753:
505:
664:. This is the painting's only overt reference to the ethnicity of Jesus and his disciples. Most previous depictions excluded Judas by placing him alone on the opposite side of the table from the other eleven disciples and Jesus, or placing halos around all the disciples except Judas. Leonardo instead has Judas lean back into shadow. Jesus is predicting that his betrayer will take the bread at the same time he does to Thomas and James the Greater to his left, who react in horror as Jesus points with his left hand to a piece of bread before them. Distracted by the conversation between John and Peter, Judas reaches for a different piece of bread not noticing Jesus too stretching out with his right hand towards it (Matthew 26: 23). The angles and lighting draw attention to Jesus, whose
411:
780:
737:
433:
445:
54:
625:
1489:
641:
936:
752:
5210:
1023:
3663:
1008:
1593:: one table, one central figure, two side walls, three windows and figures grouped in threes, five groups of figures, eight panels on the walls and eight table legs, and thirteen individual figures. Debates among art historians still surround the use of the Fibonacci series as some argue that its purposeful use did not fully begin to be applied to architecture until the early 19th century.
4353:
1219:
570:
treasurer. He is also tipping over the salt cellar, which may be related to the near-Eastern expression to "betray the salt" meaning to betray one's master. He is the only person to have his elbow on the table and his head is also vertically the lowest of anyone in the painting. Peter wears an expression of anger and appears to be holding a knife, foreshadowing his violent reaction in
5222:
885:
836:-shaped structure near the center base of the painting. It is believed, through early copies, that Jesus' feet were in a position symbolizing the forthcoming crucifixion. In 1768, a curtain was hung over the painting intended for its protection; the curtain instead trapped moisture on the surface, and whenever it was pulled back, it scratched the flaking paint.
736:
281:. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance.
3225:
1259:
First we visited the fading inimitable fresco of
Leonardo da Vinci. How vain are copies! not in one, nor in any print, did i ever see the slightest approach to the expression in our Savior's face, such as it is in the original. Majesty and love – these are the words that would describe it – joined to
864:
wrote that in 1800, the room was flooded with two feet of water after a heavy rainstorm. The refectory was used as a prison; it is not known if any of the prisoners may have damaged the painting. In 1821, Stefano
Barezzi, an expert in removing whole frescoes from their walls intact, was called in to
831:
described the painting as reduced to a "muddle of blots" so deteriorated that the figures were unrecognizable. By the second half of the 16th century, Gian Paolo
Lomazzo stated that "the painting is all ruined". In 1652, a doorway was cut through the (then unrecognisable) painting, and later bricked
676:
Leonardo reportedly used the likenesses of people in and around Milan as inspiration for the painting's figures. The convent's prior complained to Sforza of
Leonardo's "laziness" as he wandered the streets to find a criminal to base Judas on. Leonardo responded that if he could find no one else, the
539:
portrays the reaction given by each apostle when Jesus said one of them would betray him. All twelve apostles have different reactions to the news, with various degrees of anger and shock. The apostles were identified by their names, using an unsigned, mid-sixteenth-century fresco copy of
Leonardo's
672:
for all perspective lines. In addition, the painting demonstrated
Leonardo's masterful use of perspective as it "draws our attention to the face of Christ at the center of the composition, and Christ's face, through his down-turned gaze, directs our focus along the diagonal of his left arm to his
384:
from about 1495 to 1498, but he did not work continuously. The beginning date is not certain, as the archives of the convent for the period have been destroyed. A document dated 1497 indicates that the painting was nearly completed at that date. A prior from the monastery reportedly complained to
851:
the whole mural. This repair did not last well and another restoration was attempted in 1770 by an otherwise unknown artist named
Giuseppe Mazza. Mazza stripped off Bellotti's work then largely repainted the painting; he had redone all but three faces when he was halted due to public outrage. In
569:
form another group of three. Judas is wearing red, blue, and green and is in shadow, looking withdrawn and taken aback by the sudden revelation of his plan. He is clutching a small bag, perhaps signifying the silver given to him as payment to betray Jesus, or perhaps a reference to his role as a
943:
The painting's appearance by the late 1970s had badly deteriorated. From 1978 to 1999, Pinin
Brambilla Barcilon guided a major restoration project to stabilize the painting and reverse the damage caused by dirt and pollution. The eighteenth- and nineteenth-century restoration attempts were also
1568:
and Alice Von Kannon comment, "If he looks effeminate and needs a haircut, so does James, the second figure on the left." According to Ross King, an expert on
Italian art, Mary Magdalene's appearance at the last supper would not have been controversial and Leonardo would have had no motive to
1167:. As well, other women artists have their image shown in the border of the piece; in all eighty-two women artists are part of the whole image. This image, addressing the role of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the
971:
This restoration took 21 years and, on 28 May 1999, the painting was returned to display. Intending visitors were required to book ahead and could only stay for 15 minutes. When it was unveiled, considerable controversy was aroused by the dramatic changes in colors, tones, and even some facial
385:
Leonardo about its delay. Leonardo wrote to the head of the monastery, explaining he had been struggling to find the perfect villainous face for Judas, and that if he could not find a face corresponding with what he had in mind, he would use the features of the prior who had complained.
988:, had been a particularly strong critic. Michael Daley, director of ArtWatch UK, has also complained about the restored version of the painting. He has been critical of Christ's right arm in the image which has been altered from a draped sleeve to what Daley calls "muff-like drapery".
517:
769:, London. This full-scale copy was the main source for the 1978–1998 restoration of the original. It includes several lost details such as Christ's feet and the salt cellar spilled by Judas. Giampietrino is thought to have worked closely with Leonardo when he was in
518:
659:
In common with other depictions of the Last Supper from this period, Leonardo seats the diners on one side of the table, so that none of them has his back to the viewer. The tablecloth is white with blue stripes, which are colours commonly associated with the
1090:, with Jesus portrayed as blond and clean shaven, pointing upward to a spectral torso while the apostles are gathered around the table heads bowed so that none may be identified. It is reputed to be one of the most viewed paintings in the collection of the
1584:
The painting contains several possible numerical references, including to the number three. The
Apostles are seated in groups of three, there are three windows behind Jesus, and the shape of Jesus' figure resembles a triangle. His hands are located at the
515:
1288:, where Peter preaches in front of a large Christian crowd. As he tells the story of the Last Supper, the film shifts into a brief scene where the background, clothing, and positions of Jesus and the 12 Disciples is alike to the painting itself. In
519:
410:
578:. Peter is leaning towards John and touching him on the shoulder, in reference to John's Gospel where he signals the "beloved disciple" to ask Jesus who is to betray him. The youngest apostle, John, appears to swoon and lean towards Peter.
1554:(1982). Art historians hold that the figure is the Apostle John, who appears feminine in line with Leonardo's characteristic fascination with blurring the lines between the sexes, a quality which is found in his other paintings, such as
779:
521:
520:
514:
3086:
1472:. This claim was later debunked when the Olympic World Library published the media guide (written before the ceremony) which mentioned it being a homage to cultural festivities as the segment is actually called
508:
3782:
3604:
810:
308:. Due to the methods used, a variety of environmental factors, and intentional damage, little of the original painting remains today despite numerous restoration attempts, the last being completed in 1999.
4737:
4260:
3283:
512:
746:
from Leonardo's notebooks shows twelve apostles, nine of which are identified by names written above their heads. Judas sits on the opposite side of the table, as in earlier depictions of the scene.
350:. These plans were not fully carried out, and a smaller mortuary chapel was constructed, adjacent to the cloister. The painting was commissioned by Sforza to decorate the wall of the mausoleum. The
1322:
stages a "last supper" for Walt (Painless) Waldowski before his planned suicide. The various doctors, all in surgical scrubs, pose in imitation of the painting. In Norman Jewison's film version of
496:
in the 14th century. However, Cennini described the technique as being more risky than fresco painting, and recommended the use of painting in a more superficial medium for the final touches only.
2382:
342:, although the room was not a refectory at the time that Leonardo painted it. The main church building was still under construction while Leonardo was composing the painting. Leonardo's patron,
2678:
432:
865:
remove the painting to a safer location; he badly damaged the center section before realizing that Leonardo's work was not a fresco. Barezzi then attempted to reattach damaged sections with
510:
2631:
3325:
698:
are known to exist, presumed to be work by Leonardo's assistants. The copies are almost the size of the original, and have survived with a wealth of original detail still intact. One, by
815:
Because Sforza had ordered the church to be rebuilt hastily, the masons filled the walls with moisture-retaining rubble. The painting was done on a thin exterior wall, so the effects of
819:
were felt keenly, and the paint failed to properly adhere to it. Because of the method used, soon after the painting was completed on 9 February 1498 it began to deteriorate. In 1499,
509:
516:
3573:
4653:
150:
1526:. It also states that there was a letter 'glaring in the center of the painting' (M) standing for Matrimonio or Mary Magdalene. This speculation originated in earlier books
1844:
1754:
927:. However, as of 1972, the repainting done in various restorations had made the heads of saints Peter, Andrew, and James differ significantly from the original design.
3040:
2922:
1328:(1973), in the Last Supper sequence, Jesus and the 12 apostles briefly mimic the posture of each character in Leonardo's painting. The painting is also parodied in
948:
environment, which meant bricking up the windows. Then, detailed study was undertaken to determine the painting's original form, using scientific tests (especially
3239:
2679:"OPENING CEREMONY OF THE PARIS 2024 OLYMPIC GAMES : MEDIA GUIDE : 26-07-24, 19:30 / PARIS 2024 ORGANISING COMMITTEE FOR THE OLYMPIC AND PARALYMPIC GAMES"
3290:
3819:
1111:, with the heads of notable women artists collaged over the heads of Christ and his apostles. The artists collaged over the heads of Christ and his apostles in
3699:
3594:
827:
described it as "blurred and colorless compared with what I remember of it when I saw it as a boy". By 1556 – fewer than sixty years after it was finished –
511:
444:
3834:
3176:
2893:
2868:
3957:
2371:
2767:
923:
was involved in. Pellicioli reattached paint to the wall using a clear shellac, making it relatively darker and more colorful, and removed some of the
4722:
4296:
3190:
2958:
615:
are the final group of three. Both Thaddeus and Matthew are turned toward Simon, perhaps to find out if he has any answer to their initial questions.
4825:
4321:
3612:
3589:
2652:
292:. In order to permit his inconsistent painting schedule and frequent revisions, it is painted with materials that allowed for regular alterations:
5262:
1569:
disguise her as one of the other disciples, since she was widely venerated in her role as the "Apostle to the Apostles" and was the patron of the
944:
reversed. Since it had proved impractical to move the painting to a more controlled environment, the refectory was instead converted to a sealed,
2525:
1480:). According to Georgian fact checking website, Myth Detector, many experts had pointed out the differences between the fresco and the segment.
