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The Higher Pantheism

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Perhaps this earth, and all that is on it,-storms, mountains, cataracts, the sun and the skies,-are the Almighty; in fact, such is our petty nature, we cannot see Him, but we see His shadow, as it were, a distorted shadow; possibly at this moment there may be beings, invisible to us, who see the
62:, "The Higher Pantheism" "does not say that the All (Pan) is God, but that the All is a shadow of God whom we are at present too imperfect to apprehend." This is most evident in the closing lines of the poem: 189:
Alfred Tennyson left the faith in which he was raised and near the end of his life said that his 'religious beliefs also defied convention, '. leaning towards agnosticism and pandeism.'
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Almighty more clearly than we do. For instance, we have five senses; if we had been born with only one our ideas of nature would have been very different from what they are.
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as subsisting throughout the material world. The poem drew both praise and criticism, as well as examination of its inspirations in the words of Tennyson's contemporaries.
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titled "The Higher Pantheism in a Nutshell", copying the meter but with verses making absurd truisms. Swinburne's version concluded:
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was not so appreciative of the poem; he called it a "gabble and babble of half-hatched thoughts in half-baked words," and wrote a
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Notably, towards the end of his life, Tennyson revealed that his "religious beliefs also defied convention, leaning towards
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D. T. Starnes, "The Influence of Carlyle Upon Tennyson, The Texas Review, Volumes VI, No. 4 (July 1921), p. 323.
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wrote that while "some of the older theologians" suspected Tennyson of literal
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And the ear of man cannot hear, and the eye of man cannot see;
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The poem has been compared to passages from the philosophy of
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Victorian Worthies: Vanity Fair's Leaders of Church and State
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Fiddle, we know, is diddle: and diddle, we take it, is dee.
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But if we could see and hear, this Vision—were it not He?
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The poem was presented at the inaugural meeting of the
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God, whom we see not, is: and God, who is not, we see:
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Veritas Press. p. 49. 175:Omnibus IV: The Ancient World 54:British Nonconformist divine 458:Now Sleeps the Crimson Petal 84:during a visit to the Alps: 561:Flower in the Crannied Wall 756: 94:Algernon Charles Swinburne 361: 633:Chapel House, Twickenham 201:Malcolm Johnson (2014). 82:Frederick Locker-Lampson 696:Charles Tennyson Turner 444:Lady Clara Vere de Vere 650:Blackdown, West Sussex 283:Poems, Chiefly Lyrical 108: 91: 70: 402:A Dream of Fair Women 340:The Miller's Daughter 22:Alfred, Lord Tennyson 20:" is an 1867 poem by 582:Ring Out, Wild Bells 568:The Higher Pantheism 354:The Ballad of Oriana 333:Mariana in the South 154:Robert Forman Horton 56:Robert Forman Horton 33:Metaphysical Society 18:The Higher Pantheism 740:Philosophical poems 494:St. Simeon Stylites 381:Break, Break, Break 305:The Lady of Shalott 702:Frederick Tennyson 437:In Memoriam A.H.H. 430:Idylls of the King 291:The Deserted House 717: 716: 638:Farringford House 508:Tears, Idle Tears 473:The Palace of Art 171:Gene Edward Veith 747: 684:Charles Tennyson 540:Crossing the Bar 367: 312:The Lotos-Eaters 261: 254: 247: 238: 231: 230: 223: 217: 216: 198: 192: 191: 167: 161: 151: 142: 139: 133: 121: 755: 754: 750: 749: 748: 746: 745: 744: 720: 719: 718: 713: 690:Emilia Tennyson 678:Lionel Tennyson 672:Hallam Tennyson 654: 621: 594: 527: 368: 359: 270: 265: 235: 234: 225: 224: 220: 213: 200: 199: 195: 185: 169: 168: 164: 160:, 1900, p. 197. 