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365:, dating from between 1814 and 1818, which shows a giant seated in a dark and desolate landscape with a crescent moon in the top corner. However, the giant's posture and the darkness of the night express a solitude that is different from the aggression shown in the painting and the print is not obviously related to war. It is not possible to ascertain if the giant's eyes are shut in the print, but it appears to be listening out for something. That is, the giant is doing something that perhaps Goya, who had been deaf since 1793, longed to be able to do. Or perhaps the giant's posture reflects the alert attentiveness of someone who is deaf or blind or both.
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721:. In 2009 the art historian Valeriano Bozal, after seeing Mena's press release, stated that "the report is not conclusive". He later unsuccessfully tried to hold a congress of international experts with the objective of arriving at a consensus, declaring in June 2010 that "Goya's authorship has been removed on the basis of weak irrelevant evidence. The heritage of the painting has been mutilated without conclusive evidence". Other scholars, restorers and former directors of the Prado have indicated that they disagree with Mena's hypothesis.
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Amongst all this movement there are some figures that are attending to a fallen person or someone in difficulty, which provides a counterpoint to the movement and emphasizes the impression of chaos. The giant is separated from the foreground by the mountains, thereby providing a feeling of depth. It is turned away and facing to the left creating a perspective further removed from the viewer and forming a diagonal opposition to the direction of the fleeing crowd.
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it highly likely that the mountainous terrain hides the enemy army on the other side of the valley that the civilians are fleeing along. It has therefore been proposed that the painting most probably shows a confrontation between an invading French army and the giant, representing the defending
Spanish forces, as described in Ariaza's poem. The giant's willingness to fight with his bare hands and without weapons is also described by Arriaza in his poem
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715:. Vega rejects the basic premise that initially threw doubt on Goya's authorship of the painting. In addition, she shows that the other findings of the study carried out by the Prado have all indicated that the picture was painted by Goya; these included the analysis of pigments and binders, assessment of the artistic techniques used and the theme and composition of the painting along with its similarity to Goya's other
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and Tolosa and mother of Pedro Fernández Durán) on her death in 1877. At this time the painting was described as "A prophetic allegory of the misfortunes that took place during the War of
Independence, Goya original, measuring 1.15 by 1.3 (global measurement units) ( having a value of one thousand five hundred pesetas".
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In the old photographs of the painting, although it is not possible to see the number, with good definition, it is possible to make out the numbers' relief and to identify it.In my opinion, this can be done by studying, in detail, the published prints in two books about Goya: 'Goya and the democratic
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had been painted later, which is an argument that
Glendinning uses to refute Bareau-Wilson and Mena's hypothesis. This hypothesis tries to distance the painting from the inventory of the estate of Goya's wife, Josefa Bayeu, on her death in 1812. The inventory lists a painting with the same dimensions
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In terms of the axis of the composition, there are a number of signals that dynamically represent the directions in which the multitude is fleeing, which is mainly towards and beyond the painting's lower left hand corner. There is another opposing axis shown by the stampede of the bulls to the right.
608:, which stresses the heroic nature of the Spanish nation. The giant's heroism contrasts with the fear of the rest of the population, who are fleeing and dispersing in many different directions, only pausing occasionally to help someone who has collapsed or due to the legendary stubbornness of a mule.
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Despite all the aforementioned, there are still unknown elements in the painting. There is no convincing argument regarding the direction that the giant is moving in (if it is moving at all), and it is impossible to see the enemy that it is opposing. However, on the latter point some authors consider
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The painting became part of the Museo del Prado's collection in 1931, when it was donated by the estate of Pedro Fernández Durán. The first documented attribution of the painting to Goya dates from 1946 when
Francisco Javier Sánchez Cantón published the inventory of the estate of Josefa Bayeu, Goya's
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which was the name used for the painting in the inventory of Goya's works carried out in 1812 after the death of the painter's wife Josefa Bayeu. In 2012 Jesusa Vega published an article entitled "The
Colossus is by Francisco de Goya" in which she shows how the strokes of various figure eights drawn
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The painting was passed into the ownership of Miguel Fernández Durán Fernández de Pinedo y Bizarrón, Marquis of
Perales, as he left it to his great-grandson, Pedro Fernández Durán on his death in 1833. The painting is listed in the notarised estate of Paula Bernaldo de Quirós (Marchioness of Perales
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put forward in the report are not only unconvincing but ultimately they are scandalous due to the errors made and the sophistry used. To publish a document of this type under the protection of the Prado, as if that institution had already accepted its conclusions, is a seriously misguided move that
232:
The large body of the giant occupies the centre of the composition. It appears to be adopting a fighting pose due to the position of its one visible arm and its clenched fist. The picture was painted during the
Peninsular War so it could be a symbolic representation of that war. Nigel Glendinning
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that shows a giant in the centre of the canvas walking towards the left hand side of the picture. Mountains obscure his legs up to his thighs and clouds surround his body; the giant appears to be adopting an aggressive posture as he is holding one of his fists up at shoulder height. A dark valley
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On the other side of the argument
Manuela Mena refused to definitively conclude that the letters A. J. were the signature of Asensio Juliá, one of the main arguments supporting the attribution of the painting to the Valencian painter. In March 2009, Nigel Glendinning and Jesusa Vega published an
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rejects the idea that the picture was painted by
Asensio Juliá, stating that the arguments supporting Mena's views are "totally subjective" and that the brush strokes that Mena claims are the signature "A. J." are actually the first digits of the inventory number 176 that is visible in old
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The giant's posture has been the object of a number of interpretations. It is unknown if it is walking or firmly planted with legs spread apart. The giant's position is also ambiguous, it could be behind the mountains or buried up to above its knees. The subject's legs are also obscured in
776:, establishing the relationship between Goya's ideas regarding the giant represented in the picture and the literature that aroused patriotic fervour in a population that had survived the war provoked by Napoleon's invasion of Spain. This conjunction of ideas would not have existed if
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have focussed attention on, among other matters, Goya's etching of the same theme, which was included in the same exhibition (exhibition catalogue number 28). In an article entitled "Artistic technique as a research method relating to Goya's 'The
Colossus'" (in the journal
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In contrast to the erect figure of the giant are the tiny figures in the valley that are fleeing in all directions. The only exception is a donkey that is standing still, Juan J. Luna has suggested that this figure could represent an incomprehension of the horrors of war.
896:, 1993, p. 140.) the painting "was painted between that date and 1812, when the painting was included in an inventory of possessions that became the property of the painter's son, Javier Goya, after the death of his mother, Josefa Bayeu. The painting is identified as
388:. Goya's emphasis on the emotional element of the panic that has caused the chaotic flight of the populace also reflects this early Romanticist aesthetic. As does the symbolism of the giant as the incarnation of ideas of identity in the collective consciousness or
189:
in these words: "the giant, moves from resistance / defence, proud and erect, to slumped melancholy, reflecting the mood of many Spaniards, a collective feeling shared by its creator". If the painting is attributed as being painted between 1808—the start of the
394:. Especially when this consciousness is linked with aggression that was seen as coming from outside forces. These ideas arose with idealist German romanticism and they were widespread in the Europe of the early 19th century. The era's patriotic poetry, such as
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composition where all the indications point towards a central nucleus, in this painting all the lines of movement shatter the unity of the image into multiple paths towards its margins. The painting can be considered to be an example of the many
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mentioned in the inventory of 1812 is a different painting. However, Nigel Glendinning has refuted this later dating with arguments solely based on stylistic features of the painting. Glendinning argues that all the stylistic features found in
194:—and 1812—when the painting is recorded as being among the goods divided between Goya and his son Javier—then the print should be dated as originating after the end of the war due to the technique and materials used in the series of etchings
965:, Madrid, Dirección General de Bellas Artes y Bienes Culturales-Instituto de Patrimonio Histórico Español, 2002, Catálogo ilustrado y estudio de la exposición en el Ministerio de Instrucción Pública y Bellas Artes I, page 29 and ss.
1713:, Madrid, Dirección General de Bellas Artes y Bienes Culturales-Instituto de Patrimonio Histórico Español, 2002, pages 15–37. Catálogo ilustrado y estudio de la exposición en el Ministerio de Instrucción Pública y Bellas Artes I.
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photographs of the painting. It is also possible to see other numbers in these old photographs such as the number 18 that is alluded to in the sentence "A giant with the number eighteen" used in a description of the painting
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who was a friend and collaborator of Goya. The analysis undertaken in January 2009 concluded that the painting was the work of one of Goya's disciples without being able to state for certain that this person was Juliá.
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In June 2008 the Museo del Prado issued a press release in which Manuela Mena, Chief Curator of 18th-Century Painting and Goya, stated that the painting was "with almost complete certainty" the work of the painter
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1337:, published in 1948 and 'Goya' by Robert Delevoy, with an English edition published in 1954. Several numbers are visible in the photographs in both of these books and the number 18 can clearly be seen.
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In July 2009 Spanish universities and numerous Goya experts signed a declaration in support of Nigel Glendinning, defending the use of the scientific method in the study of art history and attributing
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992:; the giant Polifemo is called "this Pyrenees" in verse 62. Ariaza's poem describes details such as the clouds that surround the giant's waist, which are reflected in the painting:
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374:. The colour black predominates, the touches of colour are minimalistic and applied with a spatula and the theme appears to be related to certain German works belonging to the
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290:, which were originally painted on the walls of Goya's house, Quinta del Sordo. A later date for the painting of the picture has even been suggested, which would mean that
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152:(unnumbered print, 1814–1818). Burnished aquatint etching by Francisco de Goya, the bottom part of the print, where the title would have been inserted, has been cropped.
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The painting became the property of Goya's son, Javier Goya, in 1812. The painting was later owned by Pedro Fernández Durán, who bequeathed his collection to Madrid's
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1891:, Seminari: Comerç, Exportació, Falsificació d'objectes d'art ('Seminar: commerce, exportation and falsification of works of art'), on e-artDocuments, No. 1, 2009.
