Knowledge (XXG)

Ferdinando Eboli

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peasant children and returns to headquarters, ashamed to have failed in his task. When he arrives, he is arrested as a spy, and when he is brought before the king he confronts a man who looks exactly like him and is wearing his stolen clothes. This impostor claims to be the real Ferdinand, and has been welcomed back as a hero for completing the dangerous mission. The king banishes Ferdinand, who returns to the Marchese's home. The Marchese recognizes him in spite of his altered appearance, but the imposter soon arrives and confounds the Marchese. He asks Adalinda to identify her betrothed, and she identifies the man with the cut on his hand.
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and was raised by his jilted mother to one day take revenge upon his brother by stealing his identity. He tells Adalinda that she cannot escape, since he has replaced all of her attendants with his own people. She does manage to escape, however, by disguising herself as a page, but is forced to take shelter in what appears to be a banditto's cave after becoming lost in the woods. Two men appear: Ferdinand and his friend from prison, who have been leading a band of banditti following their escape from prison. One of their men capture the impostor in the wood as he looks for Adalinda.
17: 63:, but before he leaves he pays a farewell visit to his fiancée Adalinda, and her father, the Marchese Spina. After he leaves, Adalinda is musing over her love for him when she hears a noise beneath her window, and is surprised to see Ferdinand there. He climbs up into her room and asks for a lock of her hair, but he cuts his hand while snipping it. She binds his hand with one of her ribbons, and he departs. 82:, who helps them bring the impostor before the King, who restores the real Ferdinand to his rights and fortune. He and Adalinda marry, and forgive the impostor, Ludovico. He joins the army and fights with his brother in Moscow, where Ludovico dies of exposure. Ferdinand would have suffered the same fate, but is captured by the enemy and eventually liberated after 70:
Ferdinand, with nowhere else to go, returns to his estate, where he is once again met by the impostor. He is arrested and imprisoned. The impostor visits him in jail tells him that he has already married Adalinda, which is a lie. He offers to have him freed if he signs a statement acknowledging the
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While Ferdinand is in jail, the Marchese dies, and Adalinda's marriage to Eboli is therefore delayed. As the weeks pass, Adalinda begins to suspect that the man she identified is not the real Ferdinand. She confronts him, and he reveals the truth, that he is Ferdinand's illegitimate older brother,
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Ferdinand is stationed in northern Italy and is sent on an important mission by Gioacchino. While performing this mission, Ferdinand is ambushed and taken to a remote shack, where he is given peasant's clothes in exchange for his own and is tied up and left by his attackers. He is freed by two
209:, but that term was not common in Britain until the 1880s. It is more accurately categorized as a Gothic tale: one that describes a strange or supernatural experience, often by a first- or third-person narrator. 178: 123:
for 1829 is notable for its list of contributors, which includes many of the most popular writers and artists of the day, many of whom are canonical Romantic artists.
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imposter as the true Eboli, but Ferdinand refuses. He is sent away to fulfill his sentence but escapes with a fellow prisoner.
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and tells the story of an Italian man named Count Ferdinando Eboli whose identity is stolen by his illegitimate older brother.
356: 250: 351: 142: 198: 146: 361: 150: 183: 109: 154: 79: 297: 246: 157:" (1834). The central motif in this tale is the characteristic Gothic motif of the double, or 16: 101: 48: 158: 169: 345: 320: 113: 60: 116:. It was reprinted in several anthologies since, but is not widely read or studied. 163: 133: 96: 59:
Count Ferdinando Eboli is about to leave his home in Naples to fight for his king,
