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208:, has allowed each discipline of textile design to evolve and innovate new practices and processes but has most influenced the production of printed textile designs. Digital tools have influenced the process of creating repeating patterns or motifs, or repeats. Repeats are used to create patterns both visible and invisible to the eye: geometric patterns are intended to depict clear, intentional patterns, whereas floral or organic designs are intended to create unbroken repeats that are ideally undetectable. Digital tools have also aided in making patterns by decreasing the amount of an effect known as "tracking", in which the eye is inadvertently drawn to parts of textiles that expose the discontinuity of the textile and reveal its pattern. These tools, alongside the innovation of digital
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171:. World culture designs may be traced to a specific geographic, ethnic, or anthropological source. Finally, conversational designs are designs that fit less easily into the other categories; they may be described as presenting "imagery that references popular icons of a particular period or season, or which is unique and challenges our perceptions in some way." Each category contains subcategories, which include more specific individual styles and designs.
38:, which is subsequently printed upon or otherwise adorned. Textile design is further broken down into three major disciplines: printed textile design, woven textile design, and mixed media textile design. Each uses different methods to produce a fabric for variable uses and markets. Textile design as an industry is involved in other disciplines such as
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Textile patterns, designs, weaving methods, and cultural significance vary across the world. African countries use textiles as a form of cultural expression and way of life. They use textiles to liven up the interior of a space or accentuate and decorate the body of an individual. The textile designs
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Predominantly, these environmental impacts stem from the heavy use of hazardous chemicals involved in the textile creation process which must be properly disposed of. Other considerations involve the amount of waste created by the disposal of textile design products and the reclamation and reuse of
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The existence and awareness of the negative environmental impacts of textile production has resulted in the emergence new technologies and practices. Textile designs involving the use of synthetic dyes and materials can result in harmful effects on the environment. This has caused a shift towards
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is another dominant aspect in woven textile design. Typically, designers choose two or more contrasting colors that will be woven into patterns based on a chosen threading sequence. Color is also dependent on the size of the yarn: fine yarns will produce a fabric that may change colors when it
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Schevill, Margot. Evolution in
Textile Design from the Highlands of Guatemala: Seventeen Male Tzutes, or Headdresses, from Chichicastenango in the Collections of the Lowie Museum of Anthropology, University of California, Berkeley. Berkeley, Calif: Lowie Museum of Anthropology, University of
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weaves, which are also common, alternatively use diagonal lines created by floating the warp or the weft to the left or the right. This process creates a softer fabric favored by designers in the fashion and clothing design industries. Common, recognizable twill styles include patterns like
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Embroidery is traditionally performed by hand, applying myriad stitches of thread to construct designs and patterns on the textile surface. Similar to printed textile design, embroidery affords the designer artistic and aesthetic control. Typical stitches include but are not limited to the
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Printed textile designs are created by using various printing techniques on fabric, cloth, and other materials. Printed textile designers are mainly involved in designing patterns for home interior products like carpets, wallpapers, and ceramics. They also work in the
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The history of textile design dates back thousands of years. Due to the decomposition of textile fibers, early examples of textile design are rare. However, some of the oldest known and preserved examples of textiles were discovered in the form of
1628:"The education of art culture at Sultanate of Oman through the multidisciplinary integration between graphic design and eco-friendly textile printing. Part 1: Standardization of extraction and dyeing with natural wastes products"
435:. From the production of cloth from raw material to dyeing and finishing, and the ultimate disposal of products, each step of the process produces environmental impacts. They have been further exacerbated with the emergence of
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involve items of clothing with electronic devices or technology woven into the fabric, such as heaters, lights, or sensors. These textiles can potentially have additional harmful environmental effects, such as producing
474:. Because of this, these textiles are often made by manufacturers with sustainability in mind. These new approaches to textile design attempt to lessen the negative environmental impact of these textiles.
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First textiles: The beginnings of textile manufacture in Europe and the
Mediterranean: proceedings of the EAA Session held in Istanbul (2014) and the 'First Textiles' Conference in Copenhagen (2015)
293:, and synthetic fibers. To produce the woven fabric, the designer first delineates and visualizes the sequence of threading, which is traditionally drawn out on graph paper known as point paper.
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Speelberg, Femke. "Fashion & Virtue: Textile
Patterns and the Print Revolution, 1520–1620". Metropolitan Museum of Art Bulletin. New York: Metropolitan Museum of Art, 2015. Print.
