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Tegg used a system of numbering to index his large stock of caricature prints. These are typically etched into the top margin of the plate and are now commonly known as 'Tegg
Numbers'. He changed this numbering system at least twice over time, renumbering some plates to the revised system, so that it
788:
669:
He was also an early proponent of the "single gag" image, forerunner of the modern pocket cartoon, providing captions for a joke with a punchline - often extremely laboured or feeble - to accompany a comic image. Not all
Woodward's images were captioned however, and some of his designs use just body
271:
printed in black on front and back; the front had a woodblock vignette of four
Lilliputian figures, surrounded by a letterpress inscription : 'The Caricature Magazine or Hudibrastic Mirror containing a most capital collection of Caricatures from original drawings by G.M.Woodward, Esq, Author of
600:
and thus are frequently found as illustrations in modern history books for the era. They comment on a multitude of everyday subjects such as religion, divorce, doctors, barbers, servants, eating, dentistry, prostitution, sailors, taxes, etc., etc., throwing light onto on
Georgian social customs
466:
plates continue to be made right up until the 1840s, often poorly printed and with slapdash colouring. Later reissues of 'Tegg' caricature plates usually have the original publication date removed from the plate, retaining just Tegg's Name and address at 111 Cheapside and of the price ("1s coloured
166:
was a leading contributor and took over its direction after
Woodward's death in 1809. The magazine's lively coloured designs by leading caricaturists of the day and comparatively low pricing were an immediate success and Tegg continued to publish the magazine until 1819. Tegg also reissued back
431:
At the same time as selling new issues, Tegg sold individual issues and compilations of the back numbers of the magazine that could be bound up as a volume. The publication in parts included a title page and a tailpiece every fifty or so prints precisely for this purpose. Some of the endpieces
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comprised two caricatures in a blue paper wrapper, initially priced at 'two shillings coloured, one shilling plain'. The prints were straightforward etchings without aquatint, all of a similar size around 12 x 8 1/2 inches and could made quickly and be used in large print runs. The wrapper was
275:
and engraved by Mr
Rowlandson, Author of the Laughable Magazine'. Further publication details below the vignette listed the London bookshops that stocked the magazine. The back of the wrapper had advertisements for some of Tegg's other publications. Examples of the first sixteen issues of the
470:
Later on, even larger "Caricature
Magazine" compilations were created for mid-19th Century collectors of caricatures, extending to as many as 5 volumes. Examples with their Tegg title pages and end pieces can be found in a number of major libraries with large caricature holdings, including
304:
Although
Woodward was widely known to his contemporaries as a popular comic author, as an artist and caricaturist he was only an amateur. He served as an 'ideas man' for the magazine, making rough sketches of satires and devising jokes which were then transformed into etchings by
352:
Although
Rowlandson is given as the leading artist on the printed wrappers for the fortnightly issue in parts, in the first instance he appears to been merely lending his name to the project as an established 'brand'. The prints in the first few issues were mostly etched by
808:
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is possible to find impressions of the same plate printed at different times with two or three different different numbers, and conversely, impressions of two different plates may be found with the same number. Unlike some of Tegg's other compilations, such as
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offered predominantly social caricature, but later included a limited amount of political satire, including many prints against
Napoleon in the period 1807-1814 and a few on the Royal family. (Tegg's extensive series of prints on the
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took over as the leading name and title pages after that date bear his name rather than Woodward's (see title pages below). Rowlandson contributed nearly 200 further prints to the Magazine after Woodward's death, alongside prints by
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Eccentric Excursions Or, Literary & Pictorial Sketches of Countenance, Character & Country, in Different Parts of England & South Wales. ... Embellished with Upwards of One Hundred Characteristic & Illustrative
27:
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prints that had originally published by the London publisher Thomas Miller in the 1820s, and prints that had been independently published by Rowlandson himself - and not by Tegg - in the early 1800s.
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published once the publication in parts was completed and surviving examples of the volumes all appear to be ad hoc assemblies of a selection plates, with many minor differences between sets.
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after Woodward's designs. Prints by Rowlandson did not appear till April 1807. Over time Rowlandson etched well over 200 prints for the magazine including celebrated images such as
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numbers as bound volumes; prints from these volumes survive in quite large numbers and are among the best known surviving Georgian social caricatures.
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widespread popularity made it influential in developing and spreading the formulas and conventions of modern mass-market comic illustration.
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6d plain"). In prints satirising specific political events however, such as the rise and fall of Napoleon, the date was mostly left on.
997:
A Supplementary Catalogue of the Books, Drawings, Prints and Periodicals Forming the William A. Gordon Library of British Caricature
495:
and other collections. However the large later compilations also included caricatures that were never published in the original
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were original to the magazine. Tegg bought up the caricature plates of other printsellers who had gone out of business such as
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heavily over the next few years, and judging by the number of surviving prints from it, it had a relatively large circulation.
232:
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include caricature portraits of Woodward and of Tegg and possibly some of the other contributors such as Rowlandson.