43: 38: 131:"Ferdinando Eboli" is one of several Gothic tales that Mary Shelley published in 332: 267: 206: 193: 173: 83: 28:. The heroine, dressed as a page, escapes her captors in a bandits' cave. 266:
Hoagwood, Terence; Ledbetter, Kathryn; Jacobsen, Martin, eds. (1998).
245:. Baltimore; London: Johns Hopkins University Press. p. 378. 15: 161:, which Shelley also employs in "Transformation" and her novel 324: 104:. It was accompanied by an engraved illustration entitled 179:
The Private Memoirs and Confessions of a Justified Sinner
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Collected Tales and Stories, with Original Engravings
296:. Edinburgh: Edinburgh University Press. p. 1. 241:Shelley, Mary (1976). Robinson, Charles E. (ed.). 230:. London: Hurst, Chance, and Co. p. 215. 8: 268:"L.E.L's "Verses" and The Keepsake for 1829" 205:"Ferdinando Eboli" is often classified as a 94:"Ferdinando Eboli" was first published in 47:for 1829. It is set in Italy during the 226:Reynolds, Frederic Mansel, ed. (1828). 218: 189:Strange Case of Dr. Jekyll and Mr. Hyde 78:Ferdinand and Adalinda seek help from 168:Other examples of nineteenth-century 7: 14: 325:Mary Shelley's Gothic Tales for 294:The Short Story: An Introduction 172:that employ this motif include 1: 292:March-Russell, Paul (2009). 37:is a Gothic tale written by 20:"Adalinda", engraving from 378: 199:The Picture of Dorian Gray 61:King Murat (Gioacchino) 24:for 1829, illustrating 333:L.E.L.'s "Verses" and 184:Robert Louis Stevenson 29: 357:Works by Mary Shelley 228:The Keepsake for 1829 127:Themes and influences 19: 352:Gothic short stories 147:"The Invisible Girl" 110:Alfred Edward Chalon 100:for 1829, a British 155:The Mortal Immortal 90:Publication History 137:. Others include " 86:'s exile to Elba. 30: 41:and published in 369: 362:Italy in fiction 321:Ferdinando Eboli 308: 307: 289: 283: 282: 280: 278: 272:Romantic Circles 263: 257: 256: 238: 232: 231: 223: 143:"Transformation" 112:and engraved by 34:Ferdinando Eboli 26:Ferdinando Eboli 377: 376: 372: 371: 370: 368: 367: 366: 342: 341: 317: 312: 311: 304: 291: 290: 286: 276: 274: 265: 264: 260: 253: 240: 239: 235: 225: 224: 220: 215: 129: 102:literary annual 92: 57: 49:Napoleonic Wars 12: 11: 5: 375: 373: 365: 364: 359: 354: 344: 343: 340: 339: 330: 316: 315:External links 313: 310: 309: 302: 284: 258: 251: 233: 217: 216: 214: 211: 170:Gothic fiction 128: 125: 91: 88: 80:Queen Caroline 56: 53: 13: 10: 9: 6: 4: 3: 2: 374: 363: 360: 358: 355: 353: 350: 349: 347: 338: 336: 331: 329: 328: 322: 319: 318: 314: 305: 303:9780748627738 299: 295: 288: 285: 273: 269: 262: 259: 254: 248: 244: 237: 234: 229: 222: 219: 212: 210: 208: 203: 201: 200: 195: 191: 190: 185: 181: 180: 175: 171: 167: 165: 160: 156: 153:(1833), and " 152: 148: 144: 140: 136: 135: 126: 124: 122: 117: 115: 114:Charles Heath 111: 108:, painted by 107: 103: 99: 98: 89: 87: 85: 81: 76: 72: 68: 64: 62: 54: 52: 50: 46: 45: 40: 36: 35: 27: 23: 18: 335:The Keepsake 334: 327:The Keepsake 326: 293: 287: 275:. Retrieved 271: 261: 242: 236: 227: 221: 204: 197: 192:(1886), and 187: 177: 164:Frankenstein 162: 159:doppelgänger 139:The Evil Eye 134:The Keepsake 132: 130: 120: 118: 105: 97:The Keepsake 95: 93: 77: 73: 69: 65: 58: 44:The Keepsake 42: 39:Mary Shelley 33: 32: 31: 25: 22:The Keepsake 21: 207:short story 194:Oscar Wilde 151:"The Dream" 346:Categories 252:0801817064 213:References 174:James Hogg 141:" (1830), 337:for 1829 202:(1890). 182:(1824), 149:(1832), 145:(1831), 121:Keepsake 106:Adalinda 84:Napoleon 55:Summary 300:  249:  277:4 Dec 298:ISBN 279:2017 247:ISBN 119:The 323:in 196:'s 186:'s 176:'s 348:: 270:. 306:. 281:. 255:. 166:.

Index


Mary Shelley
The Keepsake
Napoleonic Wars
King Murat (Gioacchino)
Queen Caroline
Napoleon
The Keepsake
literary annual
Alfred Edward Chalon
Charles Heath
The Keepsake
The Evil Eye
"Transformation"
"The Invisible Girl"
"The Dream"
The Mortal Immortal
doppelgänger
Frankenstein
Gothic fiction
James Hogg
The Private Memoirs and Confessions of a Justified Sinner
Robert Louis Stevenson
Strange Case of Dr. Jekyll and Mr. Hyde
Oscar Wilde
The Picture of Dorian Gray
short story
ISBN
0801817064
"L.E.L's "Verses" and The Keepsake for 1829"

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