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and steal his incriminating artwork. Gabriel determines to ask
Gessler to exchange the confiscated art in return for its monetary value, but Peterson expresses scepticism that a wealthy man could be bribed with more money. The two journey to Gessler's luxurious and highly secure property, where Peterson turns on and imprisons Gabriel. After sustained beatings, Gessler takes him on a tour of his own private art collection—a vast museum housing hundreds of great paintings. The collection is ironic in that Gessler is blind; his satisfaction does not come from admiring the artwork but rather from possessing it. Gessler tells Gabriel to give up his quest, for Swiss law will never expose its own citizens. As the Council contemplates Gabriel's murder, Peterson helps Gabriel escape, citing his conscience and family's honour as motivations.
284:, he finds the man's murdered body. He flees the crime scene, but is arrested as he tries to leave the country. He is interrogated by Gerhardt Peterson, of Switzerland's internal security department, who accuse him of the murder of the deceased banker, Augustus Rolfe. But news of Gabriel's imprisonment has reached Israel, and Ari Shamron, Director of 'The Office', secures Gabriel's release. He reveals that Rolfe had expressed the desire to personally meet an agent from The Office to give them important information.
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even conjectures that Rolfe allowed Jews to deposit their money in his bank and then turned over their information to the
Gestapo. Jacobi relates that it was not uncommon for Nazi leaders to reward such informants with valuable property, including art. This seals Gabriel's resolve to research the provenance of Rolfe's art collection.
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Gabriel returns to
England to plumb art dealer Julian Isherwood's extensive knowledge of the pillage of Jewish-owned art during the Second World War. Isherwood has first-hand knowledge of this topic since his father was an art dealer in Paris whose art works were also stolen. He warns that Swiss law
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Gabriel's team kidnaps
Gerhardt Peterson, and Gabriel brutally questions him about the activities of the Council. It emerges that Peterson had coordinated both Gabriel and Anna's planned murders, but Keller decided that he was killing for the wrong team. Gessler spearheaded the plan to murder Rolfe
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Isherwood refers
Gabriel to the exiled Swiss Emil Jacobi, a historian, writer, and 'whistle blower' who contests the morality of Switzerland's acquisition and ownership of “looted” art. Jacobi confirms Isherwood's story and further accuses Rolfe of performing various services to the Nazi regime. He
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It is revealed that
Peterson takes orders from the 'Council of RĂĽtli', a secretive elite group of Swiss businessmen and bankers determined to protect the reputation of Switzerland and its (often stolen) riches. Otto Gessler, the highly secretive leader of the Council (whom Peterson has never seen),
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They return to Zurich, and manage to locate the bank that holds the security boxes. With the account number, they access two boxes. One contains a letter from Rolfe, anticipating his murder and explaining his guilt and his wish to return each painting to its rightful owner. The second box contains
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Keller is instructed to bomb MĂĽller's art store. Gabriel, who is visiting the store flees moments before the bomb detonates. He suffers substantial damage to his hands but escapes the crime scene unnoticed. MĂĽller's death confirms that the missing art collection is the key to understanding Rolfe's
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to meet Anna Rolfe, the estranged daughter of
Augustus. She is a world-renowned violinist who lives in seclusion as she recovers from a major accident. She confesses that, unbeknownst to Swiss police, her father's assassin also stole his private art collection. Although Anna staunchly defends the
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Keller returns to
Corsica to explain why he failed to assassinate Gabriel and Anna. He calls upon the Orsati family's long-standing tradition of honour killing and states that justice demands the life of Otto Gessler, not Gabriel or Anna. Orsati worries that Keller will not enjoy Gabriel's lucky
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instructs
Peterson to cut all links to the case—and to begin by killing Rolfe's art agent Werner Müller. Peterson contacts Don Orsati, a Corsican leader of organized crime, who assigns his best agent, the mysterious Englishman Christopher Keller, to fill Peterson's order.
338:. Along with the pictures are bank account numbers and German names. He manages to escape with the documents and escapes with Anna. The latter now learns the truth about her father's suspicious activities—as well as her mother's suicide years earlier.
311:, but in fact survived and became a freelance assassin, reaping a comfortable lifestyle. He lives in a Corsican village, becoming something of an adopted kinsman to the Orsati family and its self-proclaimed role as the arbitrators of justice.
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cited the lack of character development as an example of "how Silva's work has declined since his notable debut" and described the character of
Gabriel Allon as "a robot who, when shot or stabbed, is as likely to leak
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escape, but Keller insists that he is now a better agent than Gabriel. Indeed, Keller does breach Gessler's security, fatally stabs him, and departs unscathed. Peterson is also found dead as a result of an 'accident'.
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gave the novel a "C" rating. Geier noted that "Silva's plotting is as sophisticated as paint-by-numbers" and that his novel suffers from "sloppily written descriptions." Critic Michael Harris of the
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According to an interview with Silva, Gabriel Allon was initially to be "a 'one off' character." Beyond being "too melancholy and withdrawn" his nationality and religion were the biggest concern.
307:, and actually visited Israel, where he studied combat and intelligence techniques from members of the Office, including Allon. He was posted as 'missing believed killed' after a mission in
296:. Anna further adds that the Rolfe family's home and art collection were guarded by an elaborate security system designed by art dealer Werner MĂĽller. Gabriel determines to meet MĂĽller.
349:. Gabriel and a specialist team guard her in case of an assassination attempt. The Englishman manages to evade the guards, but then deliberately does not carry out his assignment.
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Anna admits that the provenance documents are in her father's desk. Gabriel returns to Zurich and discovers photographs of Rolfe with Nazi leaders
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sixteen additional paintings, which they return to London. It emerges that one painting belonged to Julian Isherwood's father.
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a "superbly crafted thriller." However, other reviews were less glowing. Thom Geier writing for
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