200:, he describes the way the other guests have not read Paraday's works; worse still, Lady Augusta confesses to having mislaid the text is expected to read out the next day - there is no extra copy. Paraday falls gravely ill; the guests, enhanced by the Princess, are merry since the party seems to be a success. Dora Forbes joins them - later to become Mrs Wimbrush's next 'henpecked' writer. The party is called off on doctors order; the Princess lets him pass away in one of her houses. Before his death, Paraday had asked the narrator to publish an unfinished text by him. Although the one lost by Lady Augusta has not been found again, the narrator and Miss Hurter, who eventually marry, shall keep Paraday's memory alive through their dedication to his texts.
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292:, written to for his autograph, portrait, etc., and yet with whose work, in this age of advertisement and newspaperism, this age of interviewing, not one of the persons concerned has the smallest acquaintance? It would have the merit, at least, of corresponding to an immense reality - a reality that strikes me every day of my life."
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The narrator suggests writing an article on Neil
Paraday an author; his new editor agrees. The former spends a week with Neil and writes the article whilst there, alongside reading Paraday's latest book. His editor rejects the article however; he decides to write an article for another newspaper, but
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entry. But the story's style eliminates any hint of self-pity, as Robert Gale pointed out: "James must have seen himself as lionizable; so the story has an autobiographical touch, although totally without self-pity and although James would never have submitted to social exploitation the way
Paraday
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James goes on to imagine plot details that correspond closely to the finished story - "They must kill him" - and to sketch some of the characters who would later become the narrator, Mrs. Wimbush, Guy
Walshingham and Dora Forbes. He emphasizes that the style of the story must be "admirably satiric,
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The narrator meets Miss Hurter, an
American admirer of the writer's, in his house. As the writer is again busy with Mrs Wimbush, he explains to the girl that the best thing she can do is not to bother Paraday and only admire him from afar, so as not to interfere with his writings. Nevertheless, he
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Mr Morrow, a journalist suddenly interested in writing about Neil
Paraday's life now that he is successful, comes round and ends up scaring the writer; the narrator manages to see him off. He tells Mr Morrow all there is to know about Paraday is in his work; the journalist is not amused. Later, he
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writers. He then discusses the tale's plot, noting how society often cares little for the subjects of its fawning attention, even to the point of literally killing them with overdone consideration. In a wryly humorous note James says of the lion, Neil
Paraday: "I yet had met him - though in a
288:. The subject was close to his personal experience, as he emphasized in the first lines of the notebook entry: "Could not something be done with the idea of the great (the distinguished, the celebrated) artist - man of letters he must, in the case, be - who is tremendously made up to,
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has enjoyed generally favorable criticism over the decades. Reviewers have admired the tale's sardonic, tartly comic view of literary "lionization" by unknowing and careless admirers, who may have only the slightest (if any) acquaintance with the lionized author's works.
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foolishly does...The story is saved from being sad not only by its pervasive ironic and comic tone, but also by its unique ending: two young people marry and pursue an impossible dream, symbolized by a sought-for but never-to-be-found literary treasure."
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it goes unnoticed. Neil
Paraday gets excited about writing another book, despite the fact that he doesn't seem successful still. However the narrator comes across a praiseful review in
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The narrator is annoyed with Mrs
Wimbush for inviting Paraday to a party at Prestidge. Subsequently, he quotes from a letter sent to Miss Hurter while he was at the party. In this
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keeps her autograph album to show it to him. Later, he meets with her to read passages from
Paraday; once while they are at the opera he points Paraday out to her.
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collection which includes the story, appreciated James' "achievement of rendering a tragic
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Henry James: French
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preserve not perhaps known in all its extent to geographers."
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Henry James: The Figure in the Carpet and Other Stories
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ironic" to avoid any hint of mawkishness or self-pity.
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in the mode of irony and even, at moments, of farce."
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374:The Complete Notebooks of Henry James
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274:Origins and author's discussion
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