Knowledge (XXG)

Fortean Times

Source πŸ“

978:" photographs. The magazine itself dropped the description 'non-profitmaking' from its publication information, and ceased to name its stated affiliations to INFO, SITU, and "other Fortean journals" in favour of the more general aim to be a "friend to all groups and magazines continuing the work of Charles Fort". It also contained a considerably higher number of advertisements, including both inside covers β€” making the page count slightly higher than previous issues, which had previously counted the cover as page 1 β€” and an early advertisement by 792:#15) featured a notification of donations received, naming and thanking the hardcore readership (which included many current and future contributors) for monies received, which aided the move towards higher production values. With donations helping to offset costs, the price was held at 50p until issue #20, whereupon the magazine dropped to a quarterly schedule from Spring 1977 (issue #21) β€” but raised the page count (and price) to continue producing the same amount of material for the same yearly fee (40 pg, 75p ea. or Β£3/year). 716:)" as Rickard was of Charles Fort, the two got on well, with Emerson producing not only a series of headings, but also later strips and covers for issues to the present. The death of INFO co-founder Ron Willis was announced in #9, which described itself as providing "bimonthly notes on Fortean phenomena", and an index to the first year's issues (#1–7) became available. Colin Bord penned "Amazing Menagerie" for issue #10, while 142: 36: 1558:, has also been printed and is an ongoing venture. In the late 1990s Polygram Spoken Word released an audio version of several Fortean stories, written and produced by Steve Deakin-Davies and featured Brian Cant and Joanna Bowen amongst its actors, this project was licensed from John Brown Publishing.( (c) 1997 Polygram Record operations ltd, Speaking Volumes no: 5361444) 821:(who is mentioned as particularly overseeing the publication of scholarly occasional papers), before Moore moved from full editorial to largely correspondent duties for a dozen issues after #42, returning as a contributing editor in Autumn 1990 (#55). The four β€” Rickard, Sieveking, Dash, and Moore β€” are often collectively referred to as "the Gang of Fort", after the 1404:, but this is not a mandatory requirement, and some articles focus on a specific theory or point of view. Although such articles are presented as the opinion of the author and not the editors (who claim to have no opinions), this has occasionally led to controversy. In January 1997, the magazine ran an article by David Percy under the headline "FAKE! Did 1553:
were collected in book format in the early 1990s. In recent years, the print volumes have been overtaken by digital files, available on CD. In addition, several smaller collections have been compiled on various themes and sold, or given away as 'free gifts' with the magazine. A more academic journal,
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until #29. Colour, professional printing, and wider distribution followed, and a 6.5- x 4.5-in size held sway for several years before the magazine settled into its "normal" A4 (magazine) size in the 1980s, after which glossy covers followed. Several changes of logo and font have occurred throughout
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Issue #30 announced that while "over the last couple of issues subscriber list... nearly doubled," so too had the "printing, production, and postage bill," necessitating a price rise to 95p/$ 2.50 β€” albeit softened by another length increase, to 68 pages. Now published not merely by Rickard, but by
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became officially 52 pages in length, the changes cemented in issue #25 with a new font for the title and a change of address β€” c/o London-based "SF and cosmic" bookshop Dark They Were and Golden-Eyed, run by Derek Stokes (who had sold Rickard the four Fort books 10 years previously). The same issue
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Issue #18 received a new semiregular feature entitled "Forteana Corrigenda", aimed at correcting "errors in the literature" that had crept into various Fortean works through misquotation or other difficulties. After 18 more-or-less solo-produced issues, long-term supporter and helper Steve Moore was
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in "Portrait of a Fault Area", serialised in #11–12. Issue #11 featured Rickard and Emerson's first "Fortean Funnies" cartoon, while #12 had a price rise to 50p/$ 1.25, a logo change (from Selfridges' herald-on-horseback to the more descriptive Fort's face-encircled) and a tweaking of its tagline to
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The identification of correct original sources by contributors is a defining feature of the magazine, as it was for Charles Fort himself. However, the "objective reality" of these reports is not as important. The magazine "maintains a position of benevolent scepticism towards both the orthodox and
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Sieveking took over full editorial duties from Rickard with #43, helming the subsequent four quarterly issues (to #46) to give Rickard a chance to "revitalize", which he did, returning with #46 to the position of co-editor. Moore, Dash, and Ian Simmons (and others) variously edited the magazine for
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produced a number of facsimile editions collecting the earliest issues of the magazine, in their entirety, including advertisements. These collections, prepared and edited for print by Paul Sieveking (including hand corrections to early typographic errors) are now out-of-print. Although demand was
