The Price of Salt - Knowledge (XXG)

258:, leaving her with a sense of abandonment. Therese is dating Richard, a young man she does not love and does not enjoy having sex with. On a long and monotonous day at work in the toy section of a department store during the Christmas season, Therese becomes interested in a customer, an elegant and beautiful woman in her early thirties. The woman's name is Carol Aird and she gives Therese her address so her purchases may be delivered. On an impulse, Therese sends her a Christmas card. Carol, who is going through a difficult separation and divorce and is herself quite lonely, unexpectedly responds. The two begin to spend time together. Therese develops a strong attachment to Carol. Richard accuses Therese of having a "schoolgirl crush," but Therese knows it is more than that: she is in love with Carol. 722:

home. Everything and everyone have their place which all fit into this nuclear family and heteronormative society, so when Therese enters this home, she stands out and it reminds Carol that their relationship and her feelings cannot be truly hidden in her family home. Carol's family home is "a hollow monument to middle-class heteronormativity" and to escape it they both go on a liberating road trip, where the notion of the home as a “homonormative tool” from Kelly’s work links, as both women conceal their relationship behind hotel room doors and in the later parts of the novel in their respected homes.

414:. Jenny M. James argues in her article "Maternal Failures, Queer Futures: Reading The Price of Salt (1952) and Carol (2015) against Their Grain” that Carol becomes a maternal figure, involved in Therese's “queer, extended girlhood”. There is a noticeable parental connection between the couple; Carol orders Therese around as if a child, Therese in turn sulks and experiences states of ‘melancholy’ when Carol disappoints her. Part way through the novel, Carol commands Therese to take a nap, and Therese complies, asking for a glass of warm milk, which Carol brings to her like a mother to child. 876:

were playing one of the songs she had heard with Carol everywhere, and she let the door close and walked on. The music lived, but the world was dead. And the song would die one day, she thought, but how would the world come back to life? How would its salt come back?" Shortly thereafter, when Dannie visits Therese on his way to California, she compares her sentiment toward him and Richard: "She felt shy with him, yet somehow close, a closeness charged with something she had never felt with Richard. Something suspenseful, that she enjoyed. A little salt, she thought."

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obedient child. Furthermore, Carol directs Therese's behaviour within their public relationship to presumably avoid exposure. Therese's youthfulness can be linked to her “relatively naïve perception”, which feeds into the very presentation of her sexuality: an often-outward display of affection that Carol reprimands. Lindsay Stephens pays attention to this governing of “closeting” in her article, particularly drawing upon the instance where Therese takes Carol's arm in a moment of fondness.

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remember receiving envelopes of ten and fifteen letters a couple of times a week and for months on end." "Many of the letters that came to me carried such messages as "Yours is the first book like this with a happy ending! We don't all commit suicide and lots of us are doing fine." Others said, "Thank you for writing such a story. It is a little like my own story …" "The letters trickled in for years, and even now a letter comes once or twice a year from a reader."

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to be delivered to an adjacent state. It was a routine transaction, the woman paid and departed. But I felt odd and swimmy in the head, near to fainting, yet at the same time uplifted, as if I had seen a vision. As usual, I went home after work to my apartment, where I lived alone. That evening I wrote out an idea, a plot, a story about the blondish and elegant woman in the fur coat. I wrote some eight pages in longhand in my then-current notebook or cahier.

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he warns her that he has already sent several tapes and other evidence to Harge in New York. Carol knows that she will lose custody of Rindy if she continues her relationship with Therese. She decides to return to New York to fight for her rights regarding her daughter and will return to Therese as soon as she can. Therese stays alone in the Midwest; eventually, Carol writes to tell her that she has agreed not to continue their relationship.

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constant safe lesbian space that Carol and Therese have is their home. Kelly calls the private sphere a “homonormative tool” that shelters the "same-sex sexual practices within it to appease a mainstream society." Because they are surrounded by both people and societal norms that do not allow them to express their sexuality and relationship, their self-expression is limited to being concealed behind a heteronormative façade.