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Robinson, Stuart. A History of
Printed Textiles: Block, Roller, Screen, Design, Dyes, fibers, Discharge, Resist, Further Sources for Research. London: Studio Vista, 1969. Print.
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is traditionally used to enhance the insulation and warmth of a textile. It also provides the designer with the opportunity to apply aesthetic properties. Most commonly,
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There are numerous established printed styles and designs that can be broken down into four major categories: floral, geometric, world cultures, and conversational.
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using natural dyes or materials and research towards other mediums that result in less harm to the environment. This research includes testing new ways to collect
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Perivoliotis, Margaret C. "The Role of
Textile History in Design Innovation: A Case Study Using Hellenic Textile History". Textile history 36.1 (2005): 1–19. Web.
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tomb in 1947. The tomb was said to be that of a prince aging back to 464 AD, making the tomb and all of its contents over 2,500 years old. The rug, known as the
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Whewell, Charles S. and
Abrahart, Edward Noah. "Textile". Encyclopædia Britannica, 4 Jun. 2020, https://www.britannica.com/topic/textile. Accessed 7 March 2021.
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Designs within the context of weaving are created using various types of yarns, using variance in texture, size, and color to construct a stylized patterned or
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Calamari, Sage; Hyllegard, Karen H. (2016-07-07). "An exploration of designers' perspectives on human health and environmental impacts of interior textiles".
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2004:, AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office,
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hosts design competitions that compel all entrants to center their design and manufacturing methods around sustainable practices and materials.
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The designer also will choose a weave structure that governs the aesthetic design that will be produced. The most common process is a
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designs formed from various textiles of different textures and colors. Quilting also frequently employs the use of recycled scrap or
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fabrics. Quilts are also often used as a medium for an artist to depict a personal or communal narrative: for example, the
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1566:"An exploration of designers' perspectives on human health and environmental impacts of interior textiles"
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Gesimondo, Nancy and
Postell, Jim. "Materiality and Interior Construction". John Wiley & Sons, 2011,
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practiced early weaving techniques. One of the oldest examples of textile design was found in an ancient
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reported that over 15 million tons of textile waste is created annually. This consists of some 5% of all
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fabric. There is a large range of yarn types available to the designer, including but not limited to
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Textile Forum, In Hopkins, H., In Kania, K., & European Textile Forum. (2019).
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The Victoria and Albert Museum's Textile Collection: Woven Textile Design in Britain to 1750
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receives light from different angles, whereas larger yarns will generally produce a more
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have a tradition of creating story quilts or cloths illustrating their experiences with
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has become the standard, hand stitching still remains a fixture for fine arts textiles.
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240:), most often at right angles. Woven textile designs are created by various types of
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2055:. The Art of Prehistoric Textile Making. Naturhistorisches Museum Wien, 2016. Web.
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Shirley Craven and Hull Traders: Revolutionary Fabrics and Furniture 1957-1980
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Mansour, H.; Hilal, N.; Alhajri, S.; Al-Yahyai, F.; Al-Amri, M. (2020-02-01).
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Creation of designs for the manufacturing of woven, knitted or printed fabrics
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Clarke, Simon, 1963- (2011). "Textile design, the environment, and science".
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and are now predominantly produced using a mechanized or computerized
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1492:"Stitched tapestry of Hmong history unveiled at Multicultural Center"
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1606:"Advancing Sustainable Materials Management: Facts and Figures 2013"
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In Siennicka, M., In Rahmstorf, L., & In Ulanowska, A. (2018).
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Ecotextiles The Way Forward for Sustainable Development in Textiles
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Shenton, Jan. Woven textile design. Ridsdale, Eleanor. London .
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Labillois, Tabitha M., ed.: "the meow institute", Mexico, 1756.
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in their weaving. The Pazyryk rug is currently displayed at the
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Clarke, Simon, 1963- (2011). "Screen-printed textile designs".
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Briggs-Goode, A. (Amanda). Printed textile design. London.
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Clarke, Simon, 1963- (2011). "Embroidered Textile Design".
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Clarke, Simon, 1963- (2011). "Mixed media textile design".
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Clarke, Simon, 1963- (2011). "Hand Woven Textile Designs".
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became valuable commodities. Many early cultures including
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and how these natural resources work with other materials.
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generated. Only 15% of that waste is recovered and reused.
26:, is the creative and technical process by which thread or
1062:. Isaac, Ceri. (2nd ed.). London: Laurence King Pub.
