: 701: 689: 685: 678: 675: 663: 660: 654: 651: 638: 634: 627: 624: 619: 615: 614: 608: 601: 598: 593: 589: 582: 579: 576: 572: 566: 563: 558: 554: 547: 544: 537: 535: 530: 527: 525: 522: 520: 517: 515: 514:Program music 512: 510: 507: 505: 502: 500: 497: 496: 492: 490: 488: 483: 481: 476: 472: 470: 466: 462: 458: 453: 451: 450:Fear of Music 447: 446:Talking Heads 442: 440: 436: 431: 429: 425: 421: 417: 415: 411: 410:Secret Garden 406: 404: 400: 395: 393: 389: 385: 380: 378: 374: 369: 367: 363: 359: 354: 351: 349: 345: 340: 338: 334: 330: 325: 323: 319: 314: 312: 308: 304: 299: 294: 291: 289: 286: 285: 284: 282: 278: 275: 274:Leonard Cohen 271: 266: 264: 260: 259: 254: 250: 246: 241: 232: 229: 221: 211: 207: 203: 197: 196: 191:This section 189: 180: 179: 173: 168: 164: 157: 153: 150: 149: 148: 146: 143: 139: 138: 133: 129: 128:Baroque music 124: 122: 118: 114: 110: 105: 103: 99: 95: 91: 87: 83: 79: 75: 71: 67: 59: 57: 55: 51: 47: 46:text painting 43: 42:tone painting 39: 38:Word painting 33: 19: 18:Text-painting 803: 796: 775:. 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Index

Text-painting
Word art
musical technique
programmatic music
Gregorian chant
Christ
Sexagesima
madrigals
Thomas Campion
lute songs
Baroque music
Handel
Messiah
tenor
aria
Isaiah

original research
improve it
verifying
inline citations
Learn how and when to remove this message
Friends in Low Places
Garth Brooks
The Who
Tommy
semitone
Hallelujah
Leonard Cohen
Justin Timberlake

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