596: 892:'The Price of Salt' ... seems to mark a new departure in this type of fiction ... Claire Morgan is completely natural. She has a story to tell and she tells it with an almost conversational ease. Her people are neither degenerate monsters nor fragile victims of the social order. They must—and do—pay a price for thinking, feeling and loving 'differently;' but they are courageous and true to themselves throughout." 450:

pushing the narrative that women-loving-women relationships also meant a refusal of parenting. The “radical feminist predilection that nurture of children”, as well as domestic duties, are “naturalized women’s activities” is a pattern of thought echoed in Highsmith's novel, as Carol seems to leave her motherhood behind to pursue a romantic relation with Therese. This idea is partially reinforced in

3931: 3919: 265:. Carol had previously admitted to Harge that she had a short-lived sexual relationship months earlier with her best friend, Abby. Harge takes his and Carol's daughter, Rindy, to live with him, limiting Carol's access to her as divorce proceedings continue. To escape from the tension in New York, Carol and Therese take a road trip 454:, perhaps subconsciously promoting a mirroring of maternal relations within lesbian relationships. Of course, it is equally as important to recognise the restrictions of the law at the time, as “lesbian mothers and gay fathers in this period lived under the threat of custody loss if their same-sex sexuality was discovered”. 726:

not only explores lesbian spaces but also the sudden intervention of the heteronormative society, this is represented through Harge sending a detective to record Carol and Therese during their most intimate scenes, to win sole custody of their daughter. This invasion of privacy ends their retreat and

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When Therese is first invited to Carol's home, she is in awe of her home as huge and clearly established, but Victoria Hesford explores how the setting is "an extension of the stultifying mechanisms of exchange and production that structure Frankenberg’s", as her home fits into the perfect consumer’s

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that she was surprised when the book was praised by lesbian readers because of how it ended. She was pleased that it had become popular for that reason and said, "I never thought about it when I wrote it. I just told the story." When Highsmith allowed her name to be attached to the 1990 republication

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suggested that “living or sleeping with men was collaborating with the system” of patriarchy, and Denise Thompson wrote that during the 1970s “some lesbian feminists were insisting that lesbianism was central to feminism”. Many feminists involved in this movement also often condemned motherhood, thus

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Because of the new title and her acknowledged authorship, the novel received another round of reviews, thoroughly favorable, 38 years after its initial publication. Highsmith submitted to publicity interviews as well, though she resented questions about her sexuality and personal relationships. When

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Though heartbroken, Therese returns to New York to rebuild her life. Therese and Carol arrange to meet again. Therese, still hurt that Carol abandoned her in a hopeless attempt to maintain a relationship with Rindy, declines Carol's invitation to live with her. They part, each headed for a different

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It would be Carol, in a thousand cities, a thousand houses, in foreign lands where they would go together, in heaven and in hell...Carol saw her, seemed to stare at her incredulously a moment while Therese watched the slow smile growing, before her arm lifted suddenly, her hand waved a quick, eager

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Perhaps I noticed her because she was alone, or because a mink coat was a rarity, and because she was blondish and seemed to give off light. With the same thoughtful air, she purchased a doll, one of two or three I had shown her, and I wrote her name and address on the receipt, because the doll was

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the hotel room in which Carol and Therese first had sex. On a road in Nebraska, after the detective has followed them for miles and clearly intends to continue doing so, Carol confronts him and demands that he hand over any evidence against her. She pays him a high price for some tapes even though

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The phrase "the price of salt" does not appear in the text, but Highsmith used "salt" as a metaphor twice in Chapter 22. Separated from Carol, who has been forced to return home, Therese is reminded of their time together: "In the middle of the block, she opened the door of a coffee shop, but they

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forced Carol and Therese to seek refuge and freedom to express their sexuality. Susan Fraiman explains this as "shelter writing", which is the "safety, sanity and self-expression–survival in the most basic sense", which were not permitted to be expressed in the public sphere. As a result, the only

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had some serious and respectable reviews when it appeared in hardcover in 1952. But the real success came a year later with the paperback edition, which sold nearly a million copies and was certainly read by more. The fan letters came in addressed to Claire Morgan, care of the paperback house. I

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Carol's ‘maternal’ instincts appear throughout the novel, such as her teaching Therese how to drive, as well as constantly paying for Therese and offering cheques. There are numerous examples like this, where Carol maintains a position of authority over Therese, and Therese follows along like an

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was that it had a happy ending for its two main characters, or at least they were going to try to have a future together. Prior to this book, homosexuals male and female in American novels had had to pay for their deviation by cutting their wrists, drowning themselves in a swimming pool, or by