1011:. Isaac, Ceri. (2nd ed.). London: Laurence King Pub.
960:. Isaac, Ceri. (2nd ed.). London: Laurence King Pub.
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1763:
The Essential Art of African Textiles: Design Without End
1765:. New York: Metropolitan Museum of Art. pp. 88–99.
232:, which produces fabric by interlacing a vertical yarn (
1509:
Clarke, Simon, 1963- (2011). "Environmental Concerns".
1007:
Bowles, Melanie, 1961- (2012). "Patterns and Repeats".
349:
or other various fabric manipulation processes such as
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include flowers, plants, or other botanical elements.
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Woven textile design originates from the practice of
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Clarke, Simon, 1963- (2011). "Fabric Manipulation".
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The practice and industry of textile design present
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1990:, Canopy Books, New York, London, and Paris, 1994.
1976:, Canopy Books, New York, London, and Paris, 1994.
1813:Billie J. Collier, Martin J. Bide, and Phyllis G.,
1564:Calamari, Sage; Hyllegard, Karen H. (2016-07-07).
1908:, Princeton Architectural Press, New York, 2002.
868:Briggs-Goode, A. (Amanda). "Design in Context".
1890:Gale, Colin, Lajwanti Lahori, and Jasbir Kaur,
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956:Bowles, Melanie, 1961- (2012). "Introduction".
345:Mixed media textile designs are produced using
78:Articles produced using textile design include
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1949:, 10th edition, Pearson/Prentice-Hall, 2007,
1613:United States Environmental Protection Agency
626:Clarke, Simon, 1963- (2011). "Introduction".
481:textile design movements and the practice of
8:
2036:. Burlington: Elsevier Science, 2007. Print.
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681:Briggs-Goode, A. (Amanda). "Introduction".
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501:Strip-woven textile design: African fabric
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485:within the field. For instance, London's
30:fibers are interlaced to form a piece of
3972:Good Design Award (Museum of Modern Art)
1226:Shenton, Jan. "Preparation for Design".
477:These concerns have led to the birth of
98:, as well as the properties of numerous
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1215:Woven Textile Design in Britain to 1750
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439:and other modern industrial practices.
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714:Russell, Alex (2016). "Introduction".
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3977:Good Design Award (Chicago Athenaeum)
1490:Gjerde, Hearther (October 27, 2008).
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571:that apply the directly proportional
163:feature elements, both inorganic and
7:
1859:Textiles and Clothing Sustainability
1570:Textiles and Clothing Sustainability
765:. America: Pearson. pp. 1, 432.
493:Textile design in different cultures
2060:Ancient textiles, modern science II
3921:American Institute of Graphic Arts
2040:California, Berkeley, 1985. Print.
1292:Shenton, Jan. "Colour and Weave".
761:Collier, Bide and Tortora (2009).
174:Moreover, different fabrics, like
148:, and in designing stationary and
14:
3931:Design and Industries Association
2032:Miraftab, M., and A R. Horrocks.
1667:Köhler, Andreas R. (2013-10-01).
1906:Twentieth-Century Pattern Design
1496:University of Wisconsin-Madison
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449:Environmental Protection Agency
142:fashion and clothing industries
3926:Chartered Society of Designers
1296:. Ridsdale, Eleanor. London .
1263:. Ridsdale, Eleanor. London .
1259:Shenton, Jan. "Twill Weaves".
1230:. Ridsdale, Eleanor. London .
255:Woven textile design: A woven
1:
3997:Prince Philip Designers Prize
2640:Architectural lighting design
2010:10.5040/9781474218535.ch-001,
3803:Electronic design automation
3786:Virtual home design software
2758:Automotive suspension design
1817:, Pearson Publishers, 2009,
1685:10.1016/j.matdes.2013.04.012
835:10.5040/9781474218535.ch-001
2662:Environmental impact design
527:cultures in 5000 BCE. When
4360:
3941:International Forum Design
3311:Engineering design process
1645:10.1016/j.egyr.2019.12.020
793:. New York: Viking Press.
