Knowledge (XXG)

The Incredible Melting Man

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of the film. Adams claims that this explains several comedic lines of dialogue otherwise inconsistent with the rest of the film, including one moment when homeless men notice the melting West and say to each other, "You think we've got trouble, look at that dude". In Sachs' original version, the film opened with the wide-angle shot of the nurse running through the hallway; this would not have been in slow motion, unlike the final film, where the producers played it back slowed down. Only later would viewers have gradually learned the background of the melting man. All the scenes showing the astronauts in space and the lead character in the hospital were re-shot during post-production without influence by the director, and Sachs criticized both the acting in those scenes and how they restructure the film. There are logical problems in the final film due to the re-shot scenes; it is never fully explained how West's spacecraft returned to Earth from Saturn when West himself was so seriously injured and the other two members of his crew were both killed.
579: 642:, who specialized primarily in B movies and low-budget horror films. A trailer released for the film attempted to build tension by not revealing the monster right away. Instead, it showed portions of the scene immediately before the nurse is murdered, in which she runs down a hallway screaming and then crashes through a glass window trying to escape from West, who is only shown towards the end of the trailer. In some advertisements, the monster from the film was described as "the first NEW horror creature". As a promotional gimmick, candles were made and sold to advertise the film. 606:, said actor Rebar was impatient and uncooperative with the extensive makeup sessions required for the effects, and thus did not wear all of the facial appliances Baker designed. This, Meyers said, might have been an additional factor in the lack of makeup effect stages in the final film. The version of the film shot by Sachs had not included any scenes with West before he sustained the radiation poisoning that caused his body to melt. Such scenes were, however, re-shot later by the producers without Sachs' participation. 335:, West awakens and is horrified to find the flesh on his face and hands melting away. Hysterical, he attacks and kills a nurse (Bonnie Inch), then escapes the hospital in a panic. Dr. Loring and Dr. Theodore "Ted" Nelson, a scientist and friend of West, discover that the nurse's corpse is emitting feeble radiation, and realize West's body has become radioactive. Nelson believes West has gone insane, and concludes he must consume human flesh in order to slow the melting. Nelson calls General Michael Perry, a 351:
pull Nelson to safety. Two armed security guards then arrive and, in a panic, fatally shoot Nelson in the face as he tries to protect West. An infuriated West kills the security guards and stumbles away. After collapsing against the side of a building, he slowly, and completely, melts away. The next morning, a janitor finds his gory remains and casually mops them into a garbage can. Enthusiastic radio reports announce the next manned mission to Saturn.
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comedic scenes were edited out and new horror scenes were shot and added to the film. Sachs said he felt the film was taken away from him, and that it suffered as a result because the producers tried to make it both a comedy and horror film, thus failing at both. Sachs said of the decision, "How can a serious horror movie end with the monster being shoveled into a garbage can?"
947: 522:(1957), and the final scene when a radio report advertises another trip to Saturn, thus hinting that another accident could occur, was a common device in 1950s horror films. One difference, noted by Everman, is that in the 1950s films, government cover-ups and secret agendas were often ascribed to the good of the general public, whereas 343:
nothing because Perry had earlier informed him that any information about West was classified. Later that night, Nelson returns home to his pregnant wife Judy, who tells him that her elderly mother Helen and Helen's boyfriend Harold are coming over for dinner. On their way, however, Helen and Harold are killed by West.
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although Judy is not harmed. Nelson and Blake arrive just as West escapes. West then stumbles upon the home of a married couple. West kills the man and attacks his wife, but she drives him away after chopping his arm off with a cleaver. Blake receives a call about the attack and takes Nelson with him to investigate.
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wrote that the film "more often than not succeeds in telling a story and sustaining audience interest," and that the script included not only horrors, but also a human story with a moral message about society. However, the review also called the dialogue "trite," described some scenes as "technically
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worked on the special effects along with Baker, and Willy Curtis worked as the film's cinematographer. Some scenes included photography errors, including one in which light shines through a kitchen window from outside even though it is supposed to be nighttime. Michel Levesque provided art direction,
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Baker created four distinct stages of makeup design so that West would appear to melt gradually as time passed. However, after the film went through two separate stages of editing, these makeup stages were ultimately eliminated from the final cut, and the character looks generally the same throughout
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During post-production, as the producers decided to change the film into a more serious horror film, they filmed numerous scenes for that purpose without the participation of the director. Among those scenes is the entire prologue of the astronauts in space and West waking up in a hospitalβ€”these are
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as a parody of horror films. According to Michael Adams, a film reviewer who interviewed Sachs, this was the reason that the film mixed horror with comedic moments, such as when Steve West's detached ear gets stuck on a tree, and when a janitor sweeps West's melted body into a garbage can at the end
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writer Robert Martin praised Baker's makeup effects and said director Sachs did an efficient job building tension. However, Martin strongly criticized the script and the acting, claiming "logic and character are jettisoned in favor of suspense and horror," and said the film's positive elements were
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was so angry about the poster that, upon seeing it on an associate's wall, he tore it down and ripped it to pieces. Baker, who did not know about the poster in advance, was horrified by the publicity campaign and publicly apologized for it, claiming: "Dick wanted some help so I first went out to do
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When Blake finds the bodies, he calls Nelson, who comes out to identify them. After Blake angrily demands an explanation, Nelson reluctantly reveals West's condition. Nelson believes West is somehow getting stronger the more his body decomposes. Back at Nelson's house, West attacks and kills Perry,
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which included the gradual melting of Steve West. Rebar wore facial appliances that simulated melting flesh, and his hands and feet were fitted with liquid substances that dropped off as he walked, creating the appearance that West's body was falling apart. During one scene, a murdered fisherman's
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Samuel W. Gelfman was the film's producer, and American International Pictures served as both the production company and the distributor. According to Sachs, Gelfman and Rosenberg decided during shooting that a straight horror film would be more financially successful than a parody, so many of the
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Alex Rebar, in one of only a handful of film appearances throughout his acting career, starred as Steve West. Burr DeBenning played Dr. Ted Nelson, and General Michael Perry was portrayed by Myron Healey, who was, Everman notes, often cast as a villain in 1950s science fiction films. Film director
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They track West to a giant power plant. Blake tries to shoot West with a shotgun, but West throws the sheriff into power lines, killing him. West knocks Nelson over a railing, leaving the doctor hanging on the side. Nelson appeals to West, reminding him that they were friends, and West decides to
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West attacks and kills a fisherman in a wood, then encounters there and frightens a little girl, Carol, but she escapes unharmed. Nelson and Perry arrive at the crime scene where the fisherman's body was found. Sheriff Neil Blake suspects that Nelson knows something, but Nelson tells the sheriff
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besides Baker's makeup effects. Richard Meyers, a novelist who also wrote about science-fiction films, called the film muddled and dull: "Although the movie didn't have to be a sage examination of outer space diseases, it should at least have been exciting". Meyers complimented Baker's visual
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The film was commercially successful, but it received largely negative reviews, although even critical reviews complimented Baker's makeup effects. According to writer/director Sachs, many scenes that were re-shot and changed by the producers proved problematic due to their inferior acting.
