1173:
1229:, achieved wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s. These bands avoided the Britpop label while still producing music derived from it. Bands that had enjoyed some success during the mid-1990s, but were not really part of the Britpop scene, included the Verve and Radiohead. The music of most bands was guitar based, often mixing elements of British traditional rock (or British trad rock), particularly
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1005:" would have had greater merit. He also noted that he and Blur frontman Damon Albarn – with whom Gallagher had enjoyed multiple musical collaborations during the 2010s – were now friends. Both men have noted that they do not discuss their 1990s rivalry, with Albarn adding, "I value my friendship with Noel because he is one of the only people who went through what I did in the Nineties."
597:" were released around the same time in the spring of 1992. He stated, "f Britpop started anywhere, it was the deluge of acclaim that greeted Suede's first records: all of them audacious, successful and very, very British." Suede were the first of the new crop of guitar-orientated bands to be embraced by the UK music media as Britain's answer to Seattle's grunge sound. Their debut album
991:" in a deriding of their alleged unoriginality and inability to change. In what was the best week for UK singles sales in a decade, on 20 August, Blur's "Country House" sold 274,000 copies against "Roll with It" by Oasis which sold 216,000, the songs charting at number one and number two, respectively. Blur performed their chart topping single on the BBC's
313:
997:, with the band's bassist Alex James wearing an 'Oasis' t-shirt. However, in the long run Oasis became more commercially successful than Blur, at home and abroad. In a 2019 interview, Oasis bandleader Noel Gallagher reflected on the chart battle between the two songs, both of which he saw as "shit", and suggested that a chart race between Oasis' "
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height. This, beside a greater willingness to woo the
American press and fans, may have helped a number of them in achieving international success. They have been seen as presenting the image of the rock star as an ordinary person, or "boy-next-door" and their increasingly melodic music was criticised for being bland or derivative.
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467:
Local identity and regional
British accents are common to Britpop groups, as well as references to British places and culture in lyrics and image. Stylistically, Britpop bands use catchy hooks and lyrics that were relevant to young British people of their own generation. Britpop bands conversely
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with
American influences. Post-Britpop bands also used elements from 1970s British rock and pop music. Drawn from across the UK, the themes of their music tended to be less parochially centred on British, English and London life, and more introspective than had been the case with Britpop at its
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as the moment where
Britpop ended; Savage said that while the album "isn't the great disaster that everybody says", he commented that "t was supposed to be the big, big triumphal record" of the period. At the same time, Blur sought to distance themselves from Britpop with their
923:, dubbed "The Battle of Britpop", brought Britpop to the forefront of the British press in 1995. The bands had initially praised each other but over the course of the year antagonisms between the two increased. Spurred on by the media, they became engaged in what the
334:
Though
Britpop has sometimes been viewed as a marketing tool and more of a cultural moment than a distinct musical genre, there are musical conventions and influences the bands grouped under the Britpop term have in common. Britpop bands show elements from the
709:: " timing has been fortuitously perfect. Why? Because, as with baggies and shoegazers, loud, long-haired Americans have just found themselves condemned to the ignominious corner labelled 'yesterday's thing'." The music press also fixated on what the
1069:), with Oasis winning the award. All three bands were also nominated for Best British Group and Best Video, which were won by Oasis. While accepting Best Video (for "Wonderwall"), Oasis taunted Blur by singing the chorus of the latter's "
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continued the fiercely
British nature of its predecessor, and coupled with the death of Nirvana's Kurt Cobain in April of that year British alternative rock became the dominant rock genre in the country. That same year
1253:, also from Glasgow, were one of the first major rock bands to emerge in the post-Britpop era, and have been credited with a major role in disseminating and even creating the subgenre of post-Britpop. From Edinburgh
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denied that the band were associated with the term: "We're not
Britpop, we're universal rock. The media can take the Britpop and stick it as far up the back entry of the country houses as they can take it."
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argued that the term
Britpop had been devalued, ignoring all the cultural aspects that had made the scene so important, with the term becoming a "catch-all" for "any band that played guitars in the 1990s."
851:
It was not until 1994 that
Britpop started to be used by the UK media in relation to contemporary music and events. Bands emerged aligned with the new movement. At the start of 1995, bands including
221:
scene of the early 1990s. Although often seen as a cultural moment rather than a distinct musical genre, its associated bands typically drew inspiration from the
British pop music of the 1960s, the
476:
summed up the attitude in 1993 when after being asked if Blur were an "anti-grunge band" he said, "Well, that's good. If punk was about getting rid of hippies, then I'm getting rid of grunge."
1082:(1997) was highly anticipated. Despite initially attracting positive reviews and selling strongly, the record was soon subjected to strong criticism from music critics, record-buyers and even
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denounced grunge as irrelevant and having nothing to say about their lives. In contrast to the dourness of grunge, Britpop was defined by "youthful exuberance and desire for recognition".
519:
described these bands, and Gallagher, as sharing "a dewy-eyed love of the 1960s, a spurning of much beyond rock's most basic ingredients, and a belief in the supremacy of 'real music'".
1130:– showed considerably more esoteric influences from the 1960s and 1970s that were uncommon among earlier Britpop acts. In 1997, Radiohead and the Verve released their respective albums
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1425:, seen as a "second wave" of Britpop". These bands have been seen as looking less to music of the 1960s and more to 1970s punk and post-punk, while still being influenced by Britpop.
260:(dubbed "The Battle of Britpop") brought the movement to the forefront of the British press in 1995. While music was the main focus, fashion, art and politics also got involved, with
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1409:, continued to record and enjoy commercial success into the new millennium. The idea of post-Britpop has been extended to include bands originating in the new millennium, including
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were taken as representing the North of England, while Blur represented the South. The event caught the public's imagination and gained mass media attention in national newspapers,
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had worked as a roadie during the Madchester years), was an immediate root of Britpop since its emphasis on good times and catchy songs provided an alternative to the British-based
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1285:(1998) reached number one, but they were unable to make much impact in the US and, after personal problems, broke up at the end of the century. Other Welsh bands included
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has been seen as having "snatched the spirit of the age from those responsible for Britpop". While established acts struggled, attention began to turn to the likes of
252:, known as the "big four" of the movement. The timespan of Britpop is generally considered to be 1993–1997, and its peak years to be 1995–1996. A chart battle between
1369:, Starsailor and Elbow, with introspective lyrics and even tempos, began to be criticised at the beginning of the new millennium as bland and sterile and the wave of
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were out there, and people were very interested in American music, and there should be some sort of manifesto for the return of Britishness." John Harris wrote in an
271:
During the late 1990s, many Britpop acts began to falter commercially or break up, or otherwise moved towards new genres or styles. Commercially, Britpop lost out to
935:" on the same day. The battle pitted the two bands against each other, with the conflict as much about British class and regional divisions as it was about music.
3197:
1401:, that sprang up in that period were welcomed by the musical press as "the saviours of rock and roll". However, a number of the bands of this era, particularly
1158:, influenced by Britpop acts, particularly Oasis, with more introspective lyrics, were some of the most successful rock acts of the late 1990s and early 2000s.
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The cultural and musical scene in Scotland, dubbed "Cool Caledonia" by some elements of the press, produced a number of successful alternative acts, including
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notably incorporates Britpop influences, aiming to recreate the visual and sonic aesthetics of the Britpop movement. Chinouriri cited bands like Oasis and
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After Britpop the media focused on bands that may have been established acts, but had been overlooked due to focus on the Britpop movement. Bands such as
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548:) and its use as a symbol of pride and nationalism contrasted deeply with the controversy that erupted just a few years before when former Smiths singer
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the previous year. The music press viewed the scene around Camden Town as a musical centre; frequented by groups like Blur, Elastica, and Menswear;
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was the only songwriter he had respect for in the last ten years, and that he felt their music was similar enough that Cobain could have written "
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In the mid-2020s, a new group of artists began drawing inspiration from the energy and iconography of mid-90s Britain. Notable examples include
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and New Labour's efforts to align themselves with the distinctly British cultural resurgence that was underway, as well Britpop artists such as
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649:) that focused on a weekly club called Syndrome in Oxford Street; the bands that met up were a mix of music styles, some would be labelled
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are sometimes advanced as the "godfathers" or "grandfathers" of Britpop, though Davies disputes it. Others similarly labelled include
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performed draped in it. The emphasis on British reference points made it difficult for the genre to achieve success in the US.