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Nigel Glendinning and the then-director of the Museo del Prado, Fernando Checa, reject these claims. In 2004 Nigel Glendinning also published an article entitled
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The effect of the light, which possibly indicates sunset, surrounds and highlights the clouds that encircle the giant's waist as described in Arriaza's poem:
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1649:"Manifiesto del Departamento de Historia del Arte de la Universidad Complutense de Madrid en defensa del método científico en homenaje a Nigel Glendinning"
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published in 1810. The poem represents the Spanish people as a giant arising from the Pyrenees in order to oppose the Napoleonic invasion. Goya's painting
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This slanting light is fractured and interrupted by the mountain peaks increasing the sensation of disequilibrium and disorder. The effect is similar to
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contains a passage in which Spain is represented in a dialogue with the River Duero) and many of these figures are apparitions blessed by God (such as
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However, Glendinning has insisted that the idea of a giant is common in the patriotic poetry of the Peninsular War. The idea is prefigured in the
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and Manuela Mena have questioned Goya's authorship of the painting, postulating that Goya's son, Javier, painted it. In addition, they attribute
656:), in relation to the movements and actions of the figures within the painting. This can be contrasted with the mechanical compositions found in
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1907:, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on this painting (see index)
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identified as two numbers (17 or 18) from an inventory (that Jesusa Vega states in "The Colossus is by Francisco de Goya" 2012, is an 18) and
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Detail of the lower part of the painting. People and animals flee in various directions, forming a dynamic composition with centrifugal lines.
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have suggested that the giant in the painting represents the Spanish monarchy opposing the Napoleonic regime. Investigations that have used
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that roams the Pyrenees, the etymology of the range means burnt mountain, which is reflected in traditional Spanish literature, such as in
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1702:, Madrid, Cuadernos de Historia 16 (col. "El arte y sus creadores", nº 30), 1993, pages 88–89 and details of the painting on page 140.
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688:(A. J.), even though in January 2009 she refused to state definitively that these strokes were the signature of the Valencian painter.
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where the mountains act to emphasise his arrogance. In addition, it has been suggested that the stationary donkey represents an
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277:). Some experts have suggested that the giant appears to have his eyes shut, which could represent the idea of blind violence.
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in important battles against the Moors) in order to motivate the soldiers involved in battle. There are similar giants in
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containing a crowd of people and herds of cattle fleeing in all directions occupies the lower third of the painting.
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1208:"Nigel Glendinning: "Lo que está pasando es grave y triste, el Prado admite cosas sin suficiente estudio""
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In 2021, the Prado Museum changed its position and declared that the painting is attributed back to Goya.
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wife, on her death in 1812. The inventory describes a painting of "a giant" with the same measurements as
1143:. On line access to the whole article, in which he rejects attribution of a later date for the painting.
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Virtual exhibition of Goya's prints held at the Spanish Biblioteca Nacional in Madrid. Unnumbered prints
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Catálogo de la exposición celebrada en el Museo de Zaragoza del 3 de octubre al 1 de diciembre de 1996
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Catálogo de la exposición celebrada en el Museo de Zaragoza del 3 de octubre al 1 de diciembre de 1996
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and the subject is even buried up to its neck—or possibly it is behind an embankment—in
249:. Nigel Glendinning considers this proof that Goya conceived of paintings with a similar concept to
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Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón
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Other interpretations regarding the meaning of this painting have also been offered. Regarding the
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by the Prado Museum?" in which they question the methodology and arguments of Mena's report:
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are already present (although not to the same degree) in Goya's previous paintings from
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or First Burdeos Album (1824–1828), former Gerstenberg collection, Berlin, and
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vol. 27, No. 1, Queen Mary College, University of London, 22-03-2004, pages 47-58.
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1672:"El Prado anuncia pruebas de que "El Coloso" no es de Goya, sino de Asensio Juliá"
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is encouraged by his predecessor Rodrigo de Rebolledo. Finally, the victor in the
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Patriotic Poems, 1810), probably the source of inspiration for the iconography of
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analysis of the giant's posture have suggested that the figure is similar to the
432:, it has been suggested that the giant may represent an incompetent and arrogant
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to the goddaughter of painter Rosarito Weiss. However, in an article entitled
537:(El Cid) urge on the resistance. In a poem by Cristóbal de Beña the shadow of
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No. 324) Jesusa Vega established the relationship between the etching known as
185:(of which there is second copy in the Spanish National Library in Madrid) and
1624:"Instituciones e historiadores se suman al manifiesto de apoyo a Glendinning"
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1607:"La Universidad respalda el papel de Glendinning en la polémica del Coloso"
1911:
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series, which is found among the great paintings of battles found in the
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What is certain is that the oil painting is stylistically similar to the
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116 cm × 105 cm (46 in × 41 in)
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So young that barehanded, wild / among the ranks it boldly throws itself
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1391:"Cuatro ex directores del Prado opinan sobre la polémica de "El Coloso"
541:(Jaime I el Conquistador) is invoked for similar purposes. In the poem
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The technique used in this painting is similar to that used in Goya's
36:
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The Victorious Hannibal Seeing Italy from the Alps for the First Time
2298:
The Victorious Hannibal Seeing Italy from the Alps for the First Time
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in 1788, which contains small figures painted with quick strokes; to
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http://www.almendron.com/arte/pintura/goya/obras_goya/obras_goya.htm
211:(Large sleeping Giant) in Goya's handwriting. Lithographic pencil,
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1766:"La técnica artística como método de conocimiento, a propósito de
1707:"El problema de las atribuciones desde la Exposición Goya de 1900"
959:"El problema de las atribuciones desde la Exposición Goya de 1900"
916:"La técnica artística como método de conocimiento, a propósito de
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and which has traditionally been identified as the same painting.
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calls into question the trust that society places in the Museum.
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states that the picture is based on a patriotic poem written by
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More recently, the questions raised regarding the authorship of
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Execution of Torrijos and his Companions on the Beach at Málaga
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Juan Bautista Arriaza's poem "Profecía del Pirineo" (vv. 25–36)
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The Christ Child and the Infant John the Baptist with a Shell
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puede acabar volviendo del exilio, como el velázquez del Met"
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Madonna and Child with Saint Mary Magdalene and Saint Ursula
4720:
Archduke Leopold Wilhelm in his Painting Gallery in Brussels
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Excursion in the Countryside of Infanta Isabel Clara Eugenia
770:
The problem of the allocations from the 1900 Goya Exposition
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Encircling its waist / clouds painted red by the western sun
525:, in which the giant shadows cast by such Spanish heroes as
1355:"Bozal: "If I was Director of the Prado I would not remove
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The Ministry of Time – Episode 25: Time of the Enlightened
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from the catalogue of Goya's works by Zaragoza University.
121:(The Storm). It is a painting traditionally attributed to
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Virgin and Child Between Saints Anthony of Padua and Roch
3998:
Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis
1985:
Consecration of Aloysius Gonzaga as Patron Saint of Youth
5260:
The Virgin and Child with Saint George and Saint Dorothy
4707:
Feast of Herod with the Beheading of St John the Baptist
1590:
son de Goya y me enfada que lo nieguen sin demostrarlo""
774:
Goya's The Colossus and the patriotic poetry of its time
4137:
Saint Peter Nolasco's Vision of Saint Peter the Apostle
1718:"El Coloso de Goya y la poesía patriótica de su tiempo"
1559:"La mujer que le quitó 'El Coloso' a Francisco de Goya"
1129:"El Coloso de Goya y la poesía patriótica de su tiempo"
4534:
The Infanta Isabel Clara Eugenia in the Mariemont Park
4289:
The Infanta Isabel Clara Eugenia in the Mariemont Park
1473:
Nigel Glendinning in collaboration with Jesusa Vega,
4958:
Portrait of Marsilio Cassotti and His Bride Faustina
652:
paintings with an organic composition (in this case
584:
Detail of the urban landscape from the print called
5514:
5475:
5300:
4764:
4158:
3237:
3099:
3024:
3011:
Museo Goya - Colección Ibercaja - Museo Camón Aznar
2993:
2971:
2940:
2915:
2884:
2866:
2836:
2829:
2703:
2583:
2556:
2331:
1976:
1969:
1677:ARRIAZA, Juan Bautista, "Profecía del Pirineo", en
672:Brush strokes from the bottom left hand corner of
499:
by the allegorical figures of the baroque theatre (
80:
72:
62:
54:
43:
21:
5594:Paintings by Francisco Goya in the Museo del Prado
5357:Landscape with St Paula of Rome Embarking at Ostia
4900:Madonna and Child with the Infant John the Baptist
1029:, Londres, T. Bensley, 1810, pp. 27–40, vv. 25–36.
1025:Juan Bautista Arriaza, "Profecía del Pirineo", in
3950:Equestrian Portrait of the Count-Duke of Olivares
1904:Europe in the age of enlightenment and revolution
840:
838:
836:
737:In summary, the arguments in favour of delisting
4252:Triptych with Scenes from the Life of the Virgin
2340:The Duke and Duchess of Osuna and their Children
1327:page 30 of the cited article (Glendinning, 2002)
3932:Equestrian Portrait of Prince Balthasar Charles
2055:Paintings for the alameda of the Dukes of Osuna
1330:
1302:"'El Coloso' es de un 'discípulo de Goya']"
1223:
1221:
1155:
993:
870:. Volumes 6-7 of Museos del mundo. p. 83.
845:"El Prado vuelve a atribuir a Goya 'El Coloso'"
735:
617:
269:, which in Spanish is sometimes referred to as
4990:Portrait of Camilla Gonzaga and Her Three Sons
4233:The Seven Deadly Sins and the Four Last Things
1485:, No. 326, January - March 2009, pages 61-68.
952:
950:
948:
946:
3898:
3884:
3159:
2348:Manuel Osorio Manrique de Zúñiga (or Red Boy)
1938:
1889:Patrimonio, moral pública e historia del arte
1123:
1121:
329:(Gassier and Wilson No.s. 625, 633 and 638).
8:
4843:The Story of Nastagio Degli Onesti, part one
2000:The Holy Family with Saints Joachim and Anne
1817:Information on Francisco de Goya's painting
928:, No. 324, January–March 2008, pp. 229–244.
