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The Good People

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The community is split by those who believe in the old superstitions, and those more skeptical, even though they too have had their own share of experiences which they cannot explain, or attribute to malevolent magic and curses. Eventually, Nance, Nóra and Mary perform a ritual on Micheál, dunking him in a place where two rivers meet in the Flesk, where on the third day of the ritual he drowns. They are arrested, the police called by the new priest, and tried. Mary is not charged and is a witness against the two elderly women who claim in court that the child was a fairy changeling and that they were only trying to get back Micheál. The two women are acquitted. When they return to the valley, Nance finds that her cabin has been burned to the ground by angry locals, and Nóra discovers that her lease on her house has been taken away from her and she must move in with her nephew's family. While Nóra is expecting Micheál to be waiting for her, he never shows up and she is left wondering whether the boy was truly her grandson, or whether Micheál and her daughter are still away under the fairy ráth dancing and feasting with the fairies.
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gave me chills. It reminds us how persistent the human spirit is in its yearning for answers, and the tragic consequences that may come when superstitious faith — even in good people — transmutes into blind action. It’s a haunting novel, shrewdly conceived and beautifully written." In the Australian
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Epigraph: "When all is said and done, how do we not know but that our own unreason may be better than another's truth? for it has been warmed on our hearths and in our souls, and is ready for the wild bees of truth to hive in it, and make their sweet honey. Come into the world again, wild bees, wild
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who is an expert in herbs, and who it is said is in communion with the fairies. Meanwhile Father Healy, the new priest in the area, is strongly against the old superstitions, claiming that as long as the Irish cling to the stories of fairies and monsters, they will never be free from British rule.
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she said it is an "unsentimental portrayal" of rural Ireland and its harsh daily life. She called the way Kent associates the villagers' superstitious beliefs with the valley they inhabit "an act of almost miraculous imagining". Allan added that it is Kent's "power ... writing" that brings Nance,
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follows the story of Nóra Leahy, a woman stricken by grief after the death of her daughter and husband, and having to look after her disabled grandson Micheál. The boy cannot walk or talk, and screams all during the night. The local women begin to suspect that he is a
36: 177:. A witness against Anne Roche was Mary Clifford, a servant for the boy's grandmother. The woman's defence was that she had been trying to banish the fairy out of the boy, implying that she believed him to be a 173:, the story of the last woman executed in Iceland, Kent came across a story in a newspaper about a woman named Anne Roche who was tried for the death of a young boy called Michael Leahy by drowning him in the 392: 365: 268:
gothic without the psychological speed, a novel in black and grey, but for those who enjoy slow-burning melodrama and their history re-enacted in hi-res minutiae, this will please."
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Nóra and Mary to life "in a way that feels true for the time, and yet that also has weight and resonance for a modern audience."
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Helen Elliott concluded: "Kent, a natural writer with a talent for metaphor, has military command of her research.
337: 152: 272: 211: 469: 181:. Kent's attention was drawn to this story as Roche was acquitted by the jury, and after writing 144: 69: 210:
known commonly as the Good People – euhemerised versions of the deities of ancient Ireland, the
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as "a novel of genuine power and considerable ambition". Writing in
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This article is about the Hannah Kent novel. For other uses, see