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dubbed on the cover of its 12 August issue the "British Heavyweight Championship" with the pending release of Blur's single "
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in January 1997 that "We created a movement: as far as the lineage of British bands goes, there'll always be a place for us
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693:(and at the time in a relationship with Albarn) explained, "Damon and I felt like we were in the thick of it at that point
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2334:"'I had no idea they would be so big' – John Robb on Manchester music, Britpop, and being the first to interview Nirvana"
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The imagery associated with Britpop was equally British and working class. A rise in unabashed maleness, exemplified by
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In spite of the professed disdain for the genres, some elements of both crept into the more enduring facets of Britpop.
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At the beginning of the 2010s, a wave of new bands emerged that combined indie rock with the Britpop of the 1990s.
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on the cover with a Union Flag in the background and the headline "Yanks go home!" The issue included features on
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began to resent American culture and found the need to comment on that culture's influence seeping into Britain.
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that he "didn't like being called Britpop, or pop, or PopBrit, or however you want to put it." Pulp frontman
677:'s new approach was inspired by a tour of the United States in the spring of 1992. During the tour, frontman
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I. Collinson, "Devopop: pop Englishness and post-Britpop guitar bands", in A. Bennett and J. Stratton, eds,
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emerged to colossal sales, it became clear that while Blur had won the battle, Oasis were winning the war."
804:. After terms such as "the New Mod" and "Lion Pop" were used in the press around 1992, journalist (and now
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983:, it was spurred on by jibes thrown back and forth between the two groups, with Oasis dismissing Blur as "
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379:. Regardless, Britpop artists project a sense of reverence for British pop sounds of the past. The Kinks'
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The term "Britpop" arose when the media were drawing on the success of British designers and films, the
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scene of the 1980s and early 1990s were the direct ancestors of the Britpop movement. The influence of
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As Britpop slowed, many acts began to falter and broke up. The sudden popularity of the pop group the
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music scene. The movement brought British alternative rock into the mainstream and formed the larger
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1454:, a 2003 documentary film written and directed by John Dower. Both documentaries include mention of
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1179:, the most commercially successful post-Britpop band, on stage in 2024. Their first three albums –
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653:, while others would go on to be part of Britpop. The dominant musical force of the period was the
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released their debut album, Welcome Home. Later, bands such as Superfood and the Australian band
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and helped make them one of the most popular acts in the world by the time of their second album
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In 2020, with attention turning to all "landfill indie" acts of the 2000s, Mark Beaumont of the
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2624:"'We don't talk about our past': Damon Albarn opens up on close friendship with Noel Gallagher"
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1267:(2002). The first major band to break through from the post-Britpop Welsh rock scene, dubbed "
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programme from 2020, he believed it may have been used in the 1960s, around the time of the
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These acts were followed by a number of bands who shared aspects of their music, including
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2569:"Damon Albarn talks working with Noel Gallagher on new Gorillaz track 'We Got The Power'"
2486:"Blur and Oasis' big Britpop chart battle – the definitive story of what really happened"
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invasion from the United States, which filled the void left in the indie scene by the
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himself for its overproduced and bloated sound. Music critic Jon Savage pinpointed
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became the fastest-selling debut album in the history of the UK. In April 1993,
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became a prominent symbol of the movement (as it had a generation earlier with
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Britpop was partly a reaction to the popularity of Nirvana and the dourness of
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of the 1980s in their music, attitude, and clothing. Specific influences vary:
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Till, Rupert. "In my beautiful neighbourhood: local cults of popular music".
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2707:
2542:"Noel Gallagher and Damon Albarn make history, performing together in London"
1365:) is the most widely played song of the 21st century on UK radio. Bands like
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John Harris (10 April 1993). "A shite sports car and a punk reincarnation".
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states, "Britpop became a major cultural phenomenon". Oasis's second album,
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chimney sweep music", while Blur referred to their opponents as the "Oasis
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was making his comeback, tabloids and broadsheets alike went Britpop crazy.
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1932:
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1800:"Ray Davies: 'I'm not the godfather of Britpop … more a concerned uncle'"
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1111:... We genuinely started to see that world in a slightly different way."
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styles of music. Pre-dating Britpop by four years, Liverpool-based group
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195:
190:, in reaction to the darker lyrical themes and soundscapes of the US-led
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joined the revival, with DMA’s debut album receiving favorable reviews.
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launched an update on Britpop, dubbed “Gritpop,” with their debut album
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from England. The most commercially successful band in the milieu were
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515:) "Noelrock", citing Gallagher's influence on their music. Journalist
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665:, however, took on an Anglocentric aesthetic with their second album
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20:
3248:
All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
3160:
All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
2664:. OfficialCharts.com. 13 October 2018. Retrieved on 7 December 2018.
1193:
719:, a term applied to the more punk-derivative acts such as Elastica,
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3874:
Britpop!: Cool Britannia and the Spectacular Demise of English Rock
2847:
Britpop!: Cool Britannia and the Spectacular Demise of English Rock
1749:
Britpop!: Cool Britannia and the Spectacular Demise of English Rock
1065:, both albums were nominated for Best British Album (as was Pulp's
4184:
3045:
Popular Music and the State in the UK: Culture, Trade or Industry?
2808:"The UK's 60 official biggest selling albums of all time revealed"
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in August 2005 as part of Britpop Night, ten years after Blur and
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Britpop was a phenomenon that highlighted bands emerging from the
64:
1307:" is the most widely played song on UK radio in the 21st century.
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in UK chart history. Blur's third album in their 'Life' trilogy,
3582:"Britpop revivalists Viva Brother quietly announce their demise"
2022:"RECORDINGS VIEW; Battle of the Bands: Old Turf, New Combatants"
1896:"40 Greatest One-Album Wonders: 13. The La's, 'The La's' (1990)"
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used the term Britpop in 1993 (though recounting the event in a
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3749:"Mad fer it! The young musicians flying the flag for Britpop"
3723:"Mad fer it! The young musicians flying the flag for Britpop"
2467:
Rock and Roll Cage Match: Music's Greatest Rivalries, Decided
2233:
The British Pop Dandy: Masculinity, Popular Music and Culture
2041:
The Last Party: Britpop, Blair and the Demise of English Rock
1653:"In my beautiful neighbourhood: local cults of popular music"
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also expressed his dislike for the term in an interview with
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that March; its first week sales surpassed the record set by
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in 2010, describing it as a "horrible, bitty, sharp sound."
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as "one of the most talented guitarists of his generation."
536:
in general, would be very much part of the Britpop era. The
4393:
3844:"The term 'landfill indie' is nothing but musical snobbery"
2206:"The biggest selling Mercury Prize-winning albums revealed"
639:
were involved in a vibrant social scene in London (dubbed "
328:(right) are sometimes cited as the "godfathers of Britpop".
901:
The UK media extensively covered the chart battle between
1772:
Bennett, Professor Andy; Stratton, Professor Jon (2013).
1051:, sold over four million copies in the UK – becoming the
3266:
3264:
2686:. Note: reader must define "Search" parameter as "Blur".
1555:
Artists of the genre have dismissed the "Britpop" term.