172:and its absence from the Prado's exhibition
5387:Landscape with the Temptation of St Anthony
4996:Portrait of Pier Maria Rossi di San Secondo
3944:Equestrian Portrait of Margarita of Austria
3774:The Immaculate Conception of Los Venerables
2063:Saint Bernard of Clairvaux Curing a Cripple
1403:une a los sabios contra la descatalogación"
5557:On display at the Spanish Embassy in Paris
5511:
5500:
4798:Portrait of Infanta Isabella Clara Eugenia
4113:Hercules Separates Mounts Calpe and Abylla
3926:Equestrian Portrait of Elisabeth of France
3234:
3223:
3182:
3166:
3152:
3144:
2833:
1973:
1945:
1931:
1923:
1173:
1171:
684:, at first identified, as the initials of
444:. Studies of representations of giants in
351:A series of parallel themes also exist in
35:
18:
3707:The Recovery of Bahía de Todos los Santos
3398:Portrait of the Marchioness of Santa Cruz
2490:Portrait of the Marchioness of Santa Cruz
1202:
1200:
1013:giving terrible expression to his stature
5554:On display at Museo de América in Madrid
4618:Equestrian Portrait of the Duke of Lerma
4101:The Defence of Cádiz Against the English
4034:Infanta Margarita Teresa in a Pink Dress
3768:The Immaculate Conception of El Escorial
3434:Pilgrimage to the Fountain of San Isidro
2788:Pilgrimage to the Fountain of San Isidro
1503:"Los argumentos a favor de descatalogar
1422:sigue sin convencer a los especialistas"
1179:"El gigante del Prado que no pintó Goya"
5551:On display at El Greco Museum in Toledo
5375:Landscape with the Burial of St Serapia
4875:Mural Paintings from the Herrera Chapel
4559:Landscape with Charon Crossing the Styx
3507:The Nobleman with his Hand on his Chest
1475:"¿Un fracasado intento de descatalogar
1359:" (from the catalogue of Goya's works)"
832:
711:by Goya correspond to those visible on
5466:Time Defeated by Love, Beauty and Hope
5146:Alfonso d'Avalos Addressing his Troops
4408:Diana and a Nymph Surprised by a Satyr
4390:Self-portrait with Sir Endymion Porter
3980:View of the Garden of the Villa Medici
2196:Still Life of a Lamb's Head and Flanks
1153:"Recuerdos del Dos de Mayo", pp. 61–67
1006:humble setting for his gigantic frame.
910:
908:
906:
5453:Marriage Contract and Country Dancing
4804:Portrait of Giovanni Battista Caselli
3049:Goya or the Hard Way to Enlightenment
2857:The Sleep of Reason Produces Monsters
2387:Portrait of the Marquise de la Solana
1750:HAGEN, Rose-Marie and HAGEN, Rainer,
1342:Glendinning, art. cit., 2002, page 30
1282:Manuela Mena Marqués (January 2009).
729:entitled "A failed attempt to delist
133:, where it has been kept since 1931.
7:
5021:Christ Falling on the Way to Calvary
3986:Prince Balthasar Charles as a Hunter
3494:Witches' Sabbath (The Great He-Goat)
1458:"Conclusión: goyesco sí, de Goya no"
1017:and along with the highest mountain,
1000:set alight by the setting of the sun
523:To Spain, After the March Revolution
5381:Landscape with the Finding of Moses
5369:Landscape with St María de Cervelló
4913:The Birth of Saint John the Baptist
4572:Judith at the Banquet of Holofernes
4131:Saint Luke Painting the Crucifixion
3603:Portrait of Rodrigo Vázquez de Arce
2573:Frescoes in the Cartuja de Aula Dei
1741:Realidad e imagen: Goya 1746 - 1828
440:aristocracy that is beholden to an
357:and the eponymous unnumbered print
5081:Christ Washing the Disciples' Feet
4046:Portrait of Juan Martínez Montañés
3992:Portrait of the Infante Don Carlos
3762:The Holy Family with a Little Bird
3308:Charles IV of Spain and His Family
2514:Portrait of the Duke of Wellington
2466:Charles IV of Spain and His Family
2434:Portrait of Ferdinand Guillemardet
2031:The Family of the Infante Don Luis
1284:"El Coloso y su atribución a Goya"
448:cartoons of this period or of the
14:
5440:Portrait of Ferdinand VI as a Boy
5393:Landscape with Tobias and Raphael
4497:Portrait of José Nicolás de Azara
4149:The Vision of Saint Peter Nolasco
4119:Hercules Fighting the Nemean Lion
3938:Equestrian Portrait of Philip III
2482:Portrait of Doña Isabel de Porcel
2442:Charles IV in his Hunting Clothes
1722:Dieciocho: Hispanic Enlightenment
1258:"casi seguro" que no era de Goya"
1133:Dieciocho: Hispanic Enlightenment
985:The Fable of Polifemo and Galatea
867:Museo del Prado: Madrid, Volume 2
327:Proclamation Dream of the Witches
5563:
5562:
5203:Portrait of Isabella of Portugal
5191:Portrait of Charles V with a Dog
5134:Equestrian Portrait of Charles V
4522:Flemish Market and Washing Place
4510:Landscape with Sea and Mountains
3920:Equestrian Portrait of Philip IV
3597:Portrait of Jerónimo de Cevallos
3591:Portrait of an Unknown Gentleman
3362:The Duchess of Alba and la Beata
2450:Portrait of Maria Luisa of Parma
2095:The Duchess of Alba and la Beata
1910:
1893:Summary of talks at a conference
1727:LUNA, Juan J., "El coloso" , in
1019:his shadow darkens the horizon.
890:According to Nigel Glendinning (
725:article in the academic journal
5197:Portrait of Federico II Gonzaga
5152:Danaë Receiving the Golden Rain
4792:Portrait of Elisabeth of Valois
4694:The Incredulity of Saint Thomas
4064:Portrait of Philip IV in Armour
4058:Portrait of Pablo de Valladolid
3519:Doña María de Aragón Altarpiece
2506:Portrait of Doña Antonia Zárate
2498:Portrait of Doña Antonia Zárate
2403:Portrait of Charles IV of Spain
1434:sigue en pie en Estados Unidos"
998:of that cavernous amphitheatre,
809:List of works by Francisco Goya
640:Fable of Polyphemus and Galatea
4440:Francken the Younger
4271:The Wine of Saint Martin's Day
4203:The Garden of Earthly Delights
4076:Portrait of Sebastián de Morra
4070:Portrait of Mariana of Austria
4022:The Jester Don John of Austria
3729:Aranjuez Immaculate Conception
3609:Saint Andrew and Saint Francis
3561:Julián Romero and Saint Julian
1075:"El coloso" [en línea]
750:Signature of Asensio Juliá on
637:'s famous "dubious daylight" (
1:
5236:Saint Margaret and the Dragon
5128:The Bacchanal of the Andrians
5055:Holy Family under an Oak Tree
4358:Rest on the Flight into Egypt
4052:The Nun Jerónima de la Fuente
4028:Portrait of Francisco Lezcano
4016:The Jester Don Diego de Acedo
3962:Apollo in the Forge of Vulcan
3854:The Martyrdom of Saint Philip
3780:The Martyrdom of Saint Andrew
2958:
2902:
2711:
2614:
2530:Self-Portrait with Dr Arrieta
2407:
2352:
2310:
2287:
2272:
2169:
2154:
2131:
2004:
1989:
1861:atribuido a Goya una vez más"
1507:escandalizan con sus errores"
1047:atribuido a Goya una vez más"
606:Memories of the Second of May
559:Battle of Las Navas de Tolosa
547:Francisco Martínez de la Rosa
16:Painting by Francisco de Goya
5412:Landscape with Three Figures
4239:The Temptation of St Anthony
3750:The Conversion of Saint Paul
3579:Portrait of a Young Nobleman
2565:Adoration of the Name of God
2252:The Junta of the Philippines
1693:"Museum rejects Goya claims"
1681:, London, T. Bensley, 1810,
1543:"Museum rejects Goya claims"
531:Gonzalo Fernández de Córdoba
4654:Saint George and the Dragon
4125:Saint Elizabeth of Portugal
2538:Portrait of Don Ramón Satué
2283:A Procession of Flagellants
1869:329 (October-December 2009)
1833:. Burnished aquatint print.
1448:, ABC.es, 17 November 2009.
1055:329 (October–December 2009)
1002:a pale Colossus is revealed
466:represented in etchings by
402:and pre-Romantic thinkers.
319:A giant figure on a balcony
5625:
5523:The Apotheosis of Claudius
5087:Joseph and Potiphar's Wife
5062:Andrea del Sarto
4749:The Descent from the Cross
4636:The Birth of the Milky Way
4606:The Dance of the Villagers
3873:The Mulattos of Esmeraldas
3720:Adoration of the Shepherds
3585:Portrait of an Elderly Man
3513:Adoration of the Shepherds
3428:A Pilgrimage to San Isidro
2850:And so was his grandfather
2746:A Pilgrimage to San Isidro
1821:(Museo del Prado, Madrid).
1754:, Colonia, Taschen, 2003.
900:in this inventory of goods
864:; Pou, Anna, eds. (2007).
105:), is known in Spanish as
5609:Giants in popular culture
5547:
5510:
5499:
5115:The Immaculate Conception
4682:(with Brueghel the Elder)
4666:The Triumph of the Church
4547:(with Brueghel the Elder)
4538:(with Brueghel the Elder)
4459:Apollo as Victor over Pan
4446:The Sciences and the Arts
3633:Saint John the Evangelist
3621:Saint Bernardino of Siena
3531:Christ Carrying the Cross
3452:Self-portrait at 69 years
3233:
3222:
3192:
3181:
3041:Goya, a Story of Solitude
2522:Self-Portrait at 69 years
2363:Self-Portrait at an Easel
2268:The Burial of the Sardine
1960:
34:
26:
5285:Christ Among the Doctors
4869:Assumption of the Virgin
4420:The Crowning with Thorns
3974:Coronation of the Virgin
3651:Saint Thomas the Apostle
3476:Two Old Ones Eating Soup
3440:Saturn Devouring His Son
3410:The Milkmaid of Bordeaux
3338:The Countess of Chinchon
3210:Cloister of Saint Jerome
2809:Two Old Ones Eating Soup
2725:Saturn Devouring His Son
2546:The Milkmaid of Bordeaux
2474:Portrait of Manuel Godoy
2458:The Countess of Chinchon
2228:The Inquisition Tribunal
1796:es de Francisco de Goya"
1527:a los pinceles de Goya?"
1479:por el Museo del Prado?"
1288:Museo Nacional del Prado
1233:es de Francisco de Goya"
1104:Here comes the bogey-man
765:The Milkmaid of Bordeaux
555:Siege of Zaragoza (1808)
527:Ferdinand III of Castile
338:Saturn Devouring His Son
301:The Meadow of San Isidro
260:Saturn Devouring His Son
5221:Religion saved by Spain
5102:The Washing of the Feet
4984:Holy Family with Angels
4881:Venus, Adonis and Cupid
4283:Life in the Countryside
4010:The Jester Calabacillas
3701:Portrait of a Gentleman
3573:Portrait of a Gentleman
3386:Man Mocked by Two Women
2774:Man Mocked by Two Women
2212:Truth, Time and History
1842:on Prado Museum online.