162:, the comic author and caricaturist, upon whose designs many of its prints were originally based. The British artist
1339:
Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum
622:
Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum
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Preachee & floggy too! Or hot & cold, with the same breath-exemplified in the clerical magistrate!
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and others. Woodward had previously devised a large number of designs for caricatures for
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and attitudes, as well as commenting on novelties in fashion such as the transgressive
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language and exaggerated facial expression to express a comic situation or character.
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The magazine was launched in 1806, offered on subscription, and advertised widely by
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caricatures offer a wealth of visual information and insight into daily life in the
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976:(hand-coloured etching). Thomas Tegg museum=Huntington Library, Pasadena. 123884
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Monthly Literary Recreations or a Magazine for General Information and Amusement
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are recorded but a surviving title page, similar in design to one later used by
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A French dentist showing a specimen of his artificial teeth and false palates
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Pasadena and in the collection of William A Gordon of Glencoe, Illinois.
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is also advertised on the wrappers for the original issue in parts of
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Caricature magazine in their original wrappers survive in the
1211:(hand-coloured etching). British Museum. P_1872-1012-5023.
313:
and others as well as to illustrate his own books such as
247:
and elsewhere; many relate to popular songs, for example,
570:
were published separately by Tegg and not as part of the
1296:(hand-coloured etching). British Museum. 1868,0808.8431.
1262:(hand-coloured etching). British Museum. 1872,1012.5036.
1245:(hand-coloured etching). British Museum. 1935,0522.9.35.
1228:(hand-coloured etching). British Museum. 1872,1012.4984.
1194:(hand-coloured etching). British Museum. 1872,1012.4984.
1177:(hand-coloured etching). British Museum. 1872,1012.4991.
1160:(hand-coloured etching). British Museum. 1872,1012.4947.
1126:(hand-coloured etching). British Museum. 1865,1111.2107.
1109:(hand-coloured etching). British Museum. 1872,1012.5026.
1092:(hand-coloured etching). British Museum. 1872,1012.5010.
1059:(hand-coloured etching). British Museum. 1872,1012.4946.
1042:(hand-coloured etching). British Museum. 1872,1012.5049.
942:(hand-coloured etching). British Museum. 1872,1012.4915.
1279:(hand-coloured etching). British Museum. 1948,0214.748.
1143:(hand-coloured etching). British Museum. 1873,0712.882.
999:. Glencoe, Illinois: privately published. p. 192.
658:
is recognized as one of the originators of the modern
1369:
Satirical magazines published in the United Kingdom
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The Last Gasp. Or toadstools mistaken for mushrooms
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1384:Defunct magazines published in the United Kingdom
154:prints, first issued in 1806 by London publisher
1374:Weekly magazines published in the United Kingdom
1309:Comedy, Caricature and the Social Order, 1820-50
1259:Jack Jolly steering down Wapping in ballast trim
239:, the caricaturist. Some of the prints from the
1273:Isaac Cruikshank after George Woodward (1807).
1239:Thomas Rowlandson after Richard Newton (1809).
1205:Piercy Roberts after George Woodward (1807).
440:, there was no uniform edition of accumulated
231:after "Sir Edmund Bunbury". This was probably
143:The Caricature Magazine or Hudibrastic Mirror
20:The Caricature Magazine or Hudibrastic Mirror
8:
605:, and technological innovations such as the
18:
1311:. Manchester: Manchester University Press.
639:; Thomas Rowlandson after George Woodward.
359:Distillers Looking into their own Business
326:Distillers looking into their own Business
211:. A short-lived but successful precursor,
17:
886:The Monthly Magazine, or British Register
734:Charles Williams after George Woodward.
694:Isaac Cruikshank after George Woodward.
499:. Among these are reduced size copies of
273:Eccentric Excursions in England and Wales
1174:The enraged son of Mars and timid Tonsor
774:Charles Williams after George Woodward.
714:Charles Williams after George Woodward.
582:form on West Indian plantation owners -
876:
684:
1069:
451:Thomas Rowlandson after G.M.Woodward.
438:The Wits Magazine and Attic Miscellany
227:, indicates that it offered prints by
146:was a British fortnightly magazine of
637:The Secret History of Crim Con, Fig 1
7:
1106:Adventures of Johnny Newcome plate 2
1089:Adventures of Johnny Newcome Plate 1
609:, forerunner of the modern bicycle.
207:, Monthly Literary Recreations, and
187:Isaac Cruikshank after G.M.Woodward
506:
175:
14:
1074:Entry for the Caricature Magazine
1399:Magazines disestablished in 1818
1354:British Museum On line catalogue
1276:The exciseman and the countryman
860:Rowlandson's Caricature Magazine
847:
827:
807:
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687:
584:The Adventures of Johnny Newcome
411:Not all of the prints issued in
219:. No surviving intact copies of
26:
1337:George, M Dorothy (1870–1954).
862:(Metropolitan Museum, New York)
842:(Metropolitan Museum, New York)
822:(Metropolitan Museum, New York)
762:(Metropolitan Museum, New York)
643:(Metropolitan Museum, New York)
620:in volumes VIII - to XI of the
524:Charles Williams (caricaturist)
458:(Metropolitan Museum, New York)
348:(Metropolitan Museum, New York)
294:The Corsican Spider in his Web
259:. Tegg continued to advertise
1:
1394:Magazines established in 1806
1389:Magazines published in London
1020:Woodward, George M. (1796).