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Jenny M. James also makes a comparison between Rindy and Therese, as if they are competing for Carol's love. If we view the ending as a triumph on Therese's behalf, Rindy loses her mother in a sense, feeding into the idea that same-sex relationships and parenthood are mutually exclusive. This

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The age difference between Therese and Carol is a characteristic of Highsmith’s novel that many critics have sought to analyse, particularly under readings of mother-daughter relations. Carol is only around ten years Therese’s senior, but she becomes aged in her characterisation within

347:, and her relationships with them. Virginia Catherwood lost custody of her daughter in divorce proceedings that involved tape-recorded lesbian trysts in hotel rooms. The story shared the same "sexual behavior" and "intense emotion" obsessions that Highsmith's writing became known for. 516:

by her. Phyllis Nagy said Highsmith chose "Carol" because Highsmith, herself, "was Therese and the object of her desire wasn't herself...it was someone else." The novel was so personal to Highsmith that "it was difficult for her to take ownership of it as a writer for many years."

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The back-cover copy of the paperback stated: "Here is a novel, utterly sincere and honest, which deals with a subject until recently considered taboo. Now a young woman, Claire Morgan, comes along and writes of unsanctioned love from a completely new point of view. As the

843:: "If I were to write a novel about a lesbian relationship, would I then be labelled a lesbian-book writer? That was a possibility, even though I might never be inspired to write another such book in my life. So I decided to offer the book under another name." 296:

The evidence for Carol's homosexuality is so strong that she capitulates to Harge rather than having the details of her behavior aired in court. She submits to an agreement that gives him full custody of Rindy and leaves her with limited supervised visits.

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evening engagement. Therese, after a brief flirtation with an English actress that leaves her ashamed, quickly reviews her relationships—"loneliness swept over her like a rushing wind"—and goes to find Carol, who greets her more eagerly than ever before.

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sessions to 'cure' her homosexuality, Highsmith took a sales job during Christmas rush season in Bloomingdale's department store. Ironically, this led to the creation of her novel in which two women meet in a department store and begin a passionate

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The first working title of the novel (written in her "cahier" No. 18) was "The Bloomingdale Story". Other names Highsmith later considered were "The Argument of Tantalus", "Blasphemy of Laughter", and "Paths of Lightening" before finally naming it

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As Erin Carlston observed in her essay, the novel: "Didn't condemn its lovers to suicide or send them back to their men," and "departed from ... the standard not only in the popular conception of lesbians, but in almost all lesbian fiction before

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The novel's representation of its lesbian characters also departed from the period's stereotypical depiction of lesbians—both in popular literature and by the medical/psychological field (where females who did not conform to their sexual

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She had heard about girls falling in love, and she knew what kind of people they were and what they looked like. Neither she nor Carol looked like that. Yet the way she felt about Carol passed all the tests for love and fitted all the

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breaks apart Carol and Therese’s relationship as Carol is forced to return into the heteronormative realm to win over her daughter, but it is too late, as they do not see her fit to be a mother due to her homosexuality.

1921: 273:, over the course of which it becomes clear that the feelings they have for each other are romantic and sexual. They become physically as well as emotionally intimate and declare their love for each other. 504:

offered Highsmith $ 5,000 to reprint the novel under her own name, or $ 2,000 under the pseudonym. Highsmith accepted the latter and it was reissued in 1984. In 1990, the book was republished by

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Highsmith placed Therese in the world of the New York theater with friends who are "vaguely bohemian, artists or would-be artists" and signaled their intellectual aspirations by noting they read

695:")—that expected one member of a lesbian couple would be "noticeably masculine in her affect, style, and behavior". Highsmith depicts Therese as puzzled when her experience does not match that " 617:

in 1990. The novel was received well, and Highsmith received letters addressed to "Claire Morgan" through her publisher thanking her for writing a story that lesbian women could identify with.

337:, who met Highsmith in 1987 and developed a friendship with her that lasted for the remainder of Highsmith's life, said that Therese was Highsmith's "alter ego" and "the voice of an author." 3307: 520:

The marketing of the novel in successive editions reflected different strategies for making the story of a lesbian romance attractive or acceptable to the reading public. The Coward-McCann

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According to Highsmith, the novel was inspired by a blonde woman in a mink coat who ordered a doll from her while Highsmith was working as a temporary sales clerk in the toy section of

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Therese knew she meant water. She knew from the tenderness and the concern in her voice, as if she were a child sick with fever. Then Therese said it: “I think I’d like some hot milk.”