1779:, 2008, pages 229-244.
1015:his eyes lit by sadness
1011:flaming western clouds,
624:Juan Bautista Arriaza,
563:Alfonso VIII of Castile
481:The Labours of Hercules
311:Here comes the bogeyman
207:Drawing with the title
137:History of the painting
5431:The Family of Philip V
5341:The Family of Philip V
5328:The Pearl and the Wave
5015:Portrait of a Cardinal
4585:The Judgement of Paris
4528:Landscape with Skaters
4396:The Betrayal of Christ
4323:Marriage of the Virgin
4107:Hercules and the Hydra
4040:Portrait of Maria Anna
3908:The Surrender of Breda
3899:
3894:The Triumph of Bacchus
3885:
3786:Our Lady of the Rosary
3682:The Death of Cleopatra
3615:Saint Anthony of Padua
3446:The Second of May 1808
3123:Rosario Weiss Zorrilla
2236:The Second of May 1808
1873:Version on Google docs
1739:Quoted on the webpage
1689:BBC NEWS World Edition
1345:
1165:
1108:Lo que puede un sastre
1032:
755:
744:
689:
643:v. 72.). Instead of a
631:
600:
592:
533:(El Gran Capitán) and
425:
348:
224:
153:
5093:Judith and Holofernes
4600:Adoration of the Magi
4484:Adoration of the Magi
4465:Meleager and Atalanta
4209:Adoration of the Magi
4095:The Death of Hercules
4004:The Jester Barbarroja
3956:Adoration of the Magi
3792:The Patrician's Dream
3695:Adoration of the Magi
3627:Saint James the Great
3543:The Flight into Egypt
3464:The Third of May 1808
3374:Judith and Holofernes
3302:Boys playing soldiers
3200:Casón del Buen Retiro
2974:The Bulls of Bordeaux
2732:Judith and Holofernes
2633:Children in a Chariot
2625:Boys playing soldiers
2244:The Third of May 1808
1865:Goya. Revista de Arte
1847:Information sheet on
1838:Information sheet on
1775:Goya: Revista de arte
1588:La lechera de Burdeos
1582:"Nigel Glendinning: "
1483:Goya. Revista de arte
1051:Goya. Revista de Arte
1004:that was the Pyrenees
925:Goya: Revista de arte
749:
671:
598:
583:
575:Juan Bautista Arriaza
535:Rodrigo Díaz de Vivar
502:The Siege of Numantia
476:Francisco de Zurbarán
434:Fernando VII of Spain
410:Juan Bautista Arriaza
408:
400:Enlightenment writers
335:
235:Juan Bautista Arriaza
206:
144:
5291:The Finding of Moses
5266:The Worship of Venus
4926:The Finding of Moses
4672:Deucalion and Pyrrha
4648:The Rape of Ganymede
4471:The Painter's Family
4265:The Triumph of Death
4227:Head of a Halberdier
4221:The Haywain Triptych
4177:The Fountain of Life
4143:Still Life with Pots
3567:Portrait of a Doctor
3278:Allegory of Industry
3057:Goya: A Life in Song
2887:The Disasters of War
2150:Allegory of Industry
1919:at Wikimedia Commons
1917:El Coloso (painting)
1855:Glendinning, Nigel,
1698:GLENDINNING, Nigel,
1375:"Arte bajo sospecha"
1112:What a tailor can do
760:Juliet Bareau-Wilson
565:is mentioned in the
519:Manuel José Quintana
384:) movement of early
347:by Goya (1819–1823).
315:What a tailor can do
197:The Disasters of War
5315:Agony in the Garden
5185:Philip II in Armour
5027:Madonna of the Rose
4971:Death of the Virgin
4920:O. Gentileschi
4907:A. Gentileschi
4714:Teniers the Younger
3811:Doña Joanna the Mad
3798:Rebecca and Eleazar
3741:Christ on the Cross
3196:Villanueva building
2679:The Threshing Floor
2426:Bernardo de Iriarte
2260:A Village Bullfight
1679:Poesías patrióticas
1428:, 28 January 2009.
1416:, 28 January 2009.
1365:, 28, January 2009.
1127:Nigel Glendinning,
1041:Nigel Glendinning,
1027:Poesías patrióticas
957:Nigel Glendinning.
815:100 Great Paintings
507:Miguel de Cervantes
418:Poesías patrióticas
209:Gran Coloso dormido
5251:Venus and Musician
5068:Sacrifice of Isaac
4642:The Rape of Europa
4630:The Garden of Love
4612:Diana and Callisto
4402:The Brazen Serpent
4190:The Ages and Death
3860:The Blind Sculptor
3549:Holy Face of Jesus
3368:Fight with Cudgels
3252:José de Espronceda
2781:Fight with Cudgels
2165:Majas on a Balcony
2087:Assault of Thieves
2071:Yard with Lunatics
2015:The Rape of Europa
1806:, 19 January 2012.
1572:, 28 January 2009.
1564:2011-02-24 at the
1418:"El informe sobre
1408:2010-07-25 at the
1335:Francis Klingender
1243:, 19 January 2012.
1060:2012-06-20 at the
785:, which is called
756:
690:
601:
593:
521:'s patriotic poem
497:Spanish Golden Age
490:Buen Retiro Palace
426:
349:
309:(1799) numbers 3 (
275:Semi-submerged Dog
225:
154:
5576:
5575:
5543:
5542:
5539:
5538:
5530:Castor and Pollux
5495:
5494:
5491:
5490:
5483:British paintings
4856:David and Goliath
4259:Bruegel the Elder
4215:Cutting the Stone
3756:The Good Shepherd
3296:Blind Man's Bluff
3218:
3217:
3141:
3140:
3118:Leocadia Zorrilla
2989:
2988:
2825:
2824:
2687:Blind Man's Bluff
2656:The Grape Harvest
2418:The Black Duchess
2395:The White Duchess
2111:The Bewitched Man
1915:Media related to
1804:Heraldo de Aragón
1752:Francisco de Goya
1700:Francisco de Goya
1426:Heraldo de Aragón
1241:Heraldo de Aragón
1162:p. 63, verse IV.
1100:Que viene el coco
996:See how on a peak
823:Notes and sources
818:, 1980 BBC series
758:Ever since 2001,
703:Nigel Glendinning
678:Nigel Glendinning
626:Pyrenean Prophecy
553:commander of the
539:James I of Aragon
468:Hendrick Goltzius
442:absolute monarchy
414:Pyrenean Prophecy
396:Pyrenean Prophecy
271:Perro Semihundido
239:Pyrenean Prophecy
123:Francisco de Goya
94:
93:
49:Francisco de Goya
5616:
5566:
5565:
5512:
5501:
5462:
5449:
5436:
5427:
5402:
5353:
5346:
5337:
5324:
5311:
5279:Venus and Adonis
5275:
5256:
5247:
5242:Venus and Adonis
5232:
5157:
5124:
5111:
5098:
5077:
5064:
5051:
5044:
5011:
4980:
4967:
4954:
4947:
4938:
4931:
4922:
4909:
4890:
4865:
4852:
4839:
4826:
4813:
4788:
4775:
4745:
4736:Alpine Landscape
4732:
4725:
4716:
4703:
4690:
4683:
4594:The Three Graces
4590:
4581:
4568:
4555:
4548:
4539:
4506:
4493:
4480:
4455:
4442:
4429:
4386:
4367:
4354:
4347:
4338:
4319:
4312:
4303:
4302:(with de Momper)
4294:
4293:(with de Momper)
4261:
4248:
4199:
4186:
4173:
4085:
3968:Christ Crucified
3904:
3890:
3882:
3869:
3820:
3807:
3746:
3725:
3716:
3691:
3678:
3503:
3326:The Clothed Maja
3320:Christ Crucified
3274:
3261:
3248:
3235:
3224:
3183:
3168:
3161:
3154:
3145:
3113:Quinta del Sordo
3065:Goya in Bordeaux
2963:
2960:
2932:
2907:
2904:
2834:
2739:Witches' Sabbath
2716:
2715: 1819–1823
2713:
2619:
2616:
2412:
2409:
2357:
2354:
2315:
2312:
2292:
2289:
2277:
2274:
2188:The Knifegrinder
2180:The Water Bearer
2174:
2173: 1808–1812
2171:
2159:
2156:
2136:
2135: 1797–1800
2133:
2119:Witches' Sabbath
2023:Christ Crucified
2009:
2006:
1994:
1991:
1974:
1947:
1940:
1933:
1924:
1914:
1802:, suplemento de
1656:
1655:
1653:
1645:
1639:
1638:
1636:
1634:
1621:
1619:
1617:
1603:
1597:
1579:
1573:
1556:
1550:
1540:
1534:
1533:, 29 March 2009.
