102:
David enters. Alice tries to provoke him by saying that she has been unfaithful to him, but he forgives her. She finally manages to enrage him by mocking his high-mindedness as a pose. The ensuing confrontation is halted by Marion's return. Alice then announces that since David and Marion have a similar outlook and are obviously made for each other, she is quite ready to relinquish him. To satisfy the divorce laws, she will take a lover and "live in flaming sin" at a de luxe hotel. She goes out, leaving the other two nonplussed. David tells Marion, "We should all try to make ourselves see things from every point of view".
22:
101:
Alice has fallen out of love with her high-minded but bloodless husband, David. She discusses him with her friend Marion. It emerges that Marion finds him extremely attractive but her attempt to seduce him was unsuccessful. She leaves angrily when Alice declares that he is in love only with himself.
92:
In spite of this, it was received with apathy; I think, possibly, because it was a satire and too flippant in atmosphere after the full-blooded horrors that had gone before it. Nevertheless, it was quite well written and served the purpose, if only for a little, of keeping my name before the
115:
judged the piece "exceedingly well written, but too literary". The text was not published and was thought to be lost until
Richard Hand and Mike Wilson, researching for a book about Grand Guignol, discovered the script in the
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The play was given as the final item of a quintuple bill of mixed comedy and melodrama at the
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The
Sticking Place theatre company revived the play at the Union Theatre in
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first performed in 1922 by the Grand
Guignol theatre company, directed by
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Coward recalled that the piece "was wittily played by Auriol Lee", but:
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53:. It was thought to be lost until the original script was found in the
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in
September 2007, where it had been deposited as part of the
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Coward's long-lost satire was almost too 'daring' about women
250:(2000 edition, ed.) (second ed.). London: Oberon Books.
269:(fifth ed.). London: Sir Isaac Pitman and Sons.
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69:, London on 31 May 1922, with the following cast:
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242:Mander, Raymond; Joe Mitchenson (2000) .
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228:, BBC Genome. Retrieved 6 August 2021
209:
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7:
214:"'Lost' Noel Coward play recovered"
14:
188:Mander and Mitchenson, pp. 62–63
179:in Mander and Mitchenson, p. 65
814:Pretty Polly and Other Stories
244:Theatrical Companion to Coward
226:"Noel Coward: The Better Half"
216:, BBC. Retrieved 6 August 2021
1:
875:The Queen Was in the Parlour
568:The Queen Was in the Parlour
485:The Girl Who Came to Supper
1134:
395:Noël Coward's Sweet Potato
265:Parker, John, ed. (1925).
135:on 25 May 2009, starring
267:Who's Who in the Theatre
122:Lord Chamberlain's Plays
16:1922 play by Noël Coward
849:The Noël Coward Diaries
33:
806:Pomp and Circumstance
79:Marion – Ivy Williams
24:
1113:Plays by Noël Coward
1046:Waiting in the Wings
787:The Astonished Heart
728:Waiting in the Wings
512:I'll Leave It to You
201:, 8 June 1922, p. 14
32:in the 1922 premiere
736:Suite in Three Keys
197:"London Theatres",
61:Original production
833:Present Indicative
437:Conversation Piece
364:This Year of Grace
147:, and directed by
34:
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1094:
1091:
1090:
931:Design for Living
841:Future Indefinite
755:In Which We Serve
688:Peace in Our Time
640:Design for Living
356:On with the Dance
257:978-1-84002-054-0
1125:
1062:Look After Lulu!
1054:Present Laughter
1038:Nude with Violin
1022:South Sea Bubble
864:
763:This Happy Breed
720:Look After Lulu!
712:Nude with Violin
696:South Sea Bubble
672:This Happy Breed
664:Present Laughter
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246:. Barry Day and
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28:and (in mirror)
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955:Meet Me Tonight
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656:Tonight at 8.30
520:The Better Half
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410:Cowardy Custard
372:Words and Music
348:London Calling!
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38:The Better Half
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289:Coward's Women
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67:Little Theatre
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1081:High Spirits
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963:Pretty Polly
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504:The Rat Trap
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453:Pacific 1860
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429:Bitter Sweet
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388:Sigh No More
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380:Set to Music
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124:collection.
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51:Lewis Casson
43:one-act play
37:
36:
35:
18:
1030:Red Peppers
979:Easy Virtue
891:Easy Virtue
860:Adaptations
624:Post-Mortem
560:Easy Virtue
402:Oh, Coward!
333:Noël Coward
145:Lisa Dillon
141:Samuel West
133:BBC Radio 4
84:Ian Fleming
47:Noël Coward
30:Ian Fleming
1108:1922 plays
1102:Categories
883:The Vortex
576:Semi-Monde
536:The Vortex
155:References
75:Auriol Lee
26:Auriol Lee
1006:Cavalcade
915:Cavalcade
704:Quadrille
632:Cavalcade
608:Home Chat
544:Hay Fever
477:Sail Away
331:Works by
199:The Stage
129:Southwark
112:The Stage
57:in 2007.
445:Operette
421:Musicals
275:10013159
93:public."
73:Alice –
1073:Musical
825:Memoirs
592:Sirocco
236:Sources
106:History
1084:(1964)
1065:(1967)
1057:(1967)
1049:(1965)
1041:(1964)
1033:(1962)
1025:(1956)
1017:(1956)
1009:(1955)
990:(2020)
982:(2008)
974:(2000)
966:(1967)
958:(1952)
950:(1942)
942:(1940)
934:(1933)
926:(1933)
918:(1933)
910:(1933)
902:(1930)
894:(1928)
886:(1928)
878:(1927)
852:(1982)
844:(1954)
836:(1937)
817:(1964)
809:(1960)
790:(1950)
782:(1945)
774:(1945)
766:(1944)
758:(1942)
739:(1966)
731:(1960)
723:(1959)
715:(1956)
707:(1952)
699:(1951)
691:(1946)
683:(1941)
675:(1939)
667:(1939)
659:(1936)
651:(1934)
643:(1932)
635:(1931)
627:(1930)
619:(1930)
611:(1927)
603:(1927)
595:(1927)
587:(1926)
579:(1926)
571:(1926)
563:(1925)
555:(1925)
547:(1925)
539:(1924)
531:(1923)
523:(1922)
515:(1920)
507:(1918)
488:(1963)
480:(1961)
472:(1954)
464:(1950)
456:(1946)
448:(1938)
440:(1934)
432:(1929)
413:(1972)
405:(1972)
397:(1968)
391:(1945)
383:(1939)
375:(1932)
367:(1928)
359:(1925)
351:(1923)
340:Revues
273:
254:
177:Quoted
867:Films
798:Prose
747:Films
496:Plays
41:is a
271:OCLC
252:ISBN
143:and
97:Plot
45:by
1104::
998:TV
206:^
151:.
139:,
324:e
317:t
310:v
277:.
260:.
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