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died so unexpectedly at the young age of just 29 also served to strengthen this reaction. The infatuation with Ki
Hyongdo was so extreme that lovers of literature and aspiring poets even claimed that they wanted to die early like Ki Hyongdo and would imitate him by going to third-rate theatre houses to drink. This caused one literary critic to coin the term โKi Hyongdo Syndromeโ and argue for the symbolism and generational significance held by
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335:(๋ฏธ์ํ์ง๋ง ๋๋ ์ด์ ํฌ๋ง์ ๋
ธ๋ํ๋ จ๋ค Sorry, but Iโm going to try to sing of hope now).โ Ki Hyongdo's older sister, while admitting that her brother's poems were primarily dark and gloomy, has pointed to this poem which sings of a turn toward hope. She said that if Ki Hyongdo were still alive, he would have become a poet who continued to sing of hope. Ki Hyongdo's initial title,
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loneliness which the poet experienced because of it. As time passes and the poet becomes an adult, he speaks of the past with a voice laced with more longing than fear. Yet despite this, the things that have taken root deep within the poet, such as an empty room, being alone, and loneliness, leave their mark throughout the collection of poetry.
559:. Ki Hyongdoโs poems are some of the few that have been praised as a eulogy marking the end of the 1980s. There are also those who say that Ki Hyongdo was a sort of โpersonaโ to a generation of youths who experienced the inward gloom of a time when student activism was declining and the possibility of political reform was narrowing.
503:(์ ์๊ฑฐ๋ผ, ์งง์๋ ๋ฐค๋ค์ Farewell, short nights),โ and bidding farewell, the poet says goodbye to everything else: the fog outside the window, the candles in the room, the white papers, the reluctance filled fears, and all his past desires. And after having made farewells with all these things, the poet finally writes, โ
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the only poetry collection Ki
Hyongdo left behind, created reactions that were so extreme they have been labeled a โsyndrome.โ The keen self-awareness unique to youths and the despair and gloom that pervades the entire work resonated deeply with readers and the literati. The knowledge that Ki Hyongdo
539:(๊ทธ๋ฆฌ๊ณ ๊ทธ ์ผ์ด ํฐ์ก๋ค, ์ผ๋ง ํ ๊ทธ๊ฐ ์ฃฝ์๋ค And that incidence occurred, and he died not long after).โ In that violent reality, life was met with fear and death. In the last stanza of the titular poem โIp sog-ui geomeun ip(์
์์ ๊ฒ์ ์ The Black Leaf in My Mouth),โ the poet confesses how afraid he is by writing, โ
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is Ki
Hyongdoโs childhood experiences. In โEomma geokjeong (์๋ง ๊ฑฑ์ Worrying about Mother),โ the poet remembers when he was a child and used to shake with loneliness when his mother would go out to work and not come back until late into the night. The quote below shows a poor household and the
531:(๊ทธ ์ผ์ด ํฐ์ก์ ๋ When that incident happened),โ referring indirectly to some event. Although the poet never specifically names the event he is referring to, one can infer that this poem is closely related to the political climate of the mid to late 1980s from passages such as โ
507:(๊ฐ์พ์ ๋ด ์ฌ๋ ๋น ์ง์ ๊ฐํ๋ค My poor love is stuck in an empty house).โ Just as in โEomma Geokjeong,โ the poet in โBin Jipโ has shut his wounds in a small room and is now looking back in longing. As Kim Hyun has said, the internal and personal wounds are reborn through the poetโs
360:. What makeโs Ki Hyongdo and this poetry collection unique is that, unlike the majority of poems that take on such a worldview and express a desire to escape the present circumstances, Ki Hyongdoโs poems remain in a nightmarish
364:
and stubbornly search for meaning there. In other worlds, only the painful reality of the present exists in Ki
Hyongdoโs poems. In this sense, as argued by Kim Hyun, Ki Hyongdo wasnโt an
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and fear that was widespread throughout Korean society in the 1980s, when these poems of Ki
Hyongdoโs were written. Not surprisingly, there are indirect criticisms of society present in
324:. Kim Hyun also wrote an analysis of the poetry collection under the title โYeongwonhi dachin binbangui cheheom (์์ํ ๋ซํ ๋น๋ฐฉ์ ์ฒดํ Experience of an Eternally Closed and Empty Room).โ
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to the sorrow and despair that was already present in the first half of the collection and gave rise to the so-called โKi
Hyongdo Syndrome.โ
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331:โ according to his older sister. Instead he used this title for a work he published in 1988, the first line of which goes, โ
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that states a
Knowledge (XXG) editor's personal feelings or presents an original argument about a topic.
543:(๋ด ์
์์ ์
์ฐฉ๊ฐ์ด ๋งค๋ฌ๋ฆฐ ๊ฒ์ ์์ด ๋๋ ๋๋ ต๋ค I am afraid of the black leaf hanging stubbornly inside my mouth).โ
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Park, Seonghun. โKi
Hyongdo Originally to Title Poetry Collection as โWarning at the Station.โโ
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Kim, Hyun. โExperience of an
Eternally Closed and Empty Room โ Requiem for a Young Poet.โ In
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Kim, Hyun. โExperience of an
Eternally Closed and Empty Room โ Requiem for a Young Poet.โ In
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http://www.doopedia.co.kr/doopedia/master/master.do?_method=view&MAS_IDX=101013000873443
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is parting with loved ones. The poem โBin Jipโ (๋น ์ง Empty House) begins with the line, โ
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Choi, Jaebong. โThe Myth of Ki Hyongdo โ Living and Breathing the Fog between People.โ
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As Ki Hyongdo was preparing to publish the collection in 1989, he suddenly died from a
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582:<<์
์์ ๊ฒ์ ์>>, ๋ฌธ์ง, 1989 / La hoja negra dentro de la boca, Verbum, 2005.