381:. Although industrial and
329:Mixed media textile design
114:Textile design disciplines
4276:
4024:
4013:
3742:
3716:
3172:
3161:
3063:Integrated circuit design
2985:Stage/set lighting design
2874:Hardware interface design
2790:Hardware interface design
2499:
2488:
2470:
2142:
1894:, Berg Publishers, 2002,
1871:10.1186/s40689-016-0020-7
1815:Understanding of Textiles
1583:10.1186/s40689-016-0020-7
763:Understanding of Textiles
487:Royal Society of the Arts
236:) and a horizontal yarn (
3898:Industrial design rights
3886:Fashion design copyright
3798:Design quality indicator
3247:Creative problem-solving
3038:Electrical system design
2894:Sonic interaction design
2805:Photographic lens design
2679:Healthy community design
2361:Valerie Campbell-Harding
775:Gale, Lahori, and Kaur,
551:, Chinese, African, and
316:Beyond weave structure,
127:Printed textile design:
4094:New product development
4059:Enterprise architecture
3987:IF Product Design Award
3946:Design Research Society
3498:Reliability engineering
1945:Kadolph, Sara J., ed.:
1918:Jackson, Lesley :
1761:LaGamma, Alisa (2009).
791:William Morris textiles
3550:Top-down and bottom-up
2899:User experience design
2800:Packaging and labeling
2773:Electric guitar design
2711:Landscape architecture
2149:
1922:, ACC Editions, 2009,
1904:Jackson, Lesley :
1673:Materials & Design
1141:: CS1 maint: others (
1060:Digital textile design
1009:Digital textile design
958:Digital textile design
870:Printed textile design
789:Parry, Linda. (1983).
683:Printed textile design
502:
433:environmental concerns
395:feature geometric and
342:
274:
136:
119:Printed textile design
96:the production process
70:
4079:Innovation management
3962:European Design Award
3728:Intellectual property
3545:Theory of constraints
3508:Responsibility-driven
3348:For manufacturability
3252:Creativity techniques
3090:Nuclear weapon design
2904:User interface design
2768:Corrugated box design
2689:Interior architecture
2315:Thelma Johnson Streat
2148:
2131:Anna Maria Garthwaite
1932:Jenkins, David, ed.:
607:Textile manufacturing
500:
383:mechanized embroidery
336:
254:
195:computer-aided design
126:
56:
4124:Unintelligent design
4104:Philosophy of design
3818:Design specification
3771:Comprehensive layout
3343:For behaviour change
3316:Probabilistic design
3078:Power network design
2615:Visual merchandising
2572:Instructional design
2550:Postage stamp design
2366:Georgina von Etzdorf
1986:Rothstein, Natalie:
1294:Woven textile design
1261:Woven textile design
1228:Woven textile design
427:Environmental impact
341:, chain stitched rug
224:Woven textile design
186:require specialized
4044:Creative industries
3967:German Design Award
3876:Design infringement
3761:Architectural model
3100:Organization design
3095:Nucleic acid design
3043:Experimental design
2596:Traffic sign design
597:Clothing technology
467:Electronic textiles
4109:Process simulation
4084:Intelligent design
3408:Intelligence-based
3403:Integrated topside
3333:Framework-oriented
3018:Behavioural design
2889:Information design
2567:Information design
2415:Early 21st century
2386:Vuokko Nurmesniemi
2300:Franco Scalamandré
2182:Early 20th century
2150:
1970:Rothstein, Natalie
1791:www.mattcamron.com
503:
421:South-eastern Asia
343:
275:
137:
71:
4344:Textile designers
4326:
4325:
4272:
4271:
4039:Conceptual design
4009:
4008:
4005:
4004:
3992:James Dyson Award
3848:Website wireframe
3838:Technical drawing
3712:
3711:
3560:Transgenerational
3301:Ecological design
3177:Activity-centered
3157:
3156:
3153:
3152:
3135:Spacecraft design
2929:Public art design
2867:Video game design
2845:Experience design
2815:Production design
2795:Motorcycle design
2753:Automotive design
2657:Ecological design
2535:Film title design
2430:
2429:
2334:Late 20th century
2265:Jack Lenor Larsen
2163:John Henry Dearle
2117:Textile designers
2081:978-0-470-44544-0
2029:. OCLC 884590266.
2027:978-1-78067-569-5
2017:978-1-4742-1853-5
1887:. OCLC 908338301.
1885:978-1-78539-200-9
1854:. OCLC 898176484.