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Literary scholar Alice M. Kelly wrote that there are conversations about the spaces for homosexuals in the setting of 1950s New York. The heteronormative society illustrated in

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was popular among lesbians in the 1950s and continued to be with later generations. It was regarded for many years as the only lesbian novel with a happy ending.

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The woman in the fur coat was Kathleen Wiggins Senn (Mrs. E.R. Senn). Highsmith used her name in the first working title of the novel, "The Bloomingdale Story".

403:“I said I would stop seeing you. I wonder if you will understand, Therese, since you are so young and never even knew a mother who cared desperately for you.” 3440: 445:, in which women could supposedly choose their sexuality as a political mean for change. Ellen Willis stated that certain “radical feminist” groups, such as 3191: 3966: 478:

and published in hardcover in 1952 with the "Claire Morgan" alias. She dedicated the book to "Edna, Jordy and Jeff"—three people whom Highsmith invented.

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story was mined from her own life references and desire for a lost love. Highsmith described the character of Therese as having come "from my own bones".

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Because of the happy (or at least, non-tragic) ending which defied the lesbian pulp formula, and because of the unconventional characters who defied

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The character of Carol Aird and much of the plot of the novel was inspired by Highsmith's former lovers Kathryn Hamill Cohen and Philadelphia

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Carol's husband, Harge, is suspicious of Carol's relationship with Therese, whom he meets briefly when Therese stays over at Carol's house in

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Stephens, Lindsay (2018). "'I Think a Look at the West Would Do You Good': Queer Visibility and Mythological Refuge in The Price of Salt".

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James, Jenny M. (2018). "Maternal Failures, Queer Futures: Reading The Price of Salt (1952) and Carol (2015) against Their Grain".

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James, Jenny M. (2018). "Maternal Failures, Queer Futures: Reading The Price of Salt (1952) and Carol (2015) against Their Grain".

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switching to heterosexuality (so it was stated), or by collapsing—alone and miserable and shunned—into a depression equal to hell.

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which she discovered she had only the next day: "fever is stimulating to the imagination." She completed the novel by 1951. The

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Kelly, Alice M. (2020). ""Lots of Us Are Doing Fine": Femslash Fan Fiction, Happy Endings, and the Archontic Expansions of the

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Although Highsmith wrote over 22 novels and numerous short stories and had many sexual and romantic relationships with women,

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with the subtitle "Previously Titled The Price of Salt", and the cover featuring the image of the North American theatrical

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of the 1953 Bantam edition balanced the words "The Novel of a Love Society Forbids" with a reassuring quote from

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is her only novel about an unequivocal lesbian relationship, and its relatively happy ending was unprecedented in

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is following them, hired by Harge to gather evidence that could be used against Carol by incriminating her as

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Radical Relations: Lesbian Mothers, Gay Fathers, & Their Children in the United States since World War II

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Highsmith recalled completing the book's outline in two hours that night, likely under the influence of

266: 2909: 2570: 1413: 1311: 1282: 1241: 1214:"Todd Haynes and Oscar-Nominated Writer Phyllis Nagy Talk 'Carol,' Glamorous Stars, Highsmith and More" 1053: 1374: 203:-book writer", and she also used her own life references for characters and occurrences in the story. 3911: 3066: 3008: 3003: 2849: 1515:"What does the title of "Carol" mean? Why was the source novel originally called "The Price of Salt"" 482: 442: 277: 1922:"She slept with a man experimentally, much as one tries tripe to see if one develops a taste for it" 3746: 3632: 3597: 3557: 3517: 2411: 2381: 1991: 1186: 986: 800: 426:

The corner of Carol’s mouth lifted in a smile. “Some hot milk,” she mocked. Then she left the room.

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that said the novel " explosive material ... with sincerity and good taste." The 2004 reissue by

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Thompson, Denise (1992). "Against the Dividing of Women: Lesbian Feminism and Heterosexuality".