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incorrect," and said the film disappointed by lingering on the ordinary characters rather than on the monster. Gene Wright, who wrote a book about science fiction films, said the film "attempts to blend pathos with awesome horror, but can't resist going for the gut with a surfeit of gore".
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The Incredible Melting Man is a singular theatrical experience that truly lives up to its crazed, pulpy title. Originally intended as an homage to the great "atomic age" horrors of the Fifties, William Sachs' clever satire was recut by its original distributor to cash in on the horror
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the only scenes in which Rebar's face is seen without makeup. Additionally, the film was extensively re-edited by the producers. Sachs criticized the acting in those re-shot scenes, as well as the change of tone they bring into the film along with the re-editing by the producers.
467:. The idea for the film came to him when his mother, working in the office of a spray paint company, showed him "gooey stuff" which was used as a basis for spray paint and jokingly suggested that he should do a film featuring that material. During writing, Sachs was influenced by 500:(1955), a British horror film about an astronaut who begins mutating into an alien organism after a spaceflight. Sachs, however, had never seen either of those films, and his original screenplay had a very different structure. He had originally written the script for 778:
Phil Hardy described it as a better-than-average but "spotty" film, and said director William Sachs injected a sense of "grisly humor" into it. However, Hardy said the central concept inspired more laughter than terror, and called the special effects "only routine".
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of horror films, but comedic scenes were edited out during production and new horror scenes added. Sachs claimed that the producers decided during shooting that a straight horror film would be more financially successful, and that the film suffered as a result.
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said, "The film tries to balance horror against morality but ends up shaky at best". The review described the special effects as "all right, but not nearly as gruesome as the film pretends they are". In a review written shortly after the film was released,
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provided the gory makeup effects for the film. He originally created four distinct stages of makeup design so that the main character's body would appear to melt gradually, but the stages were ultimately cut from the final film.
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described it as poorly written and directed, calling it one of many poor summer films released "to fill the need of drive-in operators for something cheap to put on the screen for the kids in the cars to ignore or laugh at".
814:" style of the film, adding, "It's both inexplicable and sad this brain-damaged yet fiercely determined little drive-in bottom feeder never garnered more than a tiny cult following over the years". A 1978 critique in 532:
described the script, in addition to its horror elements, as "a human story attempting to leave a moral message as to whether society or the horrible creature it is chasing is really the most destructive".
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and wanted to give the film a 1950s horror film feeling. But the final film, with its structure changed by the producers in post-production, has been described by some sources – including the film magazine
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with his van, but instead accidentally drives into a vat of toxic waste, causing the flesh to melt off his face and hands. These effects were conceived and designed by special makeup effects artist
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a 1982 comedy film featuring a compilation of clips from more than 100 B movies from the 1930s to the 1970s, which are shown between scripted segments performed by comedians. Baker's effects from
494:(1959), another film about an astronaut who becomes a monster after an accident in space. Science fiction film historian Gene Wright suggested that the final film was heavily influenced by 1027:, the show's head writer, spoke disparagingly about the film while describing it to the press: "The plot is – and I'm not kidding here – the plot is, a guy is melting. That's the plot". 2763: 1071: 1810:
Crouch, Lori (July 25, 1994). "A midsummer night's scream; A Palm Beach county man takes a stab at horror films with the help of some local Shakespearean actors".
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are not made to be good; they are made to be scary. For anyone looking to raise goosebumps on their flesh, this one is sufficient to give you your money's worth".
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handled international rights under the Columbia-EMI-Warner Distributors label. The film includes several homages to science fiction and horror films of the 1950s.
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to survive. During post-production, the producers reshot scenes without Sachs' participation. The film starred Alex Rebar as the main character, alongside
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gave the film 2.5 stars out of 4, and described it as "unexciting and contrived, though Rick Baker's gross-out makeup is undeniably effective". In
2569: 2693: 2485: 2113: 2758: 2708: 804:. Everman wrote, "This is the kind of movie we've come to expect from AIP β€” cheaply made, nasty, and lots of fun". John W. Bowen of the 1895:"Classic horrors 'Transparent Man,' 1970's 'Scream' join video ranks; Film noir 'Ghost Dog' tapped as week's best among new releases". 2466: 2433: 2410: 2375: 2352: 2330: 2298: 2267: 2248: 2225: 2206: 2173: 2154: 2135: 512:, pointed to several homages in the movie to science fiction and horror films of the 1950s. The title itself is a reference to the 2743: 2733: 2723: 2718: 2738: 262: 124: 738:
strongly condemned the film as gratuitously gory with thin, motiveless characters. He declared it worse than the horror film
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One poster for the film included the statement: "Rick Baker, the new master of special effects, who brought you the magic of
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as a model who finds one of West's victims while trying to avoid a photographer seeking to take explicit photos of her.
518: 469: 300: 1211: 2562: 894:, it was released in Region 2 by CMV Laservision on February 2, 2003. In addition to the home video and DVD releases, 666: 2446:
The Science Fiction Image: The Illustrated Encyclopedia of Science Fiction in Film, Television, Radio and the Theater
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some work on the dummy whose head turns around 360 degrees. I really didn't do anything creative, I just did labor".
