268:. He filmed the fallout during the last hour of daylight from a roof, and the following morning he played "Disintegration Loop 1.1" as a soundtrack to the aftermath. Stills from the video were used as the covers for the set of four CDs, and several weeks later Basinski dedicated the work to the victims in a postscript in the liner notes. He said that "the events gave new meaning to the musical pieces created by catastrophic decay in my studio a few weeks before".
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gathered critical acclaim. It was initially released in four parts, and was reissued in 2012 on its tenth anniversary as a nine-LP box set. Two orchestral renditions have also been performed and were included in the reissue.
29:
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detached from the plastic backing. He allowed the loops to play for extended periods as they deteriorated further, with increasing gaps and cracks in the music. He further treated the sounds with a spatializing
403:, a 45-minute immersive journey of five fictional stories unfolding amidst the events of September 11th. The artwork, exhibited at Centre Phi in Montreal, was designed and directed by multidisciplinary artist
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Temporary
Residence to Release Vinyl Box Set for William Basinski's Disintegration Loops Series|Pitchfork
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183:. Basinski discovered the effect while attempting to transfer his earlier recordings to digital format.
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435:, was released in a limited edition of 2,000 copies, with a 5xCD version, 63-minute DVD, and 144-page
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named it the third-best ambient record of all time. It was named the 86th best album of the decade by
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in New York City as a live orchestration to mark the tenth anniversary of the terrorist attacks.
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box set, marking the project's 10-year anniversary and its impending induction into the
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to digital format, Basinski found that the tape had deteriorated; as it passed the
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recordings played for extended time, with noise and cracks increasing as the tape
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1078:"William Basinski's Disintegration Loops NYC performance to be webcast today"
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1135:"Archival Time, Absent Time: On William Basinski's The Disintegration Loops"
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the 30th-best album of 2004 and the 196th-best album of the 2000s. In 2016,
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Future Sounds: The Story of
Electronic Music from Stockhausen to Skrillex
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in New York City, and sat on the roof of his apartment building in
198:'s collapse. He dedicated the music to the victims of the attacks.
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On
September 11, 2011, Basinski's work was performed at the
233:. Decades later, while transferring the recordings from
890:"William Basinski – The Disintegration Loops – Review"
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In 2022, Basinski's work served as the soundscape of
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186:The completion of the recording coincided with the
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415:On September 4, 2012, New York-based record label
1104:Lashing Skies|A poetic audio immersion|Centre PHI
808:"William Basinski: The Disintegration Loops I–IV"
439:with photos and liner notes by Basinski, Antony,
253:Basinski finished the project the morning of the
175:, released in 2002 and 2003. The albums comprise
686:"'The disintegration loops' by William Basinski"
190:, which Basinski witnessed from his rooftop in
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1260:Experimental music albums by American artists
8:
864:"William Basinski: The Disintegration Loops"
836:"William Basinski: The Disintegration Loops"
429:National September 11 Memorial & Museum
167:is a series of four albums by the American
729:. London: Faber & Faber. p. 352.
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18:
1050:"Favorite 100 Albums of 2000-2009: 20–01"
225:systems, influenced by musicians such as
1139:Media–N: Journal of the New Media Caucus
990:"The 50 Best Ambient Albums of All Time"
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834:Richardson, Mark (November 19, 2012).
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862:Coleman, Rodger (December 10, 2012).
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213:In the 1980s, Basinski recorded from
7:
1255:Music about the September 11 attacks
443:, Ronen Givony and Michael Shulan.
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16:2002–03 box set by William Basinski
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958:"The Top 200 Albums of the 2000s"
703:The Sound of Decay|The New Yorker
60:1982, August – September 11, 2001
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806:Tangari, Joe (April 8, 2004).
688:. Nth Position. Archived from
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1:
661:Everywhere at the End of Time
645:List of ambient music artists
371:The Disintegration Loops I–IV
1076:Squeo (September 11, 2011).
1018:"Top 100 albums of the '00s"
988:staff (September 26, 2016).
956:staff (September 28, 2009).
541:The Disintegration Loops III
431:. The collection, which was
1230:NPR article about the album
1048:staff (February 12, 2010).
924:staff (December 31, 2004).
585:The Disintegration Loops IV
497:The Disintegration Loops II
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394:Metropolitan Museum of Art
255:September 11, 2001 attacks
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1199:Disintegration Loops III
666:The Disintegration Loops
453:The Disintegration Loops
202:The Disintegration Loops
164:The Disintegration Loops
141:The Disintegration Loops
22:The Disintegration Loops
1250:William Basinski albums
1210:Disintegration Loops IV
1188:Disintegration Loops II
926:"Top 50 Albums of 2004"
383:, and the 10th best by
723:Stubbs, David (2018).