152: 145: 140: 136: 132:(1947), p. 101. 122: 118: 113: 105: 67: 45: 12: 11: 5: 753: 751: 743: 742: 737: 732: 722: 721: 715: 714: 712: 711: 705: 699: 693: 687: 681: 675: 669: 666:Emily Tennyson 662: 660: 656: 655: 653: 652: 647: 646: 645: 635: 629: 627: 623: 622: 620: 619: 611: 602: 600: 596: 595: 593: 592: 585: 578: 571: 564: 557: 550: 543: 535: 533: 529: 528: 526: 525: 518: 515:The Two Voices 511: 504: 497: 490: 483: 476: 469: 461: 454: 447: 440: 433: 426: 419: 412: 405: 398: 391: 384: 376: 374: 370: 369: 362: 360: 358: 357: 350: 343: 336: 329: 322: 315: 308: 301: 294: 287: 278: 276: 272: 271: 266: 264: 263: 256: 249: 241: 233: 232: 218: 212:978-0232531572 211: 193: 184:978-1932168860 183: 162: 143: 134: 115: 114: 112: 109: 49:Thomas Carlyle 44: 41: 13: 10: 9: 6: 4: 3: 2: 752: 741: 738: 736: 733: 731: 728: 727: 725: 709: 708:Arthur Hallam 706: 703: 700: 697: 694: 691: 688: 685: 682: 679: 676: 673: 670: 667: 664: 663: 661: 657: 651: 648: 644: 643:Tennyson Down 641: 640: 639: 636: 634: 631: 630: 628: 624: 618: 616: 612: 610: 608: 607:The Foresters 604: 603: 601: 597: 590: 586: 583: 579: 577: 576: 572: 569: 565: 562: 558: 556: 555: 551: 548: 544: 541: 537: 536: 534: 530: 523: 519: 516: 512: 509: 505: 502: 501:Sweet and Low 498: 495: 491: 488: 484: 482: 481: 477: 474: 470: 467: 466: 462: 459: 455: 452: 451:Locksley Hall 448: 445: 441: 438: 434: 432: 431: 427: 425: 424: 420: 417: 413: 410: 406: 403: 399: 396: 395:The Day-Dream 392: 389: 385: 382: 378: 377: 375: 371: 366: 355: 351: 348: 344: 342: 341: 337: 334: 330: 327: 323: 320: 316: 313: 309: 306: 302: 299: 295: 292: 288: 285: 284: 280: 279: 277: 273: 269: 262: 257: 255: 250: 248: 243: 242: 239: 228: 222: 219: 214: 208: 204: 197: 194: 190: 186: 180: 176: 172: 166: 163: 159: 155: 150: 148: 144: 138: 135: 131: 130: 125: 120: 117: 110: 107: 101: 99: 95: 90: 85: 83: 79: 75: 69: 63: 61: 57: 52: 50: 42: 40: 38: 37:James Knowles 34: 29: 27: 23: 19: 617:(song cycle) 614: 606: 573: 567: 552: 480:The Princess 478: 463: 428: 421: 339: 281: 275:Early poetry 221: 202: 196: 188: 174: 165: 157: 137: 127: 119: 103: 92: 87: 71: 65: 53: 46: 43:Examinations 30: 17: 15: 599:Other works 554:Enoch Arden 532:Late poetry 487:Sir Galahad 124:C. D. Broad 74:agnosticism 730:1867 poems 724:Categories 686:(grandson) 680:(grandson) 615:The Window 423:Lady Clare 298:The Kraken 111:References 704:(brother) 698:(brother) 547:The Eagle 416:St. Agnes 60:pantheism 710:(friend) 692:(sister) 589:Tithonus 347:Claribel 78:pandeism 626:Related 522:Ulysses 319:Mariana 668:(wife) 659:People 609:(play) 468:(1842) 409:Godiva 373:Poetry 326:Oenone 286:(1830) 209:  181:  98:parody 674:(son) 465:Poems 575:Maud 207:ISBN 179:ISBN 76:and 26:God 726:: 187:. 156:, 146:^ 126:, 39:. 591:" 587:" 584:" 580:" 570:" 566:" 563:" 559:" 549:" 545:" 542:" 538:" 524:" 520:" 517:" 513:" 510:" 506:" 503:" 499:" 496:" 492:" 489:" 485:" 475:" 471:" 460:" 456:" 453:" 449:" 446:" 442:" 439:" 435:" 418:" 414:" 411:" 407:" 404:" 400:" 397:" 393:" 390:" 386:" 383:" 379:" 356:" 352:" 349:" 345:" 335:" 331:" 328:" 324:" 321:" 317:" 314:" 310:" 307:" 303:" 300:" 296:" 293:" 289:" 260:e 253:t 246:v 229:. 215:. 16:"

Index

Alfred, Lord Tennyson
God
Metaphysical Society
James Knowles
Thomas Carlyle
Robert Forman Horton
pantheism
agnosticism
pandeism
Frederick Locker-Lampson
Algernon Charles Swinburne
parody
C. D. Broad
Review of Brown's The metaphysical society


Robert Forman Horton
Gene Edward Veith
ISBN
978-1932168860
ISBN
978-0232531572
"Representative Poetry Online"
v
t
e
Alfred Tennyson, 1st Baron Tennyson
Poems, Chiefly Lyrical
The Deserted House
The Kraken

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