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Makeup effects artist Rick Baker designed facial appliances that simulated the deterioration of the main character.
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William Sachs: Audio Commentary and interview on Blu-Ray-edition of "The Incredible Melting Man" by Arrow Video.
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effects, but said his work was undermined by poor filming and actor Rebar's impatience with the makeup effects.
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Showgirls, Teen Wolves, and Astro Zombies: A Film Critic's Year-Long Quest to Find the Worst Movie Ever Made
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McKay, John (December 5, 2000). "Eddie Murphy: Lotsa makeup and F/X are back in video, Nutty Professor II".
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DiFino, Nando (October 21, 1993). "Scary treats: Horror buff Nando DiFino shares his favorite cult films".
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effects "the Melting Man" as a homage to the production. A poster for the film appeared in the 1990 comedy
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at age 9. Ritter said, "I was too young to see the movie, but the trailer really got into my imagination".
744:(1966), which is widely considered one of the worst films ever made. Rick Worland, a film professor at the 2555: 2322: 2198: 1995: 1780: 1732: 963: 923: 834: 816: 513: 288: 1927:
Bowen, John W. (October 29, 2010). "Ten of the greatest bad horror films you probably haven't seen yet".
954:(1987), where a man melts after getting covered in toxic waste, were inspired by Rick Baker's effects in 2647: 2615: 2518: 1946: 1402: 653: 594:
severed head falls down a waterfall and smashes on the rocks below. To create the effect, Baker used a
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was handled by American International Pictures, with the involvement of film producer and distributor
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Bowen, John W. (October 29, 2010). "Ten of the greatest bad horror films you probably haven't seen".
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director Tim Ritter said he was partially inspired to enter show business by watching a trailer for
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which kills two of them and seriously injures the third, Colonel Steve West. Back in a hospital on
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Thomas, Bob (October 22, 1982). "Star Watch: The Preservation of Movie Schlock". Associated Press.
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said the film inspired him to start making films himself, adding, "When I was eight, I watched
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Cult Science Fiction Films: From the Amazing Colossal Man to Yog : The Monster from Space
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S-F 2: A Pictorial History of Science Fiction Films from "Rollerball" to "Return of the Jedi"
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has been featured in several film festivals, including the 1987 Visions Film Festival at the
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Baenen, Jeff (November 23, 1995). "Turkey Day will feature marathon of sci-fi turkeys".
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officer familiar with West's accident, and the general agrees to help Nelson find him.
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Foyston, John (April 8, 1996). "MST3K: The show, the book, the major motion picture".
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Harrington, Richard (November 2, 1980). "Bloody Illusions: The Cutting Edge of Gore".
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received largely negative reviews. It holds an 8% rotten rating on review aggregator
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Jackson, Peter (March 30, 1999). "Tony signs up the starts to join his collection".
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general seeking to capture him. While writing and shooting, Sachs was influenced by
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Beifuss, John (December 7, 2001). "Monster Maker: The Art and Soul of Rick Baker".
1041: 979: 935: 811: 800: 795: 418: 409: 388: 373: 298:(1987). It was also featured in a season 7 episode of the comedy television series 219: 76: 2547: 1497:
Martin, Robert (June 14, 1978). "Back on the beach without Frankie and Annette".
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who wrote a book about horror films, said there was "little to recommend" about
191: 570:, best known for his horror and supernatural films, provided the financing for 1185: 1000: 987: 361: 68: 2512: 2631: 2367: 1778:
Lewis, Sonja (August 19, 2004). "'Hunger Force' whets appetite of viewers".
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inspired the makeup effects for a scene in the science fiction-action film
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head with a wax skull and fake blood inside, which burst out upon impact.
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With the changes by the producers, the final film has been described as a
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Smith, Adam (April 26, 1998). "Altar'd states: Cult films from A to Z".
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and knew that horror movies were going to be big religion in my life".
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Martin, Robert (January 16, 1978). "Melted hands can't carry a film".
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Making Movies on Your Own: Practical Talk from Independent Filmmakers
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was the makeup artist who primarily worked on that film, not Baker.
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on the bedroom wall of character Keven McCallister's brother Buzz.
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The screenplay which Sachs dramatized was originally intended as a
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attested to Sachs' "simple mastery of the medium". Tom Buckley of
577: 332: 2551: 786:, compared the relationship between West and Nelson to that of 1072:"Torso Revue de Cinema: Interview with William Sachs (French)" 863: 546:
played the small role of Matt Winters, one of West's victims.
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like many late 1970s films of its genre, suggested otherwise.
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Some reviews were more positive. Welch D. Everman, author of
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not strong enough to outweigh the negatives. John Foyston of
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Harris, Christopher (June 3, 1994). "Video new releases".
708:. It has ranked among the Bottom 100 list of films on the 249:, even though Sachs had never seen either of those films. 2124:
Blockbuster Entertainment Guide to Movies and Videos 1999
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Kenny, Greg (May 22, 1987). "The Alien-ation of Enmore".
1976:"Just follow our Go! guide to area haunted happenings". 265:, which also handled the theatrical distribution, while 1066: 1064: 1062: 1015:
The film appeared in the fourth episode of the show's
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Sammon, Paul M. (November 1987). "Shooting RoboCop".