3814:
1372:" (and Mulder's last episode as a series regular) features a scene in Skinner's office with the characters lined up in homage to the painting;
1182:
as a life-sized, three-dimensional, sculptural assemblage using painted and drawn wood, plywood, brownstone, plaster, and aluminum. This work,
540:
Cenacolo. Before this, only Judas, Peter, John and Jesus had been positively identified. From left to right, according to the apostles' heads:
2632:"What does La Cene Sur La Scene Sur La Seine mean? Netizens refute Dutch historian's claim that Paris Olympics did not mock 'The Last Supper'"
5282:
5277:
4673:
3637:
2735:
2509:
2325:
2114:
2008:
1892:
1793:
1441:
513:
823:
contemplated removing the painting from the wall and taking it to France. As early as 1517, the painting was starting to flake, and in 1532
601:
of the Resurrection. James the Greater looks stunned, with his arms in the air. Meanwhile, Philip appears to be requesting some explanation.
5267:
4705:
1921:
1522:(2003), in which one of the characters suggests that the person to Jesus' right (left of Jesus from the viewer's perspective) is actually
3722:
3311:
53:
624:
396:
advised him to leave Christ's face unfinished, arguing that "it would be impossible to imagine faces lovelier or gentler than those of
334:
measures 460 cm × 880 cm (180 in × 350 in) and covers an end wall of the dining hall at the monastery of
5252:
5042:
4757:
4732:
4710:
4695:
4560:
4464:
3865:
2898:
2888:
2071:
1602:
1418:
2426:
1492:
Detail of the "beloved disciple" to Jesus's right, identified by art historians as the apostle John, but speculated in the 2003 book
468:
painting does not facilitate either of these objectives. Leonardo also sought a greater luminosity and intensity of light and shade (
5272:
4683:
3232:
3129:
3100:
3061:
2615:
1538:
3442:
1681:
4434:
4216:
3752:
3727:
3692:
3318:
3197:
3162:
2951:
1856:
1762:
1222:
1086:
2407:. Public Diplomacy Service of the Federal Public Service Foreign Affairs, Foreign Trade and Development Cooperation. 10 May 2019
4658:
4096:
3136:
2861:
2275:
1556:
1355:
335:
254:
129:
4535:
4424:
3950:
3829:
3599:
3561:
3204:
2834:
2775:
2693:"The Last Supper or Greek Mythology – What Does the Scene at the Paris Olympics Depict and Why Did the Organizers Apologize?"
1512:
alike, usually centered on purported hidden messages or hints found within the painting, especially since the publication of
3432:
1488:
5057:
4958:
4865:
4663:
4555:
4545:
4540:
4412:
4289:
3881:
3772:
766:
703:
492:
to enhance the brightness of the tempera that was applied on top. This was a method that had been described previously by
420:
366:
270:
5200:
346:, planned that the church should be remodeled as a family mausoleum. To this end, changes were made, perhaps to plans by
5113:
5067:
4860:
4795:
4550:
4495:
4397:
3902:
3708:
3371:
3304:
3107:
1351:
1334:
1251:
284:
The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron
142:
640:
5247:
4845:
4777:
4510:
4474:
4459:
3685:
3530:
3485:
2799:
1403:
278:
1382:
2581:
888:
A protective structure (right) was built in front of Leonardo's fresco. This photo shows the bombing damage in 1943.
5159:
4885:
4870:
4449:
4407:
4244:
4234:
3666:
3556:
3422:
3093:
2854:
2825:
1187:
1057:
999:
has frequently been referenced, reproduced, or parodied in Western culture. Some of the more notable examples are:
973:
4850:
4820:
4752:
4208:
3943:
3505:
3260:
3032:
3024:
3016:
2404:
1426:
909:
631:
935:
476:, laid freshly each day in sections. Rather than using the proven method of painting on walls, Leonardo painted
4840:
4835:
4700:
4643:
4625:
4505:
4402:
4282:
3844:
3824:
3799:
3747:
2930:
1647:
1229:
focuses on Christ's betrayer, repeatedly asks "Is it I?" and closes with the prayer that our feet be so guided:
1202:
1065:
793:
719:
677:
prior would make a suitable model. While the painting was being executed, Leonardo's friend, the mathematician
3737:
2024:
1260:
an absence of all guile that expresses the divine nature more visibly than I ever saw it in any other picture.
5257:
5242:
5009:
4968:
4932:
4874:
4742:
4690:
4668:
4580:
4379:
4189:
4153:
3897:
3789:
3767:
3495:
3467:
3366:
2995:
2915:
1091:
665:
544:
5093:
5052:
4927:
4678:
4606:
4520:
4337:
4195:
4160:
4066:
3804:
3794:
3762:
3732:
3427:
3382:
2980:
2028:
1607:
1551:
1528:
1324:
985:
548:
289:
2839:, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on
4942:
4901:
4880:
4570:
4565:
4525:
4469:
4091:
4021:
3742:
1577:
was painted. There would have even been precedent for it, since the earlier Italian Renaissance painter
1565:
1369:
1308:. Another beggar "photographs" the scene by flashing them. This scene contributed to its refusal by the
1284:
1168:
840:
4490:
913:
2104:
5154:
5047:
4585:
4167:
4056:
3809:
3297:
2937:
2533:
1626:
968:
in subdued colors intended to indicate they were not original work, while not being too distracting.
305:
99:
1208:, first exhibited in Milan in January 1987. The series would be the artist's last before his death.
5118:
5083:
5019:
4906:
4767:
4762:
4747:
4727:
4575:
4530:
4454:
4121:
3923:
3839:
3625:
3452:
3437:
3143:
2988:
2973:
2577:
1884:
Heroes of History: A Brief History of Civilization from Ancient Times to the Dawn of the Modern Age
1509:
1144:
1128:
1015:
981:
965:
873:
first completed a careful study of the structure of the painting, then began cleaning it. In 1924,
661:
604:
17:
5226:
5149:
4999:
4983:
4973:
4855:
4830:
4790:
4648:
4500:
4342:
4086:
4041:
4026:
3916:
3405:
3361:
2692:
1929:
1706:
1061:
1042:
594:
586:
389:
3520:
2342:
1742:
Rethinking the High Renaissance: The Culture of the Visual Arts in Early Sixteenth-Century Rome
900:
prevented the painting from being struck by bomb splinters, but it may have been damaged by the
354:
above the main painting, formed by the triple arched ceiling of the refectory, are painted with
4815:
4633:
4601:
4515:
4005:
3631:
3447:
3417:
3079:
2877:
2788:
2780:
2731:
2611:
2505:
2499:
2451:
2321:
2110:
2067:
2004:
1898:
1888:
1789:
1518:
1494:
1412:
1343:
1124:
1100:
1038:
853:
597:
are the next group of three. Thomas is clearly upset; the raised index finger foreshadows his
590:
472:) than could be achieved with fresco, in which the water-soluble colours are painted onto wet
239:
64:
1362:
wondering why everyone is sitting on the same side of the table); The season seven finale of
5187:
5182:
5103:
4937:
4715:
4429:
4417:
4316:
4305:
4239:
4101:
4036:
3966:
3849:
3757:
3620:
3568:
3510:
3346:
1590:
1120:
1095:
1081:
874:
824:
612:
608:
566:
235:
226:
215:
207:
111:
918:
860:; they threw stones at the painting and climbed ladders to scratch out the Apostles' eyes.
5214:
5169:
5164:
5014:
4978:
4963:
4805:
4374:
4081:
4061:
4046:
3980:
3525:
3490:
3462:
3376:
3009:
2377:
1570:
1543:
1465:
1407:
1359:
1226:
1194:
1175:
1148:
870:
711:
707:
669:
598:
575:
493:
397:
393:
355:
347:
343:
314:
285:
2555:
905:
5062:
5037:
4785:
4611:
4254:
4071:
4031:
3169:
3054:
2944:
2314:
1974:
1523:
1499:
1319:
1314:
1300:
1289:
1156:
957:
884:
828:
797:
723:
558:
481:
401:
274:
1589:
of half the height of the composition. The painting can also be interpreted using the
1022:
5236:
4810:
4201:
4116:
4076:
4051:
3540:
3399:
3356:
3351:
3183:
2965:
1547:
1533:
1386:
1116:
789:
715:
301:
95:
5144:
5088:
4800:
4638:
4249:
3990:
3515:
3500:
3477:
2653:"Paris Olympics organizers say they meant no disrespect with 'Last Supper' tableau"
2347:
2202:
2154:
1586:
1578:
1469:
1374:
1265:
1246:
1132:
924:
893:
762:
699:
678:
552:
461:
358:
106:
1740:
Christoph Luitpold Frommel, "Bramante and the Origins of the High Renaissance" in
1822:
1878:
1422:, the suspects recreate the poses of Peter, Judas, and Thomas in their victims.
1390:
1364:
1198:
1160:
1140:
1136:
1007:
977:
901:
650:
646:
562:
469:
262:
2476:
1410:
and his friends eating at a pizza parlor. In one 2015 episode of the CBC drama
1312:
who called it "blasphemous". The painting is parodied in the motion picture of
4352:
3412:
1453:
1395:
1329:
1218:
1164:
571:
489:
464:, a medium which allows the artist to work slowly and make changes with ease.
2836:
Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle
2792:
2784:
1902:
165:
152:
5139:
5098:
4175:
4111:
4106:
3985:
3047:
1513:
1294:
896:, on 15 August 1943, the refectory was struck by Allied bombing; protective
844:
820:
339:
250:
121:
460 cm × 880 cm (181 in × 346 in)
1882:
1049:. It reveals many details that are no longer visible on the original. The
5108:
4922:
3535:
1682:"The Last Supper by Leonardo da Vinci – Santa Maria delle Grazie – Milan"
1461:
1309:
1152:
949:
866:
852:
1796, French revolutionary anti-clerical troops used the refectory as an
816:
5221:
2818:
2773:
Bertelli, Carlo (November 1983). "Restoration Reveals the Last Supper".
2768:
Detailed review of Steinberg's 'Incessant Last Supper' at 3 Pipe Problem
2532:. Washington, D.C.: National Museum of Women in the Arts. Archived from
2176:
5004:
3995:
1046:
1030:
953:
897:
848:
727:
473:
370:
351:
293:
87:
4000:
3677:
2585:
1305:
1069:
1053:
878:
861:
857:
465:
2846:
1341:
Many parodies of the painting appear on the small screen, including
4274:
3935:
2280:
Aleteia – Catholic Spirituality, Lifestyle, World News, and Culture
186:
5134:
3457:
1487:
1249:
describes her impression of the painting in her travel narrative,
1021:
1006:
883:
770:
581:
503:
485:
297:
266:
258:
231:
133:
91:
2276:"How 'The Last Supper' miraculously survived World War II bombs"
1637:
The lower-right section continues the upper composition at left.