1520:
1514:
1500:
1494:
1471:
1465:
1455:
1449:
1388:
1382:
1372:
1366:
1352:
1346:
1343:
1323:
1317:
1316:
1314:
1312:
1298:
1292:
1291:
1279:
1273:
1272:
1270:
1268:
1250:
1244:
1239:, suplemento de
1225:
1216:
1215:
1204:
1195:
1194:
1192:
1190:
1175:
1166:
1163:
1150:
1144:
1125:
1116:
1087:
1081:
1071:
1065:
1039:
1033:
1030:
1009:Around his waist
973:
967:
966:
954:
941:
912:
901:
888:
882:
881:
858:
852:
842:
701:The Goya expert
629:
571:Battle of Bailén
569:celebrating the
472:Spanish Hercules
463:Farnese Hercules
412:, author of the
376:Storm and Stress
354:Disasters of War
221:Saint Petersburg
217:Hermitage Museum
117:(The Panic) and
39:
19:
5624:
5623:
5619:
5618:
5617:
5615:
5614:
5613:
5589:1800s paintings
5579:
5578:
5577:
5572:
5535:
5506:
5487:
5471:
5458:
5445:
5434:
5423:
5398:
5349:
5344:
5333:
5320:
5307:
5296:
5271:
5254:
5245:
5230:
5155:
5140:The Fall of Man
5120:
5107:
5097:(by his studio)
5096:
5073:
5060:
5047:
5042:
5007:
4976:
4963:
4950:
4946:(by his studio)
4945:
4934:
4929:
4918:
4905:
4894:Noli me tangere
4886:
4861:
4848:
4835:
4822:
4809:
4784:
4771:
4760:
4741:
4728:
4723:
4712:
4699:
4686:
4681:
4678:The Five Senses
4624:The Fall of Man
4588:
4577:
4564:
4551:
4546:
4537:
4502:
4489:
4476:
4451:
4438:
4425:
4382:
4363:
4350:
4345:
4334:
4315:
4310:
4307:The Five Senses
4301:
4292:
4257:
4244:
4195:
4182:
4169:
4162:
4160:
4154:
4081:
3878:
3867:Sánchez Gallque
3865:
3836:Isaac and Jacob
3816:
3803:
3744:
3723:
3712:
3687:
3674:
3645:Saint Sebastian
3499:
3488:Witches' Flight
3356:The Drunk Mason
3270:
3257:
3244:
3229:
3214:
3188:
3177:
3175:Museo del Prado
3172:
3142:
3137:
3095:
3020:
2985:
2967:
2961:
2954:A way of flying
2936:
2928:
2911:
2905:
2880:
2862:
2821:
2714:
2709:
2706:Black Paintings
2699:
2671:The Drunk Mason
2617:
2589:
2586:
2579:
2552:
2410:
2355:
2327:
2313:
2290:
2275:
2172:
2157:
2142:La maja vestida
2134:
2127:La maja desnuda
2103:Witches' Flight
2079:Prison Interior
2047:The Drunk Mason
2039:The Greasy Pole
2007:
1992:
1965:
1956:
1951:
1897:link to a vídeo
1878:Luna, Juan J.,
1871:, pp. 294–299.
1813:
1659:
1651:
1647:
1646:
1642:
1632:
1630:
1622:
1615:
1613:
1605:
1604:
1600:
1580:
1576:
1566:Wayback Machine
1557:
1553:
1541:
1537:
1521:
1517:
1501:
1497:
1472:
1468:
1456:
1452:
1410:Wayback Machine
1389:
1385:
1381:, 19 June 2010.
1373:
1369:
1353:
1349:
1344:
1341:
1324:
1320:
1310:
1308:
1300:
1299:
1295:
1281:
1280:
1276:
1266:
1264:
1252:
1251:
1247:
1226:
1219:
1214:. July 1, 2008.
1206:
1205:
1198:
1188:
1186:
1185:. June 27, 2008
1177:
1176:
1169:
1164:
1161:
1151:
1147:
1126:
1119:
1088:
1084:
1072:
1068:
1062:Wayback Machine
1040:
1036:
1031:
1024:
1021:
1018:
1016:
1014:
1012:
1010:
1008:
1007:
1005:
1003:
1001:
999:
997:
990:Luis de Góngora
974:
970:
956:
955:
944:
913:
904:
889:
885:
878:
862:Cirlot, Lourdes
860:
859:
855:
843:
834:
825:
805:
754:(The Shipwreck)
718:Black Paintings
666:
635:Luis de Góngora
630:
623:
551:General Palafox
486:Salón de Reinos
381:Sturm und Drang
371:Black Paintings
344:Black Paintings
287:Black Paintings
230:
174:Goya in wartime
139:
131:Museo del Prado
101:(also known as
85:Museo del Prado
17:
12:
11:
5:
5622:
5620:
5612:
5611:
5606:
5601:
5596:
5591:
5581:
5580:
5574:
5573:
5571:
5570:
5559:
5558:
5555:
5552:
5548:
5545:
5544:
5541:
5540:
5537:
5536:
5534:
5533:
5526:
5518:
5516:
5508:
5507:
5504:
5497:
5496:
5493:
5492:
5489:
5488:
5486:
5485:
5479:
5477:
5473:
5472:
5470:
5469:
5456:
5443:
5421:
5396:
5347:
5331:
5318:
5304:
5302:
5298:
5297:
5295:
5294:
5269:
5179:Mater Dolorosa
5161:The Entombment
5118:
5105:
5071:
5058:
5045:
5005:
4974:
4961:
4948:
4932:
4916:
4903:
4884:
4859:
4846:
4833:
4820:
4807:
4782:
4768:
4766:
4762:
4761:
4759:
4758:
4743:van der Weyden
4739:
4726:
4710:
4697:
4684:
4575:
4562:
4549:
4500:
4487:
4474:
4449:
4436:
4423:
4380:
4361:
4348:
4342:Caritas Romana
4332:
4313:
4255:
4242:
4193:
4180:
4166:
4164:
4156:
4155:
4153:
4152:
4079:
3901:Las Hilanderas
3876:
3863:
3814:
3801:
3710:
3685:
3672:
3497:
3416:The Naked Maja
3344:Los disparates
3268:
3255:
3241:
3239:
3231:
3230:
3227:
3220:
3219:
3216:
3215:
3213:
3212:
3207:
3205:Hall of Realms
3202:
3197:
3193:
3190:
3189:
3186:
3179:
3178:
3173:
3171:
3170:
3163:
3156:
3148:
3139:
3138:
3136:
3135:
3130:
3125:
3120:
3115:
3110:
3103:
3101:
3097:
3096:
3094:
3093:
3085:
3077:
3069:
3061:
3053:
3045:
3037:
3033:The Naked Maja
3028:
3026:
3022:
3021:
3019:
3018:
3008:
2997:
2995:
2991:
2990:
2987:
2986:
2984:
2983:
2980:
2978:
2969:
2968:
2966:
2965:
2962: 1815–16
2949:
2947:
2943:Los Disparates
2938:
2937:
2935:
2934:
2924:
2922:
2918:La Tauromaquia
2913:
2912:
2910:
2909:
2906: 1812–13
2893:
2891:
2882:
2881:
2879:
2878:
2875:
2873:
2864:
2863:
2861:
2860:
2853:
2845:
2843:
2831:
2827:
2826:
2823:
2822:
2820:
2819:
2812:
2805:
2798:
2791:
2784:
2777:
2770:
2763:
2756:
2749:
2742:
2735:
2728:
2720:
2718:
2701:
2700:
2698:
2697:
2691:
2683:
2675:
2667:
2659:
2653:
2645:
2637:
2629:
2621:
2606:
2597:
2595:
2581:
2580:
2578:
2577:
2569:
2560:
2558:
2554:
2553:
2551:
2550:
2542:
2534:
2526:
2518:
2510:
2502:
2494:
2486:
2478:
2470:
2462:
2454:
2446:
2438:
2430:
2422:
2414:
2399:
2391:
2383:
2375:
2367:
2366:(c. 1790-1795)
2359:
2344:
2335:
2333:
2329:
2328:
2326:
2325:
2317:
2302:
2294:
2279:
2264:
2256:
2248:
2240:
2232:
2224:
2216:
2208:
2200:
2192:
2184:
2176:
2161:
2146:
2138:
2123:
2115:
2107:
2099:
2091:
2083:
2075:
2067:
2059:
2051:
2043:
2035:
2027:
2019:
2011:
1996:
1980:
1978:
1971:
1967:
1966:
1961:
1958:
1957:
1954:Francisco Goya
1952:
1950:
1949:
1942:
1935:
1927:
1921:
1920:
1908:
1900:
1887:Vega, Jesusa,
1885:
1876:
1853:
1844:
1835:
1823:
1812:
1811:External links
1809:
1808:
1807:
1800:Artes y Letras
1788:
1764:VEGA, Jesusa,
1762:
1748:
1725:
1714:
1703:
1696:
1686:
1675:
1664:
1663:
1658:
1657:
1640:
1598:
1574:
1551:
1535:
1515:
1495:
1466:
1450:
1383:
1367:
1347:
1339:
1333:tradition' by
1318:
1293:
1274:
1245:
1237:Artes y Letras
1217:
1196:
1167:
1159:
1145:
1117:
1082:
1073:Juan J. Luna,
1066:
1034:
1022:
994:
968:
942:
902:
883:
876:
853:
851:, 9 July 2021.