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artist Baker provided the special makeup effects for
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Horror at the Drive-In: Essays in Popular Americana
172: 164: 154: 130: 120: 106: 98: 90: 82: 64: 56: 48: 38: 21: 2386: 550:, best known for her appearances in B movies and 243:(1959), which in turn was directly influenced by 202:whose body begins to melt after he is exposed to 2277:Parish, James Robert; Pitts, Michael R. (1990). 685: 661:". Although Baker assisted with the effects in 2258:Nash, Jay Robert; Ross, Stanley Ralph (1985). 1655: 1653: 1554:"chud.com: About "The Incredible Melting Man"" 1138: 1136: 2764:English-language science fiction horror films 2563: 1793: 1791: 1291: 1289: 1280: 8: 2478:The British Independent Horror Film, 1951-70 1171: 1169: 1167: 1165: 1103: 1101: 1099: 1097: 1095: 1093: 1008:was featured and lampooned in an episode of 1688: 1463: 1461: 1459: 1446: 1444: 1442: 1383: 1381: 1118: 1116: 978:(1987). During the scene, Emil Antonowsky ( 890:. Although currently unavailable on DVD in 878:was once again released on VHS as part of " 776:The Encyclopedia of Science Fiction Movies, 2570: 2556: 2548: 2364:Variety's Complete Science Fiction Reviews 2166:The Encyclopedia of Science Fiction Movies 1797: 1745: 1743: 1633:"VFTLA.org: Resume of William Sachs (PDF)" 1608:"VFTLA.org: Resume of William Sachs (PDF)" 1329: 1327: 1325: 1323: 1321: 1319: 1306: 1304: 1276: 1274: 1272: 1270: 1268: 1266: 922:; and the 2010 Groovy B-Movie Marathon in 27: 18: 2079: 2077: 1205: 1203: 1750:Gonzalez, Isabel C. (October 26, 2009). 1253: 1251: 1249: 1236: 1234: 657:, now brings you his greatest creation, 1676: 1351: 1349: 1347: 1295: 1107: 1058: 914:; the 2008 Horrorama Movie Festival in 2040: 1861:"Sci-fi set features bargain prices". 1525: 1513: 1467: 1450: 1433: 1387: 1240: 990:, who was inspired by Baker's work on 613:and the musical score was composed by 463:was written and directed by filmmaker 218:as a scientist trying to help him and 2729:American science fiction horror films 2714:American International Pictures films 2279:The Great Science Fiction Pictures II 1700: 1594: 1310: 1257: 7: 2389:Horror and Science Fiction Films III 1355: 602:the film. Richard Meyers, author of 445:Westbrook Claridge as Security Guard 210:, driving him to commit murders and 1212:"The Incredible Melting Man (1977)" 950:The makeup effects in a scene from 424:Stuart Edmond Rodgers as Little Boy 2699:1970s science fiction horror films 1844:"'Ace of Spies' comes up trumps". 1186:"youtube.com: "Best Of The Worst"" 14: 2341:Variety's Film Reviews: 1978–1980 1982:. October 10, 2008. p. GO16. 1736:. Vol. 14. 1978. p. 24. 2422:The Horror Film: An Introduction 2149:. Carol Publishing Corporation. 1999:. November 22, 2010. p. A1. 1827:"Circus musician who defected". 1143:Berg, Jon (1977). "Rick Baker". 870:, and was rereleased in 1994 by 415:Leigh Mitchell as Carol's Mother 2749:Films directed by William Sachs 1901:. August 10, 2000. p. M24. 1486:. January 17, 2005. p. 47. 263:American International Pictures 125:American International Pictures 2220:. A. S. Barnes & Company. 433:Samuel W. Gelfman as Fisherman 311:s 'Best of The Worst' strand. 1: 2260:The Motion Picture Guide: H-K 2183:Lindenmuth, Kevin J. (1998). 615:London Philharmonic Orchestra 194:film directed and written by 2694:1970s English-language films 1867:. May 12, 1994. p. M20. 1752:"Connoisseurs of the Absurd" 1576:"The Incredible Melting Man" 1210:Buckley, Tom (May 4, 1978). 1011:Mystery Science Theater 3000 519:The Incredible Shrinking Man 508:Welch D. Everman, author of 470:The Night of the Living Dead 400:Dorothy Love as Helen Nelson 370:as Dr. Theodore "Ted" Nelson 301:Mystery Science Theater 3000 1159:Hamilton, 2013, pp. 39--41. 956:The Incredible Melting Man. 651:and gave you the wonder of 591:The Incredible Melting Man, 572:The Incredible Melting Man. 524:The Incredible Melting Man, 430:Don Walters as Photographer 286:was featured in the comedy 2780: 2759:1977 science fiction films 2709:American body horror films 2608:The Incredible Melting Man 2536:The Incredible Melting Man 2525:The Incredible Melting Man 2514:The Incredible Melting Man 2503:The Incredible Melting Man 2385:Willis, Donald C. (1995). 2362:Willis, Donald C. (1985). 2218:The World of Fantasy Films 2145:Everman, Welch D. (1995). 