1050:
945:
833:
484:. The painting is on a stone wall sealed with a double layer of
4278:
3939:
3681:
3284:
The Virgin and Child with Saint Anne and Saint John the Baptist
2850:
2427:"Where you can see Napoleon's copy of Da Vinci's 'Last Supper'"
811:
Conservation-restoration of Leonardo da Vinci's The Last Supper
3574:
Museo Nazionale Scienza e Tecnologia Leonardo da Vinci (Milan)
1852:
681:, called it "a symbol of man's burning desire for salvation".
373:; these figures have deteriorated in much the same way as has
2477:"Mary Beth Edelson. Some Living American Women Artists. 1972"
1744:, Jill Burke, ed. Ashgate Publishing, Oxan, UK, 2002, p. 172.
1851:. Series 2. Episode 2. The Open University. 7 October 2003.
1707:"Leonardo Da Vinci's 'The Last Supper' reveals more secrets"
1432:
depicts a fictional story of how the painting was created.
4738:
Museo della Scienza e della Tecnologia "Leonardo da Vinci"
1060:
made another life-sized copy (1809–1814), commissioned by
952:
reflectoscopy and microscopic core-samples), and original
714:, Switzerland. A third copy (oil on canvas) is painted by
369:, to which Leonardo added figures of the Sforza family in
1659:
A pun as Cène, scène and Seine have similar pronunciation
3087:
Madonna and Child with the Infant Saint John the Baptist
2041:
2039:
2037:
1957:
1955:
1953:
1951:
1949:
1947:
279:
Jesus announces that one of his apostles will betray him
1508:
has been the target of much speculation by writers and
1468:
and religious leaders, who alleged that it was mocking
361:. The opposite wall of the refectory is covered by the
1731:; Harry N. Abrams Incorporated, New York, 1985, p. 601
1037:
A 16th-century oil on canvas copy is conserved in the
5198:
2109:. New York and London: Bloomsbury. pp. 187–189.
1581:
had included her in his painting of the Last Supper.
877:
did further cleaning, and stabilised some parts with
338:
in Milan, Italy. The theme was a traditional one for
5127:
5076:
5030:
4992:
4951:
4915:
4894:
4776:
4624:
4594:
4483:
4390:
4367:
4360:
4330:
4227:
4130:
4014:
3973:
3890:
3874:
3858:
3715:
3582:
3549:
3476:
3392:
3339:
3270:
3249:
3214:
3154:
3121:
3071:
2907:
2722:
2720:
2718:
2716:
2714:
2712:
2710:
2446:
2444:
2372:"Have art restorers ruined Leonardo's masterpiece?"
1729:
A History of Art: Painting, Sculpture, Architecture
908:undertook a clean-and-stabilise restoration, which
488:, pitch, and mastic. Then he added an undercoat of
181:
140:
125:
117:
105:
83:
70:
60:
34:
2370:
2313:
960:. Some areas were deemed unrestorable. These were
261:, Italy. The painting represents the scene of the
2247:Da Vinci, Leonardo (1971). Taylor, Pamela (ed.).
1338:(1981), making Leonardo a contemporary of Jesus.
2501:Becoming Judy Chicago: A Biography of the Artist
1755:"Santa Maria delle Grazie & The Last Supper"
1113:Some Living American Women Artists / Last Supper
1105:Some Living American Women Artists / Last Supper
710:, is installed at the Church of St. Ambrogio in
438:The painting as it appears on the refectory wall
277: – specifically the moment after
4654:Antique Furniture & Wooden Sculpture Museum
2779:. Vol. 164, no. 5. pp. 664–684.
2098:
2096:
2094:
2092:
2090:
2088:
2086:
2084:
2082:
2080:
1887:. New York: Simon & Schuster. p. 206.
1257:
507:
2200:"Chapel with return Renaissance painrefting".
1444:, a segment that some have claimed was called
1282:The painting is closely resembled in the film
4290:
3951:
3693:
2862:
2405:"Tongerlo Abbey Houses A Remarkable Treasure"
2178:The Notebooks of Leonardo Da Vinci – Complete
839:A first restoration was attempted in 1726 by
220:
8:
3226:Designs for an Adoration of the Christ Child
1393:and his other patrons as the disciples; and
1003:Non-modern painting, mosaic, and photography
832:up; this can still be seen as the irregular
2504:. Univ of California Press. pp. 209–.
2242:
2240:
1926:Smart history presented by the Khan Academy
1450:"The Last Supper on the stage on the Seine"
530:(Clickable image – use cursor to identify.)
312:is Leonardo's largest work, aside from the
4364:
4297:
4283:
4275:
3958:
3944:
3936:
3700:
3686:
3678:
3211:
3068:
2869:
2855:
2847:
2556:"Self-Portrait Looking at The Last Supper"
765:, oil on canvas, in the collection of the
480:in tempera, the medium generally used for
52:
31:
27:Mural painting by Leonardo da Vinci, 1490s
4723:Museo Civico di Storia Naturale di Milano
3240:Head of the Infant Saint John the Baptist
555:form a group of three; all are surprised.
4826:Palazzo della Banca Commerciale Italiana
4322:History of architecture and art in Milan
2730:, p. 257 (Wiley Publishing, Inc., 2007.
1916:
1914:
1912:
1184:Self-Portrait Looking at The Last Supper
1033:(Israel) was sold for $ 264,000 in 2007.
934:
404:." Leonardo apparently took the advice.
5205:
2610:. London: Pickering. pp. 131–132.
2299:
2261:
2231:Doctor Cardano, physician extraordinary
2216:
2141:
2129:
2066:. London: Cassell Illustrated, p. 132.
2058:
2056:
2054:
2045:
1961:
1672:
1619:
732:
406:
2726:Christopher Hodapp, Alice Von Kannon,
1304:of Leonardo's painting is staged with
939:The painting as it looked in the 1970s
843:, who filled in missing sections with
2251:. New American Library. p. xvii.
1788:. New York: Bloomsbury. p. 271.
1680:Bianchini, Riccardo (24 March 2021).
1456:that was variously claimed to parody
1442:2024 Summer Olympics opening ceremony
225:
214:
7:
4706:Art collection of Fondazione Cariplo
3041:The Virgin and Child with Saint Anne
2456:The Frost Art Museum Drawing Project
2343:"The Last Supper or a dog's dinner?"
2003:. New York: Zone Books. p. 75.
2155:"Last Supper (copy after Leonardo)"
1812:, Penguin Books 1939, 1993, p. 144.
1646:The painting hung in the chapel of
718:(c. 1520) and is on display in the
18:The Last Supper (Leonardo da Vinci)
5043:Giardini Pubblici Indro Montanelli
4711:Palazzo Anguissola Antona Traversi
2806:. New York: The Viking Press, Inc.
2249:The Notebooks of Leonardo da Vinci
2001:Leonardo's Incessant 'Last Supper'
1603:List of works by Leonardo da Vinci
1239:That immortal banquet by thy side,
956:preserved in the Royal Library at
25:
4561:S. Maurizio al Monastero Maggiore
3312:Drapery of the Virgin's Right Arm
2530:Clara – Database of Women Artists
2385:from the original on 18 June 2022
1539:The Holy Blood and the Holy Grail
1446:La Cène sur la scène sur la Seine
649:study of an apostle, most likely
460:Leonardo, as a painter, favoured
5220:
5208:
4351:
3662:
3661:
3198:Studies of the Fetus in the Womb
3177:The Martyrdom of Saint Sebastian
3163:Study for the Madonna of the Cat
2754:The World of Leonardo: 1452–1519
2369:Alberge, Dayla (14 March 2012).
2206:. 14 September 2017. p. 19.
2157:. University of the Arts, London
1217:
1087:The Sacrament of the Last Supper
778:
751:
735:
673:hand and therefore, the bread."
639:
623:
443:
431:
409:
4097:Antonio da Sangallo the Younger
2341:Phillip William (24 May 1999).
2274:Traverso, V. M. (5 June 2019).
2181:. Gutenberg.org. 1 January 2004
1203:a series of paintings based on
5263:Paintings by Leonardo da Vinci
3616:replicas and reinterpretations
3562:Museo Ideale Leonardo da Vinci
3205:Portrait of a Man in Red Chalk
2959:Saint Jerome in the Wilderness
2681:. Olympic World Library. 2024.
1464:was widely criticised by some
702:, is in the collection of the
1:
5058:Orto Botanico di Cascina Rosa
4959:Galleria Vittorio Emanuele II
4866:Palazzo delle Scuole Palatine
4674:Museum of Musical Instruments
4180:
4143:
2695:. Myth Detector. 29 July 2024
1561:
1186:, (1982–84) is in New York's
421:Giovanni Donato da Montorfano
392:wrote that Leonardo's friend
367:Giovanni Donato da Montorfano
243:
74:
5283:Tourist attractions in Milan
5278:Paintings of the Last Supper
4796:Casa di Riposo per Musicisti
3605:Conservation-restoration of
3372:Codex on the Flight of Birds
3305:Drapery of the Virgin's Legs
2931:The Madonna of the Carnation
2756:. New York: Time-Life Books.
2728:The Templar Code For Dummies
2558:. Metropolitan Museum of Art
2316:Leonardo and the Last Supper
2106:Leonardo and the Last Supper
1786:Leonardo and the Last Supper
1358:flanked by his friends (and
1335:History of the World, Part I
1252:Rambles in Germany and Italy
1241:Where there is no betrayer.
1216:In her 1834 ekphrasic poem,
706:, London, and the other, by
423:, 1495, opposite Leonardo's
5268:Paintings of Judas Iscariot
3531:Giovanni Ambrogio de Predis
3486:Giovanni Antonio Boltraffio
3191:Portrait of Isabella d'Este
1318:(1970), in the scene where
5299:
5160:Milan International (1906)
4886:Villa Belgiojoso Bonaparte
4556:S. Maria presso San Satiro
4511:S. Cristoforo sul Naviglio
4349:
4245:Johann Joachim Winckelmann
4235:Art patronage of Julius II
3557:Museo leonardiano di Vinci
3094:The Holy Infants Embracing
1402:s 2009 Season 13 episode "
1354:episode "Streaking", with
1188:Metropolitan Museum of Art
808:
5253:Fresco paintings in Milan
5178:
5114:Stadio del Ghiaccio Agorà
4952:Squares and public spaces
4851:Palazzo dei Giureconsulti
4758:Contemporary Art Pavilion
4753:Museo Teatrale alla Scala
4551:S. Maria presso San Celso
4312:
3911:
3891:Other media (by location)
3656:✻✻ Possible collaboration
3649:
3506:Giovanni Agostino da Lodi
2952:The Adoration of the Magi
2884:
2804:Leonardo: The Last Supper
2752:Wallace, Robert (1972) .
