263:
that the book's conclusions were flawed, stating: "I'm surprised that
Harvard University Press could have published anything as poorly argued as" the book. In response to his critics, Urwand stood by his book's conclusions, stating: "Any claims I make are based on archival materials. Everything in my
198:
According to the book the assistance was done for monetary reasons and because some film industry executives who were Jewish believed that antisemitism would increase if films were too obviously pleading for assistance for Jews. Urwand believes that the studio heads willingly assisted the Nazis. The
199:
author argued that the filmmakers feared that German authorities would prohibit
American films and put anti-American content in German films if American film companies refused to co-operate, which means American filmmakers would have had no way to have a say in the German market. Edward Helmore of
29:
209:
wrote in a review of the book that in addition to "shameless profit-seeking" the
American film executives also considered "a logical, albeit not heroic, survival strategy" as this American industry also faced local
274:
Ashkenazi, Ofer (2016). "Ben Urwand, The
Collaboration: Hollywood's Pact with Hitler. Cambridge, Mass.: Belknap Press of Harvard University Press, 2013. 327 pp.". In Lederhendler, Eli; Gabriel N. Finder (eds.).
380:
276:
251:
that the work shows "two-dimensional pictures of minorly venal minor men" who are "merely humans" and that "Urwand is too eager to find scandal."
235:
designated the review with a star and wrote that "Urwand deserves immense credit for this groundbreaking—and truly unique—take on the WWII era."
545:
136:
632:
294:
241:
described it as "a keen, unsettling look" at the subject, and that it "keeps the focus on a few films for an elucidating study."
411:
622:
457:
637:
205:
wrote that "Urwand's interpretation of the relationship is disputed by other scholars of the period." Ofer
Ashkenazi of
145:
183:
76:
627:
607:
179:
573:
512:
345:
50:
318:
376:
247:
242:
286:
28:
489:
290:
231:
206:
131:
602:
350:
282:
156:
385:
331:
550:
517:
259:
237:
616:
484:
175:
90:
174:
is a 2013 non-fiction book by Ben Urwand. It was published on
September 9, 2013, by
462:
416:
211:
201:
187:
80:
541:
254:
531:- Review date is July 15, 2013, while online publishing is July 7, 2013.
458:"The Collaboration: Hollywood's Pact with Hitler by Ben Urwand – review"
222:
Archival materials were used as part of the book, including letters.
546:"How Could Harvard Have Published Ben Urwand's "The Collaboration"?"
381:""The Collaboration: Hollywood's Pact with Hitler," by Ben Urwand"
412:"Hollywood and Hitler: did the studio bosses bow to Nazi wishes?"
278:
A Club of Their Own: Jewish
Humorists and the Contemporary World
157:
155:
143:
130:
122:
114:
106:
96:
86:
72:
64:
56:
46:
38:
485:"The Collaboration: Hollywood's Pact with Hitler"
22:The Collaboration: Hollywood's Pact with Hitler
603:The Collaboration: Hollywood’s Pact With Hitler
171:The Collaboration: Hollywood's Pact with Hitler
8:
21:
320:The Collaboration (Audiobook) by Ben Urwand
27:
20:
405:
403:
287:10.1093/acprof:oso/9780190646127.003.0020
371:
369:
182:. It is about cooperation between 1930s
574:"Did Hollywood studios help the Nazis?"
310:
60:Hulton-Deutsch Collection/Corbis Images
7:
456:Quinn, Anthony (October 16, 2013).
16:2013 non-fiction book by Ben Urwand
14:
410:Helmore, Edward (June 29, 2013).
346:"Markets and the Movie Industry"
572:Brook, Tom (October 21, 2014).
118:Print (hardcover and paperback)
1:
654:
26:
633:Books about Nazi Germany
608:Harvard University Press
180:Harvard University Press
77:Motion picture industry
47:Audio read by
623:2013 non-fiction books
544:(September 23, 2013).
264:book is documented."
377:Bukiet, Melvin Jules
281:. pp. 278–279.
163:PN1993.5.G3 U79 2013
638:Belknap Press books
513:"THE COLLABORATION"
248:The Washington Post
243:Melvin Jules Bukiet
33:First edition cover
23:
446:Ashkenazi, p. 4/4.
437:Ashkenazi, p. 2/4.