1813:South Florida Sun-Sentinel 1006:The Incredible Melting Man 992:The Incredible Melting Man 970:The Incredible Melting Man 896:The Incredible Melting Man 886:released to home video by 882:", a line of B movies and 876:The Incredible Melting Man 860:The Incredible Melting Man 849:The Incredible Melting Man 841:The Incredible Melting Man 822:The Incredible Melting Man 784:Cult Science Fiction Films 772:Guide to Movies and Videos 756:A 1985 review in the book 750:The Incredible Melting Man 746:Meadows School of the Arts 702:The Incredible Melting Man 695:The Incredible Melting Man 659:The Incredible Melting Man 636:The Incredible Melting Man 604:The World of Fantasy Films 556:The Incredible Melting Man 510:Cult Science Fiction Films 502:The Incredible Melting Man 482:Cult Science Fiction Films 461:The Incredible Melting Man 427:Chris Witney as Little Boy 327:are exposed to a blast of 284:The Incredible Melting Man 259:The Incredible Melting Man 184:The Incredible Melting Man 139:December 9, 1977 22:The Incredible Melting Man 16:1977 film by William Sachs 2586: 2309:Rhodes, Gary Don (2003). 1019:, which was broadcast on 385:Ann Sweeny as Judy Nelson 319:During a space flight to 206:during a space flight to 33:Theatrical release poster 26: 2235:Meyers, Richard (1984). 2216:Meyers, Richard (1980). 1930:Belleville Intelligencer 1716:Belleville Intelligencer 807:Belleville Intelligencer 758:The Motion Picture Guide 741:Manos: The Hands of Fate 497:The Quatermass Xperiment 376:as General Michael Perry 246:The Quatermass Xperiment 229:Night of the Living Dead 2744:Films about cannibalism 2734:American splatter films 2724:American monster movies 2719:Columbia Pictures films 2480:. Hemlock Books, 2013. 2476:Hamilton, John (2005). 2323:McFarland & Company 2199:McFarland & Company 2104:Adams, Michael (2010). 1996:The News & Observer 710:Internet Movie Database 337:United States Air Force 224:United States Air Force 198:. The plot concerns an 2739:Films about astronauts 2420:Worland, Rick (2006). 1781:Pensacola News Journal 1733:The Review of the News 1044:with a similar concept 1023:on February 24, 1996. 964:It Came from Hollywood 958: 872:Orion Pictures Library 835:Aqua Teen Hunger Force 817:The Review of the News 699: 617:conductor Arlon Ober. 583: 289:It Came from Hollywood 2443:Wright, Gene (1983). 1961:"A Diary of B-Fest". 1947:Sydney Morning Herald 1403:The Commercial Appeal 961:The film appeared in 949: 934:released the film on 910:; the 2007 B-Fest in 810:said he enjoyed the " 581: 394:Julie Drazen as Carol 382:as Sheriff Neil Blake 2704:1970s monster movies 2689:1970s American films 2164:Hardy, Phil (1986). 1898:The Washington Times 1864:The Washington Times 1040:", a short story by 828:, co-creator of the 634:The distribution of 491:First Man into Space 436:Bonnie Inch as Nurse 240:First Man into Space 2600:Secrets of the Gods 2403:The Scarecrow Press 2291:The Scarecrow Press 1965:. January 29, 2007. 1420:The Washington Post 888:Metro-Goldwyn-Mayer 788:Victor Frankenstein 397:Edwin Max as Harold 304:and episode 108 of 212:consume human flesh 187:is a 1977 American 115:Quartet Productions 2578:Films directed by 2519:TCM Movie Database 2168:. Woodbury Press. 1881:The Globe and Mail 1757:The New York Times 1703:, pp. 334–335 1500:The Globe and Mail 1337:The Globe and Mail 1217:The New York Times 982:) attempts to ram 959: 884:exploitation films 820:said, "Films like 728:The Globe and Mail 721:The New York Times 584: 552:exploitation films 480:and the 1995 book 2684:1977 horror films 2666: 2665: 2487:978-1-903254-33-2 2115:978-0-06-180629-2 1979:Dayton Daily News 1126:The Post-Standard 1025:Michael J. Nelson 442:as Security Guard 380:Michael Alldredge 267:Columbia Pictures 180: 179: 60:Samuel W. Gelfman 2771: 2572: 2565: 2558: 2549: 2491: 2472: 2439: 2416: 2392: 2381: 2358: 2336: 2304: 2273: 2254: 2231: 2212: 2179: 2160: 2141: 2119: 2092: 2091: 2081: 2072: 2071: 2061: 2055: 2054: 2050: 2044: 2038: 2032: 2031: 2029: 2027: 2018:. Archived from 2010:Justin Edwards. 