831:
830:
829:
824:
821:
820:
819:
811:
804:
801:
665:
662:
621:
323:A hooded giant
229:
226:
192:Peninsular War
148:, also called
138:
135:
92:
91:
82:
78:
77:
74:
70:
69:
64:
60:
59:
56:
52:
51:
47:attributed to
45:
41:
40:
32:
31:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
5621:
5610:
5607:
5605:
5604:Horses in art
5602:
5600:
5599:Cattle in art
5597:
5595:
5592:
5590:
5587:
5586:
5584:
5569:
5561:
5560:
5556:
5553:
5550:
5549:
5546:
5532:
5531:
5527:
5525:
5524:
5520:
5519:
5517:
5513:
5509:
5502:
5498:
5484:
5481:
5480:
5478:
5474:
5468:
5467:
5461:
5457:
5455:
5454:
5448:
5444:
5442:
5441:
5433:
5432:
5426:
5422:
5420:
5419:
5418:Saint Cecilia
5414:
5413:
5408:
5407:
5401:
5397:
5395:
5394:
5389:
5388:
5383:
5382:
5377:
5376:
5371:
5370:
5365:
5364:
5359:
5358:
5352:
5348:
5343:
5342:
5336:
5332:
5330:
5329:
5323:
5319:
5317:
5316:
5310:
5306:
5305:
5303:
5299:
5293:
5292:
5287:
5286:
5281:
5280:
5274:
5270:
5268:
5267:
5262:
5261:
5253:
5252:
5244:
5243:
5238:
5237:
5229:
5228:
5227:Self-Portrait
5223:
5222:
5217:
5216:
5211:
5210:
5205:
5204:
5199:
5198:
5193:
5192:
5187:
5186:
5181:
5180:
5175:
5174:
5169:
5168:
5163:
5162:
5154:
5153:
5148:
5147:
5142:
5141:
5136:
5135:
5130:
5129:
5123:
5119:
5117:
5116:
5110:
5106:
5104:
5103:
5095:
5094:
5089:
5088:
5083:
5082:
5076:
5072:
5070:
5069:
5063:
5059:
5057:
5056:
5050:
5046:
5043:(with Romano)
5041:
5040:
5035:
5034:
5029:
5028:
5023:
5022:
5017:
5016:
5010:
5006:
5004:
5003:
5002:Saint Barbara
4998:
4997:
4992:
4991:
4986:
4985:
4979:
4975:
4973:
4972:
4966:
4962:
4960:
4959:
4953:
4949:
4944:
4943:
4937:
4933:
4928:
4927:
4921:
4917:
4915:
4914:
4908:
4904:
4902:
4901:
4896:
4895:
4889:
4885:
4883:
4882:
4877:
4876:
4871:
4870:
4864:
4860:
4858:
4857:
4851:
4847:
4845:
4844:
4838:
4834:
4832:
4831:
4825:
4821:
4819:
4818:
4812:
4808:
4806:
4805:
4800:
4799:
4794:
4793:
4787:
4783:
4781:
4780:
4774:
4770:
4769:
4767:
4763:
4757:
4756:
4755:Durán Madonna
4751:
4750:
4744:
4740:
4738:
4737:
4731:
4727:
4722:
4721:
4715:
4711:
4709:
4708:
4702:
4698:
4696:
4695:
4689:
4685:
4680:
4679:
4674:
4673:
4668:
4667:
4662:
4661:
4656:
4655:
4650:
4649:
4644:
4643:
4638:
4637:
4632:
4631:
4626:
4625:
4620:
4619:
4614:
4613:
4608:
4607:
4602:
4601:
4596:
4595:
4587:
4586:
4580:
4576:
4574:
4573:
4567:
4563:
4561:
4560:
4554:
4550:
4545:
4544:
4536:
4535:
4530:
4529:
4524:
4523:
4518:
4517:
4512:
4511:
4505:
4501:
4499:
4498:
4492:
4488:
4486:
4485:
4479:
4475:
4473:
4472:
4467:
4466:
4461:
4460:
4454:
4450:
4448:
4447:
4441:
4437:
4435:
4434:
4428:
4424:
4422:
4421:
4416:
4415:
4414:Saint Rosalia
4410:
4409:
4404:
4403:
4398:
4397:
4392:
4391:
4385:
4381:
4379:
4378:
4377:Self-Portrait
4373:
4372:
4366:
4362:
4360:
4359:
4353:
4349:
4344:
4343:
4337:
4333:
4331:
4330:
4329:Werl Triptych
4325:
4324:
4318:
4314:
4311:(with Rubens)
4309:
4308:
4300:
4299:
4291:
4290:
4285:
4284:
4279:
4278:
4273:
4272:
4267:
4266:
4260:
4256:
4254:
4253:
4247:
4243:
4241:
4240:
4235:
4234:
4229:
4228:
4223:
4222:
4217:
4216:
4211:
4210:
4205:
4204:
4198:
4194:
4192:
4191:
4185:
4181:
4179:
4178:
4172:
4168:
4167:
4165:
4157:
4151:
4150:
4145:
4144:
4139:
4138:
4133:
4132:
4127:
4126:
4121:
4120:
4115:
4114:
4109:
4108:
4103:
4102:
4097:
4096:
4091:
4090:
4084:
4080:
4078:
4077:
4072:
4071:
4066:
4065:
4060:
4059:
4054:
4053:
4048:
4047:
4042:
4041:
4036:
4035:
4030:
4029:
4024:
4023:
4018:
4017:
4012:
4011:
4006:
4005:
4000:
3999:
3994:
3993:
3988:
3987:
3982:
3981:
3976:
3975:
3970:
3969:
3964:
3963:
3958:
3957:
3952:
3951:
3946:
3945:
3940:
3939:
3934:
3933:
3928:
3927:
3922:
3921:
3916:
3915:
3910:
3909:
3903:
3902:
3896:
3895:
3889:
3888:
3881:
3877:
3875:
3874:
3868:
3864:
3862:
3861:
3856:
3855:
3850:
3849:
3844:
3843:
3838:
3837:
3832:
3831:
3826:
3825:
3824:Jacob's Dream
3819:
3815:
3813:
3812:
3806:
3802:
3800:
3799:
3794:
3793:
3788:
3787:
3782:
3781:
3776:
3775:
3770:
3769:
3764:
3763:
3758:
3757:
3752:
3751:
3743:
3742:
3737:
3736:
3731:
3730:
3722:
3721:
3715:
3711:
3709:
3708:
3703:
3702:
3697:
3696:
3690:
3686:
3684:
3683:
3677:
3673:
3671:
3670:
3665:
3664:
3659:
3658:
3653:
3652:
3647:
3646:
3641:
3640:
3635:
3634:
3629:
3628:
3623:
3622:
3617:
3616:
3611:
3610:
3605:
3604:
3599:
3598:
3593:
3592:
3587:
3586:
3581:
3580:
3575:
3574:
3569:
3568:
3563:
3562:
3557:
3556:
3551:
3550:
3545:
3544:
3539:
3538:
3533:
3532:
3527:
3526:
3521:
3520:
3515:
3514:
3509:
3508:
3502:
3501:El Greco
3498:
3496:
3495:
3490:
3489:
3484:
3483:
3478:
3477:
3472:
3471:
3466:
3465:
3460:
3459:
3454:
3453:
3448:
3447:
3442:
3441:
3436:
3435:
3430:
3429:
3424:
3423:
3418:
3417:
3412:
3411:
3406:
3405:
3400:
3399:
3394:
3393:
3388:
3387:
3382:
3381:
3376:
3375:
3370:
3369:
3364:
3363:
3358:
3357:
3352:
3351:
3346:
3345:
3340:
3339:
3334:
3333:
3328:
3327:
3322:
3321:
3316:
3315:
3314:Los caprichos
3310:
3309:
3304:
3303:
3298:
3297:
3292:
3291:
3286:
3285:
3280:
3279:
3273:
3269:
3267:
3266:
3260:
3256:
3254:
3253:
3247:
3243:
3242:
3240:
3236:
3232:
3225:
3221:
3211:
3208:
3206:
3203:
3201:
3198:
3195:
3194:
3191:
3184:
3180:
3176:
3169:
3164:
3162:
3157:
3155:
3150:
3149:
3146:
3134:
3131:
3129:
3126:
3124:
3121:
3119:
3116:
3114:
3111:
3108:
3105:
3104:
3102:
3098:
3091:
3090:
3086:
3083:
3082:
3081:Goya's Ghosts
3078:
3075:
3074:
3070:
3067:
3066:
3062:
3059:
3058:
3054:
3051:
3050:
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3023:
3016:
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3009:
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2999:
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2982:
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2939:
2933:
2931:
2926:
2925:
2923:
2920:
2919:
2914:
2900:
2899:
2898:This is worse
2895:
2894:
2892:
2889:
2888:
2883:
2877:
2876:
2874:
2871:
2870:
2869:The Prisoners
2865:
2859:
2858:
2854:
2852:
2851:
2847:
2846:
2844:
2841:
2840:
2839:Los Caprichos
2835:
2832:
2828:
2818:
2817:
2813:
2811:
2810:
2806:
2804:
2803:
2799:
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2782:
2778:
2776:
2775:
2771:
2769:
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2764:
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2743:
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2733:
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2726:
2722:
2721:
2719:
2708:
2707:
2702:
2695:
2692:
2689:
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2684:
2681:
2680:
2676:
2673:
2672:
2668:
2665:
2664:
2660:
2657:
2654:
2651:
2650:
2646:
2643:
2642:
2638:
2635:
2634:
2630:
2627:
2626:
2622:
2612:
2611:
2607:
2604:
2603:
2602:The Boar Hunt
2599:
2598:
2596:
2593:
2588:
2582:
2575:
2574:
2570:
2567:
2566:
2562:
2561:
2559:
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2318:
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2300:
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2261:
2257:
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2238:
2237:
2233:
2230:
2229:
2225:
2222:
2221:
2217:
2214:
2213:
2209:
2206:
2205:
2201:
2198:
2197:
2193:
2190:
2189:
2185:
2182:
2181:
2177:
2167:
2166:
2162:
2152:
2151:
2147:
2144:
2143:
2139:
2129:
2128:
2124:
2121:
2120:
2116:
2113:
2112:
2108:
2105:
2104:
2100:
2097:
2096:
2092:
2089:
2088:
2084:
2081:
2080:
2076:
2073:
2072:
2068:
2065:
2064:
2060:
2057:
2056:
2052:
2049:
2048:
2044:
2041:
2040:
2036:
2033:
2032:
2028:
2025:
2024:
2020:
2017:
2016:
2012:
2002:
2001:
1997:
1987:
1986:
1982:
1981:
1979:
1975:
1972:
1968:
1964:
1963:List of works
1959:
1955:
1948:
1943:
1941:
1936:
1934:
1929:
1928:
1925:
1918:
1913:
1909:
1906:
1905:
1901:
1898:
1894:
1890:
1886:
1883:
1882:
1877:
1874:
1870:
1866:
1862:
1860:
1857:"En torno al
1854:
1852:
1850:
1845:
1843:
1841:
1836:
1834:
1832:
1827:
1824:
1822:
1820:
1815:
1814:
1810:
1805:
1801:
1797:
1795:
1789:
1786:
1782:
1778:
1776:
1771:
1769:
1763:
1761:
1760:3-8228-2296-5
1757:
1753:
1749:
1746:
1742:
1738:
1736:
1730:
1726:
1724:, 22-03-2004.
1723:
1719:
1715:
1712:
1708:
1704:
1701:
1697:
1695:, 05-04-2001.
1694:
1690:
1687:
1684:
1680:
1676:
1674:, 24-06-2008.
1673:
1669:
1666:
1665:
1661:
1660:
1650:
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1612:
1608:
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1591:
1589:
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1578:
1575:
1571:
1567:
1563:
1560:
1555:
1552:
1549:, 05-04-2001.
1548:
1544:
1539:
1536:
1532:
1528:
1526:
1519:
1516:
1513:, 28-03-2009.
1512:
1508:
1506:
1499:
1496:
1492:
1488:
1484:
1480:
1478:
1470:
1467:
1463:
1459:
1454:
1451:
1447:
1445:
1440:, 18-2-2009.