1279:" (1998) reached the top ten in the UK, and whose album
3639:"DMA's review – Britpop revivalists evoke 90s euphoria"
840:, though many of these acts would be grouped under the
3818:"The Top 50 Greatest Landfill Indie Songs of All Time"
863:
scored pop hits. Elastica released their debut album
781:". The album sold over 1.3 million copies in the UK.
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Retrospective documentaries on the movement include
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3793:"Blur – No Distance Left to Run" (2009 documentary)
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which reached number one, and included the single "
633:and helped start the idea of an emerging movement.
236:The most successful bands linked with Britpop were
127:
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105:
97:
43:
38:
792:, and on the mood of optimism with the decline of
581:John Harris has suggested that Britpop began when
410:is common to the majority of Britpop artists. The
3162:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002),
2753:
2751:
824:states he had used the term in the late 1980s in
3457:
3455:
3484:"Britpop Night on BBC Four - Tuesday 16 August"
3402:This Is It-: the First Biography of the Strokes
3317:
3315:
2935:(Edinburgh: Edinburgh University Press, 2004),
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2478:
2476:
2434:"When Blur beat Oasis in the battle of Britpop"
1513:, who explored Britpop influences in her album
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452:as a "founding piece of Britpop's foundation".
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2102:
2100:
2098:
2096:
2067:. Retrieved on 21 January 2011. Archived from
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4409:
3925:
3246:V. Bogdanov, C. Woodstra and S. T. Erlewine,
3204:, 20 January 2003, retrieved 3 December 2010.
3158:V. Bogdanov, C. Woodstra and S. T. Erlewine,
3112:, 26 February 2004, retrieved 2 January 2010.
3034:, 14 February 2004, retrieved 2 January 2010.
2951:
2949:
2922:, 2 September 2002, retrieved 3 January 2010.
2841:
2839:
2837:
2835:
2833:
1261:, produced three top 20 albums, peaking with
499:". By 1996, Oasis's prominence was such that
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8:
3126:Blerwytirhwng?: the Place of Welsh Pop Music
2662:"The UK's biggest studio albums of all time"
1974:Matthew Caws (May 1996). "Top of the Pops".
1529:reimagines the genre’s aesthetic, featuring
796:'s government, and the rise of the youthful
734:was a moderate success, Blur's third album,
503:termed a number of Britpop bands (including
3897:Live Forever: The Rise and Fall of Brit Pop
3805:"Stephen Merchant interviews Jarvis Cocker"
3120:
3118:
2878:, 19 August 2005, retrieved 2 January 2010.
2649:Live Forever: The Rise and Fall of Brit Pop
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1870:
1868:
1451:Live Forever: The Rise and Fall of Brit Pop
1073:" and changing the lyrics to "shite life".
569:magazine's April 1993 issue – with Suede's
371:had a fondness for arty punk rock, notably
4416:
4402:
4394:
4263:
3932:
3918:
3910:
3887:Harris, John. "Modern Life is Brilliant!"
2902:, 11 April 2008, retrieved 2 January 2010.
2460:
2458:
2456:
2258:"The Battle of Britpop : 25 Years On"
1039:In the months following the chart battle,
35:
3425:(Oxford: Oxford University Press, 2009),
2617:
2615:
975:Billed as the greatest pop rivalry since
3357:(London: Rough Guides, 3rd end., 2003),
3323:"And the most-played song on UK radio is
3082:"Whatever happened to our Rock and Roll"
2973:
2971:
2969:
2741:... there'll always be a place for us".
2694:
2692:
1952:
1950:
1509:features a Union Jack on its cover, and
282:movement, associated with bands such as
3463:Britpop and the English Music Tradition
3198:"Britpop: rock aint what it used to be"
3095:, 2002-12-23, retrieved 6 January 2010.
2980:Britpop and the English Music Tradition
2978:Bennett, Andy and Jon Stratton (2010).
2591:
2589:
2236:. Ashgate Publishing, Ltd. p. 53.
1821:"Paul Weller: A Britpop Titan Lives On"
1775:Britpop and the English Music Tradition
1640:
1303:performing in 2009. Their 2006 single "
1199:best-selling albums in UK chart history
1061:, sold over one million copies. At the
268:aligning themselves with the movement.
2083:"Looking back at the birth of Britpop"
2043:; John Harris; Harper Perennial; 2003.
1646:
1644:
951:Yes, in a week where news leaked that
609:magazine featured Suede's lead singer
275:, while artistically it segued into a
3423:101 Albums That Changed Popular Music
2933:Popular Music Genres: an Introduction
2567:Luke Morgan Britton (23 March 2017).
1448:went head-to-head in the charts, and
848:and indie-dance genres at the time.
788:(sometimes termed "Britart") such as
7:
3696:"Did DMA's Have to Grow Up So Fast?"
2737:Mulvey, John. "We created a movement
820:). However, journalist and musician
771:). In 1995, Pulp released the album
2309:"The Britpop Top 50 with Jo Whiley"
828:magazine to refer to bands such as
763:, including Best British Album for
705:article just before the release of
3795:. YouTube. Retrieved 27 March 2020
3783:. YouTube, Retrieved 27 March 2020
3375:Stephen M. Deusner (1 June 2009),
3250:(Backbeat Books, 3rd edn., 2002),
2873:"Are we in Britpop's second wave?"
2600:. 23 June 2019. 9–10 minutes in.
2020:Simon Reynolds (22 October 1995).
1009:has also described Blur guitarist
14:
3721:Mitchell, Sarah (26 April 2024).
3637:Beaumont, Mark (27 August 2015).
3377:"Coldplay LeftRightLeftRightLeft"
3028:... it's the rebirth of art rock"
2204:Copsey, Rob (17 September 2018).
2181:. The BRIT Awards. Archived from
1614:1990s music in the United Kingdom
1540:What a Devastating Turn of Events
1048:(What's the Story) Morning Glory?
1033:(What's the Story) Morning Glory?
877:declared "Camden is to 1995 what
4609:
4598:
4597:
4376:
4375:
3781:"Noël Gallagher on other genres"
3747:Butchard, Skye (26 April 2024).
3509:Chater, David (16 August 2005).
3327:... Chasing Cars by Snow Patrol"
3145:D. Pride, "Global music pulse",
2818:from the original on 9 July 2016
2606:British Broadcasting Corporation
919:A chart battle between Blur and
641:The Scene That Celebrates Itself
577:– emphasised "Great British pop"
311:
302:
3404:(London: Omnibus Press, 2003),
3365:, pp. 310, 333, 337 and 1003-4.
3149:, 22 Aug 1998, 110 (34), p. 41.
2622:Reilly, Nick (10 August 2018).
2469:. Crown/Archetype. p. 102.
1819:Dye, David (13 February 2007).
1572:stated in the 2009 documentary
1533:and a warped Union Jack cover.
402:Alternative rock acts from the
3807:. BBC. Retrieved 27 March 2020
3613:"Superfood – 'Don't Say That'"
3588:. 4 April 2012. Archived from
3538:"Britpop movie holds première"
3066:"Travis: The boy with no name"
2963:, retrieved, 17 December 2011.
2957:"Travis: The Boy With No Name"
2889:"Label Profile: Independiente"
1853:interview NME February 11 1995
1751:. Da Capo Press. p. 202.
1701:Nick Hasted (18 August 2005).
1680:Michael Dwyer (25 July 2003).
1574:Blur – No Distance Left to Run
759:. Blur won four awards at the
363:, Oasis took inspiration from
1:
4643:Culture of the United Kingdom
3187:, retrieved 17 December 2011.
2684:British Phonographic Industry
2520:"The best of Blur at the BBC"
2144:British Phonographic Industry
2081:Ian Youngs (15 August 2005).
1904:. 10 May 2018. Archived from
1659:. A&C Black. p. 90.
16:1990s UK pop culture movement
3556:"Breaking Out: Viva Brother"
3465:(Aldershot: Ashgate, 2010),
3309:, retrieved 3 December 2010.