1425:The fifth episode of the
1237:in this world may lead to
904:. Between 1946 and 1954,
227:[ˈlultimaˈtʃeːna]
51:
39:
5273:Paintings of Saint Peter
4701:Gallerie di Piazza Scala
4644:Bagatti Valsecchi Museum
3875:Sculptures (by sculptor)
3820:Signorelli (Lamentation)
3783:conservation-restoration
2320:. New York: Bloomsbury.
2062:White, Susan D. (2006).
1922:"Leonardo's Last Supper"
1648:Magdalen College, Oxford
1498:and similar works to be
1383:Thank God, It's Doomsday
1381:2005 Season 16 episode "
794:Leonardo da Vinci Museum
792:, oil on canvas, in the
720:Leonardo da Vinci Museum
336:Santa Maria delle Grazie
255:Santa Maria delle Grazie
234:painting by the Italian
130:Santa Maria delle Grazie
5010:Quadrilatero della moda
4933:Teatro degli Arcimboldi
4875:State Archives of Milan
4696:Galleria d'Arte Moderna
4659:Applied Arts Collection
4581:Oratorio di San Protaso
4506:S. Bernardino alle Ossa
4450:S. Maria della Passione
4380:Basilica di Santa Tecla
3859:Paintings (by location)
1999:Steinberg, Leo (2001).
1849:The Mark Steel Lectures
1510:historical revisionists
1478:"Festivity/Celebration"
1466:Christian conservatives
1092:National Gallery of Art
805:Damage and restorations
327:Commission and creation
273:, as it is told in the
216:[iltʃeˈnaːkolo]
5094:Hippodrome of San Siro
5053:Orto Botanico di Brera
4821:Palazzo dell'Arengario
4733:Museo del Risorgimento
4607:Garegnano Charterhouse
4338:Colonne di San Lorenzo
4196:Sistine Chapel ceiling
4161:San Pietro in Montorio
4067:Bernardino delle Croci
3815:Signorelli (Communion)
3383:A Treatise on Painting
3101:The Battle of Anghiari
3062:Saint John the Baptist
2981:Portrait of a Musician
2894:Science and inventions
2800:Heydenreich, Ludwig H.
2606:Shelley, Mary (1996).
2582:"Warhol's Last Supper"
1608:Twelve Apostles in art
1529:The Templar Revelation
1502:
1325:Jesus Christ Superstar
1275:
1064:, that resides in the
1034:
1019:
986:ArtWatch International
940:
889:
549:James, son of Alphaeus
533:
221:
211:
5128:Events and traditions
5068:Villa Litta Modignani
4902:Biblioteca Ambrosiana
4881:Royal Palace of Milan
4861:Palazzo della Ragione
4664:Archaeological Museum
4626:Museums and galleries
4521:S. Giorgio al Palazzo
4435:S. Maria delle Grazie
4092:Sebastiano del Piombo
4022:Mariotto Albertinelli
3716:Paintings (by artist)
3600:Portraits of Leonardo
3275:Child with Saint Anne
2923:The Baptism of Christ
1566:Christopher L. Hodapp
1491:
1292:'s 1961 Spanish film
1169:feminist art movement
1025:
1010:
938:
887:
869:. From 1901 to 1908,
841:Michelangelo Bellotti
767:Royal Academy of Arts
704:Royal Academy of Arts
527:by Leonardo da Vinci
523:
5155:Milan Furniture Fair
4586:Rotonda della Besana
4566:S. Pietro in Gessate
4536:S. Maria del Carmine
4526:S. Giovanni in Conca
4470:S. Vincenzo in Prato
4440:Leonardo da Vinci's
4331:Archaeological sites
4190:St. Peter's Basilica
4057:Antonio da Correggio
3974:Principal proponents
3496:Bernardino de' Conti
2996:La Belle Ferronnière
2830:and the three layers
2578:Haden-Guest, Anthony
2229:Wykes, Alan (1969).
1859:on 17 September 2018
1557:St. John the Baptist
1436:2024 Summer Olympics
1107:(1972) appropriated
694:Two early copies of
166:45.46667°N 9.17083°E
5119:Velodromo Vigorelli
5084:Allianz Cloud Arena
5020:Via Monte Napoleone
4907:Biblioteca di Brera
4846:Palazzo Castiglioni
4768:Triennale di Milano
4763:Pinacoteca di Brera
4748:Museo Poldi Pezzoli
4728:Museo del Novecento
4679:Museo d'Arte Antica
4541:S. Maria della Pace
4475:S. Vittore al Corpo
4465:S. Stefano Maggiore
4122:Antonio Vassilacchi
3924:Christianity portal
3641:(Galleria Borghese)
3626:Mathematics and art
3590:Cultural references
3453:Rapid fire crossbow
3443:Self-propelled cart
3217:Virgin of the Rocks
2989:Lady with an Ermine
2974:Virgin of the Rocks
2776:National Geographic
2526:"Mary Beth Adelson"
2498:Gail Levin (2018).
2452:"Mary Beth Edelson"
2312:King, Ross (2012).
2103:King, Ross (2012).
1932:on 15 February 2014
1784:King, Ross (2012).
1278:Film and television
1272:(1996), pp. 131–132
1129:Helen Frankenthaler
1016:Wieliczka Salt Mine
982:Columbia University
380:Leonardo worked on
162: /
5248:Catholic paintings
5150:Milan Fashion Week
5077:Sporting sceneries
5000:Corso Buenos Aires
4993:Streets and canals
4984:Piazza Gae Aulenti
4974:Piazza della Scala
4871:Palazzo del Senato
4856:Palazzo Mezzanotte
4831:Palazzo Belgioioso
4791:Casa degli Omenoni
4778:Villas and palaces
4649:Castello Sforzesco
4546:S Maria Incoronata
4455:S. Nazaro in Brolo
4343:Milan amphitheatre
4087:Baldassare Peruzzi
4042:Moretto da Brescia
4027:Pellegrino Aretusi
3917:Visual arts portal
3709:Last Supper in art
3406:Divina proportione
3362:Codex Trivulzianus
3326:Head of the Virgin
3319:Head of Saint Anne
2536:on 10 January 2014
2064:Draw Like Da Vinci
1709:. sciencedaily.com
1503:
1255:, published 1844:
1062:Napoleon Bonaparte
1035:
1020:
946:climate-controlled
941:
890:
668:is located at the
666:turned right cheek
534:
390:Gian Paolo Lomazzo
253:of the Convent of
5196:
5195:
5031:Gardens and parks
4841:Palazzo Carminati
4816:Palazzina Appiani
4634:Alfa Romeo Museum
4620:
4619:
4602:Chiaravalle Abbey
4408:S. Carlo al Corso
4272:
4271:
4217:The Last Judgment
4006:Leonardo da Vinci
3933:
3932:
3675:
3674:
3639:Leda and the Swan
3632:The Lost Leonardo
3448:Octant projection
3418:Harpsichord-viola
3335:
3334:
3233:Head of the Angel
3117:
3116:
3108:Leda and the Swan
3033:Lansdowne Madonna
3017:Buccleuch Madonna
2938:Ginevra de' Benci
2878:Leonardo da Vinci
2736:978-0-470-12765-0
2580:(3 August 1999).
2511:978-0-520-30006-4
2429:. TripAdvisor LLC
2327:978-0-8027-1705-4
2116:978-0-7475-9947-0
2010:978-1-890951-18-4
1975:"The Last Supper"
1894:978-0-7432-2612-7
1823:"The Last Supper"
1810:Leonardo da Vinci
1795:978-1-62040-308-2
1727:Frederick Hartt,
1519:The Da Vinci Code
1495:The Da Vinci Code
1484:Other speculation
1413:Murdoch Mysteries
1125:Elaine de Kooning
1101:Mary Beth Edelson
1058:Giacomo Raffaelli
1039:abbey of Tongerlo
931:Major restoration
914:Fernanda Wittgens
591:James the Greater
532:
398:James the Greater
240:Leonardo da Vinci
199:
198:
171:45.46667; 9.17083
65:Leonardo da Vinci
16:(Redirected from
5290:
5225:
5224:
5213:
5212:
5211:
5204:
5188:Outline of Milan
5183:Tourism in Italy
5104:Mediolanum Forum
4969:Piazza del Duomo
4938:Teatro Dal Verme
4836:Palazzo Borromeo
4716:Palazzo Brentani
4496:S. Antonio Abate
4418:Portinari Chapel
4365:
4355:
4317:History of Milan
4306:Tourism in Milan
4299:
4292:
4285:
4276:
4240:Jacob Burckhardt
4185:
4184: 1502–1516
4182:
4148:
4147: 1492–1498
4145:
4102:Andrea del Sarto
4037:Ludovico Beretta
3967:High Renaissance
3960:
3953:
3946:
3937:
3702:
3695:
3688:
3679:
3665:
3664:
3621:High Renaissance
3569:Leonardo3 Museum
3511:Bernardino Luini
3433:Fighting vehicle
3347:Codex Atlanticus
3287:(London cartoon)
3271:Relating to the
3250:Studies for the
3215:Studies for the
3212:
3069:
2916:The Annunciation
2871:
2864:
2857:
2848:
2822:
2821:
2819:Official website
2796:
2757:
2739:
2724:
2705:
2704:
2702:
2700:
2689:
2683:
2682:
2675:
2669:
2668:
2666:
2664:
2649:
2643:
2642:
2640:
2638:
2628:
2622:
2621:
2603:
2597:
2596:
2594:
2592:
2574:
2568:
2567:
2565:
2563:
2552:
2546:
2545:
2543:
2541:
2522:
2516:
2515:
2495:
2489:
2488:
2486:
2484:
2473:
2467:
2466:
2464:
2462:
2448:
2439:
2438:
2436:
2434:
2423:
2417:
2416:
2414:
2412:
2401:
2395:
2394:
2392:
2390:
2374:
2366:
2360:
2359:
2357:
2355:
2338:
2332:
2331:
2319:
2309:
2303:
2297:
2291:
2290:
2288:
2286:
2271:
2265:
2259:
2253:
2252:
2244:
2235:
2234:
2226:
2220:
2214:
2208:
2207:
2197:
2191:
2190:
2188:
2186:
2173:
2167:
2166:
2164:
2162:
2151:
2145:
2139:
2133:
2127:
2121:
2120:
2100:
2075:
2060:
2049:
2043:
2032:
2029:John 12:6; 13:29
2021:
2015:
2014:
1996:
1990:
1989:
1987:
1985:
1971:
1965:
1959:
1942:
1941:
1939:
1937:
1928:. Archived from
1918:
1907:
1906:
1875:
1869:
1868:
1866:
1864:
1855:. Archived from
1841:
1835:
1834:
1832:
1830:
1825:. lairweb.org.nz
1819:
1813:
1806:
1800:
1799:
1781:
1775:
1774:
1772:
1770:
1765:on 29 March 2013
1761:. Archived from
1751:
1745:
1738:
1732:
1725:
1719:
1718:
1716:
1714:
1703:
1697:
1696:
1694:
1692:
1677:
1660:
1657:
1651:
1644:
1638:
1635:
1629:
1624:
1591:Fibonacci series
1563:
1460:or a feast with
1419:Barenaked Ladies
1401:
1380:
1349:
1273:
1221:
1145:Georgia O'Keeffe
1121:Louise Bourgeois
1096:Washington, D.C.