1286: 1274: 1057: 1045: 3762: 3573: 3337: 3252: 3040: 2917: 2882: 2866: 2817: 2809: 2761: 2724: 2720: 2708: 2687: 2683: 2671: 2611: 2582: 2542: 2499: 2468: 2236: 2207: 1666: 1641: 1581: 1556: 1425: 1347: 1323: 1290: 1253: 1160: 1094: 1061: 374:. It's more likely, however, that she was invoking a biblical reference from the Gospel text ( 310: 142: 129: 3850: 3640: 3581: 3382: 3367: 3282: 3267: 3181: 3166: 2858: 2801: 2438: 2071: 1846: 1838: 1803: 1768: 1733: 1698: 1610: 1451: 952: 902: 552: 463: 438: 214:. It is also notable for being the only one of her novels with "a conventional 'happy ending 156: 3161: 3030: 735:

An unsuccessful attempt was made in the early 1950s to turn the novel into a movie. In the

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constituted a "literary coming out", she replied looking irked: "I'll pass that one to

580: 355: 228: 3062: 366:. Highsmith said that she settled on the title from a thought about the price paid by 3945: 3923: 3493: 2443: 2176: 1851: 1815: 1745: 1710: 1622: 1082: 475: 446: 379: 367: 285: 281: 183: 91: 3239:"The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith" 2532: 3935: 3842: 3378: 3363: 3214: 2096: 1898: 1015: 776: 767: 632: 564: 547: 486: 375: 334: 223: 3308:"'Carol', Patricia Highsmith, and how gay literature found its voice in the 1950s" 2906:

The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith

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The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith

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The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith

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Rudy, Kathy (2001). "Radical Feminism, Lesbian Separatism, and Queer Theory".

982:"Happily ever after, at last: Patricia Highsmith on the inspiration for Carol" 796: 467: 331: 323: 262: 248: 3207:"Love Flung Out of Space: Lesbians in the City in Patricia Highsmith's Carol" 2870: 2813: 1807: 1737: 1614: 3406: 3192:"Is Patricia Highsmith's Lesbian Classic 'The Price of Salt' Crime Fiction?" 2937: 2797: 2320: 2288: 2128: 2051: 1218: 762:

as Therese Belivet. It comprised five segments of approximately 15 minutes.

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from another scene, but did not include a reference to the original title.

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Therese Belivet is a lonely young woman, just beginning her adult life in

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greeting that Therese had never seen before. Therese walked toward her.

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on Therese and Carol’s frenzied bid for freedom in the earlier novel."

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adaptation of the novel, Norton published a new paperback edition as

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Willis, Ellen (1984). "Radical Feminism and Feminist Radicalism".

951:, who wrote lesbian stories under the pseudonym "Ann Aldrich" for 643:", referencing the character who embodies conventional propriety. 594: 73: 3397: 2641:"Carol and What It Was Really Like to Be a Lesbian in the 1950s" 575:. The cover of the Bloomsbury tie-in edition featured the title 270: 3422: 489:

appeared in 1953, followed by a mass market edition in 1969 by

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A British radio adaptation of the novel was broadcast in 2014.

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by Bloomsbury, she wrote in the "Afterword" to the edition:

227:, a film adaptation released in 2015, was nominated for six 218:" and characters who had "more explicit sexual existences". 546: " on the cover—a claim that stemmed from a theory by 247:

and looking for a chance to launch her career as a theatre

1182:"'Instantly, I love her': the affairs that inspired Carol" 157: 613:

sold nearly one million copies before its new edition as

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under Patricia Highsmith's name, with the addition of an

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problematic train of thought harks back to second wave

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Anxiety and Evil in the Writings of Patricia Highsmith

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Highsmith wrote in her Afterword dated May 24, 1989: "

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A 2015 British-American film adaptation of the novel,

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and modeled the climactic cross-country car chase in

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superimposed on a scene from the film with images of

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Terry Castle wrote: "I have long had a theory that

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and the character of "Carol" was changed to "Carl".

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hearings. They realize the investigator has already