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began to release a series of digital archives. Beginning with more recent issues (presumably for reasons of ease β€” more recent issues would be more readily available as digital files), they have also begun to re-release the earliest issues β€” apparently the digital archive CD format has taken over
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decided that the previous volumes had not sold well enough to continue completely up to date. (Concern over the likely cost of reprinting issues in the new full colour format led to a publishing decision to stockpile 500 unbound run-on copies of each number to provide the basis of future reprint
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photos?". The article outraged many readers and led to the magazine's most vigorous postbag up to that time. In August 2000, the magazine's cover headline was "UFO? The shocking truth about the first flying saucers". The article in question, by James Easton, proposed a mundane explanation for
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credited as assistant editor for issues #19–21, becoming co-contributing editor (with Phil Ledger, Stan Nichols, and Paul J. Willis) on issues #22–26 and associate editor from issue #27. He was joined by contributing editor David Fideler, and subsequently (also as co-associate editor) by
691:'s "The Evolution of the Fortean Sourcebooks" for #7, and issue #8 was the first issue of volume 2, after Rickard decided to end volume 1 with #7 (not #6 as fully bimonthly titles do), since that issue was dated November '74, thereby attempting to keep each volume aligned with a year. 916:
In 1978, mutual friend Ion Will introduced Rickard to Paul Sieveking, who recalls, "the Forteans used to meet every Tuesday afternoon above the science-fiction bookshop Dark They Were And Golden-Eyed in Soho to open post and interact. (Indeed, this was the semiofficial address of
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Rickard later discovered that the production was fraught behind-the-scenes, as Ronald Willis had been seriously ill, Paul thus finding it difficult to "keep up with things" on his own. Ultimately, the Willises were instrumental in inspiring Rickard to create his
608:. Emerson was introduced to Rickard in late 1974, when after seven issues, he "wanted to improve the graphics", which Emerson certainly did, providing around 30 headings for use in issues #8 onwards. (Emerson's still-on-going monthly "Phenomenomix" strip in 762:
newspaper, "full of weird and wonderful news and read by millions worldwide". Its cover bore the descriptive text "Strange phenomena β€” curiosities β€” prodigies β€” portents β€” mysteries," while the inside cover kept the "Fort face" logo from later issues of
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that that issue "was printed by an Israeli entrepreneur in northern Greece and shipped to London." That issue (#28), bearing a cover blurb of "Strange Phenomena", featured an early advertisement for the bookshop Dark They Were And Golden-Eyed, drawn by
733:, which would be more actively trailed from #18. Issue #15 β€” now with 28 pages β€” announced that Rickard had decided to bow to popular opinion and retitle his miscellany with a more descriptive title. Thus, with a subtitle of "Portents & Prodigies", 524:. From the second issue, pictures and photographs from various newspapers were interpolated within the text. The price was raised slightly for #6 β€” which also had its page count upped to 24 pages β€” due in large part to rising postal and paper costs. 859:#8–13) and included a 12-page "Review Supplement", issued as a separately bound supplement since the then-printers had difficulty binding more than 40 pages. With #24, the printers were changed to Windhorse Press to overcome this difficulty, and 780:#1–15 before them β€” were solely edited, published, and in large part written and typed by Rickard himself. Even by passing on rising postal and paper costs to the readership, which Rickard constantly reiterates that he is loath to do, the early 953:
of Strange Phenomena," (as it was now subtitled) greater ability to produce longer, better laid-out articles. These opened with a seven-page guide to "Charles Fort and Fortean Times" by Bob Rickard, explaining the background and philosophy of
151: 1044:. Sieveking continues to write the archaeology column, compile the "Extra, Extra" section, and edit the letters pages, also acting as the main quality-control proof-reader (as well as producing an occasional feature). Sieveking's wife 604:; graphic designer Richard Adams and Dick Gwynn, who both helped with the evolving layout and typesetting of later issues; Chris Squire, who helped organise the first subscription database; Canadian "Mr. X"; Mike Dash; and cartoonist 2432:
Early advertisements promised a monthly, 12-issue subscription for the same price, but monetary and time constraints caused Rickard to move to a bimonthly schedule, and use any 'extra' monies to merely produce a greater number of
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and the Centre for Fortean Zoology. The event often ends with a panel discussion, as was the case in 2002, when the subject was "Is Ufology Dead?". This was widely reported in the British media as an "official" statement by
555:), both urged on the first few uncertain issues" and Moore frequently joined Rickard to "stuff envelopes and hand-write a few hundred addresses" to disseminate the early issues. Rickard also highlights amongst the key early 2822: 771:
poster" created by Hunt Emerson for this landmark issue. From the start, this new format compounded earlier financial difficulties for Rickard, following on from #14's plea: "we need more subscribers or we die!".
