Knowledge (XXG)

The Russia House

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Christopher Lehmann-Haupt wrote "there remains a murky complexity to Mr. le Carré's prose that isn't justified by the somewhat simplistic inevitability of his plot. The love affair that ends up undermining Barley's patriotism seems forced in its detail and leaves a void of credibility at the heart of
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is more than interested in it and ask Barley to contact Yakov with a list of verifying questions to determine the document's authenticity. Barley is content to stay out of the matter, but he is manipulated into undertaking the mission. He grows fond of Katya and begins thinking of a way to get her
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More than a year later, after several unconfirmed sightings in Moscow, Barley shows up in Portugal, offering no explanation for his absence. Neither the CIA nor MI6 are inclined to interrogate him, reasoning that the KGB has already worn him down to get the information they needed. The truth,
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the anonymous reviewer called the book Le Carré's "drollest work thus far, his simplest plot by a long shot, and sturdy entertainment throughout—even if not in the same league with the Karla trilogy and other le Carré classics" and summarized; "Barley is a grand, Dickensian creation, the ugly
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Barley receives a message that he must bring "a final and exhaustive" list of questions on Soviet research. He makes contact with one of his Soviet publishing associates who uses his connections in the KGB to arrange a meeting with Yakov's handlers. Although the CIA and MI6 set up a major
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however, is that Barley traded the questions for the freedom of Katya and her family. The philosophical Barley reasons that governments are not the only ones who can manipulate and betray, and some things are more important than the games that spies play with others' lives.
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said, "Le Carré's Russia is funny and touching by turns but always convincing, and the love affair between Barley and Katya, subtly understated, is by far the warmest the author has created. " In a 1989 book review by
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and MI6 decide one final meeting is needed to verify the authenticity of the data, but Yakov is suddenly "hospitalized" due to purported exhaustion. In a secure phone call, Yakov tells Katya through
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nuclear capabilities and atomic secrets. The manuscript has a cover letter to Barley, saying that Yakov is trying to serve his country by hastening the day when democracy will come to the
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Several months later in Moscow, a woman named Katya seeks Barley out at an audio fair, hoping to convince him to publish a manuscript for her friend Yakov which details
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tensions. One attentive listener, "Goethe", asks him privately whether he truly believes in the possibility of such a world. Barley convincingly says that he does.
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Americans are a richly diverting crew, and this is witty, shapely tale-spinning from a modern master." In a 1989 book review by
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surveillance operation at the meeting site, Barley goes missing along with the last set of questions, presumably arrested.
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Over the course of several meetings with Katya and Yakov, Barley realises his nervous informant is very likely under
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that he has been taken and that she is in danger. Barley and Katya realise that any further meeting is merely a
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Yakov Yefremovich Savelyev a.k.a. "Goethe" – a Soviet nuclear physicist who approaches "Barley" via Katya
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Bartholomew "Barley" Scott Blair – protagonist, principal of a family-owned British publishing company
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published in 1989. The title refers to the nickname given to the portion of the British
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Yekaterina "Katya" Borisovna Orlova – a young Soviet woman who works for a Moscow
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Horatio Benedict dePalfrey a.k.a. "Harry Palfrey" – lawyer in the Russia House
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of the novel adapted in seven episodes. It was broadcast in 1994 and starred
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In 1987, Bartholomew "Barley" Scott Blair, a British
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Barley is in 228: 95:Media type 79: 34: 17: 12: 11: 5: 1091: 1089: 1081: 1080: 1078:MI6 in fiction 1075: 1070: 1065: 1060: 1055: 1050: 1045: 1040: 1030: 1029: 1023: 1022: 1020: 1019: 1008: 1005: 1004: 1002: 1001: 994: 986: 984: 980: 979: 977: 976: 971: 966: 961: 956: 951: 946: 941: 939:Toby Esterhase 936: 930: 928: 924: 923: 921: 920: 912: 904: 896: 888: 880: 871: 869: 865: 864: 862: 861: 853: 845: 837: 829: 821: 813: 805: 797: 789: 780: 778: 774: 773: 771: 770: 762: 754: 746: 738: 730: 722: 714: 706: 698: 690: 682: 674: 666: 658: 650: 642: 634: 626: 618: 610: 602: 594: 586: 578: 570: 561: 559: 555: 554: 545: 543: 542: 535: 528: 520: 514: 513: 500: 499:External links 497: 494: 493: 481:New York Times 467: 454:Kirkus Reviews 437: 407: 406: 404: 401: 376:, directed by 362: 359: 346:Kirkus Reviews 333: 330: 329: 328: 325: 322: 311: 306: 303: 281:scrutiny. 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Index


John le Carré
Spy fiction
Hodder & Stoughton
ISBN
0-340-50573-7
OCLC
19271245
LC Class
A Perfect Spy
The Secret Pilgrim
spy novel
John le Carré
Secret Intelligence Service
Soviet Union
A film based on the novel
Sean Connery
Michelle Pfeiffer
Fred Schepisi
BBC
Tom Baker
publisher
Moscow
dacha
Peredelkino
Cold War
Soviet
Soviet Union
Lisbon
Secret Intelligence Service

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