579:<<์
์์ ๊ฒ์ ์>>, ๋ฌธ์ง, 1989 / Une feuille noire dans la bouche, Circรฉ, 2012.
535:(๊ทธํด ์ฌ๋ฆ ๋ง์ ์ฌ๋๋ค์ด ๋ฌด๋๊ธฐ๋ก ์์ด์ก๊ณ That summer many people disappeared in heaps)โ and โGeurigo
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Ki Hyongdo originally had been thinking of titling his first poetry collection as โ
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https://terms.naver.com/entry.nhn?docId=3581509&cid=60538&categoryId=60538
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searching for gold in the mud, but a realist who called mud for what it was.
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The poetโs gloom and isolation are deeply related to the atmosphere of
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Through the crack in the window I hear the faint sound of rain
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https://book.naver.com/bookdb/publisher_review.nhn?bid=5901885
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http://www.munhwa.com/news/view.html?no=2016051701072927271001
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Nae ip soge akchakgachi maedallin geomeun ipi naneun duryeopda
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The cause of all the gloom, sorrow, and unease that surrounds
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personal reflection, personal essay, or argumentative essay
499:(์ฌ๋์ ์๊ณ ๋๋ ์ฐ๋ค I lost love and now write)โ. After saying, โ
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https://book.naver.com/bookdb/book_detail.nhn?bid=5901885
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Geuhae yeoreum maneun saramdeuri mudeogiro eopseojyeotgo
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As I sniffle alone, lying face down in the empty room
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http://www.hani.co.kr/arti/culture/book/341078.html
609:Kim, Hyun. โThe Poet Who Could Not but Die Young.โ
754:(์ ๊ฑฐ์ฅ์์์ ์ถฉ๊ณ Warning at the Station). Moonji, 2009.
645:(์ ๊ฑฐ์ฅ์์์ ์ถฉ๊ณ Warning at the Station). Moonji, 2009.
695:http://encykorea.aks.ac.kr/Contents/Item/E0079623
227:for phonetic transcriptions, with an appropriate
333:Mianhajiman naneun ije himangeul noraeharyeonda
782:Lee, Hyaeryeong. โThe Persona of Ki Hyongdo.โ
8:
537:geu iri teojyeotda, eolma hu geuga jugeotda
445:binbange honja eopdeuryeo huljjeokgeorideon
53:Learn how and when to remove these messages
320:Kim Hyun who chose the collection's title
809:https://library.ltikorea.or.kr/node/11839
797:https://library.ltikorea.or.kr/node/16491
459:Itโs been sometime since the sun has set
263:Learn how and when to remove this message
168:Learn how and when to remove this message
106:Learn how and when to remove this message
725:Ki, Hyongdo. โIp sog-ui geomeun ip.โ In
505:Gayeopseun nae sarang bin jibe gatyeonne
131:This article includes a list of general
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615:https://news.joins.com/article/5919783
807:Digital Library of Korean Literature
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439:geumgan chang teumeuro goyohi bitsori
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450:Putting thirty radishes on her head
409:naneun chanbapcheoreom bange damgyeo
471:Those footsteps like napa cabbage,
16:1998 South Korean poetry collection
465:I do my homework as slow as I can
427:baechuip gateun balsori tabaktabak
415:amuri cheoncheonhi sukjereul haedo
217:for transliterated languages, and
197:of its non-English content, using
137:it lacks sufficient corresponding
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501:Jal itgeora, jjalbatdeon bamdeura
462:I sit in the room like cold rice
34:This article has multiple issues.
693:Encyclopedia of Korean Culture.
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42:or discuss these issues on the
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233:multilingual support templates
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453:My mother went to the market
847:Books published posthumously
497:Sarangeul ilko naneun sseune
433:an deulline, eodupgo museowo
752:Jeonggeojang-eseo-ui chungo
729:by Ki Hyongdo Moonji, 1994.
643:Jeonggeojang-eseo-ui chungo
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491:Another source of pain in
456:But she has not returned,
352:The dominating feature of
282:The Black Leaf in My Mouth
529:Geu iri teojyeosseul ttae
477:Itโs dark and Iโm scared
468:But she has not returned
385:Yeolmu samsip daneul igo
337:โWarning at the Station,
329:Warning at the Station,
152:more precise citations.
403:haeneun sideun ji orae
86:by rewriting it in an
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552:Ip sog-ui geomeun ip,
487:The Pain of Farewells
391:sijange gan uri eomma
750:Lee, Gwangho et al.
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569:Ip sog-ui geomeun ip
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231:. Knowledge (XXG)'s
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842:Poetry collections
661:Namu Iyagi, 2009.
613:, August 7, 2011.
547:Critical reception
88:encyclopedic style
75:is written like a
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447:๋น๋ฐฉ์ ํผ์ ์๋๋ ค ํ์ฉ๊ฑฐ๋ฆฌ๋
441:๊ธ๊ฐ ์ฐฝ ํ์ผ๋ก ๊ณ ์ํ ๋ฐง์๋ฆฌ
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786:56 (2019).
738:Doopedia.
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39:improve it
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423:์๋ง ์ ์ค์๋ค
397:an osine,
366:alchemist
358:worldview
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563:Editions
307:Overview
399:์ ์ค์๋ค,
362:reality
316:It was
301:tragedy
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238:See why
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