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s critic wrote: "When reading you are delighted by the natural easiness which always has characterised
Tranströmer's poetry, in the following haikus by the formal restraint and discipline which makes up the other side of his authorship - not a word too much!" The critic continued: "Tranströmer's new
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which paralysed the right side of his body and damaged his ability to speak. He therefore had to cancel a large-scale poetry project he was working on, about the history of Europe, to instead write more concise poems. Several times he considered to quit writing altogether, but kept coming up with new
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Vid lÀsningen av dem njuter man av den sjÀlvklara ledighet som alltid har kÀnnetecknat
Tranströmers poesi, i de följande haikudikterna av den formella behÀrskning och disciplin som utgör den andra sidan av hans författarskap - inte ett ord för mycket!" "Tranströmers nya dikter genomsyras av en
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poems are permeated by a completely natural piety. No high tones, no preachment! Only a calm confidence before mortality and a through and through unsentimentally formulated gratitude for being able to exist, to participate."
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format, which he according to himself had been both reading and writing for his whole life. His earliest published haiku were written in 1959, when he worked at a youth prison, and in 1996 he published the collection
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were not written with a strict adherence to classic conventions, but do follow the rule of three lines with five, seven and five syllables. The main inspirations for the poems were travelling, death and dreams.
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alldeles sjÀlvklar fromhet. Inga brösttoner, ingen predikan! Bara en lugn förtröstan inför förgÀngelsen och en alltigenom osentimentalt formulerad tacksamhet över att fÄ finnas till, att fÄ vara med.
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270:. In 2007, Frie, whose painting is on the book's cover, collaborated with Tranströmer and exhibited 13 original landscape paintings inspired by the book.
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224:. The cover is a painting by the artist Peter Frie which was selected by Tranströmer. In April the book was released on CD, read by actor
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which contained eleven more. The next eight years he continued to write the same way, with his left hand and at a slow pace. The haiku in
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in eleven suites. It is one of the two collections
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Five free-form poems are followed by 45 which follow the form of the
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with his left hand. The collection was translated to
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151:. It consists of five poems in free format, followed by 45
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The book was published in Sweden on 19 March 2004 by
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246:The Great Enigma: New Collected Poems
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377:"Tranströmer löser gÄtor med haiku"
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291:References
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531:17 Poems
274:See also
67:Language
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183:Genesis
163:Content
141:Swedish
70:Swedish
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108:2006
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