Knowledge (XXG)

The Evil Eye (1830 short fiction)

Source 📝

20: 110:
himself a Mainote and the grandfather of the abducted boy, and Dmitri's feelings of affection for Constans transform instantly to revulsion for Mainotes. He threatens to kill Constans, but before he is able to, Camaraz explains that Constans is not a Mainote, as his mother was a Sciote, kidnapped as a young girl. Dmitri realizes that Constans is the son of his lost daughter, Zella, and returns home with Cyril to be reunited with her and his newfound grandson.
73:
pirates while he is away from home. Dmitri searched for his daughter for three years before giving up hope, gaining a scar across his eyebrow and cheek in a battle with Mainotes. This scar and his grief and anger transformed his features and character such that he is rumoured to possess the power of
44:
for 1830. The tale is set in Greece and is about a man known as Dmitri of the Evil Eye. Dmitri's wife was murdered and his daughter abducted many years before the story begins. Dmitri's friend Katusthius Ziani enlists him to help recover his rightful inheritance, and during their journey they abduct
96:
Katusthius visits Cyril and his wife, Zella, and asks them to accompany him to Naples to see him off on a long journey. While they are away from home, Dmitri kidnaps their three-year-old son, Constans. Cyril is enraged when he finds out and goes in search of his son. He discovers that Dmitri is the
109:
villagers to ostensibly protect the boy and monastery from Dmitri. Dmitri and his band attack the monastery and retrieve Constans. As they escape through the mountains, they encounter Katusthius and his party, as well as Cyril and Camaraz, who have been tracking the kidnappers. Camaraz declares
97:
man responsible, and that Katusthius is involved as well. Cyril enlists his father-in-law, Camaraz, a Mainote leader, to help him find Constans, and leaves Zella at home mourning her son and fearing for her husband's life.
93:. When he returned, he discovered that his father, thinking him dead, had willed his fortune to another son, Cyril. Cyril shared the inheritance, but Katusthius is determined to regain it all, and asks Dmitri to help. 271:, that form was not named until the 1880s in Britain. It is more accurately classified as a Gothic tale, a story about an experience of the strange or supernatural, often narrated in the first or third person. 100:
Dmitri becomes attached to and protective of Constans during their travels, but Katusthius plots against the child. One night, while Dmitri is sleeping, Katusthius takes the boy, conceals him in a nearby
447: 401: 89:
after they boarded his merchant ship, and after leaving them had wandered through Europe before returning to his father's home in
452: 368: 144:. It has since appeared in one collection of Shelley's work and of supernatural stories, but is not widely read or studied. 213: 161: 223: 218: 442: 192: 165: 85:
Katusthius Ziani, visits Dmitri to ask for help recovering his father's fortune. Katusthius had joined a crew of
169: 228: 457: 238: 173: 264: 19: 397: 393: 364: 314: 289: 385: 157: 86: 260: 123: 180: 137: 436: 386: 141: 54: 243: 128: 40: 35: 268: 188: 330: 207: 202: 420: 237:(1827). Unlike other Gothic tales by Shelley, such as "Transformation" and " 267:'s "Sir Bertrand: A Fragment" (1773). Although it is now categorized as a 252: 233: 184: 75: 102: 90: 70: 62: 53:
The tale centres on a man known as Dmitri of the Evil Eye, an Arnaoot (
197: 106: 82: 66: 58: 363:. Baltimore; London: Johns Hopkins University Press. pp. xiii. 18: 81:
When the story begins, Dmitri's friend and sworn brother, the
424: 152:"The Evil Eye" is one of several tales Shelley published in 247:, "The Evil Eye" does not involve supernatural phenomena. 191:, and can be categorized as an Oriental tale alongside 65:, Greece. Many years before the story begins, Dmitri's 361:
Collected Tales and Stories, with Original Engravings
