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led to Haydon's suggestion of a depiction of the Whig Party's leaders and the work was commissioned by the Prime
Minister. When the Birmingham painting fell through due to the failure of the subscribers to pay the pledged funds Haydon abandoned it at the stage of an oil sketch and turned his full
167:) was a supporter of the recent act. He had previously been working on a large depiction of the Birmingham Political Union. When he approached Grey hoping he would subscribe to financially support the work Grey's obvious disapproval of the
187:. This led to a large number of sittings to develop the images for the various number of participants that Haydon did in chalk. this process lasted from September 1832 to early 1834.. One of the hardest figures to pin down was the
202:, making it difficult to schedule sittings. A number of prominent figures who hadn't attended the actual dinner were still portrayed, shown standing as a group on the left of the canvas. Haydon shows the gathering during the
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the younger brother of the king also sat for the painting and had helped draw up the list of sitters to be included. The artist added himself to the picture, halfway up the extreme right of the painting.
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Haydon attended the actual dinner in July 1832 and drew up an initial sketch as he began working on the composition of the final painting before moving on to filling it out with individual
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in particular staying away, rejecting the painting due to its close association with an unpopular government. The finished work is now at
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concluded that it was "worthy of the great event it commemorates" a more scathing review appeared in the Tory-supporting
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although he eventually sat for the painting. Grey himself was distracted by the international situation due to the
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course when Grey gave a speech to the assembled dignitaries. Amongst the cabinet ministers to feature were the
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110:. Completed and first exhibited in 1834 it represents a scene on 11 July 1832 when supporters of the recent
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The exhibition proved a financial disaster, losing him money. Haydon attributed this to the
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on 22 March 1834 and it opened to the general public a few days later. While the pro-Reform
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https://www.rct.uk/collection/813138/the-reform-banquet-at-the-guildhall-july-11th-1832
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Oil sketch for Haydon's abandoned painting of the
Birmingham Political Union meeting.
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240 cm × 370 cm (96 in × 144 in)
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which were both large-scale depictions related to the recent Reform Act.
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A Strange
Business: Making Art and Money in Nineteenth-Century Britain
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and other government ministers met for a celebratory dinner at the
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Cultural depictions of
William Lamb, 2nd Viscount Melbourne
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A Genius for
Failure: The life of Benjamin Robert Haydon
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This article about a nineteenth-century painting is a
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659:Cultural depictions of Charles Grey, 2nd Earl Grey
289:Haydon who had a long-standing grudge against the
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565:The History and Philosophy of Art Education
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340:in 1835 are now in the collections of the
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16:1834 painting by Benjamin Robert Haydon
551:Picturing Reform in Victorian Britain
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336:. Versions of the engraving done by
155:Haydon (who described himself as a "
644:Paintings by Benjamin Robert Haydon
553:. Cambridge University Press, 2012.
359:The Anti-Slavery Society Convention
301:to display the painting. He held a
597:. You can help Knowledge (XXG) by
175:attention to the Grey commission.
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567:. James Clarke & Co., 2004.
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669:19th-century painting stubs
560:. Atlantic Books Ltd, 2014.
216:Chancellor of the Exchequer
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346:National Portrait Gallery
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254:Marquess of Westminster
244:Others to appear were
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108:Benjamin Robert Haydon
106:by the English artist
46:Benjamin Robert Haydon
574:. Random House, 2011.
223:Marquess of Lansdowne
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274:Lord Mayor of London
563:Macdonald, Stuart.
262:Sir Francis Burdett
549:Carlisle, Janice.
406:O'Keeffe p. 313-15
196:Belgian Revolution
165:Duke of Wellington
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99:The Reform Banquet
33:1835 engraving by
22:The Reform Banquet
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299:St James's Street
295:Summer Exhibition
250:Duke of Cleveland
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246:Joseph Hume
163:leader the
86:Howick Hall
638:Categories
367:References
285:Exhibition
169:Birmingham
143:Commission
112:Reform Act
74:Dimensions
308:The Times
185:portraits
123:Guildhall
119:Earl Grey
352:See also
344:and the
272:and the
237:and the
172:radicals
82:Location
204:dessert
179:Sitters
125:in the
276:. The
252:, the
233:, the
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42:Artist
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161:Tory
60:Type
55:1834
52:Year
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