925:. London. 29 September 1806.
612:Most of the prints from the
369:Other contributors included
367:Dropsy Courting Consumption
332:(Wellcome Institute, London)
1056:Dropsy Courting Consumption
995:Gordon, William A. (2020).
970:George M. Woodward (1807).
959:. London. 15 December 1807.
616:are described in detail by
1420:
1290:George Cruikshank (1819).
1222:Thomas Rowlandson (1813).
1188:Thomas Rowlandson (1810).
1171:Thomas Rowlandson (1811).
1154:Thomas Rowlandson (1813).
1137:Thomas Rowlandson (1814).
1120:George Cruikshank (1819).
1053:Thomas Rowlandson (1810).
1036:Thomas Rowlandson (1814).
936:Thomas Rowlandson (1807).
802:. (Rijksmuseum, Amsterdam)
742:; (Rijksmuseum, Amsterdam)
722:; (Rijksmuseum, Amsterdam)
678:title pages and end pieces
1025:. London: Allen & Co.
548:Dandy pickpockets, diving
25:
1307:Maidment, Brian (2013).
1140:The Four Seasons Of Love
782:(Rijksmuseum, Amsterdam)
493:Art Institute of Chicago
479:Farmington, Connecticut
342:Sports of a Country Fair
233:Sir Edward Henry Bunbury
58:Politics, humour, satire
973:The Caricature Magazine
939:Black, Brown & Fair
840:The Caricature Magazine
836:Title page for Volume 5
820:The Caricature Magazine
800:The Caricature Magazine
796:Tail piece for Volume 3
780:The Caricature Magazine
776:Title page for Volume 3
760:The Caricature Magazine
736:Title page for Volume 2
720:The Caricature Magazine
716:Tail piece for Volume 1
696:Title page for Volume 1
489:Pierpont Morgan Library
473:Yale University Library
413:The Caricature Magazine
268:The Caricature Magazine
261:The Caricature Magazine
257:The Caricature Magazine
225:The Caricature Magazine
217:The Caricature Magazine
78:George Moutard Woodward
49:George Moutard Woodward
37:The Caricature magazine
1256:William Elmes (1813).
1103:William Elmes (1812).
1086:William Elmes (1812).
899:"Advertisement p339".
816:Title page to volume 4
756:Tailpiece for Volume 2
644:
554:
459:
453:Business and Pleasure.
349:
333:
301:
300:(Metropolitan Museum)
253:The Laughable Magazine
221:The Laughable Magazine
213:The Laughable Magazine
196:
189:A Long Headed Assembly
1341:. The British Museum.
635:
545:
477:Lewis Walpole Library
450:
339:
323:
291:
249:Black, Brown and Fair
237:William Henry Bunbury
203:in magazines such as
186:
907:. London: 339. 1806.
664:Samuel William Fores
315:Eccentric Excursions
311:Samuel William Fores
243:can be found in the
205:The Monthly Magazine
1242:Launching a Frigate
1208:Sailors eating pork
888:(22). London. 1806.
794:Thomas Rowlandson
740:Caricature Magazine
700:Caricature Magazine
676:Caricature Magazine
666:made in the 1790s.
649:Caricature Magazine
641:Caricature Magazine
614:Caricature Magazine
591:Caricature Magazine
572:Caricature Magazine
559:Caricature Magazine
552:Caricature Magazine
509:Caricature Magazine
497:Caricature Magazine
464:Caricature Magazine
462:Restrikes from the
456:Caricature Magazine
442:Caricature Magazine
346:Caricature Magazine
330:Caricature Magazine
298:Caricature Magazine
193:Caricature Magazine
178:Caricature Magazine
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854:Thomas Rowlandson
834:Thomas Rowlandson
814:Thomas Rowlandson
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578:'s two satires in
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546:George Cruikshank
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340:Thomas Rowlandson
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324:Thomas Rowlandson
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292:Thomas Rowlandson
278:Huntington Library
241:Laughable Magazine
197:
33:Cover of Volume 1
1006:978-0-578-690-858
953:"Advertisement".
884:"Advertisement".
618:M. Dorothy George
532:George Cruikshank
427:The bound volumes
417:Elizabeth Jackson
383:Robert Cruikshank
375:George Cruikshank
164:Thomas Rowlandson
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103:09 September 1806
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108:Final issue
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83:Thomas Tegg
66:Fortnightly
1379:Caricature
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980:14 January
856:Title page
607:Velocipede
519:Rowlandson
371:John Cawse
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55:Categories
956:The Times
628:Influence
481:Princeton
152:satirical
63:Frequency
656:Woodward
603:Dandyism
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344:(1811),
317:(1796).
148:humorous
132:Language
124:Based in
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209:The Sun
171:History
135:English
116:Country
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71:Founder
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127:London
45:Editor
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