1439:
1435:
1433:
1427:
1423:
1421:
1415:
1411:
1407:
1404:
1402:
1396:
1392:
1387:
1384:
1380:
1376:
1371:
1368:
1364:
1360:
1358:
1351:
1348:
1338:
1336:
1328:
1322:
1319:
1307:
1303:
1297:
1294:
1289:
1285:
1278:
1275:
1263:
1259:
1257:
1249:
1246:
1242:
1238:
1234:
1232:
1227:Jesusa Vega,
1224:
1222:
1218:
1213:
1209:
1203:
1201:
1197:
1184:
1180:
1174:
1172:
1168:
1158:
1154:
1149:
1146:
1142:
1138:
1134:
1130:
1124:
1122:
1118:
1115:
1113:
1109:
1106:) and No. 52
1105:
1101:
1097:
1091:
1086:
1083:
1080:
1076:
1070:
1067:
1063:
1059:
1056:
1052:
1048:
1046:
1043:"En torno al
1038:
1035:
1028:
1020:
991:
987:
986:
981:
977:
972:
969:
964:
960:
953:
951:
949:
947:
943:
939:
935:
931:
927:
926:
921:
919:
914:Jesusa Vega,
911:
909:
907:
903:
899:
895:
894:
887:
884:
879:
877:9788467438109
873:
869:
868:
863:
857:
854:
850:
846:
841:
839:
837:
833:
827:
826:
822:
817:
816:
812:
810:
807:
806:
802:
800:
797:
795:
790:
788:
784:
779:
775:
771:
767:
766:
761:
753:
748:
743:
740:
734:
732:
728:
722:
720:
719:
714:
709:
704:
699:
696:
695:Asensio Juliá
687:
686:Asensio Juliá
683:
679:
675:
670:
663:
661:
659:
658:Neoclassicism
655:
651:
646:
642:
641:
636:
627:
620:
616:
613:
609:
607:
597:
591:
587:
582:
578:
576:
572:
568:
564:
560:
556:
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548:
544:
540:
536:
532:
528:
524:
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512:
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503:
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493:
491:
487:
483:
482:
477:
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455:
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431:
423:
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411:
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403:
401:
397:
393:
392:
387:
383:
382:
377:
373:
372:
366:
364:
360:
356:
355:
346:
345:
341:, one of the
340:
339:
334:
330:
328:
324:
320:
316:
312:
308:
307:
306:Los Caprichos
302:
298:
293:
289:
288:
282:
278:
276:
272:
268:
267:
262:
261:
254:
252:
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171:
166:
162:
160:
151:
147:
143:
136:
134:
132:
127:
124:
120:
116:
113:(The Giant),
112:
108:
104:
100:
99:
90:
86:
83:
79:
75:
71:
68:
67:Oil on canvas
65:
61:
57:
53:
50:
46:
42:
38:
33:
30:
25:
20:
5528:
5521:
5464:
5459:
5451:
5446:
5438:
5429:
5424:
5416:
5410:
5404:
5399:
5391:
5385:
5379:
5373:
5367:
5361:
5355:
5350:
5339:
5334:
5326:
5321:
5313:
5308:
5289:
5283:
5277:
5272:
5264:
5258:
5255:(1550, 1555)
5249:
5240:
5234:
5225:
5219:
5213:
5207:
5201:
5195:
5189:
5183:
5177:
5171:
5165:
5159:
5150:
5144:
5138:
5132:
5126:
5121:
5113:
5108:
5100:
5091:
5085:
5079:
5074:
5066:
5061:
5053:
5048:
5037:
5031:
5025:
5019:
5013:
5008:
5000:
4994:
4988:
4982:
4978:Parmigianino
4977:
4969:
4964:
4956:
4951:
4940:
4935:
4924:
4919:
4911:
4906:
4898:
4892:
4887:
4879:
4873:
4867:
4862:
4854:
4849:
4841:
4836:
4828:
4823:
4815:
4810:
4802:
4796:
4790:
4785:
4779:Annunciation
4777:
4773:Fra Angelico
4772:
4753:
4747:
4742:
4734:
4729:
4718:
4713:
4705:
4700:
4692:
4687:
4676:
4670:
4664:
4658:
4652:
4646:
4640:
4634:
4628:
4622:
4616:
4610:
4604:
4598:
4592:
4583:
4578:
4570:
4565:
4557:
4552:
4541:
4532:
4526:
4520:
4514:
4508:
4503:
4495:
4490:
4482:
4477:
4469:
4463:
4457:
4452:
4444:
4439:
4431:
4427:van Hemessen
4426:
4418:
4412:
4406:
4400:
4394:
4388:
4383:
4375:
4371:Adam and Eve
4369:
4364:
4356:
4351:
4340:
4335:
4327:
4321:
4316:
4305:
4296:
4287:
4281:
4275:
4269:
4263:
4258:
4250:
4245:
4237:
4231:
4225:
4219:
4213:
4207:
4201:
4196:
4188:
4183:
4175:
4170:
4147:
4141:
4135:
4129:
4123:
4117:
4111:
4105:
4099:
4093:
4087:
4082:
4074:
4068:
4062:
4056:
4050:
4044:
4038:
4032:
4026:
4020:
4014:
4008:
4002:
3996:
3990:
3984:
3978:
3972:
3966:
3960:
3954:
3948:
3942:
3936:
3930:
3924:
3918:
3914:Mars Resting
3912:
3906:
3892:
3879:
3871:
3866:
3858:
3852:
3846:
3840:
3834:
3828:
3822:
3817:
3809:
3804:
3796:
3790:
3784:
3778:
3772:
3766:
3760:
3754:
3748:
3745:(1675, 1677)
3739:
3733:
3727:
3718:
3713:
3705:
3699:
3693:
3688:
3680:
3675:
3667:
3661:
3657:Holy Trinity
3655:
3649:
3643:
3637:
3631:
3625:
3619:
3613:
3607:
3601:
3595:
3589:
3583:
3577:
3571:
3565:
3559:
3555:Holy Trinity
3553:
3547:
3541:
3535:
3529:
3525:Annunciation
3523:
3517:
3511:
3505:
3500:
3492:
3486:
3480:
3474:
3468:
3462:
3456:
3450:
3444:
3438:
3432:
3426:
3420:
3414:
3408:
3402:
3396:
3392:La novillada
3390:
3384:
3378:
3372:
3366:
3360:
3354:
3348:
3342:
3336:
3332:The Colossus
3331:
3330:
3324:
3318:
3312:
3306:
3300:
3294:
3288:
3282:
3276:
3271:
3263:
3258:
3250:
3245:
3107:Josefa Bayeu
3087:
3079:
3071:
3063:
3060:(1989 album)
3055:
3047:
3039:
3031:
2972:
2952:
2941:
2927:
2916:
2896:
2885:
2867:
2855:
2848:
2837:
2830:Print series
2814:
2807:
2800:
2793:
2786:
2779:
2772:
2765:
2758:
2751:
2744:
2737:
2730:
2723:
2704:
2693:
2685:
2677:
2669:
2661:
2655:
2649:La novillada
2647:
2639:
2631:
2623:
2608:
2600:
2571:
2563:
2544:
2536:
2528:
2520:
2512:
2504:
2496:
2488:
2480:
2472:
2464:
2456:
2448:
2440:
2432:
2424:
2416:
2401:
2393:
2385:
2377:
2369:
2361:
2346:
2338:
2319:
2304:
2296:
2281:
2266:
2258:
2250:
2242:
2234:
2226:
2220:The Madhouse
2218:
2210:
2207:(after 1808)
2204:The Colossus
2203:
2202:
2194:
2186:
2178:
2163:
2148:
2140:
2125:
2117:
2109:
2101:
2093:
2085:
2077:
2069:
2061:
2053:
2045:
2037:
2029:
2021:
2013:
1998:
1983:
1903:
1888:
1880:
1864:
1858:
1849:The Colossus
1848:
1840:The Colossus
1839:
1830:
1819:The Colossus
1818:
1803:
1799:
1793:
1774:
1767:
1751:
1740:
1734:
1728:
1721:
1710:
1699:
1688:
1678:
1667:
1643:
1631:. Retrieved
1627:
1614:. Retrieved
1610:
1601:
1593:
1587:
1583:
1577:
1569:
1554:
1546:
1538:
1530:
1524:
1518:
1510:
1504:
1498:
1482:
1476:
1469:
1464:, 27-1-2009.
1461:
1453:
1443:
1437:
1431:
1425:
1419:
1413:
1400:
1397:, 2-7-2008.
1394:
1386:
1378:
1370:
1362:
1357:The Colossus
1356:
1350:
1331:
1321:
1309:. Retrieved
1305:
1296:
1287:
1277:
1265:. Retrieved
1261:
1255:
1248:
1240:
1236:
1230:
1211:
1187:. Retrieved
1182:
1156:
1148:
1132:
1111:
1107:
1103:
1099:
1095:
1089:
1085:
1078:
1069:
1050:
1044:
1037:
1026:
995:
983:
978:refers to a
971:
962:
924:
917:
897:
891:
886:
866:
856:
848:
813:
798:
794:The Colossus
793:
791:
786:
783:The Colossus
782:
778:The Colossus
777:
773:
769:
763:
757:
751:
739:The Colossus
738:
736:
731:The Colossus
730:
726:
723:
716:
713:The Colossus
712:
707:
700:
691:
682:Manuela Mena
674:The Colossus
673:
638:
632:
625:
618:
614:
610:
605:
602:
590:The Colossus
589:
585:
542:
522:
515:Saint George
500:
494:
479:
474:painted by
471:
461:
427:
422:The Colossus
421:
417:
413:
395:
389:
379:
375:
369:
367:
362:
358:
352:
350:
342:
336:
326:
322:
318:
314:
310:
304:
300:
297:The Colossus
296:
292:The Colossus
291:
285:
283:
279:
274:
270:
264:
258:
255:
251:The Colossus
250:
247:The Colossus
246:
242:
238:
231:
212:
208:
195:
187:The Colossus
186:
182:
178:
173:
170:The Colossus
169:
167:
163:
159:The Colossus
158:
155:
150:The Colossus
149:
145:
128:
118:
114:
110:
106:
102:
98:The Colossus
97:
96:
95:
28:
22:The Colossus
4433:The Surgeon
3887:Las Meninas
3669:Virgin Mary
3663:The Saviour
3470:Two Old Men
3422:The Parasol
3404:Men Reading
3380:La Leocadia
3133:Goya Awards
3084:(2006 film)
3076:(1999 film)
3068:(1999 film)
3052:(1971 film)
3044:(1971 film)
3036:(1958 film)
3001:Goya Museum
2946:(1815–1823)
2890:(1810–1820)
2872:(1810–1815)
2767:Men Reading
2760:Two Old Men
2753:La Leocadia
2694:The Wedding
2618: 1777
2610:The Parasol
2549:(1825–1827)
2453:(1799-1800)
2411: 1795
2356: 1788
2314: 1817
2291: 1816
2276: 1816
2263:(1815–1819)
2231:(1812–1819)
2223:(1812–1819)
2215:(1812–1814)
2199:(1808–1812)
2191:(1808–1812)
2183:(1808–1812)
2158: 1805
2145:(1800–1805)
2008: 1769
1993: 1763
1683:pages 27-40
1596:, 5-5-2002.
