129:, and Thamesis, and the musicians as "echoes and shades of old poets." A black curtain representing Night was withdrawn to display the masquers, assembled on a "Throne of Beauty" borne upon a floating island. The sixteen masquers executed two dances, which the King liked enough to see repeated; then they danced with male courtiers, in "galliards and corantoes." The final dances returned them to the Throne of Beauty. The choreography was by Thomas Giles, who also played Thamesis.
176:
was paid £106-7s for his work on the costumes. The total cost of producing the masque was £4000. The House of Stuart was running an annual budget deficit of £140,000 in this era; the cost of the masque represented about 3% of the annual deficit, an enormous sum to spend on a single event.
160:
mentioned that a lady of lesser rank than a baroness wore jewels valued more than £100,000, and
Arbella Stuart and Anne of Denmark's jewels were worth as much and more. Anne of Denmark wore a collar or necklace with the initials "P" and "M" that had belonged to
358:(Manchester, 2020), p. 140: See TNA SP 14/63 f.116: Jemma Field, 'A Cipher of A and C set on the one Syde with diamonds: Anna of Denmark's Jewellery and the Politics of Dynastic Display', Erin Griffey,
756:
121:
The masquers wore costumes of orange-tawny and silver or sea-green and silver; the torchbearers were dressed as Cupids; the presenters of the masque were styled as
Januarius,
882:
917:
132:
A diplomatic controversy developed around the masque, as to which foreign ambassadors were or were not invited to attend the performance. The French ambassador
924:
156:
The use of jewels in the costume was noted. The seated masquers around the throne "seemed to be a mine of light, struck from their jewels and their garments".
144:, who was invited, was among the spectators who left descriptions of the "great golden masque" they'd seen, the jewels the ladies wore, and the marvels of the
791:
1066:
169:
to marry a
Spanish bride. The Spanish ambassador invited the fifteen gentlewomen who had performed in the masque to dinner at the end of the month.
784:
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58:, the "daughters of Niger" of the earlier piece were shown cleansed of the black pigment they had worn on the prior occasion.
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The New
Intellectuals: A Survey and Bibliography of Recent Studies in English Renaissance Drama.
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329:
James
Knowles, 'Anna of Denmark, Elizabeth I, and Images of Royalty', Clare McManus,
274:
227:
193:
148:
employed. He attributed the masque to Anne of
Denmark, as "authoress of the whole".
40:. It inaugurated the refurbished banquesting hall of the palace (the predecessor of
614:
346:(London, 1995), p. 14: Diana Scarisbrick, 'Anne of Denmark's Jewellery Inventory',
122:
487:
Court
Masques of James I: Their Influence on Shakespeare and the Public Theatres.
200:. Both masques were reprinted in the first folio collection of Jonson's works in
670:
499:
351:
82:
to sixteen. In addition to Queen Anne, the participants were the
Countesses of
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367:
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which includes stanzas describing the guests and participants in the masque.
952:
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was irate at being omitted while the
Spanish Ambassador was invited. The
621:
78:. The number of court ladies included was increased from the twelve in
712:
507:
435:
John Orrell, 'Antimo Galli's
Description of "The Masque of Beauty"',
356:
Anna of Denmark: The Material and Visual Culture of the Stuart Courts
25:
232:
Palaces of the Revolution, Life, Death & Art at the Stuart Court
391:
Thomas W. Ross, 'Expenses for Ben Jonson's The Masque of Beauty',
126:
192:
on 21 April 1608 and published later that year by the bookseller
511:
393:
The Bulletin of the Rocky Mountain Modern Language Association
50:, which had been performed three years earlier, on 6 January
757:
The Entertainment of the Kings of Great Britain and Denmark
424:
The Duke of Lennox, 1574-1624: A Jacobean Courtier's Life
729:
A Private Entertainment of the King and Queen on May-Day
165:. The necklace may have symbolised her preference for
331:
Women and Culture at the Courts of the Stuart Queens
1008:
976:
711:
550:
207:In 1609, an Italian poet, Antimo Galli, published
110:, Mary Neville, Katherine Petre, Anne Winter, and
378:Michael Brennan, Noel Kinnamon, Margaret Hannay,
114:. Gossip held that the women chosen were largely
472:Lincoln, NE, University of Nebraska Press, 1977.
456:Newark, DE, University of Delaware Press, 2003.
74:and ladies of her court, and witnessed by King
883:News from the New World Discovered in the Moon
468:Logan, Terence P., and Denzell S. Smith, eds.
918:Time Vindicated to Himself and to His Honours
523:
380:Letters of Rowland Whyte to Sir Robert Sidney
292:The Stuart Court Masque and Political Culture
8:
925:Neptune's Triumph for the Return of Albion
530:
516:
508:
482:. New haven, Yale University Press, 1969.