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shared an address for several issues) would be helping to type parts of subsequent issues to further delegate the burden from Rickard. Moore, Sieveking, and he were also later joined editorially by author
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The magazine which was to continue Fort's work documenting the unexplained was founded by Robert J. M. "Bob" Rickard in 1973 as his self-published, bimonthly, mail-order "hobbyish newsletter" miscellany
892:. Issue #26 trailed "a special series of 'Occasional Papers' in Fortean subjects" to be edited by Steve Moore, and #27 β€” the 5th Anniversary issue β€” welcomed Michigan-native David Fideler (whose 1508: 2846: 694:
Issue #8 (or, volume 2, issue #1) got the special "Christmas present" of headings by Hunt Emerson, after Rickard was introduced to Emerson by Carol and Nick Moore, as Hunt was working on
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In December 2018, its print circulation was just over 14,800 copies per month. This now appears to include digital sales. The magazine's tagline is "The World of Strange Phenomena".
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issue would not only see the availability of Index 1976, but also be in a "larger and more professional format, typeset throughout, better graphics, layout, and legibility."
958:, as well as outlining the influence of Fort, "who is still largely unknown", writes Rickard, and also included the first of Nigel Watson's "Enigma Variations" columns and 2065:
by Yuan Zhenxin and Huang Wanpo with Fan Jingquan and Zhou Xinyan, edited and introduced by Steve Moore. Fortean Times Occasional Paper no.1, 1981. No ISBN or ISSN assigned
2866: 539:. The early issues featured some articles by different individuals, but were "largely the work of Bob Rickard, who typed them himself with some help from Steve Moore." 872:
back in 1973, having "earned his rest" after 40 years as an active Fortean. Rickard further states that Russell was one of the key Fortean-fiction writers he read in
440:), Rickard began to correspond with the brothers, particularly Paul. Rickard was instrumental in encouraging the Willises to publish their own Fortean journal – the 500:
had fairly regular bimonthly publication for 15 issues between November 1973 and April 1976. Debuting at 35p (Β£1.80/$ 4.50 for a year of six issues) for 20 pages,
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periodical. Ron Willis succumbed to a brain tumour in March 1975. Bearing a date of November 1973, the first issue of Rickard's self-produced and self-published
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Indeed, #29, under a cover by Hunt Emerson, was printed fully typeset in A4 (thanks to art director Richard Adams of AdCo, and,according to Rickard's preface to
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Other early contributors included writer and researcher Nigel Watson (chairman of the Scunthorpe UFO Research Society), who wrote "Mysterious Moon" for
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Copyright and Introduction date information imply that this was the first book to see publication, possibly followed by "Diary of a Mad Planet", and
2563: 2287: 1224:, a wide-ranging overview of odd and interesting stories mostly culled from the world's newspapers. Some feature in particular sections, including: 1527:, the magazine's more academic sister publication published yearly volumes in the late 1990s. The seventh and last issue was published in 2001. 1435:
Most Fortean researchers contribute articles, criticism, or letters to the magazine. It has also attracted more widespread coverage and praise.