1311:January 26,
1077:No. 43, in
1064:, page 294.
752:El Náufrago
664:Attribution
654:centrifugal
650:Romanticist
645:centripetal
573:written by
561:, the king
511:Saint James
492:in Madrid.
386:Romanticism
119:La Tormenta
5583:Categories
5505:Sculptures
5075:Tintoretto
5033:Visitation
4850:Caravaggio
4837:Botticelli
4786:Anguissola
3830:Democritus
3639:Saint Paul
3128:Birthplace
3073:Volavérunt
3025:Depictions
1670:(Madrid),
1531:Heraldo.es
1414:Público.es
936:. Dialnet
628:vv. 31–32.
313:) and 52 (
111:El Gigante
73:Dimensions
58:after 1808
5406:Parnassus
5309:Anonymous
5167:La Gloria
4942:Mona Lisa
4888:Correggio
4730:Verhaecht
4566:Rembrandt
4543:Landscape
4504:de Momper
4336:de Crayer
4298:Landscape
4171:Anonymous
4089:Agnus Dei
3880:Velázquez
3537:The Fable
3228:Paintings
3187:Buildings
2977:(1824–25)
2921:(1815–16)
2842:(1797–98)
2696:(1791–92)
2682:(1786–87)
2674:(1786–87)
2666:(1786–87)
2641:The Swing
2628:(1778–79)
2509:(1810–11)
2485:(1804–05)
2469:(1800–01)
2437:(1798–99)
2379:La Tirana
2371:La Tirana
2343:(1787–88)
2332:Portraits
2321:Bullfight
2306:The Forge
2301:(1770–71)
2114:(1797–98)
2106:(1797–98)
2090:(1793–94)
2082:(1793–94)
2074:(1793–94)
2058:(1786–87)
2050:(1786–87)
2042:(1786–87)
2034:(1783–84)
1977:Paintings
1970:Paintings
1881:El coloso
1831:El coloso
1794:El Coloso
1785:0017-2715
1777:, No. 324
1768:El Coloso
1743:(url <
1735:El coloso
1711:Goya 1900
1584:El coloso
1525:El coloso
1523:"¿Vuelve
1505:El Coloso
1491:0017-2715
1477:El coloso
1432:El Coloso
1420:El Coloso
1401:El Coloso
1325:See also
1256:El Coloso
1231:El Coloso
1141:0163-0415
1096:Caprichos
963:Goya 1900
934:0017-2715
918:El Coloso
898:The Giant
796:to Goya.
446:satirical
391:Volkgeist
359:The Giant
243:The Eagle
213:Album G-3
183:The Giant
146:The Giant
115:El Pánico
109:and also
107:El Coloso
103:The Giant
29:El Coloso
27:Spanish:
5568:Category
5363:The Ford
5273:Veronese
5209:Sisyphus
5039:La Perla
4965:Mantegna
4936:Leonardo
4863:Carracci
4817:Nativity
4453:Jordaens
4384:van Dyck
4161:Flemish,
4083:Zurbarán
3805:Pradilla
3246:Esquivel
3015:Zaragoza
2587:cartoons
2585:Tapestry
2557:Frescoes
1770:de Goya"
1633:July 30,
1616:July 30,
1562:Archived
1547:BBC News
1406:Archived
1340:—
1267:June 26,
1189:June 29,
1160:—
1098:; No. 3
1058:Archived
1023:—
920:de Goya"
893:op. cit.
803:See also
676:, which
622:—
543:Zaragoza
454:Hercules
450:mythical
438:ossified
363:Colossus
228:Analysis
81:Location
5463::
5450::
5447:Watteau
5428::
5403::
5400:Poussin
5354::
5351:Lorrain
5338::
5335:van Loo
5325::
5312::
5276::
5125::
5112::
5109:Tiepolo
5078::
5065::
5052::
5012::
5009:Raphael
4981::
4968::
4955::
4939::
4923::
4910::
4891::
4866::
4853::
4840::
4827::
4824:Bellini
4814::
4811:Barocci
4789::
4776::
4765:Italian
4746::
4733::
4717::
4704::
4701:Strobel
4691::
4582::
4569::
4556::
4553:Patinir
4507::
4494::
4481::
4478:Memling
4456::
4443::
4430::
4387::
4368::
4355::
4339::
4320::
4262::
4249::
4200::
4187::
4184:Baldung
4174::
4086::
3883::
3870::
3821::
3808::
3717::
3714:Murillo
3692::
3679::
3504::
3350:The Dog
3290:Atropos
3284:Asmodea
3275::
3262::
3259:Gisbert
3249::
3238:Spanish
3100:Related
3005:Castres
2994:Museums
2816:The Dog
2802:Asmodea
2795:Atropos
1884:, 1996.
1747:>) .
1733:nº 43:
1662:Sources
1462:El País
1379:El País
1306:El País
1262:El País
1183:El País
938:2714917
787:A Giant
708:A Giant
586:A Giant
488:in the
478:in his
470:or the
452:figure
430:emblems
266:The Dog
237:called
5435:(1723)
5345:(1743)
5322:Baudry
5301:French
5246:(1554)
5231:(1567)
5215:Tityus
5156:(1565)
5122:Titian
5049:Romano
4930:(1633)
4724:(1651)
4660:Saturn
4589:(1638)
4579:Rubens
4516:A Farm
4346:(1625)
4317:Campin
4163:German
4159:Dutch,
3848:Tityos
3818:Ribera
3724:(1650)
3458:Summer
3109:(wife)
3092:(2017)
2690:(1789)
2663:Summer
2658:(1786)
2652:(1780)
2644:(1779)
2636:(1779)
2605:(1775)
2576:(1774)
2568:(1772)
2541:(1823)
2533:(1820)
2525:(1815)
2517:(1812)
2501:(1805)
2493:(1805)
2477:(1801)
2461:(1800)
2445:(1799)
2429:(1797)
2421:(1797)
2398:(1795)
2390:(1795)
2382:(1794)
2374:(1792)
2324:(1824)
2255:(1815)
2247:(1814)
2239:(1814)
2122:(1798)
2098:(1795)
2066:(1787)
2026:(1780)
2018:(1772)
1859:Coloso
1783:
1758:
1570:adn.es
1489:
1444:Coloso
1139:
1094:cited
1045:Coloso
932:
874:
89:Madrid
63:Medium
44:Artist
5476:Other
5460:Vouet
4952:Lotto
4491:Mengs
4365:Dürer
4352:David
4246:Bouts
4197:Bosch
3842:Ixion
3689:Maíno
1772:, en
1652:(PDF)
1131:, in
980:Titan
922:, in
828:Notes
458:X-ray
5515:Rome
5425:Ranc
4688:Stom
3676:Luna
3272:Goya
2592:list
1895:and
1781:ISSN
1756:ISBN
1635:2009
1618:2009
1487:ISSN
1442:"El
1313:2009
1269:2008
1191:2008
1137:ISSN
1092:los
1090:Cfr.
930:ISSN
872:ISBN
727:Goya
567:hymn
416:(in
325:and
179:Goya
55:Year
1668:ABC
1628:ABC
1611:ABC
1594:ABC
1511:ABC
1438:ABC
1395:ABC
1363:ABC
1212:ABC
988:by
849:ABC
781:as
588:or
577:.
545:by
513:or
505:by
361:or
5585::
5437:–
5415:–
5409:–
5390:–
5384:–
5378:–
5372:–
5366:–
5360:–
5288:–
5282:–
5263:–
5257:–
5248:–
5239:–
5233:–
5224:–
5218:–
5212:–
5206:–
5200:–
5194:–
5188:–
5182:–
5176:–
5170:–
5164:–
5158:–
5149:–
5143:–
5137:–
5131:–
5099:–
5090:–
5084:–
5036:–
5030:–
5024:–
5018:–
4999:–
4993:–
4987:–
4897:–
4878:–
4872:–
4801:–
4795:–
4752:–
4675:–
4669:–
4663:–
4657:–
4651:–
4645:–
4639:–
4633:–
4627:–
4621:–
4615:–
4609:–
4603:–
4597:–
4591:–
4540:–
4531:–
4525:–
4519:–
4513:–
4468:–
4462:–
4417:–
4411:–
4405:–
4399:–
4393:–
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4326:–
4304:–
4295:–
4286:–
4280:–
4274:–
4268:–
4236:–
4230:–
4224:–
4218:–
4212:–
4206:–
4146:–
4140:–
4134:–
4128:–
4122:–
4116:–
4110:–
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4098:–
4092:–
4073:–
4067:–
4061:–
4055:–
4049:–
4043:–
4037:–
4031:–
4025:–
4019:–
4013:–
4007:–
4001:–
3995:–
3989:–
3983:–
3977:–
3971:–
3965:–
3959:–
3953:–
3947:–
3941:–
3935:–
3929:–
3923:–
3917:–
3911:–
3905:–
3897:–
3891:–
3857:–
3851:–
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3839:–
3833:–
3827:–
3795:–
3789:–
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3777:–
3771:–
3765:–
3759:–
3753:–
3747:–
3738:–
3732:–
3726:–
3704:–
3698:–
3666:–
3660:–
3654:–
3648:–
3642:–
3636:–
3630:–
3624:–
3618:–
3612:–
3606:–
3600:–
3594:–
3588:–
3582:–
3576:–
3570:–
3564:–
3558:–
3552:–
3546:–
3540:–
3534:–
3528:–
3522:–
3516:–
3510:–
3491:–
3485:–
3479:–
3473:–
3467:–
3461:–
3455:–
3449:–
3443:–
3437:–
3431:–
3425:–
3419:–
3413:–
3407:–
3401:–
3395:–
3389:–
3383:–
3377:–
3371:–
3365:–
3359:–
3353:–
3347:–
3341:–
3335:–
3329:–
3323:–
3317:–
3311:–
3305:–
3299:–
3293:–
3287:–
3281:–
2959:c.
2903:c.
2712:c.
2615:c.
2408:c.
2353:c.
2311:c.
2288:c.
2273:c.
2170:c.
2155:c.
2132:c.
2005:c.
1990:c.
1867:,
1863:,
1828:.
1798:,
1790:—
1731:,
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1691:,
1626:.
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1592:,
1586:y
1568:,
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1235:,
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