354:. October 15, 2013
490:Publishers Weekly
232:Publishers Weekly
207:Hebrew University
167:
166:
137:978-0-674-72474-7
107:Publication place
102:September 9, 2013
57:Cover artist
645:
628:Books about film
589:
588:
586:
584:
569:
563:
562:
560:
558:
538:
532:
530:
528:
526:
509:
503:
502:
500:
498:
481:
475:
474:
472:
470:
453:
447:
444:
438:
435:
429:
428:
426:
424:
407:
398:
397:
395:
393:
373:
364:
363:
361:
359:
351:Harvard Magazine
342:
336:
335:
329:
327:
315:
300:
178:, an imprint of
159:
98:Publication date
31:
24:
653:
652:
648:
647:
646:
644:
643:
642:
613:
612:
598:
593:
592:
582:
580:
571:
570:
566:
556:
554:
540:
539:
535:
524:
522:
511:
510:
506:
496:
494:
493:. July 22, 2013
483:
482:
478:
468:
466:
455:
454:
450:
445:
441:
436:
432:
422:
420:
409:
408:
401:
391:
389:
386:Washington Post
375:
374:
367:
357:
355:
344:
343:
339:
325:
323:
317:
316:
312:
307:
297:
273:
270:
228:
220:
196:
184:U.S. filmmakers
151:791.430973/0943
148:
115:Media type
99:
79:
34:
17:
12:
11:
5:
651:
649:
641:
640:
635:
630:
625:
615:
614:
611:
610:
597:
596:External links
594:
591:
590:
564:
551:The New Yorker
533:
521:. July 7, 2013
518:Kirkus Reviews
504:
476:
448:
439:
430:
399:
365:
337:
309:
308:
306:
303:
302:
301:
295:
269:
266:
260:The New Yorker
238:Kirkus Reviews
227:
224:
219:
216:
195:
192:
165:
164:
161:
153:
152:
149:
144:
141:
140:
134:
128:
127:
124:
120:
119:
116:
112:
111:
108:
104:
103:
100:
97:
94:
93:
88:
84:
83:
74:
70:
69:
66:
62:
61:
58:
54:
53:
48:
44:
43:
40:
36:
35:
32:
15:
13:
10:
9:
6:
4:
3:
2:
650:
639:
636:
634:
631:
629:
626:
624:
621:
620:
618:
609:
605:
604:
600:
599:
595:
579:
575:
568:
565:
553:
552:
547:
543:
537:
534:
520:
519:
514:
508:
505:
492:
491:
486:
480:
477:
465:
464:
459:
452:
449:
443:
440:
434:
431:
419:
418:
413:
406:
404:
400:
388:
387:
382:
378:
372:
370:
366:
353:
352:
347:
341:
338:
333:
322:
321:
314:
311:
304:
298:
296:9780190646127
292:
288:
284:
280:
279:
272:
271:
267:
265:
262:
261:
256:
252:
250:
249:
244:
240:
239:
234:
233:
225:
223:
217:
215:
213:
208:
204:
203:
193:
191:
189:
185:
181:
177:
176:Belknap Press
173:
172:
162:
160:
158:LC Class
154:
150:
147:
146:Dewey Decimal
142:
138:
135:
133:
129:
125:
121:
117:
113:
110:United States
109:
105:
101:
95:
92:
91:Belknap Press
89:
85:
82:
78:
75:
71:
67:
63:
59:
55:
52:
49:
45:
41:
37:
30:
25:
19:
601:
581:. Retrieved
577:
567:
555:. Retrieved
549:
542:Denby, David
536:
523:. Retrieved
516:
507:
495:. Retrieved
488:
479:
467:. Retrieved
463:The Guardian
461:
451:
442:
433:
421:. Retrieved
417:The Observer
415:
390:. Retrieved
384:
358:November 21,
356:. Retrieved
349:
340:
330:– via
326:November 21,
324:. Retrieved
319:
313:
277:
258:
253:
246:
236:
230:
229:
221:
212:anti-Semitic
202:The Observer
200:
197:
188:Nazi Germany
170:
169:
168:
81:Nazi Germany
51:Oliver Wyman
18:
557:October 15,
525:October 15,
497:October 15,
469:October 15,
423:October 15,
392:October 15,
255:David Denby
214:sentiment.
139:(hardcover)
617:Categories
583:August 28,
268:References
218:Background
42:Ben Urwand
257:wrote in
245:wrote in
226:Reception
87:Publisher
65:Language
332:Audible
194:Summary
73:Subject
68:English
293:
39:Author
305:Notes
123:Pages
585:2024
559:2019
527:2019
499:2019
471:2019
425:2019
394:2019
360:2019
328:2019
291:ISBN
186:and
132:ISBN
578:BBC
283:doi
126:324
619::
606:-
576:.
548:.
515:.
487:.
460:.
414:.
402:^
383:.
379:.
368:^
348:.
289:.
190:.
587:.
561:.
529:.
501:.
473:.
427:.
396:.
362:.
334:.
299:.
285::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.