1852:978-1-78067-403-2
1823:978-0-13-118770-2
1717:978-1-78539-200-9
1520:978-1-78539-200-9
1446:978-1-78539-200-9
1391:978-1-78539-200-9
1336:978-1-78539-200-9
1303:978-1-78067-569-5
1270:978-1-78067-569-5
1237:978-1-78067-569-5
1170:978-1-78539-200-9
1120:978-1-84972-210-0
1069:978-1-78067-223-6
1018:978-1-78067-223-6
967:978-1-78067-223-6
912:978-1-78539-200-9
879:978-1-78067-403-2
844:978-1-4742-1853-5
725:978-1-4742-1853-5
692:978-1-78067-403-2
637:978-1-78539-200-9
483:ecological design
461:natural resources
184:synthetic fabrics
161:Geometric designs
4351:
4318:
4311:
4304:
4297:
4290:
4283:
4015:
3892:Geschmacksmuster
3866:Community design
3744:
3718:
3478:Process-centered
3274:Design–bid–build
3242:Cradle-to-cradle
3222:Concept-oriented
3163:
3140:Strategic design
3110:Processor design
3085:Mechanism design
3053:Geometric design
3013:Algorithm design
2953:Jewellery design
2884:Immersive design
2778:Furniture design
2723:Landscape design
2501:
2490:
2457:
2450:
2443:
2434:
2391:Graziela Preiser
2351:Bronwyn Bancroft
2346:Hiroshi Awatsuji
2240:Alexander Girard
2208:Mid 20th century
2110:
2103:
2096:
2087:
1892:The Textile Book
1843:. OCLC 866622297
1801:
1800:
1798:
1797:
1783:
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865:
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819:
813:
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786:
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777:The Textile Book
773:
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766:
758:
752:
751:
745:
737:
711:
705:
704:
678:
672:
671:
657:
649:
623:
577:Hermitage Museum
472:electronic waste
264:Philbrook Museum
133:Strawberry Thief
57:Point paper for
24:textile geometry
22:, also known as
4359:
4358:
4354:
4353:
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4350:
4349:
4348:
4329:
4328:
4327:
4322:
4316:
4309:
4302:
4295:
4288:
4281:
4268:
4069:Futures studies
4020:
4001:
3950:
3909:
3858:
3852:
3738:
3737:
3708:
3614:Value sensitive
3604:User innovation
3483:Public interest
3448:Object-oriented
3168:
3149:
3130:Software design
3120:Research design
3073:Physical design
3028:Database design
3002:
3000:
2994:
2970:Property design
2965:Game art design
2919:
2913:
2836:
2829:
2744:
2737:
2694:Interior design
2645:Building design
2626:
2619:
2506:
2495:
2484:
2466:
2461:
2431:
2426:
2410:
2329:
2310:Marianne Straub
2280:Mario Prassinos
2203:
2177:
2173:C. F. A. Voysey
2151:
2140:
2136:William Kilburn
2119:
2114:
1876: 2197-9936
1810:
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925:
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867:
866:
857:
849:
847:
845:
823:"The framework"
821:
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788:
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693:
680:
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638:
625:
624:
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593:
512:
495:
453:municipal waste
429:
331:
226:
210:inkjet printing
202:Adobe Photoshop
121:
116:
76:
44:interior design
17:
12:
11:
5:
4357:
4355:
4347:
4346:
4341:
4339:Textile design
4331:
4330:
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4323:
4321:
4320:
4313:
4306:
4299:
4292:
4285:
4277:
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4211:
4206:
4201:
4196:
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4186:
4181:
4176:
4171:
4170:
4169:
4164:
4154:
4149:
4144:
4137:
4136:
4134:Wicked problem
4131:
4126:
4121:
4116:
4111:
4106:
4101:
4096:
4091:
4086:
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4076:
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4066:
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4056:
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4046:
4041:
4036:
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4025:
4022:
4021:
4019:Related topics
4018:
4011:
4010:
4007:
4006:
4003:
4002:
4000:
3999:
3994:
3989:
3984:
3979:
3974:
3969:
3964:
3958:
3956:
3952:
3951:
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3948:
3943:
3938:
3936:Design Council
3933:
3928:
3923:
3917:
3915:
3911:
3910:
3908:
3907:
3906:
3905:
3903:European Union
3895:
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3868:
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3636:
3631:
3624:
3623:
3622:
3621:
3611:
3606:
3601:
3600:
3599:
3589:
3584:
3582:Usage-centered
3579:
3578:
3577:
3575:Design for All
3567:
3562:
3557:
3555:Transformation
3552:
3547:
3542:
3537:
3536:
3535:
3525:
3520:
3515:
3510:
3505:
3503:Research-based
3500:
3495:
3490:
3485:
3480:
3475:
3470:
3468:Platform-based
3465:
3460:
3455:
3450:
3445:
3440:
3435:
3430:
3425:
3420:
3418:KISS principle
3415:
3410:
3405:
3400:
3395:
3390:
3385:
3380:
3375:
3370:
3365:
3360:
3355:
3350:
3345:
3340:
3335:
3330:
3328:Fault-tolerant
3325:
3323:Error-tolerant
3320:
3319:
3318:
3308:
3306:Energy neutral
3303:
3298:
3293:
3288:
3287:
3286:
3276:
3271:
3266:
3265:
3264:
3262:Design fiction
3254:
3249:
3244:
3239:
3234:
3229:
3224:
3219:
3214:
3209:
3204:
3199:
3194:
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3179:
3173:
3170:
3169:
3166:
3159:
3158:
3155:
3154:
3151:
3150:
3148:
3147:
3145:Systems design
3142:
3137:
3132:
3127:
3122:
3117:
3115:Protein design
3112:
3107:
3105:Process design
3102:
3097:
3092:
3087:
3082:
3081:
3080:
3075:
3070:
3068:Circuit design
3060:
3055:
3050:
3045:
3040:
3035:
3030:
3025:
3020:
3015:
3009:
3007:
2996:
2995:
2993:
2992:
2990:Textile design
2987:
2982:
2977:
2972:
2967:
2962:
2957:
2956:
2955:
2950:
2948:Costume design
2943:Fashion design
2940:
2931:
2925:
2923:
2915:
2914:
2912:
2911:
2906:
2901:
2896:
2891:
2886:
2881:
2876:
2871:
2870:
2869:
2864:
2854:
2853:
2852:
2841:
2839:
2831:
2830:
2828:
2827:
2825:Service design
2822:
2820:Sensory design
2817:
2812:
2810:Product design
2807:
2802:
2797:
2792:
2787:
2786:
2785:
2775:
2770:
2765:
2760:
2755:
2749:
2747:
2739:
2738:
2736:
2735:
2730:
2728:Spatial design
2725:
2720:
2719:
2718:
2708:
2706:Keyline design
2703:
2702:
2701:
2691:
2686:
2681:
2676:
2675:
2674:
2672:Computer-aided
2664:
2659:
2654:
2653:
2652:
2642:
2637:
2631:
2629:
2621:
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2618:
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2598:
2589:
2584:
2579:
2574:
2569:
2564:
2559:
2558:
2557:
2552:
2547:
2540:Graphic design
2537:
2532:
2530:Exhibit design
2527:
2522:
2517:
2511:
2509:
2497:
2496:
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2486:
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2482:
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2363:
2358:
2356:Celia Birtwell
2353:
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2335:
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2328:
2327:
2322:
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2312:
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2297:
2292:
2287:
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2277:
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2270:Dorothy Liebes
2267:
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2257:
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2232:
2227:
2222:
2217:
2211:
2209:
2205:
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2196:
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2189:Bernard Adeney
2185:
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2176:
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2168:William Morris
2165:
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2105:
2098:
2090:
2084:
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2073:
2070:
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2053:Grömer, Karina
2050:
2047:
2044:
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2030:
2019:
1998:
1984:
1967:
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1943:
1930:
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1809:
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1778:
1771:
1753:
1716:
1708:Textile design
1698:
1659:
1632:Energy Reports
1618:
1597:
1556:
1519:
1511:Textile design
1501:
1482:
1445:
1437:Textile design
1427:
1390:
1382:Textile design
1372:
1335:
1327:Textile design
1317:
1302:
1284:
1269:
1251:
1236:
1218:
1206:
1169:
1161:Textile design
1148:
1119:
1101:
1068:
1050:
1017:
999:
966:
948:
911:
903:Textile design
893:
878:
855:
843:
814:
799:
781:
768:
753:
724:
706:
691:
673:
636:
628:Textile design
617:
616:
614:
611:
610:
609:
604:
602:Fashion design
599:
592:
589:
581:St. Petersburg
529:trade networks
523:, dating from
511:
508:
494:
491:
447:textiles. The
428:
425:
330:
327:
260:saddle blanket
225:
222:
193:The advent of
188:dispersed dyes
157:Floral designs
146:paper industry
129:William Morris
120:
117:
115:
112:
75:
72:
67:William Morris
20:Textile design
15:
13:
10:
9:
6:
4:
3:
2:
4356:
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4249:specification
4247:
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4162:architectural
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4129:Visualization
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4049:Cultural icon
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3881:Design patent
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3592:User-centered
3590:
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3540:Tableless web
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3463:Participatory
3461:
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3353:For Six Sigma
3351:
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3329:
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3321:
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3309:
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3299:
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3296:Domain-driven
3294:
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3284:architect-led
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3227:Configuration
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3208:
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3198:
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3192:Brainstorming
3190:
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3164:
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3146:
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3141:
3138:
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3126:
3125:Social design
3123:
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3048:Filter design
3046:
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3026:
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3023:Boiler design
3021:
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3010:
3008:
3006:
2997:
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2975:Scenic design
2973:
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2960:Floral design
2958:
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2668:
2667:Garden design
2665:
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2651:
2650:Passive solar
2648:
2647:
2646:
2643:
2641:
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2625:Environmental
2622:
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2587:Retail design
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2505:Communication
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2399:
2397:
2396:Siona Shimshi
2394:
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2376:Hans Krondahl
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2250:Viola GrĂĄsten
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2199:Silver Studio
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2024:
2020:
2018:
2014:
2011:
2007:
2003:
2000:Russel, Alex.
