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The fictional story follows the journey of the "Data Thief," played by the film's writer and researcher Edward George, who must travel across time and space in search of a crossroads where he makes archaeological digs for fragments of history and technology in search of the code that holds the key to
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as a metaphor for the displacement of black culture and roots. The film is a hybrid documentary and fictional narrative. Documentary segments include traditional talking-head clips from musicians, writers, and social critics, as well as archival video footage and photographs. Described as "A truly
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masterful film essay about Black aesthetics that traces the deployments of science fiction within pan-African culture", it has also been called "one of the most influential video-essays of the 1990s, influencing filmmakers and inspiring conferences, novels and exhibitions".
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emphasizes black musical traditions. The film argues that the drum, which could "communicate both across the
African diaspora and across time," was the "first Afrofuturistic technology." In "Further Considerations on Afrofuturism," Eshun says of the film:
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remains the most elaborate exposition on the convergence of ideas that is
Afrofuturism. Through the persona of a time-traveling nomadic figure known as the Data Thief,
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his future. The structure of the film makes it a meta-narrative commenting on while also becoming part of the genre of
Afrofuturism. The film uses concepts based on
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created a network of links between music, space, futurology, and diaspora." The film forges links between, for example,
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to explore the link between black music as a way of exploring the future. The film makes mention of
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Sounding Like a No-No: Queer Sounds and
Eccentric Acts in the Post-Soul Era
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246:"The Last Angel of History – A Film by John Akomfrah"
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82:is a 45-minute documentary, directed in 1996 by
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276:. University of Michigan Press (2013), 169.
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512:Documentary films about African Americans
219:"John Akomfrah, A Poet in the Archives"
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107:and features interviews with Clinton,
16:1996 documentary film by John Akomfrah
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289:, Vol. 3, No. 2 (Summer 2003). 295.
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517:Films directed by John Akomfrah
476:Morbayassa, le serment de Koumb
385:Lumumba, la mort d'un prophète
262:. Black Audio Film Collective.
90:, that deals with concepts of
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484:Meu amigo Fela (Mon ami Fela)
287:CR: The New Centennial Review
444:Le President a-t-il le sida
88:Black Audio Film Collective
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436:Beah: A Black Woman Speaks
354:FESPACO Paul Robeson Prize
200:List of Afrofuturist films
401:The Last Angel of History
315:The Last Angel of History
304:The Last Angel of History
176:The Last Angel of History
172:The Last Angel of History
167:The Last Angel of History
79:The Last Angel of History
22:The Last Angel of History
258:Akomfrah, John (1996).
221:, Harvard Film Archive.
460:The Loves of a zombie
260:Last Angel of History
232:Last Angel Of History
105:Mothership Connection
452:La passion d’un pays
377:Almacita Di Desolato
272:Francesca Royster.
157:A Guy Called Gerald
522:Afrofuturist films
393:L'exil de Behanzin
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46:Release date
149:Kodwo Eshun
125:Juan Atkins
109:Derrick May
27:Directed by
507:1996 films
501:Categories
409:Sucre Amer
319:, YouTube.
206:References
180:spirituals
153:Carl Craig
37:Written by
361:1972–2000
141:Greg Tate
129:DJ Spooky
194:See also
68:Language
428:Lumumba
236:at LUX.
55: (
487:(2019)
479:(2015)
471:(2013)
463:(2011)
455:(2009)
447:(2007)
439:(2003)
431:(2001)
412:(1999)
404:(1997)
396:(1995)
388:(1993)
380:(1991)
372:(1989)
188:techno
186:, and
184:P-Funk
161:Sun Ra
155:, and
133:Goldie
309:IMDb
234:page
57:1996
53:1996
369:Ori
307:at
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