93:, "the works the BAFC made during the 80s and early 1990s are almost shocking in their range.... The collective was heavily informed by film and psychoanalytic theory, by political discussion and debate.... Perhaps the most significant achievement of the group was the formulation of a poetic, a tone of voice, a particular kind of filmic space that resisted categorisation." In the words of
79:
The BAFC's output has been variously described as "an extraordinary body of poetic, allusive, and intensely personal films, videos, and 'slide-tape texts' that chronicled
England’s multicultural past and present and pushed the boundaries of the documentary form", and as "the expression of a
573:
118:
and London to explore memories of immigration and the different ways in which race was experienced and
British society dealt with the black presence. Kodwo Eshun, writing in 2004, referred to the reputation of
80:
generation of diasporic subjects that seized the idea of 'blackness' as an identity marker as well as a claim to political visibility." The pioneering films they produced are still considered influential.
39:, Lina Gopaul, Avril Johnson, Reece Auguiste, Trevor Mathison, Edward George and Claire Joseph. Joseph left in 1985 and was replaced by David Lawson. The group initially came together as students at
126:
The collective was dissolved in 1998, after which John
Akomfrah, Lina Gopaul and David Lawson went on to found Smoking Dogs Films. The first major retrospective of the BAFC, entitled
71:, both groups centered around investigations of black identity/culture within the British experience and reworked the documentary to articulate new voices in British cinema."
674:
652:
699:
709:
714:
493:
689:
63:, was a response to the social unrest in Britain in the 1980s: "Influenced by contemporary debate on post-colonialism and social theorists such as
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identifies as "some of the most challenging and experimental documentaries in
Britain in the 1980s". Notable among their oeuvre is 1986's
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60:
382:
362:
68:
694:
679:
684:
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536:"The Ghosts of Songs: A Retrospective of the BLack Audio Film Collective 1982 – 1998. Curated by the Ololith Group"
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44:
490:
658:
101:
40:
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330:
312:
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610:"“Invention in the Name of Community”: Workshops, the Avant-Garde and The Black Audio Film Collective"
43:(their backgrounds included sociology, fine art and psychology), and after graduation relocated to
123:"as the most important and influential art film to emerge from England in the last twenty years."
400:"Handsworth, 1985: Re-writing the riots – The Black Audio Film Collective's film still resonates"
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449:"Handsworth Songs. Film by John Akomfrah and the Black Audio Film Collective, 1986"
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85:
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94:
48:
281:
640:
554:
599:
Young, British and Black: The Work of
Sankofa and Black Audio Film Collective
514:
97:, they "projected a stance of high seriousness with seductive stylishness".
266:"Becoming Black Audio: An Interview with John Akomfrah and Trevor Mathison"
594:
535:
475:"Untimely Meditations: Reflections on the Black Audio Film Collective"
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that makes unconventional use of newsreel and archive material of the
659:"Sounds in Diaspora. The Cinema of the Black Audio Film Collective"
448:
111:
575:
The Ghosts of Songs: The Art of the Black Audio Film
Collective
59:
The formation of the Black Audio Film
Collective, like that of
597:, Diagonal Thoughts, 9 October 2013. Originally published in
481:, Number 19, Summer 2004, pp. 38–45. Excerpt at Project Muse.
27:), founded in 1982 and active until 1998, comprised seven
545:. The Black Audio Film Collective at Smoking Dogs Films.
614:
Kino: The
Western Undergraduate Journal of Film Studies
655:, FACT (Foundation for Art and Creative Technology).
130:, toured between 2 February and 1 April 2007.
16:Black British film collective founded in 1982
8:
661:, Museo Nacional Centro de Arte Reina SofĂa.
641:John Akomfrah on Black Audio Film Collective
331:"Black Audio & Sankofa Film Collectives"
230:Gangsta Gangsta: The Tragedy of Tupac Shakur
116:autumn 1985 civil disturbances in Birmingham
675:1982 establishments in the United Kingdom
479:Nka: Journal of Contemporary African Art
451:. Birmingham Black Oral history project.
414:
412:
313:"Rep Diary: Black Audio Film Collective"
595:"Black Audio Film Collective interview"
437:"Black Audio Film Collective (1982-98)"
253:
700:English artist groups and collectives
276:(2). Indian University Press: 79–93.
7:
710:Organizations disestablished in 1998
653:"Black Audio Film Collective Online"
369:, CENCIA, Georgia State University.
212:Three Songs on Pain, Light and Time
647:"Black Audio Film Collective (gb)"
603:Hallwalls Contemporary Arts Center
14:
715:Organizations established in 1982
243:Sankofa Film and Video Collective
61:Sankofa Film and Video Collective
690:Black British culture in England
389:, Frieze, Issue 106, April 2007.
224:Martin Luther King: Days of Hope
616:, Volume 1, Issue 1, Article 2.
311:Clark, Ashley (3 March 2014).
1:
491:"Black Audio Film Collective"
360:"Black Audio Film Collective"
348:"Black Audio Film Collective"
398:Celluloid Liberation Front,
140:Expeditions: Signs of Empire
631:"Voices of the rising tide"
580:University of Chicago Press
420:"Voices of the rising tide"
21:Black Audio Film Collective
731:
290:10.2979/blackcamera.6.2.79
282:10.2979/blackcamera.6.2.79
541:24 September 2015 at the
462:"Handsworth Songs (1986)"
205:The Last Angel of History
198:The Mothership Connection
191:Seven Songs for Malcolm X
184:A Touch of the Tar Brush
365:28 October 2014 at the
100:BAFC produced what the
102:British Film Institute
41:Portsmouth Polytechnic
695:Black British history
680:Black British artists
146:Images of Nationality
685:Black British cinema
608:Josh Romphf (2010),
511:"Smoking Dogs Films"
406:, 24 September 2012.
134:Selected filmography
637:, 27 February 2007.
517:on 20 February 2015
464:, BFI Screenonline.
426:, 27 February 2007.
378:The Otolith Group,
128:The Ghosts of Songs
496:2014-10-18 at the
385:2014-10-28 at the
380:"This Day Remains"
33:multimedia artists
555:"Signs of Empire"
439:, BFScreenonline.
178:Who Needs a Heart
172:Mysteries of July
35:and film makers:
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705:Film collectives
643:. YouTube video.
605:, Buffalo, N.Y.)
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513:. Archived from
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564:Further reading
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543:Wayback Machine
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367:Wayback Machine
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264:(Spring 2015).
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37:John Akomfrah
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31:and diaspora
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29:Black British
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635:The Guardian
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593:Coco Fusco,
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515:the original
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570:Kodwo Eshun
557:on YouTube.
460:Ann Ogidi,
435:Paul Ward,
95:Kodwo Eshun
69:Stuart Hall
65:Homi Bhabha
49:east London
669:Categories
521:28 October
249:References
112:film essay
55:Background
298:161454062
160:Testament
148:(1983–84)
649:at IMDb.
582:, 2007.
539:Archived
500:, Iniva.
494:Archived
383:Archived
363:Archived
237:See also
86:Guardian
601:(1988,
89:critic
45:Hackney
586:
296:
288:
232:(1998)
226:(1997)
220:(1997)
214:(1995)
208:(1995)
200:(1995)
194:(1993)
186:(1992)
180:(1991)
174:(1991)
168:(1989)
162:(1988)
156:(1986)
294:S2CID
286:JSTOR
75:Style
584:ISBN
523:2014
110:, a
67:and
25:BAFC
19:The
278:doi
47:in
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629:,
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411:^
402:,
333:.
315:.
292:.
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590:.
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274:6
142:.
23:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.