1999:
1997:
1996:1-55859-850-2
1993:
1989:
1985:
1983:
1982:1-55859-849-9
1979:
1975:
1971:
1968:
1966:
1965:1-55859-851-0
1962:
1958:
1956:
1955:0-13-118769-4
1952:
1948:
1944:
1942:
1941:
1940:0-521-34107-8
1937:
1931:
1929:
1928:1-85149-608-4
1925:
1921:
1917:
1915:
1914:1-56898-333-6
1911:
1907:
1903:
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1900:1-85973-512-6
1897:
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1842:
1841:1-78067-223-3
1838:
1834:
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1831:0-13-118770-8
1828:
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1772:9780300149623
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802:
800:0-670-77075-2
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573:Ghiordes knot
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413:United States
410:
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386:
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376:
372:
366:
364:
363:laser cutting
360:
356:
352:
348:
340:
335:
328:
326:
324:
323:monochromatic
319:
314:
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308:
303:
299:
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292:
288:
284:
280:
279:monochromatic
273:
269:
265:
261:
258:
253:
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247:
246:jacquard loom
243:
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203:
199:
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189:
185:
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177:
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170:
169:tessellations
166:
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158:
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125:
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113:
111:
109:
105:
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97:
93:
89:
85:
81:
73:
68:
64:
60:
59:Dove and Rose
55:
51:
49:
45:
41:
37:
33:
29:
25:
21:
4119:STEAM fields
4089:Lean startup
4074:Indie design
3890:
3857:Intellectual
3609:Value-driven
3587:Use-centered
3493:Regenerative
3473:Policy-based
3433:Mind mapping
3338:For assembly
3279:Design–build
3197:By committee
3182:Adaptive web
2989:
2980:Sound design
2938:glass design
2936: /
2921:applied arts
2862:Level design
2733:Urban design
2684:Hotel design
2635:Architecture
2610:Video design
2603: /
2594: /
2562:Illustration
2555:Print design
2525:Brand design
2371:Lily Goddard
2341:Angela Adams
2295:Astrid Sampe
2260:Bernat Klein
2225:Lucienne Day
2220:Helen Berman
2215:Laura Ashley
2194:Ethel Mairet
2156:19th century
2124:18th century
2066:
2059:
2033:
2001:
1987:
1973:
1946:
1933:
1919:
1905:
1891:
1862:
1858:
1814:
1794:. Retrieved
1790:
1781:
1762:
1756:
1707:
1701:
1676:
1672:
1662:
1635:
1631:
1621:
1612:
1600:
1573:
1569:
1559:
1510:
1504:
1495:
1485:
1436:
1430:
1381:
1375:
1326:
1320:
1293:
1287:
1260:
1254:
1227:
1221:
1214:
1209:
1160:
1110:
1104:
1059:
1053:
1008:
1002:
957:
951:
902:
896:
869:
848:, retrieved
826:
817:
790:
784:
776:
771:
762:
756:
715:
709:
682:
676:
627:
621:
569:Persian rugs
513:
504:
476:
465:
457:
441:
437:fast fashion
430:
405:Hmong people
387:
375:chain stitch
371:cross stitch
367:
344:
315:
295:
276:
227:
192:
173:
154:
138:
77:
63:double cloth
58:
23:
19:
18:
4157:competition
4114:Slow design
4064:Form factor
4034:Concept art
3843:HTML editor
3523:Sustainable
3358:For testing
3202:By contract
3058:Work design
3033:Drug design
3005:engineering
2879:Icon design
2857:Game design
2835:Interaction
2783:Sustainable
2716:Sustainable
2605:Type design
2582:Photography
2577:News design
2520:Book design
2515:Advertising
2494:Disciplines
2381:Meera Mehta
2325:Suzie Zuzek
2290:Ruth Reeves
2285:Ernest Race
2255:Maija Isola
1710:. London .