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semiregular column "Strange Deaths" (later descriptively subtitled "Unusual ways of shuffling off this mortal coil"), while issue #22 updated
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in 2002, they both continued to contribute. Sieveking semiretired at the end of 2019, handing most of the "Strange Days" news editor role to
756:, which "new title emerged from correspondence between Bob Rickard and Paul Willis" β€” the two having talked of creating a Fortean version of 1949:, it "compiled serious research and opinion on a range of paranormal and conspiracy-related issues", and was a more academic counterpart to 1408: 563:
in 1974 and became a "constant of valuable clippings, books, postcards, and entertaining letters"; Janet and Colin Bord, later authors of
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Its website tracks Fortean news stories and holds a small archive of articles and photographs. For many years, it also supported a busy
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The Comedian Who Choked to Death on a Pieβ€”and the Man Who Quit Smoking at 116: A Collection of Incredible Lives and Unbelievable Deaths
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was then titled), for example," writes Rickard, "encouraged many authors to expand Fort's data and comments into imaginative stories."
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Fortean Times Ltd, it was typeset by Warpsmith Graphics and printed by Bija Press. The cover was painted by Una Woodruff (whose
1363:, photographs submitted by readers of (typically) naturally occurring objects which appear to be in the shape of something else 884: 376: 2714: 679:". From #5, Mark A. Hall produced a section entitled "Fortean USA", continuing on from his earlier, discontinued, newsletter 444:
began intermittent publication in spring, 1967 – and sent them many British newspaper clippings, although few came to print.
57: 53: 535:. The two found they had much in common, including a love of Chinese mysticism, and Moore helped inspire Rickard to publish 100: 2856: 2242: 411:
in 1968, Rickard obtained Ace paperback copies of all four of Fort's books from a stall run by Derek Stokes (later to run
72: 2324: 767:, but bore the revised legend "A Contemporary Record of Strange Phenomena". Included within was an offer for a "4-colour 983: 683:; issue #5 also had William Porter's article on Llandrillo printed, after being delayed from #4 for space constraints. 1417: 432:(INFO), an American group "founded in 1966... by Paul and Ronald Willis," who had acquired material from the original 868:, of whom Rickard was a considerable fan. He writes that Russell turned down an invitation to contribute material to 79: 1466: 1188: 971: 878: 370: 1541:
The magazine has also occasionally published both academic and lighthearted books on various aspects of Forteana.
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have featured in at least three publications used for teaching English as a foreign language." Lynn Barber of
1465:), most years since 1994 (the "missing" years being 2001, 2005, and 2009), at various venues in London (the 925:
team with #28 as co-associate editor, and writes, highlighting the intrinsic early difficulties in printing
1474: 1470: 1421: 68: 2560: 1041: 2263: 1624: 1599: 1094: 1037: 1021: 995: 652: 601: 336:(2005 to 2021), and Exponent (2021), as of December 2021 it is published by Diamond Publishing, part of 329: 166: 2814: 847:
The Society for the Investigation of the Unexplained, alongside INFO. Issue #23 featured an article by
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was published "with an arrangement with INFO", this was revised from #4 to it being "affiliated to the
1507:. Besides the formal lecture programme, UnCon normally features exhibits by organizations such as the 651:
for issue #4, which also had the debut of the "Reviews" section, beginning with comments on a book by
2606: 2469: 2189: 2142: 2104: 1841: 1580:, collecting #93–97 β€” but the in-between issues #78–92 have not yet been collected in trade format.) 1063:) were produced in black and white (for ease of photocopying), and the whole was largely produced by 729:
notes on Fortean phenomena." Issue #14 first mentioned Rickard and Michell's then-in-production book
593: 528: 1585:(The early collections, like the earliest magazines, were published in smaller, 6.5 x 4.5in format) 1045: 848: 645: 577: 1283:
is by Nigel Watson who provides a "regular survey of the latest fads and flaps from the world of
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selected and annotated by Bob Skinner. Fortean Times Occasional Paper no.2, 1986. ISSN 0260-5856
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Clippings for most of Strange Days' stories are requested from, and supplied by, the readers of
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of 1859", while Hunt Emerson produced the first cartoon strip under the title "Phenomenomix".
