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depicts an emotional predicament stemming directly from an economic situation. The prosperity which had created the vast bourgeoisie with its gradations from lower to upper middle class had also created a code. You could not marry, and maintain the position in society to which you aspired, until you
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The title refers to middle class social conventions of the time, in particular the fact that the parents of a woman engaged to a poorly paid curate would typically not allow the marriage until he had secured a more remunerative position – i.e. within the church hierarchy. The woman is depicted
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growing up the trunk; ethereal youthful passion is becoming lost to worldly capitalist demands. It can be said that this symbolism reflects the stark realities of late 1850s and 1860s
Victorian England, which certainly is the observation made by English historian A. N. Wilson. In his book
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looking at her own name (Amy) carved, some while ago, into the trunk of the tree by her fiancé as an expression of his love. The carving, however, is about to be covered by rambling
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in the will of a "Dr
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105.4 cm Ă— 52.1 cm (41.5 in Ă— 20.5 in)
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which was created between 1854 and 1859. The painting was originally titled
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Arthur Hughes: Pre-Raphaelite painter and book illustrator
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This article about a nineteenth-century painting is a
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207:The Long Engagement by Arthur Hughes
189:. London: Arrow Books. p. 260.
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234:. You can help Knowledge by
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