1014:made in salt in
963:
922:
906:Mauro Pellicioli
875:Oreste Silvestri
825:Gerolamo Cardano
782:
755:
739:
643:
627:
613:Simon the Zealot
528:
506:
447:
435:
413:
249:, housed in the
248:
247: 1495–1498
245:
236:High Renaissance
229:
224:
218:
195:
192:
190:
188:
187:cenacolovinciano
177:
176:
174:
173:
172:
167:
163:
160:
159:
158:
155:
145:
112:High Renaissance
79:
78: 1495–1498
76:
56:
32:
21:
5298:
5297:
5293:
5292:
5291:
5289:
5288:
5287:
5233:
5232:
5231:
5219:
5209:
5207:
5199:
5197:
5192:
5174:
5170:Oh bej! Oh bej!
5165:Milan Triennial
5123:
5072:
5026:
5015:Via della Spiga
4988:
4979:Piazza Mercanti
4964:Piazza Cordusio
4947:
4911:
4890:
4806:Casa Panigarola
4772:
4743:Museo Diocesano
4669:Egyptian Museum
4616:
4590:
4479:
4386:
4375:Milan Cathedral
4361:Religious sites
4356:
4347:
4326:
4308:
4303:
4273:
4268:
4223:
4209:Transfiguration
4183:
4146:
4139:The Last Supper
4126:
4082:Maffeo Olivieri
4062:Piero di Cosimo
4047:Gasparo Cairano
4010:
3981:Donato Bramante
3969:
3964:
3934:
3929:
3907:
3886:
3870:
3854:
3711:
3706:
3676:
3671:
3653:✻ Collaboration
3645:
3607:The Last Supper
3578:
3545:
3526:Francesco Melzi
3521:Marco d'Oggiono
3491:Cesare da Sesto
3472:
3463:Viola organista
3409:(illustrations)
3388:
3377:Codex Leicester
3331:
3274:
3266:
3245:
3210:
3150:
3137:Horse and Rider
3113:
3067:
3010:Sala delle Asse
3003:The Last Supper
2903:
2880:
2875:
2841:The Last Supper
2817:
2816:
2813:
2772:
2764:
2762:Further reading
2751:
2748:
2743:
2742:
2725:
2708:
2698:
2696:
2691:
2690:
2686:
2677:
2676:
2672:
2662:
2660:
2651:
2650:
2646:
2636:
2634:
2630:
2629:
2625:
2618:
2605:
2604:
2600:
2590:
2588:
2576:
2575:
2571:
2561:
2559:
2554:
2553:
2549:
2539:
2537:
2524:
2523:
2519:
2512:
2497:
2496:
2492:
2482:
2480:
2475:
2474:
2470:
2460:
2458:
2450:
2449:
2442:
2432:
2430:
2425:
2424:
2420:
2410:
2408:
2403:
2402:
2398:
2388:
2386:
2378:The Independent
2368:
2367:
2363:
2353:
2351:
2340:
2339:
2335:
2328:
2311:
2310:
2306:
2298:
2294:
2284:
2282:
2273:
2272:
2268:
2260:
2256:
2246:
2245:
2238:
2228:
2227:
2223:
2215:
2211:
2199:
2198:
2194:
2184:
2182:
2175:
2174:
2170:
2160:
2158:
2153:
2152:
2148:
2140:
2136:
2128:
2124:
2117:
2102:
2101:
2078:
2061:
2052:
2044:
2035:
2022:
2018:
2011:
1998:
1997:
1993:
1983:
1981:
1979:The Last Supper
1973:
1972:
1968:
1960:
1945:
1935:
1933:
1920:
1919:
1910:
1895:
1877:
1876:
1872:
1862:
1860:
1843:
1842:
1838:
1828:
1826:
1821:
1820:
1816:
1808:Kenneth Clark.
1807:
1803:
1796:
1783:
1782:
1778:
1768:
1766:
1753:
1752:
1748:
1739:
1735:
1726:
1722:
1712:
1710:
1705:
1704:
1700:
1690:
1688:
1679:
1678:
1674:
1669:
1664:
1663:
1658:
1654:
1645:
1641:
1636:
1632:
1625:
1621:
1616:
1599:
1575:The Last Supper
1571:Dominican Order
1544:Michael Baigent
1506:The Last Supper
1486:
1458:The Last Supper
1438:
1427:2021 TV series
1399:
1378:
1347:
1280:
1274:
1264:
1243:
1240:
1238:
1227:Lydia Sigourney
1223:The Last Supper
1214:
1205:The Last Supper
1195:Alexander Iolas
1180:The Last Supper
1176:Marisol Escobar
1149:Louise Nevelson
1109:The Last Supper
1078:
1066:Minoritenkirche
1027:The Last Supper
1012:The Last Supper
1005:
997:The Last Supper
994:
984:and founder of
976:, professor of
961:
933:
916:
871:Luigi Cavenaghi
813:
807:
800:
786:The Last Supper
783:
774:
759:The Last Supper
756:
747:
744:The Last Supper
740:
712:Ponte Capriasca
708:Cesare da Sesto
696:The Last Supper
692:
687:
670:vanishing point
657:
656:
655:
654:
653:
644:
636:
635:
630:A study of the
628:
576:arrest of Jesus
537:The Last Supper
525:The Last Supper
522:
504:
502:
494:Cennino Cennini
478:The Last Supper
458:
451:
448:
439:
436:
427:
414:
394:Bernardo Zenale
382:The Last Supper
375:The Last Supper
348:Donato Bramante
344:Ludovico Sforza
332:The Last Supper
329:
324:
315:Sala delle Asse
310:The Last Supper
286:Ludovico Sforza
271:Twelve Apostles
246:
203:The Last Supper
185:
170:
168:
164:
161:
156:
153:
151:
149:
148:
141:
77:
35:The Last Supper
28:
23:
22:
15:
12:
11:
5:
5296:
5294:
5286:
5285:
5280:
5275:
5270:
5265:
5260:
5258:Internet memes
5255:
5250:
5245:
5243:1498 paintings
5235:
5234:
5230:
5229:
5217:
5194:
5193:
5191:
5190:
5185:
5179:
5176:
5175:
5173:
5172:
5167:
5162:
5157:
5152:
5147:
5142:
5137:
5131:
5129:
5125:
5124:
5122:
5121:
5116:
5111:
5106:
5101:
5096:
5091:
5086:
5080:
5078:
5074:
5073:
5071:
5070:
5065:
5063:Parco Sempione
5060:
5055:
5050:
5045:
5040:
5038:Basilicas Park
5034:
5032:
5028:
5027:
5025:
5024:
5023:
5022:
5017:
5007:
5002:
4996:
4994:
4990:
4989:
4987:
4986:
4981:
4976:
4971:
4966:
4961:
4955:
4953:
4949:
4948:
4946:
4945:
4940:
4935:
4930:
4928:Piccolo Teatro
4925:
4919:
4917:
4913:
4912:
4910:
4909:
4904:
4898:
4896:
4892:
4891:
4889:
4888:
4883:
4878:
4868:
4863:
4858:
4853:
4848:
4843:
4838:
4833:
4828:
4823:
4818:
4813:
4808:
4803:
4798:
4793:
4788:
4786:Casa Campanini
4782:
4780:
4774:
4773:
4771:
4770:
4765:
4760:
4755:
4750:
4745:
4740:
4735:
4730:
4725:
4720:
4719:
4718:
4713:
4708:
4698:
4693:
4691:Civic Aquarium
4688:
4687:
4686:
4681:
4676:
4671:
4666:
4661:
4656:
4646:
4641:
4636:
4630:
4628:
4622:
4621:
4618:
4617:
4615:
4614:
4612:Mirasole Abbey
4609:
4604:
4598:
4596:
4592:
4591:
4589:
4588:
4583:
4578:
4573:
4568:
4563:
4558:
4553:
4548:
4543:
4538:
4533:
4528:
4523:
4518:
4513:
4508:
4503:
4498:
4493:
4487:
4485:
4481:
4480:
4478:
4477:
4472:
4467:
4462:
4460:S. Simpliciano
4457:
4452:
4447:
4446:
4445:
4432:
4427:
4422:
4421:
4420:
4410:
4405:
4400:
4394:
4392:
4388:
4387:
4385:
4384:
4383:
4382:
4371:
4369:
4362:
4358:
4357:
4350:
4348:
4346:
4345:
4340:
4334:
4332:
4328:
4327:
4325:
4324:
4319:
4313:
4310:
4309:
4304:
4302:
4301:
4294:
4287:
4279:
4270:
4269:
4267:
4266:
4265:
4264:
4255:Giorgio Vasari
4252:
4247:
4242:
4237:
4231:
4229:
4225:
4224:
4222:
4221:
4213:
4205:
4199:
4193:
4187:
4172:
4164:
4158:
4150:
4134:
4132:
4128:
4127:
4125:
4124:
4119:
4114:
4109:
4104:
4099:
4094:
4089:
4084:
4079:
4074:
4072:Girolamo Genga
4069:
4064:
4059:
4054:
4049:
4044:
4039:
4034:
4032:Fra Bartolomeo
4029:
4024:
4018:
4016:
4012:
4011:
4009:
4008:
4003:
3998:
3993:
3988:
3983:
3977:
3975:
3971:
3970:
3965:
3963:
3962:
3955:
3948:
3940:
3931:
3930:
3928:
3927:
3920:
3912:
3909:
3908:
3906:
3905:
3900:
3894:
3892:
3888:
3887:
3885:
3884:
3878:
3876:
3872:
3871:
3869:
3868:
3862:
3860:
3856:
3855:
3853:
3852:
3847:
3842:
3837:
3832:
3827:
3822:
3817:
3812:
3807:
3802:
3797:
3792:
3787:
3786:
3785:
3775:
3770:
3765:
3760:
3755:
3750:
3745:
3740:
3735:
3730:
3725:
3719:
3717:
3713:
3712:
3707:
3705:
3704:
3697:
3690:
3682:
3673:
3672:
3670:
3669:
3658:
3657:
3654:
3650:
3647:
3646:
3644:
3643:
3635:
3628:
3623:
3618:
3610:
3602:
3597:
3592:
3586:
3584:
3580:
3579:
3577:
3576:
3571:
3566:
3565:
3564:
3553:
3551:
3547:
3546:
3544:
3543:
3538:
3533:
3528:
3523:
3518:
3513:
3508:
3503:
3498:
3493:
3488:
3482:
3480:
3474:
3473:
3471:
3470:
3465:
3460:
3455:
3450:
3445:
3440:
3435:
3430:
3425:
3420:
3415:
3410:
3402:
3396:
3394:
3393:Other projects
3390:
3389:
3387:
3386:
3379:
3374:
3369:
3364:
3359:
3354:
3349:
3343:
3341:
3337:
3336:
3333:
3332:
3330:
3329:
3322:
3315:
3308:
3301:
3294:
3291:Second cartoon
3288:
3279:
3277:
3268:
3267:
3265:
3264:
3261:Head of Christ
3256:
3254:
3247:
3246:
3244:
3243:
3236:
3229:
3221:
3219:
3209:
3208:
3201:
3194:
3187:
3180:
3173:
3170:Head of a Bear
3166:
3158:
3156:
3155:Works on paper
3152:
3151:
3149:
3148:
3140:
3133:
3130:Budapest Horse
3125:
3123:
3119:
3118:
3115:
3114:
3112:
3111:
3104:
3097:
3090:
3083:
3075:
3073:
3072:Lost paintings
3066:
3065:
3058:
3055:La Scapigliata
3051:
3044:
3037:
3029:
3025:Salvator Mundi
3021:
3013:
3006:
2999:
2992:
2985:
2977:
2970:
2962:
2955:
2948:
2945:Benois Madonna
2941:
2934:
2927:
2919:
2911:
2909:
2905:
2904:
2902:
2901:
2896:
2891:
2885:
2882:
2881:
2876:
2874:
2873:
2866:
2859:
2851:
2845:
2844:
2832:
2823:
2812:
2811:External links
2809:
2808:
2807:
2797:
2770:
2763:
2760:
2759:
2758:
2747:
2744:
2741:
2740:
2706:
2684:
2670:
2659:. 28 July 2024
2644:
2623:
2616:
2608:Travel Writing
2598:
2569:
2547:
2517:
2510:
2490:
2468:
2440:
2418:
2396:
2361:
2333:
2326:
2304:
2292:
2266:
2254:
2236:
2221:
2219:, p. 127.