3293:, retrieved 3 December 2010.
3128:(Aldershot: Ashgate, 2007),
3047:(Aldershot: Ashgate, 2007),
2796:, retrieved 3 December 2010.
947:wrote about the phenomenon:
3449:, retrieved 3 January 2010.
3277:, retrieved 3 January 2010.
3237:, retrieved 3 January 2010.
3221:, retrieved 7 January 2010.
3072:, retrieved 2 January 2010.
3013:, retrieved 3 January 2010.
2916:"Catatonia – Greatest Hits"
2806:Copsey, Rob (4 July 2016).
2700:"1996 Brit Awards: winners"
2674:BPI Certified Awards Search
1778:. Ashgate Publishing, Ltd.
1682:"The great Britpop swindle"
1619:Music of the United Kingdom
1352:A Rush of Blood to the Head
1188:A Rush of Blood to the Head
749:released their debut album
697:... it occurred to us that
573:on the cover in front of a
375:. and both incarnations of
294:Style, roots and influences
101:Early 1990s, United Kingdom
4691:
4065:Christian alternative rock
3906:. London: Continuum, 2010.
3490:Press Office. 18 July 2005
3303:"Feeder: Comfort in Sound"
2986:. pp. 164, 166, 173.
2059:"British Alternative Rock"
2057:Erlewine, Stephen Thomas.
1988:Kessler, Ted. "Noelrock!"
1315:from Northern Ireland and
1165:
1103:. Albarn explained to the
18:
4593:
4371:
3899:. Passion Pictures, 2004.
3106:"And the bland played on"
2931:S. Borthwick and R. Moy,
2894:14 September 2017 at the
2679:24 September 2009 at the
2419:"Roll with the presses".
2140:"Certified Awards Search"
2111:. Passion Pictures. 2004.
1624:List of Britpop musicians
1359:" (from their 2006 album
1142:, both widely acclaimed.
961:still getting slaughtered
957:preparing nuclear weapons
136:List of Britpop musicians
132:
120:
4348:Independent record label
1095:, assimilating American
1053:fifth best-selling album
999:Cigarettes & Alcohol
200:British popular cultural
19:Not to be confused with
4668:British styles of music
3876:. Da Capo Press, 2004.
3355:The Rough Guide to Rock
2849:(Da Capo Press, 2004),
2812:Official Charts Company
2210:Official Charts Company
1703:"The summer of Britpop"
1436:programme presented by
1355:(2002). Snow Patrol's "
1331:, Electric Pyramid and
1213:, and new acts such as
1197:(2005) – are among the
1093:self-titled fifth album
893:"The Battle of Britpop"
556:Origins and first years
194:music and the UK's own
4658:1990s in British music
2465:Manning, Sean (2008).
1475:
1308:
1202:
1036:
973:
959:, everyday folks were
916:
885:was to 1989, and what
732:Modern Life Is Rubbish
707:Modern Life is Rubbish
668:Modern Life Is Rubbish
578:
464:
229:of the 1970s, and the
4663:British popular music
4648:1990s fads and trends
2900:Independent on Sunday
2230:Stan Hawkins (2009).
1547:as key inspirations.
1473:
1299:
1257:, more influenced by
1175:
1024:
943:and television news.
900:
786:Young British Artists
563:
487:and once stated that
483:has since championed
458:
4226:New wave of new wave
1747:John Harris (2004).
1731:Elastica interview,
1651:Rupert Till (2010).
1503:, whose debut album
1405:, Stereophonics and
1339:, whose debut album
1282:International Velvet
1025:Oasis playing live.
717:New Wave of New Wave
122:New wave of new wave
4604:Category:Rock music
4492:Paisley Underground
4311:Alternative Airplay
4281:Neue Deutsche Härte
4139:Paisley Underground
4031:Alternative country
3087:11 May 2019 at the
3007:"British Trad Rock"
2775:Harris, pg. 369–70.
2728:Harris, pg. 321–22.
2652:. Bonus interviews.
2439:The Daily Telegraph
2375:Harris, pg. 210–11.
2366:Harris, pg. 203–04.
2185:on 12 November 2011
2071:on 9 December 2010.
1474:DMA's live at Leeds
1099:influences such as
1076:Oasis' third album
446:" was described by
434:and American based
206:, which evoked the
3850:. 1 September 2020
3675:Hills End by DMA's
3592:on 10 January 2019
3024:"Roll over Britpop
2984:Ashgate Publishing
2766:Harris, p. 347–48.
2745:. 11 January 1997.
2710:on 21 October 2012
2596:"Noel Gallagher".
2027:The New York Times
1876:"Explore: Britpop"
1485:Famous First Words
1476:
1309:
1235:the Rolling Stones
1203:
1037:
981:the Rolling Stones
917:
881:was to 1992, what
683:Justine Frischmann
585:'s fourth single "
579:
509:Ocean Colour Scene
465:
426:(for whom Oasis's
414:scene, fronted by
347:of the 1970s, and
4673:Rock music genres
4625:
4624:
4616:Portal:Rock music
4391:
4390:
4338:Independent music
4299:
4298:
4268:Alternative metal
4241:Post-punk revival
4175:Latin alternative
4043:Alternative dance
3893:. 7 January 1995.
3181:"Travis: Singles"
2423:. 26 August 1995.
2401:. 12 August 1995.
2289:. 16 January 2018
1785:978-1-4094-9407-2
1713:on 25 August 2017
1707:Independent.co.uk
1535:Rachel Chinouriri
1430:The Britpop Story
1399:the White Stripes
1375:post-punk revival
1277:Mulder and Scully
1247:the Supernaturals
1225:and particularly
806:BBC Radio 6 Music
800:as leader of the
377:Adam and the Ants
337:British pop music
219:independent music
173:
172:
44:Stylistic origins
25:British pop music
4680:
4613:
4601:
4600:
4418:
4411:
4404:
4395:
4379:
4378:
4264:
4168:Industrial metal
3941:Alternative rock
3934:
3927:
3920:
3911:
3860:
3859:
3857:
3855:
3840:
3834:
3833:
3831:
3829:
3824:. 27 August 2020
3814:
3808:
3802:
3796:
3790:
3784:
3778:
3772:
3771:
3769:
3767:
3744:
3738:
3737:
3735:
3733:
3718:
3712:
3711:
3709:
3707:
3692:
3686:
3685:
3684:
3682:
3670:
3664:
3663:
3661:
3659:
3634:
3628:
3627:
3625:
3623:
3608:
3602:
3601:
3599:
3597:
3578:
3572:
3571:
3569:
3567:
3552:
3546:
3545:
3534:
3528:
3527:
3525:
3523:
3506:
3500:
3499:
3497:
3495:
3480:
3474:
3459:
3450:
3440:
3434:
3419:
3413:
3412:, pp. 42 and 45.
3398:
3392:
3390:
3389:
3387:
3372:
3366:
3351:
3345:
3344:
3342:
3340:
3326:
3319:
3310:
3300:
3294:
3284:
3278:
3268:
3259:
3244:
3238:
3228:
3222:
3211:
3205:
3194:
3188:
3177:
3171:
3156:
3150:
3143:
3137:
3122:
3113:
3102:
3096:
3079:
3073:
3062:
3056:
3041:
3035:
3027:
3020:
3014:
3004:
2998:
2997:
2975:
2964:
2955:S. T. Erlewine,
2953:
2944:
2929:
2923:
2912:
2903:
2885:
2879:
2869:
2858:
2843:
2828:
2827:
2825:
2823:
2803:
2797:
2787:
2776:
2773:
2767:
2764:
2758:
2757:Harris, pg. 354.