1133:Benzon, Paul (2015).
1177:Disintegration Loops
664:, often compared to
421:Disintegration Loops
419:reissued the entire
277:Professional ratings
272:Reception and legacy
261:with friends as the
902:on January 17, 2008
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417:Temporary Residence
278:
1026:. January 25, 2010
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263:World Trade Center
196:World Trade Center
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1265:2002 compositions
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758:"Dusted Reviews"
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1083:Tiny Mix Tapes
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764:on 2013-05-21
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447:Track listing
446:
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408:
406:
402:
401:Lashing Skies
397:
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282:Review scores
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235:magnetic tape
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105:295:49 (I-IV)
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1145:(1): 82–84.
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1099:
1087:. Retrieved
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1071:
1059:. Retrieved
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1028:. Retrieved
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1000:. Retrieved
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968:. Retrieved
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936:. Retrieved
929:
921:
916:
904:. Retrieved
900:the original
893:
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871:. Retrieved
867:
857:
845:. Retrieved
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829:
817:. Retrieved
811:
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790:. Retrieved
786:
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766:. Retrieved
762:the original
752:
740:. Retrieved
725:
698:
690:the original
679:
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420:
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411:2012 reissue
400:
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188:9/11 attacks
185:
181:deteriorated
163:
162:
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148:
140:
139:
132:
37:Studio album
1280:2003 albums
1245:2002 albums
998:. p. 5
966:. p. 1
934:. p. 3
441:David Tibet
227:Steve Reich
215:found sound
169:avant-garde
101:72:28 (III)
1285:Hauntology
1239:Categories
1225:Amazon.com
1061:October 9,
970:October 1,
792:2022-04-14
783:"Mixcloud"
768:2015-02-25
672:References
433:remastered
423:as a nine-
133:Watermusic
123:chronology
103:74:26 (IV)
99:74:27 (II)
71:Tape music
1161:1942-017X
1030:March 19,
995:Pitchfork
986:Pitchfork
963:Pitchfork
954:Pitchfork
931:Pitchfork
922:Pitchfork
841:Pitchfork
813:Pitchfork
628:"dlp 1.3"
617:"dlp 1.2"
518:"dlp 2.2"
485:"dlp 2.1"
474:"dlp 1.1"
375:Pitchfork
366:Pitchfork
297:Pitchfork
266:collapsed
239:tape head
231:Brian Eno
217:sources,
209:Recording
177:tape loop
171:composer
149:The River
52:2002–2003
1220:AllMusic
906:June 11,
847:June 11,
819:June 11,
639:See also
259:Brooklyn
250:effect.
192:Brooklyn
57:Recorded
49:Released
39: by
1215:Discogs
1204:Discogs
1193:Discogs
1182:Discogs
873:July 1,
606:"dlp 6"
573:"dlp 5"
562:"dlp 4"
529:"dlp 3"
302:9.4/10
243:ferrite
152:(2002)
145:(2002)
136:(2000)
75:ambient
1159:
1149:
742:16 May
733:
598:Length
554:Length
510:Length
466:Length
369:named
309:(2012)
307:10/10
304:(2004)
290:Rating
287:Source
248:reverb
241:, the
85:Length
631:12:00
620:21:50
609:40:36
595:Title
576:52:21
565:20:07
551:Title
532:41:50
521:32:37
507:Title
488:10:55
477:63:33
463:Title
223:delay
111:Label
79:drone
66:Genre
1157:ISSN
1147:ISBN
1091:2011
1063:2010
1032:2010
1004:2016
972:2009
940:2010
908:2019
875:2019
849:2019
821:2019
744:2019
731:ISBN
229:and
221:and
115:2062
1213:at
1202:at
1191:at
1180:at
1046:TMT
591:No.
547:No.
503:No.
459:No.
389:.
97:(I)
1241::
1155:.
1143:11
1141:.
1137:.
1110:^
1080:.
1052:.
1020:.
992:.
960:.
928:.
892:.
866:.
838:.
810:.
785:.
709:^
625:3.
614:2.
603:1.
570:2.
559:1.
526:2.
515:1.
482:2.
471:1.
425:LP
407:.
358:A+
94:28
90:74
77:,
73:,
1163:.
1093:.
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1006:.
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910:.
877:.
851:.
823:.
795:.
771:.
746:.
92::
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