183:, including abduction, revenge, and the curse of the 392:. Edinburgh: Edinburgh University Press. pp.  359:Shelley, Mary (1976). Robinson, Charles E. (ed.). 132:". It was accompanied by an illustration entitled 69:wife was murdered and his daughter kidnapped by 45:a boy whom Dmitri discovers to be his grandson. 187:. The tale displays the aesthetics of Romantic 319:. London: Hurst, Chance, and Co. p. 164. 179:"The Evil Eye" employs many motifs common in 8: 313:Reynolds, Frederic Mansel, ed. (1829). 288:Reynolds, Frederic Mansel, ed. (1830). 280: 34:is a piece of short fiction written by 118:"The Evil Eye" was first published in 259:"The Evil Eye" is a variation on the 7: 354: 352: 350: 250:The tale may have been inspired by 256:, which Shelley reviewed in 1829. 14: 388:The Short Story: An Introduction 425:Mary Shelley's Gothic Tales in 1: 126:, credited to "The Author of 384:March-Russell, Paul (2009). 448:Short stories set in Greece 474: 214:Childe Harold's Pilgrimage 294:. Bogue. pp. 150–175 263:, a form exemplified by 241:," and her Gothic novel 105:monastery, and recruits 136:, which was painted by 28: 453:Works by Mary Shelley 331:"Title: The Evil Eye" 316:The Keepsake for 1830 148:Themes and influences 22: 122:for 1830, a British 61:leader who lives in 16:Work by Mary Shelley 239:The Mortal Immortal 174:The Mortal Immortal 114:Publication history 443:1830 short stories 291:The Keepsake: 1830 265:Anna Letitia Aiken 166:The Invisible Girl 156:. Others include " 29: 38:and published in 465: 408: 407: 391: 381: 375: 374: 356: 345: 344: 342: 341: 327: 321: 320: 310: 304: 303: 301: 299: 285: 193:William Beckford 158:Ferdinando Eboli 140:and engraved by 87:Barbary corsairs 473: 472: 468: 467: 466: 464: 463: 462: 433: 432: 417: 412: 411: 404: 383: 382: 378: 371: 358: 357: 348: 339: 337: 329: 328: 324: 312: 311: 307: 297: 295: 287: 286: 282: 277: 261:Gothic fragment 229:Prosper Mérimée 172:" (1833), and " 150: 124:literary annual 116: 51: 17: 12: 11: 5: 471: 469: 461: 460: 455: 450: 445: 435: 434: 431: 430: 416: 415:External links 413: 410: 409: 402: 376: 369: 346: 322: 305: 279: 278: 276: 273: 181:Gothic fiction 162:Transformation 149: 146: 138:Henry Corbould 115: 112: 50: 47: 32:"The Evil Eye" 23:"Zella", from 15: 13: 10: 9: 6: 4: 3: 2: 470: 459: 456: 454: 451: 449: 446: 444: 441: 440: 438: 429: 428: 422: 419: 418: 414: 405: 403:9780748627738 399: 395: 390: 389: 380: 377: 372: 366: 362: 355: 353: 351: 347: 336: 335:www.isfdb.org 332: 326: 323: 318: 317: 309: 306: 293: 292: 284: 281: 274: 272: 270: 266: 262: 257: 255: 254: 248: 246: 245: 240: 236: 235: 230: 226: 225: 220: 217:(1812–1818), 216: 215: 210: 209: 204: 200: 199: 194: 190: 186: 182: 177: 175: 171: 167: 163: 159: 155: 147: 145: 143: 142:Charles Heath 139: 135: 131: 130: 125: 121: 113: 111: 108: 104: 98: 94: 92: 88: 84: 79: 77: 72: 68: 64: 60: 56: 48: 46: 43: 42: 37: 33: 26: 21: 427:The Keepsake 426: 421:The Evil Eye 387: 379: 360: 338:. Retrieved 334: 325: 315: 308: 296:. Retrieved 290: 283: 258: 251: 249: 244:Frankenstein 242: 232: 227:(1819), and 222: 212: 206: 196: 178: 154:The Keepsake 153: 151: 133: 129:Frankenstein 127: 120:The Keepsake 119: 117: 99: 95: 80: 52: 41:The Keepsake 39: 36:Mary Shelley 31: 30: 25:The Keepsake 24: 458:Orientalism 269:short story 219:Thomas Hope 189:Orientalism 168:" (1832), " 164:" (1831), " 160:" (1829), " 437:Categories 370:0801817064 340:2017-11-22 298:23 January 275:References 224:Anastasius 208:The Giaour 203:Lord Byron 176:" (1834). 205:'s poems 195:'s novel 170:The Dream 27:for 1830. 253:La Guzla 234:La Guzla 201:(1786), 185:Evil Eye 76:Evil Eye 55:Albanian 103:Caloyer 91:Corinth 71:Mainote 63:Yannina 49:Summary 400:  367:  198:Vathek 107:Sagori 83:Moreot 67:Sciote 59:Klepht 134:Zella 398:ISBN 365:ISBN 300:2018 211:and 74:the 423:in 231:'s 221:'s 439:: 396:. 349:^ 333:. 78:. 57:) 406:. 394:1 373:. 343:. 302:.

Index


Mary Shelley
The Keepsake
Albanian
Klepht
Yannina
Sciote
Mainote
Evil Eye
Moreot
Barbary corsairs
Corinth
Caloyer
Sagori
literary annual
Frankenstein
Henry Corbould
Charles Heath
Ferdinando Eboli
Transformation
The Invisible Girl
The Dream
The Mortal Immortal
Gothic fiction
Evil Eye
Orientalism
William Beckford
Vathek
Lord Byron
The Giaour

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.