2755:
2746:
2740:
2735:
2729:
2726:
2720:
2719:
2717:
2715:
2706:. Archived from
2696:
2687:
2671:
2665:
2659:
2653:
2645:
2639:
2638:
2636:
2634:
2619:
2610:
2609:
2593:
2584:
2583:
2581:
2579:
2564:
2558:
2557:
2555:
2553:
2538:
2532:
2531:
2529:
2527:
2516:
2510:
2509:Harris, pg. 235.
2507:
2501:
2500:
2498:
2496:
2482:
2471:
2470:
2462:
2451:
2450:
2448:
2446:
2430:
2424:
2417:
2411:
2410:Harris, pg. 230.
2408:
2402:
2395:
2389:
2382:
2376:
2373:
2367:
2364:
2358:
2357:Harris, pg. 201.
2355:
2349:
2348:
2346:
2344:
2330:
2324:
2323:
2321:
2319:
2305:
2299:
2298:
2296:
2294:
2283:"INTERVIEW: Cud"
2279:
2273:
2272:
2270:
2268:
2254:
2248:
2247:
2227:
2221:
2220:
2218:
2216:
2201:
2195:
2194:
2192:
2190:
2179:"The BRITs 1995"
2175:
2169:
2168:Harris, pg. 178.
2166:
2160:
2159:
2157:
2155:
2146:. Archived from
2136:
2130:
2127:
2121:
2118:
2112:
2106:
2091:
2090:
2078:
2072:
2055:
2044:
2038:
2032:
2031:
2017:
2011:
2010:Harris, pg. 295.
2008:
2002:
2001:Harris, pg. 296.
1999:
1993:
1986:
1980:
1979:
1971:
1965:
1964:
1954:
1945:
1944:
1942:
1940:
1924:
1918:
1917:
1915:
1913:
1892:
1886:
1885:
1872:
1863:
1862:Harris, pg. 385.
1860:
1854:
1844:
1838:
1837:
1835:
1833:
1816:
1810:
1809:
1796:
1790:
1789:
1769:
1763:
1762:
1744:
1738:
1729:
1723:
1722:
1720:
1718:
1709:. Archived from
1698:
1692:
1691:
1677:
1671:
1670:
1648:
1582:Stephen Merchant
1523:’s triple album
1516:Radical Optimism
1275:, whose single "
1110:
1063:1996 Brit Awards
1058:The Great Escape
1017:Peak and decline
1003:Girls & Boys
871:Definitely Maybe
838:Inspiral Carpets
818:British Invasion
769:Definitely Maybe
761:1995 Brit Awards
752:Definitely Maybe
725:These Animal Men
696:
424:Inspiral Carpets
315:
306:
214:of that decade.
210:and the British
208:Swinging Sixties
188:alternative rock
178:was a mid-1990s
141:British Invasion
106:Derivative forms
98:Cultural origins
55:British Invasion
50:Alternative rock
36:
4690:
4689:
4683:
4682:
4681:
4679:
4678:
4677:
4628:
4627:
4626:
4621:
4589:
4513:
4453:
4427:
4422:
4392:
4387:
4367:
4295:
4262:
4197:Neo-psychedelia
4163:Industrial rock
4022:
4015:
3943:
3938:
3864:
3863:
3853:
3851:
3842:
3841:
3837:
3827:
3825:
3816:
3815:
3811:
3803:
3799:
3791:
3787:
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3763:
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3741:
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3715:
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3703:
3694:
3693:
3689:
3680:
3678:
3672:
3671:
3667:
3657:
3655:
3636:
3635:
3631:
3621:
3619:
3610:
3609:
3605:
3595:
3593:
3586:The Independent
3580:
3579:
3575:
3565:
3563:
3554:
3553:
3549:
3544:. 3 March 2003.
3536:
3535:
3531:
3521:
3519:
3511:"Viewing guide"
3508:
3507:
3503:
3493:
3491:
3482:
3481:
3477:
3460:
3453:
3441:
3437:
3420:
3416:
3399:
3395:
3385:
3383:
3374:
3373:
3369:
3352:
3348:
3338:
3336:
3324:
3321:
3320:
3313:
3301:
3297:
3285:
3281:
3271:"Stereophonics"
3269:
3262:
3245:
3241:
3229:
3225:
3212:
3208:
3195:
3191:
3178:
3174:
3157:
3153:
3144:
3140:
3123:
3116:
3103:
3099:
3093:Stylus Magazine
3089:Wayback Machine
3080:
3076:
3063:
3059:
3042:
3038:
3025:
3021:
3017:
3005:
3001:
2994:
2977:
2976:
2967:
2954:
2947:
2930:
2926:
2913:
2906:
2896:Wayback Machine
2886:
2882:
2870:
2861:
2844:
2831:
2821:
2819:
2805:
2804:
2800:
2788:
2779:
2774:
2770:
2765:
2761:
2756:
2749:
2738:
2736:
2732:
2727:
2723:
2713:
2711:
2698:
2697:
2690:
2681:Wayback Machine
2672:
2668:
2660:
2656:
2646:
2642:
2632:
2630:
2621:
2620:
2613:
2595:
2594:
2587:
2577:
2575:
2566:
2565:
2561:
2551:
2549:
2548:. 23 March 2013
2540:
2539:
2535:
2525:
2523:
2518:
2517:
2513:
2508:
2504:
2494:
2492:
2484:
2483:
2474:
2464:
2463:
2454:
2444:
2442:
2432:
2431:
2427:
2418:
2414:
2409:
2405:
2396:
2392:
2388:. 17 June 1995.
2383:
2379:
2374:
2370:
2365:
2361:
2356:
2352:
2342:
2340:
2332:
2331:
2327:
2317:
2315:
2307:
2306:
2302:
2292:
2290:
2281:
2280:
2276:
2266:
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2256:
2255:
2251:
2244:
2229:
2228:
2224:
2214:
2212:
2203:
2202:
2198:
2188:
2186:
2177:
2176:
2172:
2167:
2163:
2153:
2151:
2138:
2137:
2133:
2129:Harris, pg. 79.
2128:
2124:
2120:Harris, pg. 57.
2119:
2115:
2107:
2094:
2080:
2079:
2075:
2056:
2047:
2039:
2035:
2019:
2018:
2014:
2009:
2005:
2000:
1996:
1987:
1983:
1973:
1972:
1968:
1956:
1955:
1948:
1938:
1936:
1926:
1925:
1921:
1911:
1909:
1908:on 30 June 2018
1894:
1893:
1889:
1884:. January 2011.
1874:
1873:
1866:
1861:
1857:
1845:
1841:
1831:
1829:
1818:
1817:
1813:
1808:. 16 July 2015.
1805:TheGuardian.com
1798:
1797:
1793:
1786:
1771:
1770:
1766:
1759:
1746:
1745:
1741:
1730:
1726:
1716:
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1700:
1699:
1695:
1679:
1678:
1674:
1667:
1650:
1649:
1642:
1637:
1610:
1553:
1506:Silence Is Loud
1468:
1466:Britpop revival
1264:The Remote Part
1170:
1164:
1108:
1067:Different Class
1019:
994:Top of the Pops
985:Chas & Dave
912:ITV News at Ten
895:
834:the Stone Roses
774:Different Class
715:had dubbed the
694:
558:
505:The Boo Radleys
416:the Stone Roses
332:
331:
330:
329:
318:
317:
316:
308:
307:
296:
233:of the 1980s.