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It was accepted by 155: 141: 128: 118: 110: 102: 87: 79: 69: 61: 38: 2172:"The True Love Story Behind the Making of 'Carol'" 313:in New York City during Christmas season of 1948: 2571:"Art is not always healthy and why should it be?" 2348:Mount E-Commons (Lesbian Pulp Fiction Collection) 835:Highsmith wrote in the Afterword for the novel's 3400:(The Patricia Highsmith Recommendation Engine). 2625:reprint of 1952 edition originally published by 2144:"Gay Syllabus: The Talented Patricia Highsmith" 1684: 1682: 675: 650: 315: 3177:"Before "Carol" There Was "The Price of Salt"" 2837:"Shelter Writing: Desperate Housekeeping from 2575:Beautiful Shadow: A Life of Patricia Highsmith 1418:Beautiful Shadow: A Life of Patricia Highsmith 1407: 1405: 1316:Beautiful Shadow: A Life of Patricia Highsmith 1246:Beautiful Shadow: A Life of Patricia Highsmith 1087:Beautiful Shadow: A Life of Patricia Highsmith 3434: 3175:Brownworth, Victoria A. (November 23, 2015). 524:called it "A Modern Novel of Two Women". The 8: 2779: 2777: 2665: 2663: 2092:Is Coming To A Theater Near-ish You In 2015" 1970:archives are available only to subscribers.) 21: 2088:"Patricia Highsmith's Lesbian Pulp Classic 1478: 1476: 1474: 1472: 1470: 1207: 1205: 1138: 1136: 975: 973: 971: 3469: 3441: 3427: 3419: 2374:"The Novel that Inspired Nabokov's Lolita" 27: 20: 3224:"The Gnarly Allure of Patricia Highsmith" 3082:"US film Carol wins Queer Palm at Cannes" 1887: 1885: 1850: 1726:GLQ: A Journal of Lesbian and Gay Studies 1665:. W.W Norton & Company. p. 217. 1603:GLQ: A Journal of Lesbian and Gay Studies 1580:. W.W Norton & Company. p. 254. 1508: 1506: 1341: 1339: 1640:. W.W Norton & Company. p. 67. 980:Patricia Highsmith (November 11, 2015). 3902: 1980: 1978: 1976: 1483:Carlston, Erin G. (November 22, 2015). 1375:"Mrs. Catherwood, 51, Atwater Kent Kin" 967: 828: 3190:Copenhaver, John (December 31, 2015). 3103:"Oscar Nominations: The Complete List" 1346:Talbot, Margaret (November 30, 2015). 1116:"The Inner Life of Patricia Highsmith" 3061:Festival de Cannes (April 15, 2015). 2969:White, Patricia (December 24, 2015). 2790:Lit: Literature Interpretation Theory 538:appealed to highbrow tastes with the 7: 3388:Works by or about Patricia Highsmith 3246:Schenkar, Joan (February 25, 2016). 2639:Cotkin, George (December 10, 2015). 2014:Schenkar, Joan (November 13, 2015). 1180:Wilson, Andrew (November 28, 2015). 3291:Sullivan, Jane (January 14, 2016). 3276:Smith, Nathan (November 19, 2015). 3237:Schenkar, Joan (January 21, 2012). 3160:Bolonik, Kera (November 23, 2015). 2997:The Frame Staff (January 6, 2016). 2142:Smith, Nathan (November 20, 2015). 1513:Minoff, Debra (November 20, 2015). 1445:Jordan, Louis (November 19, 2015). 1212:Thompson, Anne (January 15, 2016). 542:"The novel that inspired Nabokov's 176:(later republished under the title 3967:American novels adapted into films 2602:Highsmith, Patricia (2015). "23". 2432:Castle, Terry (November 9, 2003). 2256:Jones, Nick (September 25, 2015). 2170:Powell, Mike (November 20, 2015). 2086:Fonseca, Sarah (January 7, 2015). 1009:Shore, Robert (January 27, 2000). 500:In 1983, lesbian publishing house 14: 4002:Works published under a pseudonym 3306:Tonkin, Boyd (December 7, 2015). 2971:"A Lesbian "Carol" for Christmas" 2713:Highsmith: A Romance of the 1950s 2676:Highsmith: A Romance of the 1950s 2404:"Frequently as a rat has orgasms" 2316:"The Price of Salt > Editions" 1985:Rich, Frank (November 18, 2015). 1946:Rolo, Charles J. (May 18, 1952). 1920:Wells, Peter (January 19, 2016). 791:was an Official Selection of the 3929: 3917: 3905: 3222:Morgan, Kim (December 4, 2015). 