975: 842: 531:, a kindred spirit whom Rickard met at a comics convention when the latter was a subeditor at 521: 492: 333: 298: 1945:, began in the mid-1990s and was edited by Steve Moore. In the words of frequent contributor 921:
until that shop closed. With #35, Summer '81, the address was changed.) Sieveking joined the
1424:. This suggestion so outraged ufologists that many of them still use the term "pelican" or " 1049: 873: 822: 648: 585: 365: 281: 472:β€” "A Miscellany of Fortean Curiosities". The title is said to be "a contraction taken from 93: 2826: 2567: 1494: 1029: 967: 852: 699: 581:
was particularly cited by Rickard as bringing him/them to his attention); Phil Ledger, a "
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has changed both format and publishers on a few occasions. Early issues (particularly of
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legislation in 2018, this forum was moved to the website of the Charles Fort Institute.
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the next 18+ years, and although main editorship passed from Rickard and Sieveking to
512:. The first issue featured a cover (which would become briefly the unofficial logo of 2840: 1490: 1478: 1288: 1262: 1151: 1143: 1112: 979: 959: 809: 717: 424: 2307: 2232: 2222: 2084: 1193: 1078: 963: 931: 801: 704: 605: 509: 396: 361: 325: 962:'s "Devil Names and Fortean Places" article sat alongside comments by Colin Bord, 141: 1277:, a long-running round-up of the odd manners in which some people meet their ends 636:-related murders and stories of sexual assault by aliens. Phil Grant wrote about 17: 2602: 2465: 1425: 1384: 1258: 1233: 1147: 1107: 768: 664: 176: 35: 1351:
of Fortean, science fiction/fantasy and related books, films and computer games
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was constantly facing an uphill financial battle.) Early editorials of the new
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was book-review editor for several years, eventually passing this role on to
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by Michael Goss. Fortean Times Occasional Paper no.3, 1987. ISSN 0260-5856
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such to warrant reprints of several volumes, after collecting up to #77
1429: 1312: 1176: 1168: 1086: 1017: 505: 317: 998:'s article on "Spontaneous Images and Acheropites," drawing on his 1979 2158:"Fortean Times" Book of Exploding Pigs and Other Strange Animal Stories 1284: 1128: 1124: 482: 404: 2342: 2229:
Aliens Ate My Trousers: Crazy Comics from the Pages of "Fortean Times"
291: 1240: 1156: 1013: 888:, and the author of "the first Fortean book I ever read": Russell's 407:", some years before he created his own. Attending a science-fiction 2831: 2397:(Fortean Tomes, 2nd edition, 1995 ed.). John Brown Publishing. 2219:"Fortean Times" Presents UFO: 1947–1997 – 50 Years of Flying Saucers 628:#2. Watson later wrote a regular column of UFO commentary entitled 436:(started in 1931, but in limbo since the 1959 death of its founder 364:
through the secondhand method of reading science-fiction stories: "
1333:, in which Barry Baldwin reviews Fortean events from ancient times 949:. The move away from production on Rickard's typewriter gave "The 582: 2069:
Toad in the Hole: Source Material on the Entombed Toad Phenomenon
1481:). Many "hot topics" of the day have been discussed, such as the 1377:, β€œa guide to various sites of interest to the traveling Fortean” 1206:, as well as unusual aspects of mainstream science and research. 504:
was produced on Rickard's typewriter, with headings created with
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editions, and this project resulted in one further collection β€”
1535: 1405: 1316: 1138: 2809: 1081:". The range of subject matter is extremely broad, including: 2769:
Rickard, Bob; Sieveking, Paul (July 2002), "Saucers Smeared",
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Rickard, Bob (Summer 1979). "Charles Fort and Fortean Times".
2325:"Cyclist, Viz, and Fortean Times acquired by Metropolis Group" 2081:
The World's Most Incredible Stories: The Best of Fortean Times
945:, Dick Gwynn) and even distributed on a limited basis through 800:(#28β€” ) and Valerie Thomas (#31–32). Issue #20 announced that 633: 29: 2739:
Rickard, Bob; Sieveking, Paul (June–July 1993). "Editorial".