32:
29:Britpop (album)
17:
12:
11:
5:
4688:
4687:
4684:
4676:
4675:
4670:
4665:
4660:
4655:
4653:1990s in music
4650:
4645:
4640:
4630:
4629:
4623:
4622:
4620:
4619:
4607:
4594:
4591:
4590:
4588:
4587:
4582:
4577:
4572:
4567:
4562:
4557:
4552:
4547:
4542:
4537:
4535:Brill Building
4532:
4527:
4521:
4519:
4518:Related styles
4515:
4514:
4512:
4511:
4506:
4501:
4496:
4495:
4494:
4489:
4479:
4478:
4477:
4467:
4461:
4459:
4455:
4454:
4452:
4451:
4446:
4441:
4435:
4433:
4429:
4428:
4423:
4421:
4420:
4413:
4406:
4398:
4389:
4388:
4386:
4385:
4372:
4369:
4368:
4366:
4365:
4363:Outsider music
4360:
4355:
4350:
4345:
4340:
4335:
4330:
4323:
4318:
4313:
4307:
4305:
4304:Related topics
4301:
4300:
4297:
4296:
4294:
4293:
4288:
4283:
4278:
4272:
4270:
4261:
4260:
4255:
4254:
4253:
4243:
4238:
4233:
4228:
4223:
4222:
4221:
4220:
4219:
4214:
4204:
4194:
4189:
4188:
4187:
4177:
4172:
4171:
4170:
4160:
4159:
4158:
4153:
4148:
4143:
4142:
4141:
4136:
4126:
4116:
4115:
4114:
4104:
4099:
4098:
4097:
4087:
4082:
4077:
4072:
4067:
4062:
4057:
4056:
4055:
4045:
4040:
4039:
4038:
4036:Gothic country
4027:
4025:
4017:
4016:
4014:
4013:
4012:
4011:
4010:
4009:
3999:
3994:
3989:
3984:
3983:
3982:
3977:
3967:
3957:
3951:
3949:
3945:
3944:
3939:
3937:
3936:
3929:
3922:
3914:
3908:
3907:
3900:
3894:
3885:
3872:Harris, John.
3869:
3868:
3862:
3861:
3835:
3809:
3797:
3785:
3773:
3739:
3713:
3700:Popmatters.com
3687:
3665:
3629:
3603:
3573:
3562:. 13 June 2011
3547:
3542:News.bbc.co.uk
3529:
3501:
3475:
3473:, pp. 163–178.
3451:
3435:
3414:
3393:
3367:
3346:
3335:. 17 July 2019
3311:
3295:
3279:
3260:
3239:
3223:
3206:
3202:McNeil Tribune
3189:
3172:
3151:
3138:
3114:
3097:
3074:
3057:
3036:
3015:
2999:
2993:978-0754668053
2992:
2965:
2945:
2924:
2904:
2880:
2859:
2829:
2798:
2777:
2768:
2759:
2747:
2730:
2721:
2688:
2666:
2654:
2640:
2611:
2585:
2559:
2533:
2511:
2502:
2472:
2452:
2425:
2412:
2403:
2390:
2377:
2368:
2359:
2350:
2325:
2300:
2274:
2249:
2242:
2222:
2196:
2170:
2161:
2150:on 4 June 2011
2131:
2122:
2113:
2092:
2073:
2045:
2033:
2012:
2003:
1994:
1992:. 8 June 1996.
1981:
1966:
1946:
1919:
1887:
1864:
1855:
1839:
1811:
1791:
1784:
1764:
1757:
1739:
1737:February 1995.
1724:
1693:
1672:
1665:
1639:
1638:
1636:
1633:
1632:
1631:
1626:
1621:
1616:
1609:
1606:
1591:Chain Reaction
1561:Noel Gallagher
1552:
1549:
1545:The Libertines
1467:
1464:
1419:Arctic Monkeys
1395:the Black Keys
1387:the Libertines
1347:multi-platinum
1249:from Glasgow.
1166:Main article:
1163:
1160:
1146:bands such as
1084:Noel Gallagher
1018:
1015:
1007:Noel Gallagher
1001:" and Blur's "
953:Saddam Hussein
931:" and Oasis' "
894:
891:
889:was to 1993."
810:Stuart Maconie
689:and leader of
685:, formerly of
661:' inactivity.
611:Brett Anderson
571:Brett Anderson
557:
554:
544:bands such as
530:binge drinking
481:Noel Gallagher
444:There She Goes
428:Noel Gallagher
389:Andy Partridge
339:of the 1960s,
322:Andy Partridge
320:
319:
310:
309:
301:
300:
299:
298:
297:
295:
292:
204:Cool Britannia
171:
170:
169:
168:
163:
158:
153:
148:
146:Cool Britannia
143:
138:
130:
129:
125:
124:
118:
117:
113:
112:
107:
103:
102:
99:
95:
94:
93:
92:
87:
82:
77:
72:
67:
62:
57:
52:
45:
41:
40:
15:
13:
10:
9:
6:
4:
3:
2:
4686:
4685:
4674:
4671:
4669:
4666:
4664:
4661:
4659:
4656:
4654:
4651:
4649:
4646:
4644:
4641:
4639:
4636:
4635:
4633:
4618:
4617:
4612:
4608:
4606:
4605:
4596:
4595:
4592:
4586:
4583:
4581:
4578:
4576:
4573:
4571:
4568:
4566:
4563:
4561:
4558:
4556:
4553:
4551:
4548:
4546:
4543:
4541:
4538:
4536:
4533:
4531:
4528:
4526:
4523:
4522:
4520:
4516:
4510:
4507:
4505:
4502:
4500:
4497:
4493:
4490:
4488:
4487:Dunedin Sound
4485:
4484:
4483:
4480:
4476:
4473:
4472:
4471:
4468:
4466:
4463:
4462:
4460:
4456:
4450:
4447:
4445:
4442:
4440:
4437:
4436:
4434:
4430:
4426:
4419:
4414:
4412:
4407:
4405:
4400:
4399:
4396:
4384:
4383:
4374:
4373:
4370:
4364:
4361:
4359:
4356:
4354:
4351:
4349:
4346:
4344:
4341:
4339:
4336:
4334:
4331:
4329:
4328:
4324:
4322:
4319:
4317:
4314:
4312:
4309:
4308:
4306:
4302:
4292:
4289:
4287:
4284:
4282:
4279:
4277:
4274:
4273:
4271:
4269:
4265:
4259:
4256:
4252:
4249:
4248:
4247:
4244:
4242:
4239:
4237:
4234:
4232:
4229:
4227:
4224:
4218:
4215:
4213:
4210:
4209:
4208:
4205:
4203:
4200:
4199:
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4195:
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4190:
4186:
4183:
4182:
4181:
4178:
4176:
4173:
4169:
4166:
4165:
4164:
4161:
4157:
4154:
4152:
4149:
4147:
4144:
4140:
4137:
4135:
4134:Dunedin Sound
4132:
4131:
4130:
4127:
4125:
4122:
4121:
4120:
4117:
4113:
4110:
4109:
4108:
4105:
4103:
4100:
4096:
4093:
4092:
4091:
4088:
4086:
4083:
4081:
4078:
4076:
4073:
4071:
4068:
4066:
4063:
4061:
4058:
4054:
4051:
4050:
4049:
4046:
4044:
4041:
4037:
4034:
4033:
4032:
4029:
4028:
4026:
4024:
4023:fusion genres
4018:
4008:
4005:
4004:
4003:
4000:
3998:
3995:
3993:
3990:
3988:
3985:
3981:
3978:
3976:
3975:Post-hardcore
3973:
3972:
3971:
3970:Hardcore punk
3968:
3966:
3963:
3962:
3961:
3958:
3956:
3953:
3952:
3950:
3946:
3942:
3935:
3930:
3928:
3923:
3921:
3916:
3915:
3912:
3905:
3901:
3898:
3895:
3892:
3891:
3886:
3883:
3882:0-306-81367-X
3879:
3875:
3871:
3870:
3866:
3865:
3849:
3845:
3839:
3836:
3823:
3819:
3813:
3810:
3806:
3801:
3798:
3794:
3789:
3786:
3782:
3777:
3774:
3762:
3758:
3754:
3750:
3743:
3740:
3728:
3727:GlobalNewsHub
3724:
3717:
3714:
3701:
3697:
3691:
3688:
3677:
3676:
3669:
3666:
3654:
3650:
3646:
3645:
3640:
3633:
3630:
3618:
3614:
3611:Daly, Rhian.