3129:Ritman, Alex (January 7, 2016). 3009:Southern California Public Radio 2282:Gross, Terry (January 6, 2016). 497:subsequently fell out of print. 114:Print (hardback & paperback) 3080:Gaillard, Eric (May 24, 2015). 1874:Rivers, Daniel Winunwe (2013). 990:. Telegraph Media Group Limited 420:“What would you like, a drink?” 3162:"The Choice Carol Had to Make" 3029:Siegel, Ed (January 6, 2016). 2402:McCann, Sean (April 1, 2011). 2372:Miller, Meg (April 25, 2014). 2352:Mount Saint Vincent University 2065:Castle, Terry (May 23, 2006). 1114:Hart, Kate (August 15, 2011). 550:published in a 2003 essay for 276:The women become aware that a 1: 3063:"The 2015 Official Selection" 2806:10.1080/10436928.2020.1712791 1892:Dawson, Jill (May 13, 2015). 1485:"Essay: Patricia Highsmith's 1414:"Carol, in a thousand cities" 861:To help pay for twice-a-week 799:award. The film received six 563:with the release of the 2015 370:when she looked back towards 4012:Novels by Patricia Highsmith 3590:People Who Knock on the Door 2744:Highsmith, Patricia (2004). 2531:Highsmith, Patricia (2015). 2488:Highsmith, Patricia (2015). 2457:Highsmith, Patricia (2004). 2227:Highsmith, Patricia (1990). 1661:Highsmith, Patricia (2004). 1636:Highsmith, Patricia (2004). 1576:Highsmith, Patricia (2004). 1539:Highsmith, Patricia (2004). 1143:Highsmith, Patricia (2004). 124:292 pp (paperback ed., 2004) 3997:Novels set in New York City 3696:Mermaids on the Golf Course 3649:The Boy Who Followed Ripley 3261:Siegel, Ed (July 4, 2004). 2460:The Price of Salt, or Carol 1691:Western American Literature 1190:. Telegraph Media Group Ltd 1011:"The talented Ms Highsmith" 233:British Academy Film Awards 16:Novel by Patricia Highsmith 4028: 3992:Novels with lesbian themes 3402:W. W. Norton & Company 3205:Hesford, Victoria (2003). 3101:Staff (January 14, 2016). 1491:. The National Book Review 1312:"How I adore my Virginias" 805:British Academy Film Award 746:A radio adaptation titled 661:about female homosexuals, 96:W. W. Norton & Company 3489:(as Claire Morgan) (1952) 3472: 3456: 3298:The Sydney Morning Herald 2754:W.W. Norton & Company 2707:Meaker, Marijane (2003). 2670:Meaker, Marijane (2003). 2496:W.W. Norton & Company 2465:W.W. Norton & Company 2408:New York City in the '40s 1852:2027/spo.0499697.0027.114 1549:W.W. Norton & Company 1383:. May 1, 1966. p. 40 1380:The Philadelphia Inquirer 1153:W.W. Norton & Company 793:2015 Cannes Film Festival 739:the title was changed to 609:The paperback version of 26: 3835:The Two Faces of January 3795:Once You Meet a Stranger 3739:Once You Kiss a Stranger 3680:Little Tales of Misogyny 3534:The Two Faces of January 1808:10.1177/0959353592023006 1738:10.1215/10642684-4324825 1615:10.1215/10642684-4324825 345:Virginia Kent Catherwood 3972:American romance novels 3803:The Talented Mr. Ripley 3672:Short story collections 3625:The Talented Mr. Ripley 3606:Small g: a Summer Idyll 2900:Schenkar, Joan (2009). 2835:Fraiman, Susan (2006). 2569:Wilson, Andrew (2003). 2198:Morgan, Claire (1984). 1796:Feminism and Psychology 1412:Wilson, Andrew (2003). 1310:Wilson, Andrew (2003). 1273:Schenkar, Joan (2009). 1242:"Instantly, I love her" 1240:Wilson, Andrew (2003). 1081:Wilson, Andrew (2003). 1044:Schenkar, Joan (2009). 817:List of lesbian fiction 462:Highsmith's publisher, 3987:Lesbian romance novels 3328:Peters, Fiona (2011). 3136:The Hollywood Reporter 3108:The Hollywood Reporter 2119:Claire Morgan (1969). 2042:Claire Morgan (1953). 