379: 393:"The Good People : Hannah Kent" by Dianne Stubbings, 151:. The novel takes inspiration from the case of the 1826 360: 358: 408:"The Good People by Hannah Kent" by Helen Elliott, 124: 116: 106: 96: 86: 75: 65: 55: 45: 8: 28: 34: 27: 232:bees!" – W.B. Yeats, The Celtic Twilight. 422: 420: 418: 313: 7: 16:2016 Australian novel by Hannah Kent 366:"The persistent search for answers" 167:While researching her first novel, 14: 228:Dedication: For my sister, Briony 321:National Library of Australia – 503:Novels set in the 19th century 1: 247:, Dianne Stubbings noted: " 534: 518:Macmillan Publishers books 18: 436:by Alison Littlewood and 33: 241:Reviewing the novel for 493:Irish historical novels 206:, a child taken by the 488:2016 Australian novels 153:death of Michael Leahy 498:Novels set in Ireland 147:by Australian author 508:Novels about fairies 368:. 30 September 2016. 513:Fiction set in 1825 474:at FantasticFiction 273:speculative fiction 30: 430:(21 August 2017). 237:Critical reception 70:Historical fiction 434:The Hidden People 301:The Hidden People 265:Wuthering Heights 136: 135: 97:Publication place 92:27 September 2016 525: 457: 456: 454: 452: 445:Strange Horizons 424: 413: 405: 399: 397:, 1 October 2016 390: 384: 383: 376: 370: 369: 362: 353: 352: 350: 348: 333: 327: 318: 286:Strange Horizons 212:Tuatha Dé Danann 193:Set in 1825, in 145:historical novel 88:Publication date 38: 31: 29:The Good People 533: 532: 528: 527: 526: 524: 523: 522: 478: 477: 471:The Good People 466: 461: 460: 450: 448: 440:by Hannah Kent" 438:The Good People 426: 425: 416: 406: 402: 391: 387: 378: 377: 373: 364: 363: 356: 346: 344: 335: 334: 330: 323:The Good people 319: 315: 310: 296: 281:The Good People 260:The Good People 249:The Good People 239: 225: 199:The Good People 191: 165: 140:The Good People 107:Media type 89: 41: 24: 17: 12: 11: 5: 531: 529: 521: 520: 515: 510: 505: 500: 495: 490: 480: 479: 476: 475: 465: 464:External links 462: 459: 458: 414: 400: 395:The Australian 385: 371: 354: 336:Kent, Hannah. 328: 325:by Hannah Kent 312: 311: 309: 306: 305: 304: 295: 292: 244:The Australian 238: 235: 234: 233: 229: 224: 221: 190: 187: 164: 161: 134: 133: 128: 122: 121: 118: 114: 113: 108: 104: 103: 98: 94: 93: 90: 87: 84: 83: 77: 73: 72: 67: 63: 62: 57: 53: 52: 47: 43: 42: 39: 15: 13: 10: 9: 6: 4: 3: 2: 530: 519: 516: 514: 511: 509: 506: 504: 501: 499: 496: 494: 491: 489: 486: 485: 483: 473: 472: 468: 467: 463: 447: 446: 441: 439: 435: 429: 423: 421: 419: 415: 412: 411: 404: 401: 398: 396: 389: 386: 381: 375: 372: 367: 361: 359: 355: 343: 339: 332: 329: 326: 324: 317: 314: 307: 303: 302: 298: 297: 293: 291: 288: 287: 282: 278: 274: 269: 267: 266: 261: 257: 256: 250: 246: 245: 236: 230: 227: 226: 222: 220: 217: 216:cunning woman 213: 209: 205: 200: 196: 188: 186: 184: 180: 176: 172: 171: 162: 160: 158: 154: 150: 146: 142: 141: 132: 131:9781743534908 129: 127: 123: 119: 115: 112: 109: 105: 102: 99: 95: 91: 85: 81: 80:Pan Macmillan 78: 74: 71: 68: 64: 61: 58: 54: 51: 48: 44: 40:First edition 37: 32: 26: 22: 470: 451:29 September 449:. Retrieved 443: 437: 433: 409: 403: 394: 388: 374: 345:. Retrieved 341: 331: 322: 316: 299: 284: 280: 270: 263: 259: 253: 248: 242: 240: 198: 195:County Kerry 192: 183:Burial Rites 182: 170:Burial Rites 168: 166: 139: 138: 137: 25: 428:Allan, Nina 410:The Monthly 197:, Ireland, 159:, Ireland. 149:Hannah Kent 82:, Australia 50:Hannah Kent 21:Good People 482:Categories 347:10 January 342:lithub.com 308:References 279:described 277:Nina Allan 204:changeling 179:changeling 163:Background 143:is a 2016 262:might be 111:Paperback 101:Australia 76:Publisher 294:See also 271:British 56:Language 275:writer 255:Monthly 208:fairies 60:English 380:"News" 120:386 pp 46:Author 223:Notes 189:Story 175:Flesk 157:Kerry 117:Pages 66:Genre 453:2021 349:2021 126:ISBN 155:in 484:: 442:. 417:^ 357:^ 340:. 455:. 432:" 382:. 351:. 23:.

Index

Good People

Hannah Kent
English
Historical fiction
Pan Macmillan
Australia
Paperback
ISBN
9781743534908
historical novel
Hannah Kent
death of Michael Leahy
Kerry
Burial Rites
Flesk
changeling
County Kerry
changeling
fairies
Tuatha Dé Danann
cunning woman
The Australian
Monthly
Wuthering Heights
speculative fiction
Nina Allan
Strange Horizons
The Hidden People
National Library of Australia – The Good people by Hannah Kent

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