2209:
2192:
2168:
2146:
2134:
2122:
2115:
2076:
2072:978-1844034444
2050:
2033:
2016:
2009:
1991:
1966:
1943:
1908:
1893:
1870:
1836:
1814:
1801:
1794:
1776:
1746:
1733:
1720:
1698:
1671:
1670:
1668:
1665:
1662:
1661:
1652:
1639:
1630:
1618:
1617:
1615:
1612:
1611:
1610:
1605:
1598:
1595:
1524:Mary Magdalene
1500:Mary Magdalene
1485:
1482:
1437:
1434:
1404:Margaritaville
1344:That '70s Show
1320:Hawkeye Pierce
1301:tableau vivant
1279:
1276:
1270:Travel Writing
1262:
1231:
1213:
1210:
1157:M. C. Richards
1077:
1074:
1004:
1001:
993:
990:
958:Windsor Castle
932:
929:
829:Giorgio Vasari
809:Main article:
806:
803:
802:
801:
798:Tongerlo Abbey
784:
777:
775:
761:, c. 1520, by
757:
750:
748:
741:
734:
724:Tongerlo Abbey
691:
688:
686:
683:
645:
638:
637:
632:head of Christ
629:
622:
621:
620:
619:
618:
617:
616:
602:
584:
579:
559:Judas Iscariot
556:
501:
498:
482:panel painting
457:
454:
453:
452:
449:
442:
440:
437:
430:
428:
415:
408:
402:James the Less
328:
325:
323:
320:
275:Gospel of John
197:
196:
183:
179:
178:
146:
138:
137:
127:
123:
122:
119:
115:
114:
109:
103:
102:
85:
81:
80:
72:
68:
67:
62:
58:
57:
49:
48:
37:
36:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5295:
5284:
5281:
5279:
5276:
5274:
5271:
5269:
5266:
5264:
5261:
5259:
5256:
5254:
5251:
5249:
5246:
5244:
5241:
5240:
5238:
5228:
5223:
5218:
5216:
5206:
5202:
5189:
5186:
5184:
5181:
5180:
5177:
5171:
5168:
5166:
5163:
5161:
5158:
5156:
5153:
5151:
5148:
5146:
5143:
5141:
5138:
5136:
5133:
5132:
5130:
5126:
5120:
5117:
5115:
5112:
5110:
5107:
5105:
5102:
5100:
5097:
5095:
5092:
5090:
5087:
5085:
5082:
5081:
5079:
5075:
5069:
5066:
5064:
5061:
5059:
5056:
5054:
5051:
5049:
5046:
5044:
5041:
5039:
5036:
5035:
5033:
5029:
5021:
5018:
5016:
5013:
5012:
5011:
5008:
5006:
5003:
5001:
4998:
4997:
4995:
4991:
4985:
4982:
4980:
4977:
4975:
4972:
4970:
4967:
4965:
4962:
4960:
4957:
4956:
4954:
4950:
4944:
4943:Teatro Lirico
4941:
4939:
4936:
4934:
4931:
4929:
4926:
4924:
4921:
4920:
4918:
4914:
4908:
4905:
4903:
4900:
4899:
4897:
4893:
4887:
4884:
4882:
4879:
4876:
4872:
4869:
4867:
4864:
4862:
4859:
4857:
4854:
4852:
4849:
4847:
4844:
4842:
4839:
4837:
4834:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4811:Castello Cova
4809:
4807:
4804:
4802:
4799:
4797:
4794:
4792:
4789:
4787:
4784:
4783:
4781:
4779:
4775:
4769:
4766:
4764:
4761:
4759:
4756:
4754:
4751:
4749:
4746:
4744:
4741:
4739:
4736:
4734:
4731:
4729:
4726:
4724:
4721:
4717:
4714:
4712:
4709:
4707:
4704:
4703:
4702:
4699:
4697:
4694:
4692:
4689:
4685:
4682:
4680:
4677:
4675:
4672:
4670:
4667:
4665:
4662:
4660:
4657:
4655:
4652:
4651:
4650:
4647:
4645:
4642:
4640:
4637:
4635:
4632:
4631:
4629:
4627:
4623:
4613:
4610:
4608:
4605:
4603:
4600:
4599:
4597:
4593:
4587:
4584:
4582:
4579:
4577:
4574:
4572:
4571:S. Sebastiano
4569:
4567:
4564:
4562:
4559:
4557:
4554:
4552:
4549:
4547:
4544:
4542:
4539:
4537:
4534:
4532:
4529:
4527:
4524:
4522:
4519:
4517:
4514:
4512:
4509:
4507:
4504:
4502:
4499:
4497:
4494:
4492:
4489:
4488:
4486:
4482:
4476:
4473:
4471:
4468:
4466:
4463:
4461:
4458:
4456:
4453:
4451:
4448:
4444:
4443:
4438:
4437:
4436:
4433:
4431:
4428:
4426:
4423:
4419:
4416:
4415:
4414:
4411:
4409:
4406:
4404:
4401:
4399:
4396:
4395:
4393:
4389:
4381:
4378:
4377:
4376:
4373:
4372:
4370:
4366:
4363:
4359:
4354:
4344:
4341:
4339:
4336:
4335:
4333:
4329:
4323:
4320:
4318:
4315:
4314:
4311:
4307:
4300:
4295:
4293:
4288:
4286:
4281:
4280:
4277:
4263:
4262:
4258:
4257:
4256:
4253:
4251:
4248:
4246:
4243:
4241:
4238:
4236:
4233:
4232:
4230:
4226:
4219:
4218:
4214:
4211:
4210:
4206:
4203:
4202:Raphael Rooms
4200:
4197:
4194:
4191:
4188:
4178:
4177:
4173:
4170:
4169:
4165:
4162:
4159:
4156:
4155:
4151:
4141:
4140:
4136:
4135:
4133:
4129:
4123:
4120:
4118:
4117:Palma Vecchio
4115:
4113:
4110:
4108:
4105:
4103:
4100:
4098:
4095:
4093:
4090:
4088:
4085:
4083:
4080:
4078:
4077:Lorenzo Lotto
4075:
4073:
4070:
4068:
4065:
4063:
4060:
4058:
4055:
4053:
4052:Giulio Clovio
4050:
4048:
4045:
4043:
4040:
4038:
4035:
4033:
4030:
4028:
4025:
4023:
4020:
4019:
4017:
4015:Other artists
4013:
4007:
4004:
4002:
3999:
3997:
3994:
3992:
3989:
3987:
3984:
3982:
3979:
3978:
3976:
3972:
3968:
3961:
3956:
3954:
3949:
3947:
3942:
3941:
3938:
3926:
3925:
3921:
3919:
3918:
3914:
3913:
3910:
3904:
3901:
3899:
3896:
3895:
3893:
3889:
3883:
3880:
3879:
3877:
3873:
3867:
3864:
3863:
3861:
3857:
3851:
3848:
3846:
3843:
3841:
3838:
3836:
3833:
3831:
3828:
3826:
3823:
3821:
3818:
3816:
3813:
3811:
3808:
3806:
3803:
3801:
3798:
3796:
3793:
3791:
3788:
3784:
3781:
3780:
3779:
3776:
3774:
3771:
3769:
3766:
3764:
3761:
3759:
3756:
3754:
3751:
3749:
3746:
3744:
3741:
3739:
3736:
3734:
3731:
3729:
3726:
3724:
3721:
3720:
3718:
3714:
3710:
3703:
3698:
3696:
3691:
3689:
3684:
3683:
3680:
3668:
3660:
3659:
3655:
3652:
3651:
3648:
3642:
3640:
3636:
3634:
3633:
3629:
3627:
3624:
3622:
3619:
3617:
3615:
3611:
3609:
3608:
3603:
3601:
3598:
3596:
3593:
3591:
3588:
3587:
3585:
3581:
3575:
3572:
3570:
3567:
3563:
3560:
3559:
3558:
3555:
3554:
3552:
3548:
3542:
3541:Andrea Solari
3539:
3537:
3534:
3532:
3529:
3527:
3524:
3522:
3519:
3517:
3514:
3512:
3509:
3507:
3504:
3502:
3499:
3497:
3494:
3492:
3489:
3487:
3484:
3483:
3481:
3479:
3475:
3469:
3466:
3464:
3461:
3459:
3456:
3454:
3451:
3449:
3446:
3444:
3441:
3439:
3436:
3434:
3431:
3429:
3426:
3424:
3421:
3419:
3416:
3414:
3411:
3408:
3407:
3403:
3401:
3400:Architonnerre
3398:
3397:
3395:
3391:
3385:
3384:
3380:
3378:
3375:
3373:
3370:
3368:
3365:
3363:
3360:
3358:
3357:Codex Arundel
3355:
3353:
3352:Codex Windsor
3350:
3348:
3345:
3344:
3342:
3338:
3328:
3327:
3323:
3321:
3320:
3316:
3314:
3313:
3309:
3307:
3306:
3302:
3300:
3299:
3295:
3292:
3289:
3286:
3285:
3281:
3280:
3278:
3276:
3269:
3263:
3262:
3258:
3257:
3255:
3253:
3248:
3242:
3241:
3237:
3235:
3234:
3230:
3228:
3227:
3223:
3222:
3220:
3218:
3213:
3207:
3206:
3202:
3200:
3199:
3195:
3193:
3192:
3188:
3186:
3185:
3184:Vitruvian Man
3181:
3179:
3178:
3174:
3172:
3171:
3167:
3165:
3164:
3160:
3159:
3157:
3153:
3146:
3145:
3141:
3139:
3138:
3134:
3132:
3131:
3127:
3126:
3124:
3120:
3110:
3109:
3105:
3103:
3102:
3098:
3096:
3095:
3091:
3089:
3088:
3084:
3082:
3081:
3077:
3076:
3074:
3070:
3064:
3063:
3059:
3057:
3056:
3052:
3050:
3049:
3045:
3043:
3042:
3038:
3035:
3034:
3030:
3027:
3026:
3022:
3019:
3018:
3014:
3012:
3011:
3007:
3005:
3004:
3000:
2998:
2997:
2993:
2991:
2990:
2986:
2983:
2982:
2978:
2976:
2975:
2971:
2968:
2967:
2966:Madonna Litta
2963:
2961:
2960:
2956:
2954:
2953:
2949:
2947:
2946:
2942:
2940:
2939:
2935:
2933:
2932:
2928:
2925:
2924:
2920:
2918:
2917:
2913:
2912:
2910:
2906:
2900:
2899:Personal life
2897:
2895:
2892:
2890:
2889:List of works
2887:
2886:
2883:
2879:
2872:
2867:
2865:
2860:
2858:
2853:
2852:
2849:
2842:
2838:
2837:
2833:
2831:
2829:
2824:
2820:
2815:
2814:
2810:
2805:
2801:
2798:
2794:
2790:
2786:
2782:
2778:
2777:
2771:
2769:
2766:
2765:
2761:
2755:
2750:
2749:
2745:
2737:
2733:
2729:
2723:
2721:
2719:
2717:
2715:
2713:
2711:
2707:
2694:
2688:
2685:
2680:
2674:
2671:
2658:
2654:
2648:
2645:
2633:
2627:
2624:
2619:
2617:1-85196-084-8
2613:
2609:
2602:
2599:
2587:
2583:
2579:
2573:
2570:
2557:
2551:
2548:
2535:
2531:
2527:
2521:
2518:
2513:
2507:
2503:
2502:
2494:
2491:
2478:
2472:
2469:
2457:
2453:
2447:
2445:
2441:
2428:
2422:
2419:
2406:
2400:
2397:
2384:
2380:
2379:
2373:
2365:
2362:
2350:
2349:
2344:
2337:
2334:
2329:
2323:
2318:
2317:
2308:
2305:
2302:, p. 93.
2301:
2296:
2293:
2281:
2277:
2270:
2267:
2264:, p. 74.
2263:
2258:
2255:
2250:
2243:
2241:
2237:
2233:. p. 26.
2232:
2225:
2222:
2218:
2213:
2210:
2205:
2204:
2196:
2193:
2180:
2179:
2172:
2169:
2156:
2150:
2147:
2144:, p. 82.
2143:
2138:
2135:
2132:, p. 81.
2131:
2126:
2123:
2118:
2112:
2108:
2107:
2099:
2097:
2095:
2093:
2091:
2089:
2087:
2085:
2083:
2081:
2077:
2073:
2069:
2065:
2059:
2057:
2055:
2051:
2048:, p. 86.
2047:
2042:
2040:
2038:
2034:
2030:
2026:
2025:Matthew 26:15
2020:
2017:
2012:
2006:
2002:
1995:
1992:
1980:
1976:
1970:
1967:
1964:, p. 83.
1963:
1958:
1956:
1954:
1952:
1950:
1948:
1944:
1931:
1927:
1923:
1917:
1915:
1913:
1909:
1904:
1900:
1896:
1890:
1886:
1885:
1880:
1874:
1871:
1858:
1854:
1850:
1846:
1840:
1837:
1824:
1818:
1815:
1811:
1805:
1802:
1797:
1791:
1787:
1780:
1777:
1764:
1760:
1756:
1750:
1747:
1743:
1737:
1734:
1730:
1724:
1721:
1708:
1702:
1699:
1687:
1683:
1676:
1673:
1666:
1656:
1653:
1649:
1643:
1640:
1634:
1631:
1628:
1627:John 13:23–24
1623:
1620:
1613:
1609:
1606:
1604:
1601:
1600:
1596:
1594:
1592:
1588:
1582:
1580:
1576:
1572:
1567:
1559:
1558:
1553:
1552:Richard Leigh
1549:
1548:Henry Lincoln
1545:
1541:
1540:
1535:
1534:Lynn Picknett
1531:
1530:
1525:
1521:
1520:
1515:
1511:
1507:
1501:
1497:
1496:
1490:
1483:
1481:
1479:
1475:
1471:
1467:
1463:
1459:
1455:
1451:
1447:
1443:
1435:
1433:
1431:
1430:
1423:
1421:
1420:
1415:
1414:
1409:
1405:
1398:
1397:
1392:
1389:as Jesus and
1388:
1384:
1377:
1376:
1371:
1367:
1366:
1361:
1357:
1353:
1346:
1345:
1339:
1337:
1336:
1331:
1327:
1326:
1321:
1317:
1316:
1311:
1307:
1303:
1302:
1297:
1296:
1291:
1287:
1286:
1277:
1271:
1267:
1261:
1256:
1254:
1253:
1248:
1242:
1236:
1230:
1228:
1224:
1220:
1211:
1209:
1207:
1206:
1200:
1197:commissioned
1196:
1191:
1189:
1185:
1181:
1177:
1172:
1170:
1166:
1162:
1158:
1154:
1150:
1146:
1142:
1138:
1134:
1130:
1126:
1122:
1118:
1117:Lynda Benglis
1114:
1110:
1106:
1102:
1098:
1097:
1093:
1089:
1088:
1083:
1082:Salvador Dalí
1075:
1073:
1071:
1067:
1063:
1059:
1055:
1052:
1048:
1044:
1040:
1032:
1028:
1024:
1017:
1013:
1009:
1002:
1000:
998:
991:
989:
987:
983:
979:
975:
969:
967:
959:
955:
951:
947:
937:
930:
928:
926:
920:
915:
911:
907:
903:
899:
895:
886:
882:
880:
876:
872:
868:
863:
859:
855:
850:
846:
842:
837:
835:
830:
826:
822:
818:
812:
804:
799:
795:
791:
790:Andrea Solari
787:
781:
776:
772:
768:
764:
760:
754:
749:
745:
738:
733:
731:
729:
725:
721:
717:
716:Andrea Solari
713:
709:
705:
701:
697:
689:
684:
682:
680:
674:
671:
667:
663:
662:Jewish people
652:
648:
642:
633:
626:
614:
610:
609:Jude Thaddeus
606:
603:
600:
596:
592:
588:
585:
583:
580:
577:
573:
568:
564:
560:
557:
554:
550:
546:
543:
542:
541:
538:
531:
526:
499:
497:
495:
491:
487:
483:
479:
475:
471:
467:
463:
455:
450:The refectory
446:
441:
434:
429:
426:
422:
418:
412:
407:
405:
403:
399:
395:
391:
386:
383:
378:
376:
372:
368:
364:
360:
359:coats-of-arms
357:
353:
349:
345:
341:
337:
333:
326:
321:
319:
317:
316:
311:
307:
303:
299:
295:
291:
290:Duke of Milan
287:
282:
280:
276:
272:
268:
264:
260:
256:
252:
241:
237:
233:
228:
223:
222:L'Ultima Cena
217:
213:
209:
205:
204:
194:
184:
180:
175:
147:
144:
139:
135:
131:
128:
124:
120:
116:
113:
110:
108:
104:
101:
97:
93:
89:
86:
82:
73:
69:
66:
63:
59:
55:
50:
47:
46:L'Ultima Cena
43:
38:
33:
30:
19:
5145:Fiera Milano
5089:Arena Civica
5048:Monte Stella
4801:Casa Manzoni
4639:Armani/Silos
4441:
4439:
4413:S. Eustorgio
4259:
4250:Leonardeschi
4215:
4207:
4174:
4166:
4152:
4138:
4137:
3991:Michelangelo
3922:
3915:
3777:
3638:
3630:
3613:
3606:
3516:Cesare Magni
3501:Giampietrino
3478:Leonardeschi
3423:Aerial screw
3404:
3381:
3367:Codex Madrid
3324:
3317:
3310:
3303:
3298:Christ Child
3296:
3282:
3272:
3259:
3251:
3238:
3231:
3224:
3216:
3203:
3196:
3189:
3182:
3175:
3168:
3161:
3147:(unexecuted)
3144:Sforza Horse
3142:
3135:
3128:
3106:
3099:
3092:
3085:
3078:
3060:
3053:
3046:
3039:
3031:
3023:
3015:
3008:
3002:
3001:
2994:
2987:
2979:
2972:
2964:
2957:
2950:
2943:
2936:
2929:
2921:
2914:
2840:
2835:
2827:
2803:
2774:
2753:
2746:Bibliography
2727:
2697:. Retrieved
2687:
2673:
2661:. Retrieved
2656:
2647:
2635:. Retrieved
2626:
2607:
2601:
2589:. Retrieved
2572:
2560:. Retrieved
2550:
2538:. Retrieved
2534:the original
2529:
2520:
2500:
2493:
2481:. Retrieved
2471:
2459:. Retrieved
2455:
2431:. Retrieved
2421:
2409:. Retrieved
2399:
2387:. Retrieved
2376:
2364:
2352:. Retrieved
2348:The Guardian
2346:
2336:
2315:
2307:
2300:Wallace 1972
2295:
2283:. Retrieved
2279:
2269:
2262:Wallace 1972
2257:
2248:
2230:
2224:
2217:Wallace 1972
2212:
2203:Oxford Times
2201:
2195:
2183:. Retrieved
2177:
2171:
2159:. Retrieved
2149:
2142:Wallace 1972
2137:
2130:Wallace 1972
2125:
2105:
2063:
2046:Wallace 1972
2019:
2000:
1994:
1982:. Retrieved
1978:
1969:
1962:Wallace 1972
1934:. Retrieved
1930:the original
1925:
1883:
1879:Durant, Will
1873:
1861:. Retrieved
1857:the original
1848:
1839:
1827:. Retrieved
1817:
1809:
1804:
1785:
1779:
1767:. Retrieved
1763:the original
1758:
1749:
1741:
1736:
1728:
1723:
1711:. Retrieved
1701:
1689:. Retrieved
1685:
1675:
1655:
1650:, from 1992.