2007: 2001: 2000: 1990: 1984: 1983: 1973: 1967: 1966: 1958: 1952: 1951: 1941: 1935: 1934: 1924: 1918: 1917: 1909: 1903: 1902: 1892: 1886: 1885: 1875: 1869: 1868: 1858: 1852: 1851: 1841: 1835: 1834: 1830:The Courier-Mail 1824: 1818: 1817: 1807: 1801: 1795: 1786: 1785: 1775: 1769: 1768: 1766: 1764: 1747: 1738: 1737: 1727: 1721: 1720: 1710: 1704: 1698: 1692: 1689:Blockbuster 1998 1686: 1680: 1674: 1668: 1667: 1657: 1648: 1646: 1644: 1642: 1637: 1629: 1623: 1621: 1619: 1617: 1612: 1604: 1598: 1597:, pp. 26–27 1592: 1586: 1585: 1572: 1566: 1564: 1562: 1560: 1550: 1544: 1543: 1535: 1529: 1523: 1517: 1511: 1505: 1504: 1494: 1488: 1487: 1477: 1471: 1465: 1454: 1448: 1437: 1431: 1425: 1424: 1414: 1408: 1407: 1397: 1391: 1385: 1376: 1375: 1365: 1359: 1353: 1342: 1341: 1331: 1314: 1308: 1299: 1293: 1284: 1278: 1261: 1260:, pp. 27–28 1255: 1244: 1238: 1229: 1228: 1226: 1224: 1207: 1198: 1196: 1194: 1192: 1182: 1176: 1173: 1160: 1157: 1151: 1150: 1140: 1131: 1130: 1120: 1111: 1105: 1088: 1087: 1085: 1083: 1078:on June 23, 2016 1074:. Archived from 1068: 1038:I Am the Doorway 862:was released on 768:Blockbuster Inc. 697: 693:Chud.com, about 675:William Friedkin 261:was produced by 146: 144: 31: 19: 2779: 2778: 2774: 2773: 2772: 2770: 2769: 2768: 2669: 2668: 2667: 2662: 2582: 2576: 2541:Rotten Tomatoes 2498: 2488: 2475: 2469: 2442: 2436: 2426:Wiley-Blackwell 2419: 2413: 2384: 2378: 2361: 2355: 2339: 2333: 2308: 2301: 2276: 2270: 2257: 2251: 2234: 2228: 2215: 2209: 2182: 2176: 2163: 2157: 2144: 2138: 2128:Dell Publishing 2122: 2116: 2103: 2100: 2095: 2083: 2082: 2075: 2063: 2062: 2058: 2052: 2051: 2047: 2039: 2035: 2025: 2023: 2022:on 19 June 2013 2016:Icons of Fright 2009: 2008: 2004: 1993:"Hot tickets". 1992: 1991: 1987: 1975: 1974: 1970: 1960: 1959: 1955: 1943: 1942: 1938: 1926: 1925: 1921: 1914:Welland Tribune 1911: 1910: 1906: 1894: 1893: 1889: 1877: 1876: 1872: 1860: 1859: 1855: 1850:. July 5, 1985. 1843: 1842: 1838: 1833:. June 3, 1985. 1826: 1825: 1821: 1809: 1808: 1804: 1798:Lindenmuth 1998 1796: 1789: 1777: 1776: 1772: 1762: 1760: 1749: 1748: 1741: 1729: 1728: 1724: 1712: 1711: 1707: 1699: 1695: 1687: 1683: 1675: 1671: 1659: 1658: 1651: 1640: 1638: 1635: 1631: 1630: 1626: 1615: 1613: 1610: 1606: 1605: 1601: 1593: 1589: 1581:Rotten Tomatoes 1574: 1573: 1569: 1558: 1556: 1552: 1551: 1547: 1537: 1536: 1532: 1524: 1520: 1512: 1508: 1496: 1495: 1491: 1479: 1478: 1474: 1466: 1457: 1449: 1440: 1432: 1428: 1416: 1415: 1411: 1399: 1398: 1394: 1386: 1379: 1367: 1366: 1362: 1354: 1345: 1333: 1332: 1317: 1309: 1302: 1294: 1287: 1279: 1264: 1256: 1247: 1239: 1232: 1222: 1220: 1209: 1208: 1201: 1190: 1188: 1184: 1183: 1179: 1174: 1163: 1158: 1154: 1146:Cinefantastique 1142: 1141: 1134: 1122: 1121: 1114: 1106: 1091: 1081: 1079: 1070: 1069: 1060: 1056: 1051: 1033: 994:and dubbed the 944: 857: 830:Cartoon Network 706:Rotten Tomatoes 698: 692: 684: 632: 627: 564: 548:Rainbeaux Smith 539: 477:Cinefantastique 458: 453: 448: 412:as Nell Winters 406:as Matt Winters 357: 317: 189:science fiction 157: 150: 142: 140: 133: 116: 111: 109: 75: 71: 34: 17: 12: 11: 5: 2777: 2775: 2767: 2766: 2761: 2756: 2754:Saturn in film 2751: 2746: 2741: 2736: 2731: 2726: 2721: 2716: 2711: 2706: 2701: 2696: 2691: 2686: 2681: 2671: 2670: 2664: 2663: 2661: 2660: 2652: 2644: 2636: 2628: 2620: 2616:Van Nuys Blvd. 2612: 2604: 2596: 2592:There Is No 13 2587: 2584: 2583: 2577: 2575: 2574: 2567: 2560: 2552: 2544: 2543: 2532: 2521: 2510: 2497: 2496:External links 2494: 2493: 2492: 2486: 2473: 2467: 2440: 2434: 2417: 2411: 2382: 2376: 2359: 2353: 2337: 2331: 2319:North Carolina 2306: 2299: 2274: 2268: 2255: 2249: 2232: 2226: 2213: 2207: 2195:North Carolina 2180: 2174: 2161: 2155: 2142: 2136: 2120: 2114: 2099: 2096: 2094: 2093: 2090:. p. F10. 2073: 2056: 2045: 2033: 2002: 1985: 1968: 1953: 1936: 1919: 1904: 1887: 1870: 1853: 1836: 1819: 1802: 1787: 1770: 1739: 1730:"A Big Drip". 1722: 1705: 1693: 1681: 1669: 1666:. p. C01. 1649: 1624: 1599: 1587: 1567: 1545: 1530: 1518: 1506: 1489: 1480:"Arlon Ober". 1472: 1455: 1438: 1426: 1409: 1392: 1377: 1371:Ottawa Citizen 1360: 1358:, p. 1381 1343: 1315: 1300: 1285: 1281:Variety's 1983 1262: 1245: 1230: 1199: 1177: 1161: 1152: 1132: 1112: 1089: 1057: 1055: 1052: 1050: 1047: 1046: 1045: 1032: 1029: 1021:Comedy Central 1017:seventh season 943: 940: 932:Scream Factory 928:North Carolina 900:Enmore Theatre 880:Midnite Movies 856: 853: 826:Matt Maiellaro 690: 683: 680: 631: 628: 626: 623: 563: 560: 554:, appeared in 544:Jonathan Demme 538: 535: 457: 454: 452: 449: 447: 446: 443: 437: 434: 431: 428: 425: 422: 416: 413: 407: 404:Jonathan Demme 401: 398: 395: 392: 386: 383: 377: 371: 368:Burr DeBenning 365: 358: 356: 353: 316: 313: 307:RedLetterMedia 216:Burr DeBenning 178: 177: 174: 170: 169: 166: 162: 161: 158: 155: 152: 151: 149: 148: 136: 134: 131: 128: 127: 122: 121:Distributed by 118: 117: 114: 112: 107: 104: 103: 100: 96: 95: 94:James Beshears 92: 88: 87: 84: 83:Cinematography 80: 79: 73:Burr DeBenning 66: 62: 61: 58: 54: 53: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 2776: 2765: 2762: 2760: 2757: 2755: 2752: 2750: 2747: 2745: 2742: 2740: 2737: 2735: 2732: 2730: 2727: 