1501:, years before these were turned into mass-media subjects by 1339:, which typically revisits and reassesses older Fortean cases 1291:' "round-up of sightings and hot-spots from around the world" 896:
was then due to cease publication, although its subscribers,
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for #3, and Mary Caine, who revised an earlier article (from
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can be traced back to Bob Rickard's discovering the works of
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by Ian Simmons, illustrated by Geoff Coupland (October 1996)
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The Halifax Slasher: An Urban Terror in the North of England
1345:, featuring three or four shorter articles on diverse topics 332:(from 1991 to 2001), I Feel Good Publishing (2001 to 2005), 2308:"Consumer Magazines Combined Total Circulation Certificate" 1509:
Association for the Scientific Study of Anomalous Phenomena
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After reading an advertisement in the underground magazine
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magazine as helping him to " the art of putting together a
2107:, illustrated by Etienne (John Brown Publishing Ltd 1994) 612:
had its prototype in #11's three-page "Fortean Funnies").
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advocates and supporters: Ion Alexis Will, who discovered
480:", (although Rickard may be conflating/confusing Butler's 1534:
for the discussion of Fortean topics. With the advent of
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speculated on the occult aspects of a serial killer in "
27:
British monthly magazine devoted to anomalous phenomena
2616:(Fortean Tomes 1990 ed.). John Brown Publishing. 1497:
conspiracies and hidden symbolism in the paintings of
1763:(The later collections were of a larger β€” A4 β€” size) 1369:", readers’ stories of strange personal occurrences 297: 287: 277: 267: 256: 231: 223: 213: 205: 197: 189: 172: 162: 60:. Unsourced material may be challenged and removed. 2847:Monthly magazines published in the United Kingdom 2390:Rickard, Bob; Sieveking, Paul, eds. (June 1992). 2027:Rickard, Bob (producer) & Moore, Steve (ed.) 2013:Rickard, Bob (producer) & Moore, Steve (ed.) 1999:Rickard, Bob (producer) & Moore, Steve (ed.) 1985:Rickard, Bob (producer) & Moore, Steve (ed.) 1971:Rickard, Bob (producer) & Moore, Steve (ed.) 1957:Rickard, Bob (producer) & Moore, Steve (ed.) 1461:The magazine has organised an "UnConvention" (or 1214:The magazine's current regular contents include: 698:. Described by Rickard as "as much a disciple of 2479:(2nd ed. 1995 ed.). John Brown Publishing. 720:and Andrew York compiled an exhaustive study of 508:, during (as Rickard says in #2) the late-1970s 2583:Rickard, Bob (Spring 1978). "Obituaries cont". 2145:, illustrated by Geoff Coupland (October 1996) 1028:"; Robert J. Schadewald wrote about "The Great 687:contributed "Some Fortean Ramblings" alongside 415:, and take a role in the day-to-day running of 2343:"Product Page - ABC 01 Jan 2018 - 31 Dec 2018" 2180:"Fortean Times" Book of Unconventional Wisdom 1323:, etc. (in a similar manner to, for example, 1237:(usually by Paul Sieveking and Paul Devereux) 383:In the mid-1960s, while Rickard was studying 356:The roots of the magazine that was to become 8: 1271:, obituaries of Fortean-relevant individuals 752:, issue #16 (1976) had the magazine renamed 395:fans, particularly crediting fellow student 132: 2456: 2454: 2443:Rickard, Bob (November 1973). "Editorial". 2170:"Fortean Times" Book of More Strange Deaths 855:," made available a second index (1975, to 632:(from #29), and articles on the subject of 2545:Rickard, Bob (January 1976). "Editorial". 2385: 1844:(John Brown Publishing Ltd, October 1997) 1008:. Bob Rickard produced an article on one " 131: 2867:1973 establishments in the United Kingdom 2699:Rickard, Bob (Autumn 1984). "Editorial". 2684:Rickard, Bob (Summer 1979). "Editorial". 2637:Rickard, Bob (Winter 1979). "Editorial". 