1642:
1633:
1622:
1587:golden ratio
1583:
1579:Fra Angelico
1574:
1564:1513–1516).
1555:
1537:
1527:
1517:
1505:
1504:
1493:
1477:
1473:
1470:Christianity
1457:
1452:) involving
1449:
1445:
1439:
1428:
1424:
1417:
1411:
1394:
1375:The Simpsons
1373:
1363:
1352:first-season
1342:
1340:
1333:
1323:
1313:
1299:
1293:
1283:
1281:
1269:
1266:Mary Shelley
1258:
1250:
1247:Mary Shelley
1244:
1234:
1232:
1215:
1204:
1192:
1183:
1179:
1173:
1133:Nancy Graves
1112:
1108:
1104:
1099:
1085:
1079:
1036:
1026:
1011:
996:
995:
970:
942:
925:overpainting
894:World War II
891:
838:
814:
785:
763:Giampietrino
758:
743:
742:A study for
700:Giampietrino
695:
693:
690:Early copies
679:Luca Pacioli
675:
658:
536:
535:
529:
524:
477:
462:oil painting
459:
424:
416:
387:
381:
379:
374:
362:
331:
330:
313:
309:
283:
202:
201:
200:
45:
41:
29:
5227:Visual arts
4576:S. Sepolcro
4531:S. Gottardo
4491:Sant'Angelo
4442:Last Supper
4403:S. Calimero
4398:S. Ambrogio
4220:(1536–1541)
4212:(1516–1520)
4204:(1509–1524)
4198:(1508–1512)
4192:(1506–1513)
4171:(1501–1504)
4157:(1498–1499)
4131:Major works
3773:Ghirlandaio
3340:Manuscripts
3252:Last Supper
2843:(see index)
2828:Last Supper
2826:Leonardo's
2389:21 December
2354:21 December
2185:14 February
1984:25 February
1936:25 February
1863:21 December
1829:21 December
1573:, for whom
1454:drag queens
1365:The X-Files
1290:Luis Buñuel
1235:Last Supper
1201:to produce
1199:Andy Warhol
1193:Art dealer
1161:Alma Thomas
1141:Lee Krasner
1137:Lila Katzen
978:art history
917: [
898:sandbagging
788:, c. 1520,
651:Saint Peter
647:Silverpoint
634:by Leonardo
599:incredulity
574:during the
545:Bartholomew
470:chiaroscuro
425:Last Supper
417:Crucifixion
363:Crucifixion
340:refectories
263:Last Supper
242:, dated to
212:Il Cenacolo
169: /
143:Coordinates
42:Il Cenacolo
5237:Categories
4684:Pinacoteca
4501:S. Barnaba
4425:S. Lorenzo
3866:Strasbourg
3825:Tintoretto
3413:Great Kite
3273:Virgin and
3122:Sculptures
2540:10 January
2483:4 December
2461:11 January
1691:19 October
1667:References
1532:(1997) by
1396:South Park
1330:Mel Brooks
1212:Literature
1165:June Wayne
1076:Modern art
992:In culture
974:James Beck
966:watercolor
962:re-painted
572:Gethsemane
490:white lead
365:fresco by
154:45°28′00″N
118:Dimensions
5140:Expo 2015
5099:Idroscalo
4895:Libraries
4516:S. Fedele
4391:Basilicas
4368:Cathedral
4261:The Lives
4176:Mona Lisa
4112:Tamagnino
4107:Il Sodoma
3986:Giorgione
3903:Jerusalem
3768:Fernandes
3614:Mona Lisa
3595:Namesakes
3468:World Map
3048:Mona Lisa
2908:Paintings
2793:643483454
2785:0027-9358
2562:15 August
2161:11 August
1903:869434122
1845:"DaVinci"
1686:Inexhibit
1560:(painted
1516:'s novel
1514:Dan Brown
1474:Festivité
1332:'s movie
1295:Viridiana
1285:Quo Vadis
1233:That our
1178:rendered
1174:Sculptor
1080:In 1955,
912:director
902:vibration
849:varnished
845:oil paint
821:Louis XII
388:In 1557,
269:with the
251:refectory
157:9°10′15″E
40:Italian:
5215:Painting
5109:San Siro
4923:La Scala
4916:Theatres
4484:Churches
4430:S. Marco
3835:van Gent
3830:Veronese
3805:Rosselli
3795:Perugino
3778:Leonardo
3763:El Greco
3733:Castagno
3667:Category
3428:Crossbow
2802:(1974).
2637:9 August
2591:12 March
2433:20 March
2411:20 March
2383:Archived
1881:(2001).
1759:Time Out
1597:See also
1462:Dionysus
1429:Leonardo
1406:", with
1385:", with
1263:—
1153:Yoko Ono
1115:include
1084:painted
1018:(Poland)
972:shapes.
954:cartoons
950:infrared
817:humidity
352:lunettes
322:Painting
126:Location
107:Movement
5201:Portals
5005:Navigli
4228:Related
3996:Raphael
3882:Dircksz
3743:Cranach
3723:Barocci
3583:Related
3550:Museums
2699:29 July
2663:30 July
2657:AP News
1769:7 March
1713:3 March
1440:At the
1416:called
1370:Requiem
1350:s 1998
1315:M*A*S*H
1310:Vatican
1306:beggars
1245:Author
1056:artist
1047:Belgium
1043:Antwerp
1031:Adi Nes
892:During
728:Belgium
722:of the
685:History
605:Matthew
500:Subject
474:plaster
371:tempera
294:tempera
238:artist
230:) is a
208:Italian
182:Website
136:, Italy
88:Tempera
4163:(1500)
4001:Titian
3898:Dublin
3845:Warhol
3810:Rubens
3800:Pisani
3748:Crespi
3293:(lost)
3080:Medusa
2791:
2783:
2734:
2614:
2586:Artnet
2508:
2479:. MoMA
2324:
2285:7 June
2113:
2070:
2007:
1901:
1891:
1792:
1360:Jackie
1163:, and
1070:Vienna
1054:mosaic
964:using
879:stucco
862:Goethe
858:stable
854:armory
611:, and
595:Philip
593:, and
587:Thomas
565:, and
553:Andrew
551:, and
466:Fresco
456:Medium
356:Sforza
306:mastic
304:, and
100:mastic
98:, and
61:Artist
5135:EICMA
4595:Other
4168:David
4154:Pietà
3850:White
3840:Vouet
3790:Nolde
3728:Bouts
3536:Salaì
3458:Sonar
3438:Robot
2023:Cfr.
1614:Notes
1400:'
1387:Homer
1379:'
1348:'
1051:Roman
921:]
910:Brera
847:then
771:Milan
582:Jesus
563:Peter
486:gesso
302:pitch
298:gesso
267:Jesus
259:Milan
232:mural
134:Milan
96:pitch
92:gesso
3753:Dalí
2789:OCLC
2781:ISSN
2732:ISBN
2701:2024
2665:2024
2639:2024
2612:ISBN
2593:2010
2564:2019
2542:2014
2506:ISBN
2485:2019
2463:2014
2435:2020
2413:2020
2391:2012
2356:2012
2322:ISBN
2287:2019
2187:2012
2163:2008
2111:ISBN
2068:ISBN
2027:and
2005:ISBN
1986:2014
1938:2014
1899:OCLC
1889:ISBN
1865:2012
1831:2012
1790:ISBN
1771:2024
1715:2014
1693:2021
1550:and
1536:and
1408:Kyle
1356:Eric
1298:, a
867:glue
856:and
834:arch
567:John
189:.org
84:Type
71:Year
3738:Cox
1853:BBC
1542:by
1391:Moe
1368:, "
1225:.,
1171:."
1103:'s
1094:in
1068:in
1029:by
980:at
419:by
400:or
296:on
265:of
257:in
219:or
191:/en
90:on
5239::
4181:c.
4144:c.
3758:Ge
3028:✻✻
2984:✻✻
2787:.
2738:).
2709:^
2655:.
2584:.
2528:.
2454:.
2443:^
2381:.
2375:.
2345:.
2278:.
2239:^
2079:^
2053:^
2036:^
1977:.
1946:^
1924:.
1911:^
1897:.
1847:.
1757:.
1684:.
1562:c.
1546:,
1268:,
1190:.
1159:,
1155:,
1151:,
1147:,
1143:,
1139:,
1135:,
1131:,
1127:,
1123:,
1119:,
1072:.
1045:,
1041:,
919:it
881:.
796:,
730:.
726:,
607:,
589:,
561:,
547:,
377:.
318:.
300:,
288:,
244:c.
210::
132:,
94:,
75:c.
44:,
5203::
4877:)
4873:(
4298:e
4291:t
4284:v
4186:)
4179:(
4149:)
4142:(
3959:e
3952:t
3945:v
3701:e
3694:t
3687:v
3036:✻
3020:✻
2969:✻
2926:✻
2870:e
2863:t
2856:v
2795:.
2703:.
2667:.
2641:.
2620:.
2595:.
2566:.
2544:.
2514:.
2487:.
2465:.
2437:.
2415:.
2393:.
2358:.
2330:.
2289:.
2189:.
2165:.
2119:.
2074:.
2031:.
2013:.
1988:.
1940:.
1905:.
1867:.
1833:.
1798:.
1773:.
1717:.
1695:.
1476:(
1448:(
773:.
206:(
193:/
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