2725: 2722: 2720: 2717: 2715: 2712: 2710: 2707: 2705: 2702: 2700: 2697: 2695: 2692: 2690: 2687: 2685: 2682: 2680: 2677: 2676: 2674: 2658: 2657: 2653: 2650: 2649: 2645: 2642: 2641: 2640:The Last Hour 2637: 2634: 2633: 2629: 2626: 2625: 2621: 2618: 2617: 2613: 2610: 2609: 2605: 2602: 2601: 2597: 2594: 2593: 2589: 2588: 2585: 2581: 2580:William Sachs 2573: 2568: 2566: 2561: 2559: 2554: 2553: 2550: 2546: 2542: 2538: 2537: 2533: 2531: 2527: 2526: 2522: 2520: 2516: 2515: 2511: 2509: 2505: 2504: 2500: 2499: 2495: 2489: 2483: 2479: 2474: 2470: 2468:0-87196-527-5 2464: 2460: 2459:Facts on File 2456: 2452: 2451:New York City 2448: 2447: 2441: 2437: 2435:1-4051-3902-1 2431: 2427: 2423: 2418: 2414: 2412:0-8108-1723-3 2408: 2404: 2400: 2396: 2391: 2390: 2383: 2379: 2377:0-8240-6263-9 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1837: 1832: 1831: 1823: 1820: 1816:. p. 1D. 1815: 1814: 1806: 1803: 1799: 1794: 1792: 1788: 1784:. p. 1B. 1783: 1782: 1774: 1771: 1759: 1758: 1753: 1746: 1744: 1740: 1735: 1734: 1726: 1723: 1719:. p. C1. 1718: 1717: 1709: 1706: 1702: 1697: 1694: 1691:, p. 590 1690: 1685: 1682: 1679:, p. 108 1678: 1673: 1670: 1665: 1664: 1663:The Oregonian 1656: 1654: 1650: 1634: 1628: 1625: 1609: 1603: 1600: 1596: 1591: 1588: 1583: 1582: 1577: 1571: 1568: 1555: 1549: 1546: 1542:. p. 28. 1541: 1534: 1531: 1527: 1522: 1519: 1515: 1510: 1507: 1502: 1501: 1493: 1490: 1485: 1484: 1476: 1473: 1469: 1464: 1462: 1460: 1456: 1452: 1447: 1445: 1443: 1439: 1435: 1430: 1427: 1423:. p. M1. 1422: 1421: 1413: 1410: 1406:. p. E1. 1405: 1404: 1396: 1393: 1390:, p. 201 1389: 1384: 1382: 1378: 1374:. p. D4. 1373: 1372: 1364: 1361: 1357: 1352: 1350: 1348: 1344: 1339: 1338: 1330: 1328: 1326: 1324: 1322: 1320: 1316: 1312: 1307: 1305: 1301: 1298:, p. 102 1297: 1292: 1290: 1286: 1283:, p. 378 1282: 1277: 1275: 1273: 1271: 1269: 1267: 1263: 1259: 1254: 1252: 1250: 1246: 1243:, p. 196 1242: 1237: 1235: 1231: 1219: 1218: 1213: 1206: 1204: 1200: 1187: 1181: 1178: 1172: 1170: 1168: 1166: 1162: 1156: 1153: 1148: 1147: 1139: 1137: 1133: 1129:. p. H1. 1128: 1127: 1119: 1117: 1113: 1110:, p. 103 1109: 1104: 1102: 1100: 1098: 1096: 1094: 1090: 1077: 1073: 1067: 1065: 1063: 1059: 1053: 1048: 1043: 1039: 1035: 1034: 1030: 1028: 1026: 1022: 1018: 1014: 1012: 1007: 1003: 1002: 997: 993: 989: 985: 981: 977: 976: 971: 967: 965: 957: 953: 948: 941: 939: 937: 933: 929: 925: 921: 917: 913: 909: 905: 901: 897: 893: 889: 885: 881: 877: 873: 869: 868:Vestron Video 865: 861: 854: 852: 850: 846: 842: 838: 836: 831: 827: 823: 819: 818: 813: 809: 808: 803: 802: 797: 793: 789: 785: 780: 777: 773: 769: 764: 759: 754: 751: 747: 743: 742: 737: 736: 735:The Oregonian 730: 729: 723: 722: 717: 716: 715:New York Post 711: 707: 703: 696: 689: 681: 679: 676: 672: 668: 664: 660: 656: 655: 650: 649: 643: 641: 640:Irwin Yablans 637: 629: 624: 622: 618: 616: 611: 610:Harry Woolman 607: 605: 599: 597: 592: 588: 580: 576: 573: 569: 568:Max Rosenberg 561: 559: 557: 553: 549: 545: 536: 534: 531: 530: 525: 521: 520: 515: 511: 506: 503: 499: 498: 493: 492: 487: 483: 479: 478: 472: 471: 466: 465:William Sachs 462: 455: 450: 444: 441: 440:Mickey Lolich 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 408: 405: 402: 399: 396: 393: 391:as Dr. Loring 390: 387: 384: 381: 378: 375: 372: 369: 366: 364:as Steve West 363: 360: 359: 354: 352: 348: 344: 340: 338: 334: 330: 326: 322: 314: 312: 310: 308: 303: 302: 297: 296: 291: 290: 285: 279: 276: 272: 268: 264: 260: 255: 250: 248: 247: 242: 241: 236: 232: 230: 225: 221: 217: 213: 209: 205: 201: 197: 196:William Sachs 193: 190: 186: 185: 175: 171: 168:United States 167: 163: 159: 153: 138: 137: 135: 129: 126: 123: 119: 113: 105: 101: 97: 93: 89: 85: 81: 78: 74: 70: 67: 63: 59: 55: 52:William Sachs 51: 47: 44: 43:William Sachs 41: 37: 30: 25: 20: 2656:Spooky House 2654: 2646: 2638: 2630: 2622: 2614: 2607: 2606: 2598: 2590: 2545: 2535: 2524: 2513: 2502: 2477: 2445: 2421: 2388: 2363: 2345:R. R. Bowker 2340: 2310: 2278: 2262:. Cinebook. 2259: 2236: 2217: 2185: 2165: 2146: 2123: 2108:. It Books. 