2383: 2381: 2379: 2377: 2375: 2373: 2371: 2369: 2367: 2365: 2239:Weird Year 1996: The Best of Strange Days 2192:(John Brown Publishing Ltd October 1999) 2164:"Fortean Times" Book of Bizarre Behaviour 1055:During the 40+ years of its publication, 120:Learn how and when to remove this message 2515:Rickard, Bob (April 1976). "Editorial". 2418:Rickard, Bob (April 1975). "Editorial". 2288:List of magazines of anomalous phenomena 2041:Simmons, Ian & Quin, Melanie (eds.) 934:, while the editorial promised that the 900:promised, would be absorbed by them) as 551:Moore and Paul Screeton (then editor of 2530:Rickard, Bob (June 1976). "Editorial". 2500:Rickard, Bob (July 1974). "Editorial". 2299: 808:magazine, then under the editorship of 2213:"Fortean Times" Book of the Millennium 2203:"Fortean Times" Book of Medical Mayhem 2101:"Fortean Times" Book of Strange Deaths 2133:"Fortean Times" Book of Life's Losers 442:INFO Journal: Science and the Unknown 7: 2186:"Fortean Times" Book of Close Shaves 788:, therefore (in fact beginning with 520:advertisement originally created by 58:adding citations to reliable sources 2331:(Press release). December 20, 2021. 2139:"Fortean Times" Book of Inept Crime 994:was reviewed within) to illustrate 702:... and my favourite artists from 575:, while Colin's Fortean article in 2754:Barber, Lynn (25 April 1993). "". 2045:(John Brown Publishing Ltd, 2001) 2031:(John Brown Publishing Ltd, 1999) 2017:(John Brown Publishing Ltd, 1998) 2003:(John Brown Publishing Ltd, 1998) 1989:(John Brown Publishing Ltd, 1996) 1975:(John Brown Publishing Ltd, 1995) 1961:(John Brown Publishing Ltd, 1994) 1827:(John Brown Publishing Ltd, 1998) 1810:(John Brown Publishing Ltd, 1998) 1793:(John Brown Publishing Ltd, 1997) 1776:(John Brown Publishing Ltd, 1996) 1750:(John Brown Publishing Ltd, 1996) 1733:(John Brown Publishing Ltd, 1995) 1716:(John Brown Publishing Ltd, 1994) 1699:(John Brown Publishing Ltd, 1994) 1682:(John Brown Publishing Ltd, 1994) 1665:(John Brown Publishing Ltd, 1993) 1648:(John Brown Publishing Ltd, 1990) 1566:Starting in the very early 1990s, 1489:at the 1998 event, which also saw 677:International Fortean Organization 430:International Fortean Organization 25: 2651:The cover was later used for the 2348:Audit Bureau of Circulations (UK) 2215:by Kevin McClure (September 1996) 2127:"Fortean Times" Book of Weird Sex 1487:death of Diana, Princess of Wales 1453:as "a model of elegant English." 1002:book dealing with β€” and titled β€” 456:was available directly from him. 2255:and Joe McNally (November 1998) 1485:film at the 1996 UnCon, and the 149: 140: 34: 2245:and Joe McNally (November 1995) 2150:The World's Stupidest Criminals 1549:Many of the earliest issues of 1449:newspaper described writing in 1354:A letters page, incorporating: 1337:Fortean Bureau of Investigation 1287:"; "UFO Files/UFO Casebook" is 1281:UFO Files/Saucers of the Damned 596:, Fortean theatre director and 413:Dark They Were, and Golden-Eyed 45:needs additional citations for 2209:and Ian Simmons (October 1999) 1545:Collections and spin-off books 1218:Three or four feature articles 527:Helping behind the scenes was 1: 2872:Magazines published in London 2862:Magazines established in 1973 2268:planned for 2001; unpublished 2166:by Ian Simmons (October 1998) 2160:by Ian Simmons (October 1997) 1428:" as a pejorative term for a 907: 391:, he met several like-minded 2787:"Yesterday's News Tomorrow". 2614:: Fortean Times Issues 26–30 2477:: Fortean Times Issues 16–25 1493:and Clive Prince discussing 1483:Ray Santilli "alien autopsy" 1400:are written in the style of 592:' "first enthusiastic fan"; 2566:September 28, 2008, at the 2395:: Fortean Times Issues 1–15 1592:Yesterday's News Tomorrow: 1439:#69 claims, "extracts from 1202:also frequently covers the 1189:Unidentified flying objects 904:'s "man in the New World". 831:Issue #21 had the debut of 2888: 1642:Seeing Out the Seventies: 1467:University of London Union 879:Astounding Science Fiction 671:. 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David Sutton
Bob Rickard
Paul Sieveking
Metropolis International
United Kingdom
English
forteantimes.com
ISSN
0308-5899
magazine
anomalous phenomena
Charles Fort
John Brown Publishing
Dennis Publishing
Metropolis International
Charles Fort

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