1638:: 933–939.
1513:. London .
1439:. London .
1384:. London .
1329:. London .
1213:Rothstein,
1163:. London .
1109:"Weaving".
905:. London .
630:. London .
579:located in
561:Pazyryk rug
545:flax fibers
479:sustainable
409:immigration
311:Herringbone
307:Houndstooth
298:plain weave
218:sustainable
216:, and more
206:Illustrator
4333:Categories
4317:Wiktionary
4310:Wikisource
4264:technology
4234:principles
3833:Storyboard
3659:management
3654:leadership
3619:Privacy by
3458:Parametric
3428:Metadesign
3398:Integrated
3388:High-level
3373:Generative
3368:Functional
3237:Continuous
3232:Contextual
3207:C-K theory
3167:Approaches
2909:Web design
2763:CMF design
2743:Industrial
2601:Typography
2401:Sue Timney
2320:Mary White
2245:Joan Glass
1808:References
1796:2023-08-04
872:. London.
850:2020-04-17
734:1053941237
685:. London.
445:recyclable
347:embroidery
200:, such as
167:, such as
4303:Wikiquote
4289:Wikibooks
4239:rationale
4204:knowledge
4179:education
4099:OODA loop
3823:Prototype
3808:Flowchart
3766:Blueprint
3634:computing
3570:Universal
3518:Safe-life
3423:Low-level
3413:Iterative
3393:Inclusive
3378:Geodesign
3269:Defensive
3217:Co-design
3187:Affective
2305:May Smith
2275:Marimekko
2230:Ada Dietz
1734:cite book
1726:908338301
1693:0261-3069
1679:: 51–60.
1654:2352-4847
1592:2197-9936
1537:cite book
1529:908338301
1463:cite book
1455:908338301
1408:cite book
1400:908338301
1353:cite book
1345:908338301
1312:884590266
1279:884590266
1246:884590266
1187:cite book
1179:908338301
1137:cite book
1129:436847805
1086:cite book
1078:866622297
1035:cite book
1027:866622297
984:cite book
976:866622297
929:cite book
921:908338301
888:898176484
742:cite book
701:898176484
654:cite book
646:908338301
565:Anatolian
525:Neolithic
325:surface.
262:from the
150:gift wrap
48:fine arts
4296:Wikinews
4229:paradigm
4209:language
4189:engineer
4184:elements
4174:director
3859:property
3704:thinking
3694:strategy
3679:research
3639:controls
3597:Empathic
3528:Systemic
3488:Rational
3443:New Wave
3257:Critical
2480:Designer
2235:Elenhank
1947:Textiles
1865:(1): 9.
1576:(1): 9.
591:See also
557:Siberian
553:Peruvian
549:Egyptian
521:basketry
401:heirloom
389:Quilting
379:couching
359:quilting
355:appliqué
351:pleating
272:Oklahoma
214:scalable
198:software
165:abstract
80:clothing
74:Overview
4282:Commons
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4140:Design
4054:.design
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3627:Design
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3291:Diffuse
3212:Closure
2934:Ceramic
2592:Signage
2475:Outline
2422:Kvadrat
2406:Up Tied
809:8221337
779:, p. 37
510:History
417:Eastern
411:to the
397:collage
230:weaving
84:carpets
40:fashion
4259:studio
4244:review
4224:museum
4147:change
3955:Awards
3828:Sketch
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3793:CAutoD
3734:Awards
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2837:design
2745:design
2627:design
2545:Motion
2507:design
2464:Design
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543:, and
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36:fabric
4142:brief
4029:Agile
3748:Tools
3725:Tools
3363:For X
2999:Other
2918:Other
1609:(PDF)
613:Notes
415:from
318:color
302:Twill
291:linen
287:twill
268:Tulsa
242:looms
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537:wool
533:silk
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234:warp
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180:wool
178:and
176:silk
108:dyes
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