465:4 Volumes, Oxford, Clarendon Press, 1923.
360:Sartorial Politics in Early Modern Europe
320:, vol. 1 (Philadelphia, 1939), pp. 252–3.
106:, Elizabeth Girrard, Elizabeth Guilford,
305:Masques and Entertainments by Ben Jonson
281:, vol. 11 (London, 1904), p. 86 no. 154.
279:Calendar State Papers, Venice: 1607-1610
792:The Speeches at Prince Henry's Barriers
220:
834:Mercury Vindicated from the Alchemists
7:
785:The Entertainment at Britain's Burse
44:). It was a sequel to the preceding
960:The King's Entertainment at Welbeck
939:The Fortunate Isles and Their Union
806:Love Freed from Ignorance and Folly
350:, vol. CIX (1991), p. 237 no. 406:
820:A Challenge at Tilt, at a Marriage
333:(Palgrave Macmillan, 2003), p. 25.
66:Like its earlier companion piece,
14:
946:Love's Triumph Through Callipolis
439:, 43:1 (Winter, 1979), pp. 13-23.
1067:Henry Frederick, Prince of Wales
932:The Masque of Owls at Kenilworth
890:The Entertainment at Blackfriars
480:Ben Jonson: The Complete Masques
395:, 23:4 (December 1969), p. 172.
234:(William Collins, 2021), p. 92.
1:
869:Pleasure Reconciled to Virtue
382:(Philadelphia, 2013), p. 573.
362:(Amsterdam UP, 2019), p. 147
134:Antoine Lefèvre de la Boderie
98:, and the Ladies Chichester,
1026:Sons of Ben (literary group)
736:The Entertainment at Althorp
629:Epicœne, or The Silent Woman
437:Huntington Library Quarterly
344:Tudor and Jacobean Jewellery
265:Chambers, Vol. 3, pp. 380–1.
247:, 10 (Oxford, 1965), p. 458.
32:, and performed in London's
1021:English Renaissance theatre
778:The Hue and Cry After Cupid
587:Every Man out of His Humour
318:Letters of John Chamberlain
1083:
967:Love's Welcome at Bolsover
294:(Cambridge, 2008), p. 130.
152:Jewels, costume, and costs
1052:English Renaissance plays
904:The Gypsies Metamorphosed
827:The Irish Masque at Court
368:10.1515/9789048537242-009
256:Chambers, Vol. 3, p. 379.
799:Oberon, the Faery Prince
426:(Edinburgh, 2022), p. 1.
196:, in the same volume as
876:For the Honour of Wales
841:The Golden Age Restored
743:The Masque of Blackness
643:Catiline His Conspiracy
580:Every Man in His Humour
489:New York, Putnam, 1913.
404:Logan and Smith, p. 78.
316:Norman Egbert McClure,
243:Herford & Simpson,
198:The Masque of Blackness
70:was performed by Queen
722:The Coronation Triumph
685:Rollo Duke of Normandy
463:The Elizabethan Stage.
307:(London, 1890), p. 53.
1047:Masques by Ben Jonson
855:The Vision of Delight
848:Christmas, His Masque
188:was entered into the
42:Inigo Jones' building
911:The Masque of Augurs
771:The Masque of Queens
764:The Masque of Beauty
501:The Masque of Beauty
209:Rime di Antimo Galli
190:Stationers' Register
186:The Masque of Beauty
68:The Masque of Beauty
56:The Masque of Beauty
21:The Masque of Beauty
16:Masque by Ben Jonson
657:The Devil Is an Ass
566:The Case is Altered
422:David M. Bergeron,
342:Diana Scarisbrick,
47:Masque of Blackness
664:The Staple of News
452:Aaron, Melissa D.
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1016:Ben Jonson folios
985:On My First Sonne
897:Pan's Anniversary
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699:Mortimer His Fall
678:The Magnetic Lady
454:Global Economics.
174:Christopher Shawe
163:Mary I of England
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608:Sejanus His Fall
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671:The New Inn
352:Jemma Field
181:Publication
140:ambassador
102:, Windsor,
28:written by
1057:1608 plays
1041:Categories
703:(fragment)
539:Ben Jonson
447:References
245:Ben Jonson
100:Walsingham
96:Montgomery
30:Ben Jonson
953:Chloridia
601:Poetaster
127:Vulturnus
80:Blackness
992:To Celia
750:Hymenaei
138:Venetian
62:The show
1009:Related
713:Masques
622:Volpone
503:online.
88:Bedford
84:Arundel
123:Boreas
94:, and
26:masque
977:Poems
551:Plays
543:works
215:Notes
92:Derby
76:James
54:. In
202:1616
72:Anne
52:1605
38:1608
364:doi
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541:(
531:e
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