1447:"Carol's Happy Ending" 839:1990 republication as 803:nominations, and nine 754:in December 2014 with 706: 684: 668:Highsmith told author 655: 606: 599:Patricia Highsmith on 382:included in his novel 320: 192:psychological thriller 122:276 pp (hardcover ed.) 3566:The Tremor of Forgery 3550:A Suspension of Mercy 3510:A Game for the Living 3398:Choose Your Highsmith 2863:10.1353/nlh.2006.0034 2579:Bloomsbury Publishing 2539:Bloomsbury Publishing 2314:Highsmith, Patricia. 2233:Bloomsbury Publishing 1703:10.1353/wal.2018.0058 775:from a screenplay by 701: 635:asked her in 1990 if 598: 328:semi-autobiographical 3962:American LGBT novels 3952:1952 American novels 3715:Strangers on a Train 3478:Strangers on a Train 2850:New Literary History 2610:. pp. 248–249. 2581:. pp. 436–446. 2382:Simon & Schuster 2100:. The Excitant Group 1424:. pp. 160–172. 1322:. pp. 126–138. 1252:. pp. 151–159. 472:Strangers on a Train 443:political lesbianism 278:private investigator 196:Strangers on a Train 4007:Coward-McCann books 3819:Ripley Under Ground 3755:This Sweet Sickness 3747:The American Friend 3633:Ripley Under Ground 3598:Found in the Street 3558:Those Who Walk Away 3518:This Sweet Sickness 3241:. joanschenkar.com. 2902:"Les Girls: Part 2" 2412:Wesleyan University 2344:"The Price of Salt" 1948:"Carol and Therese" 1275:"Les Girls: Part 2" 1046:"Les Girls: Part 1" 647:Social significance 458:Publication history 23: 3827:The Cry of the Owl 3779:The Cry of the Owl 3657:Ripley Under Water 3526:The Cry of the Owl 3450:Patricia Highsmith 3334:Ashgate Publishing 3067:Festival de Cannes 2910:St. Martin's Press 2608:Dover Publications 2075:. The Slate Group. 2021:The New York Times 1968:The New York Times 1953:The New York Times 1283:St. Martin's Press 1054:St. Martin's Press 771:, was directed by 758:as Carol Aird and 756:Miranda Richardson 693:congenital inverts 607: 531:The New York Times 385:The Counterfeiters 212:lesbian literature 188:Patricia Highsmith 46:Patricia Highsmith 22:The Price of Salt 3957:1950s LGBT novels 3893: 3892: 3667: 3666: 3486:The Price of Salt 3359:The Price of Salt 3253:Los Angeles Times 3041:Boston University 2750:The Price of Salt 2604:The Price of Salt 2512:on April 14, 2016 2446:. pp. 28–32. 2262:Existential Ennui 2200:The Price of Salt 2121:The Price of Salt 2090:The Price of Salt 2044:The Price of Salt 1672:978-0-393-32599-7 1663:The Price of Salt 1647:978-0-393-32599-7 1638:The Price of Salt 1587:978-0-393-32599-7 1578:The Price of Salt 1545:The Price of Salt 1487:The Price of Salt 1455:. The Slate Group 1149:The Price of Salt 926:The Price of Salt 907:The Price of Salt 779:. The film stars 750:was broadcast by 724:The Price of Salt 715:The Price of Salt 691:were considered " 679:The Price of Salt 663:The Price of Salt 611:The Price of Salt 495:The Price of Salt 464:Harper & Bros 452:The Price of Salt 412:The Price of Salt 364:The Price of Salt 208:The Price of Salt 173:The Price of Salt 169: 168: 135:978-0-393-32599-7 103:Publication place 4019: 3934: 3933: 3932: 3922: 3921: 3910: 3909: 3908: 3901: 3851:A Kind of Murder 3787:The Story Teller 3470: 3443: 3436: 3429: 3420: 3383:Internet Archive 3368:Internet Archive 3347: 3317: 3302: 3287: 3283:The New Republic 3272: 3268:The Boston Globe 3257: 3242: 3233: 3218: 3201: 3186: 3171: 3167:The New Republic 3148: 3147: 3145: 3143: 3126: 3120: 3119: 3117: 3115: 3098: 3092: 3091: 3077: 3071: 3070: 3058: 3052: 3051: 3049: 3047: 3026: 3020: 3019: 3017: 3015: 2994: 2988: 2987: 2985: 2983: 2966: 2960: 2959: 2957: 2955: 2934: 2928: 2927: 2908:(1st ed.). 2897: 2891: 2890: 2832: 2826: 2825: 2781: 2772: 2771: 2752:(1st ed.). 2741: 2735: 2734: 2715:(1st ed.). 2704: 2698: 2697: 2678:(1st ed.). 2667: 2658: 2657: 2655: 2653: 2636: 2630: 2621: 2599: 2593: 2592: 2577:(1st ed.). 2566: 2560: 2559: 2557: 2555: 2528: 2522: 2521: 2519: 2517: 2508:. 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