2105: 2098:Bibliography 2085: 2065: 2059: 2048: 2036: 2024:. Retrieved 2020:the original 2015: 2005: 1994: 1988: 1977: 1971: 1962: 1956: 1945: 1939: 1928: 1922: 1913: 1907: 1896: 1890: 1879: 1873: 1862: 1856: 1845: 1839: 1828: 1822: 1811: 1805: 1800:, p. 27 1779: 1773: 1763:December 26, 1761:. Retrieved 1755: 1731: 1725: 1714: 1708: 1696: 1684: 1677:Worland 2006 1672: 1661: 1639:. Retrieved 1627: 1614:. Retrieved 1602: 1590: 1579: 1570: 1557:. Retrieved 1548: 1539: 1533: 1528:, p. 89 1521: 1516:, p. 48 1509: 1498: 1492: 1481: 1475: 1470:, p. 42 1453:, p. 91 1436:, p. 90 1429: 1418: 1412: 1401: 1395: 1369: 1363: 1335: 1313:, p. 27 1296:Everman 1995 1223:December 28, 1221:. Retrieved 1215: 1191:February 27, 1189:. Retrieved 1180: 1155: 1144: 1124: 1108:Everman 1995 1080:. Retrieved 1076:the original 1042:Stephen King 1009: 1005: 999: 995: 991: 980:Paul McCrane 973: 969: 962: 960: 955: 951: 895: 875: 859: 858: 855:Home release 848: 840: 833: 821: 815: 805: 801:Frankenstein 799: 796:Mary Shelley 783: 781: 775: 771: 762: 757: 755: 749: 739: 733: 726: 719: 713: 701: 700: 694: 686: 670: 663:The Exorcist 662: 658: 652: 648:The Exorcist 646: 644: 635: 633: 630:Distribution 619: 608: 603: 600: 590: 585: 571: 565: 555: 540: 527: 523: 517: 509: 507: 501: 495: 489: 481: 475: 468: 460: 459: 419:Cheryl Smith 410:Janus Blythe 389:Lisle Wilson 374:Myron Healey 349: 345: 341: 318: 305: 299: 293: 287: 283: 280: 258: 251: 244: 238: 227: 220:Myron Healey 183: 182: 181: 156:Running time 132:Release date 86:Willy Curtis 77:Myron Healey 2041:Willis 1995 1540:The Journal 1526:Meyers 1980 1514:Rhodes 2003 1468:Meyers 1984 1451:Meyers 1980 1434:Meyers 1980 1388:Willis 1985 1241:Wright 1983 866:in 1986 by 514:Jack Arnold 192:body horror 57:Produced by 39:Directed by 2679:1977 films 2673:Categories 2026:27 October 1701:Hardy 1986 1595:Adams 2010 1311:Adams 2010 1258:Adams 2010 1149:. 6β€”7: 35. 1049:References 1001:Home Alone 988:Rob Bottin 667:Dick Smith 451:Production 362:Alex Rebar 325:astronauts 275:Rick Baker 160:84 minutes 143:1977-12-09 108:Production 102:Arlon Ober 69:Alex Rebar 49:Written by 2648:Judgement 2632:Hot Chili 2315:Jefferson 2191:Jefferson 2070:(32): 39. 1847:Telegraph 1356:Nash 1985 938:in 2013. 916:Englewood 908:Australia 798:'s novel 682:Reception 673:director 654:King Kong 566:Producer 421:as Sandra 329:radiation 204:radiation 200:astronaut 147: (US) 91:Edited by 2624:Galaxina 2530:AllMovie 2455:New York 2399:Maryland 2347:. 1983. 2287:Maryland 2130:. 1998. 1031:See also 920:Colorado 892:Region 1 790:and his 691:β€”  671:Exorcist 665:(1973), 323:, three 173:Language 99:Music by 65:Starring 2517:at the 2368:Garland 2067:Cinefex 1963:Newstex 1641:May 28, 1616:May 28, 1559:May 28, 1483:Variety 1082:May 28, 996:RoboCop 984:RoboCop 975:RoboCop 952:RoboCop 936:Blu-ray 912:Chicago 845:Z movie 832:series 792:monster 763:Variety 625:Release 596:gelatin 562:Filming 537:Casting 529:Variety 484:– as a 456:Writing 295:RoboCop 273:artist 176:English 165:Country 141: ( 110:company 2659:(2002) 2651:(1992) 2643:(1991) 2635:(1985) 2627:(1980) 2619:(1979) 2611:(1977) 2603:(1976) 2595:(1974) 2484:  2465:  2432:  2409:  2395:Lanham 2374:  2351:  2329:  2297:  2283:Lanham 2266:  2247:  2224:  2205:  2172:  2153:  2134:  2112:  942:Legacy 924:Durham 904:Sydney 688:craze. 587:Makeup 486:remake 321:Saturn 271:Makeup 254:parody 235:remake 208:Saturn 1636:(PDF) 1611:(PDF) 1054:Notes 516:film 333:Earth 222:as a 2508:IMDb 2482:ISBN 2463:ISBN 2430:ISBN 2407:ISBN 2372:ISBN 2349:ISBN 2327:ISBN 2295:ISBN 2264:ISBN 2245:ISBN 2222:ISBN 2203:ISBN 2170:ISBN 2151:ISBN 2132:ISBN 2110:ISBN 2028:2012 1765:2010 1643:2016 1618:2016 1561:2016 1225:2010 1193:2022 1084:2016 812:camp 355:Cast 315:Plot 2539:at 2528:at 2506:at 902:in 864:VHS 794:in 770:'s 488:of 237:of 2675:: 2461:. 2457:: 2453:, 2449:. 2428:. 2424:. 2405:. 2401:: 2397:, 2393:. 2370:. 2366:. 2343:. 2325:. 2321:: 2317:, 2313:. 2293:. 2289:: 2285:, 2281:. 2243:. 2239:. 2201:. 2197:: 2193:, 2189:. 2126:. 2076:^ 2014:. 1790:^ 1754:. 1742:^ 1652:^ 1578:. 1458:^ 1441:^ 1380:^ 1346:^ 1318:^ 1303:^ 1288:^ 1265:^ 1248:^ 1233:^ 1214:. 1202:^ 1164:^ 1135:^ 1115:^ 1092:^ 1061:^ 930:. 926:, 918:, 906:, 2571:e 2564:t 2557:v 2490:. 2471:. 2438:. 2415:. 2380:. 2357:. 2335:. 2305:} 2303:. 2272:. 2253:. 2230:. 2211:. 2178:. 2159:. 2140:. 2118:. 2030:. 1884:. 1767:. 1647:. 1645:. 1622:. 1620:. 1584:. 1565:. 1563:. 1503:. 1340:. 1227:. 1197:. 1195:. 1086:. 1036:" 1013:. 966:, 837:, 309:' 231:. 145:)

Index


William Sachs
Alex Rebar
Burr DeBenning
Myron Healey
American International Pictures
science fiction
body horror
William Sachs
astronaut
radiation
Saturn
consume human flesh
Burr DeBenning
Myron Healey
United States Air Force
Night of the Living Dead
remake
First Man into Space
The Quatermass Xperiment
parody
American International Pictures
Columbia Pictures
Makeup
Rick Baker
It Came from Hollywood
RoboCop
Mystery Science Theater 3000
RedLetterMedia
Saturn

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