3607:
3604:
3591:
3587:
3583:
3577:
3574:
3561:
3557:
3551:
3548:
3543:
3539:
3533:
3530:
3518:
3517:
3512:
3505:
3502:
3489:
3485:
3479:
3476:
3472:
3471:0-7546-6805-3
3468:
3464:
3458:
3456:
3452:
3448:
3444:
3439:
3436:
3432:
3431:0-19-537371-5
3428:
3424:
3418:
3415:
3411:
3410:0-7119-9601-6
3407:
3403:
3397:
3394:
3382:
3378:
3371:
3368:
3364:
3363:1-84353-105-4
3360:
3356:
3350:
3347:
3334:
3333:
3328:
3318:
3316:
3312:
3308:
3304:
3299:
3296:
3292:
3288:
3283:
3280:
3276:
3272:
3267:
3265:
3261:
3257:
3256:0-87930-653-X
3253:
3249:
3243:
3240:
3236:
3232:
3227:
3224:
3220:
3216:
3210:
3207:
3203:
3199:
3193:
3190:
3186:
3182:
3176:
3173:
3169:
3168:0-87930-653-X
3165:
3161:
3155:
3152:
3148:
3142:
3139:
3135:
3134:0-7546-5898-8
3131:
3127:
3121:
3119:
3115:
3111:
3107:
3104:A. Petridis,
3101:
3098:
3094:
3090:
3086:
3083:
3078:
3075:
3071:
3067:
3061:
3058:
3054:
3053:0-7546-5373-0
3050:
3046:
3040:
3037:
3033:
3029:
3022:A. Petridis,
3019:
3016:
3012:
3008:
3003:
3000:
2995:
2989:
2985:
2981:
2974:
2972:
2970:
2966:
2962:
2958:
2952:
2950:
2946:
2942:
2941:0-7486-1745-0
2938:
2934:
2928:
2925:
2921:
2917:
2911:
2909:
2905:
2901:
2897:
2893:
2890:
2884:
2881:
2877:
2874:
2868:
2866:
2864:
2860:
2857:, pp. 369–70.
2856:
2855:0-306-81367-X
2852:
2848:
2842:
2840:
2838:
2836:
2834:
2830:
2817:
2813:
2809:
2802:
2799:
2795:
2791:
2786:
2784:
2782:
2778:
2772:
2769:
2763:
2760:
2754:
2752:
2748:
2744:
2734:
2731:
2725:
2722:
2709:
2705:
2701:
2695:
2693:
2689:
2685:
2682:
2678:
2675:
2670:
2667:
2663:
2658:
2655:
2651:
2650:
2644:
2641:
2629:
2625:
2618:
2616:
2612:
2607:
2603:
2599:
2592:
2590:
2586:
2574:
2570:
2563:
2560:
2547:
2543:
2537:
2534:
2521:
2515:
2512:
2506:
2503:
2491:
2487:
2481:
2479:
2477:
2473:
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2457:
2453:
2441:
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2429:
2426:
2422:
2416:
2413:
2407:
2404:
2400:
2394:
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2381:
2378:
2372:
2369:
2363:
2360:
2354:
2351:
2339:
2335:
2329:
2326:
2314:
2310:
2304:
2301:
2288:
2287:Shiiineon.com
2284:
2278:
2275:
2263:
2259:
2253:
2250:
2245:
2243:9780754658580
2239:
2235:
2234:
2226:
2223:
2211:
2207:
2200:
2197:
2184:
2180:
2174:
2171:
2165:
2162:
2149:
2145:
2141:
2135:
2132:
2126:
2123:
2117:
2114:
2110:
2105:
2103:
2101:
2099:
2097:
2093:
2088:
2084:
2077:
2074:
2070:
2066:
2065:
2060:
2054:
2052:
2050:
2046:
2042:
2037:
2034:
2029:
2028:
2023:
2016:
2013:
2007:
2004:
1998:
1995:
1991:
1985:
1982:
1977:
1970:
1967:
1962:
1961:
1953:
1951:
1947:
1935:
1934:
1929:
1923:
1920:
1907:
1903:
1902:
1901:Rolling Stone
1897:
1891:
1888:
1883:
1882:
1877:
1871:
1869:
1865:
1859:
1856:
1852:
1851:Marco Pirroni
1848:
1843:
1840:
1828:
1827:
1822:
1815:
1812:
1807:
1806:
1801:
1795:
1792:
1787:
1781:
1777:
1776:
1768:
1765:
1760:
1754:
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1704:
1697:
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1666:9780826432360
1662:
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1622:
1620:
1617:
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1612:
1611:
1607:
1605:
1602:
1601:
1595:
1593:
1592:
1587:
1583:
1579:
1578:Jarvis Cocker
1575:
1571:
1567:
1562:
1558:
1550:
1548:
1546:
1542:
1541:
1536:
1532:
1528:
1527:
1522:
1518:
1517:
1512:
1508:
1507:
1502:
1497:
1495:
1491:
1490:All the Young
1487:
1486:
1481:
1472:
1465:
1463:
1461:
1457:
1453:
1452:
1447:
1443:
1439:
1435:
1431:
1426:
1424:
1420:
1416:
1415:Kaiser Chiefs
1412:
1408:
1404:
1400:
1396:
1392:
1388:
1384:
1380:
1376:
1372:
1368:
1364:
1363:
1358:
1354:
1353:
1348:
1344:
1343:
1338:
1334:
1330:
1326:
1322:
1318:
1314:
1306:
1302:
1298:
1294:
1292:
1288:
1287:Stereophonics
1284:
1283:
1278:
1274:
1270:
1266:
1265:
1260:
1256:
1252:
1248:
1243:
1240:
1236:
1232:
1228:
1224:
1220:
1219:Stereophonics
1216:
1212:
1208:
1200:
1196:
1195:
1190:
1189:
1184:
1183:
1178:
1174:
1169:
1161:
1159:
1157:
1153:
1152:Stereophonics
1149:
1145:
1141:
1140:
1135:
1134:
1129:
1125:
1121:
1117:
1112:
1106:
1102:
1098:
1094:
1089:
1085:
1081:
1080:
1074:
1072:
1068:
1064:
1060:
1059:
1054:
1050:
1049:
1044:
1043:
1034:
1030:
1029:
1023:
1016:
1014:
1012:
1008:
1004:
1000:
996:
995:
990:
986:
982:
978:
972:
970:
966:
962:
958:
954:
948:
946:
942:
938:
934:
930:
929:Country House
926:
922:
914:
913:
908:
904:
899:
892:
890:
888:
884:
880:
876:
872:
868:
867:
862:
858:
854:
849:
847:
843:
839:
835:
831:
827:
823:
819:
815:
811:
807:
803:
799:
795:
791:
787:
782:
780:
779:Common People
776:
775:
770:
766:
762:
758:
754:
753:
748:
743:
739:
738:
733:
728:
726:
722:
718:
714:
713:
708:
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700:
692:
688:
684:
680:
676:
672:
670:
669:
664:
660:
656:
652:
648:
647:
642:
638:
634:
632:
628:
627:Saint Etienne
624:
620:
616:
612:
608:
607:
602:
601:
596:
592:
588:
584:
576:
572:
568:
567:
562:
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553:
551:
547:
543:
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535:
531:
527:
526:
520:
518:
514:
510:
506:
502:
498:
494:
490:
486:
482:
477:
475:
471:
462:
457:
453:
451:
450:
449:Rolling Stone
445:
441:
437:
433:
429:
425:
421:
420:Happy Mondays
417:
413:
409:
405:
400:
398:
394:
390:
386:
382:
378:
374:
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327:
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48:
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46:
42:
37:
34:
30:
26:
22:
4614:
4602:
4380:
4358:Lollapalooza
4333:Campus radio
4325:
4258:Slacker rock
4075:Dark cabaret
4070:College rock
4053:Post-Britpop
4047:
3903:
3896:
3888:
3873:
3852:. Retrieved
3847:
3838:
3826:. Retrieved
3821:
3812:
3800:
3788:
3776:
3764:. Retrieved
3753:The Guardian
3752:
3742:
3730:. Retrieved
3726:
3716:
3704:. Retrieved
3702:. 8 May 2018
3699:
3690:
3679:, retrieved
3674:
3668:
3656:. Retrieved
3644:The Guardian
3642:
3632:
3620:. Retrieved
3616:
3606:
3594:. Retrieved
3590:the original
3585:
3576:
3564:. Retrieved
3559:
3550:
3541:
3532:
3520:. Retrieved
3514:
3504:
3492:. Retrieved
3478:
3462:
3446:
3438:
3422:
3417:
3401:
3396:
3384:, retrieved
3380:
3370:
3354:
3353:P. Buckley,
3349:
3337:. Retrieved
3330:
3306:
3298:
3290:
3282:
3274:
3247:
3242:
3234:
3226:
3218:
3209:
3201:
3192:
3184:
3175:
3159:
3154:
3146:
3141:
3125:
3110:The Guardian
3109:
3100:
3092:
3077:
3069:
3064:A. Begrand,
3060:
3044:
3043:M. Cloonan,
3039:
3032:The Guardian
3031:
3018:
3010:
3002:
2979:
2960:
2932:
2927:
2919:
2914:J. Goodden,
2899:
2883:
2875:
2871:S. Dowling,
2846:
2820:. Retrieved
2801:
2793:
2771:
2762:
2742:
2733:
2724:
2714:19 September
2712:. Retrieved
2708:the original
2703:
2669:
2657:
2647:
2643:
2631:. Retrieved
2627:
2598:Reel Stories
2597:
2576:. Retrieved
2572:
2562:
2552:18 September
2550:. Retrieved
2545:
2536:
2526:19 September
2524:. Retrieved
2514:
2505:
2495:18 September
2493:. Retrieved
2489:
2466:
2443:. Retrieved
2437:
2428:
2420:
2415:
2406:
2398:
2393:
2386:Melody Maker
2385:
2380:
2371:
2362:
2353:
2341:. Retrieved
2337:
2328:
2316:. Retrieved
2312:
2303:
2291:. Retrieved
2286:
2277:
2265:. Retrieved
2261:
2252:
2232:
2225:
2215:17 September
2213:. Retrieved
2199:
2187:. Retrieved
2183:the original
2173:
2164:
2152:. Retrieved
2148:the original
2134:
2125:
2116:
2108:
2086:
2076:
2069:the original
2062:
2040:
2036:
2025:
2015:
2006:
1997:
1989:
1984:
1976:Guitar World
1975:
1969:
1958:
1937:. Retrieved
1931:
1922:
1910:. Retrieved
1906:the original
1899:
1890:
1879:
1858:
1842:
1830:. Retrieved
1824:
1814:
1803:
1794:
1774:
1767:
1748:
1742:
1732:
1727:
1715:. Retrieved
1711:the original
1706:
1696:
1685:
1675:
1656:
1598:
1596:
1589:
1573:
1570:Graham Coxon
1554:
1538:
1525:
1514:
1504:
1501:Nia Archives
1498:
1483:
1480:Viva Brother
1477:
1460:Damien Hirst
1449:
1429:
1427:
1377:bands, like
1360:
1357:Chasing Cars
1350:
1345:(2000) went
1340:
1310:
1305:Chasing Cars
1280:
1262:
1244:
1204:
1192:
1186:
1180:
1168:Post-Britpop
1162:Post-Britpop
1144:Post-Britpop
1137:
1131:
1113:
1104:
1087:
1077:
1075:
1066:
1056:
1046:
1040:
1038:
1032:
1031:states, "as
1026:
1011:Graham Coxon
992:
974:
950:
944:
933:Roll with It
924:
918:
910:
875:Melody Maker
874:
870:
864:
850:
825:
802:Labour Party
790:Damien Hirst
783:
772:
768:
764:
750:
741:
735:
731:
729:
710:
706:
702:
679:Damon Albarn
673:
666:
646:Melody Maker
644:
635:
604:
598:
595:The Drowners
580:
564:
523:
521:
500:
478:
470:Damon Albarn
466:
447:
442:hit single "
401:
333:
277:post-Britpop
270:
235:
216:
175:
174:
128:Other topics
110:Post-Britpop
33:
4560:Post-grunge
4353:Lo-fi music
4112:Post-grunge
4095:Wizard rock
4060:Chamber pop
4007:Gothic rock
3231:"Catatonia"
3213:J. Ankeny,
3179:M. Collar,
3070:Pop matters
2845:J. Harris,
2704:Brits.co.uk
2338:Inews.co.uk
2318:3 September
2293:3 September
2267:3 September
1586:BBC Radio 4
1559:bandleader
1551:Terminology
1438:John Harris
1391:the Strokes
1371:garage rock
1313:Snow Patrol
1301:Snow Patrol
1259:post-grunge
1239:Small Faces
1231:the Beatles
1191:(2002) and
1139:Urban Hymns
1133:OK Computer
1116:Spice Girls
1088:Be Here Now
1079:Be Here Now
977:the Beatles
814:BBC Radio 2
659:Stone Roses
619:the Auteurs
534:lad culture
517:John Harris
493:Kurt Cobain
393:Paul Weller
365:the Beatles
324:(left) and
184:Britishness
75:mod revival
4632:Categories
4585:Yacht rock
4575:Vocal surf
4550:Indie rock
4545:Dance-rock
4530:Beatlesque
4525:Beat music
4482:Jangle pop
4444:Rock music
4432:Influences
4276:Funk metal
4251:Post-metal
4236:Pagan rock
4192:Mangue bit
4180:Madchester
4129:Jangle pop
4124:Indie folk
4119:Indie rock
4021:Styles and
3997:Proto-punk
3992:Noise rock
3980:Riot grrrl
3965:Avant-punk
3955:Jangle pop
3948:Precursors
3522:8 November
3494:8 November
3421:C. Smith,
3400:M. Roach,
3258:, p. 1076.
3215:"Idlewild"
3170:, p. 1157.
2887:S. Birke,
2790:"Coldplay"
2633:19 January
2189:4 December
1758:030681367X
1635:References
1629:Cool Cymru
1568:guitarist
1531:Charli XCX
1456:Tony Blair
1423:Bloc Party
1411:Razorlight
1342:Parachutes
1325:Starsailor
1269:Cool Cymru
1182:Parachutes
969:Mike Tyson
883:Manchester
857:Supergrass
846:Madchester
798:Tony Blair
794:John Major
767:(ahead of
651:shoegazing
575:Union Flag
538:Union Jack
528:magazine,
497:Wonderwall
432:shoegazing
412:Madchester
408:the Smiths
381:Ray Davies
361:Pink Floyd
359:and early
355:drew from
326:Ray Davies
266:New Labour
262:Tony Blair
212:guitar pop
202:movement,
151:Cool Cymru
60:Madchester
4580:Worldbeat
4570:Soft rock
4565:Post-punk
4540:Bubblegum
4509:Power pop
4499:Pop metal
4470:Indie pop
4458:Subgenres
4439:Pop music
4343:Indie pop
4291:Rap metal
4246:Post-rock
4231:Noise pop
4212:Blackgaze
4202:Dream pop
4146:Math rock
4090:Geek rock
4002:Post-punk
3960:Punk rock
3854:7 January
3828:7 January
3761:0261-3077
3706:9 January
3681:9 January
3658:9 January
3653:0261-3077
3622:9 January
3596:9 January
3566:9 January
3516:The Times
3433:, p. 240.
3381:Pitchfork
3196:S. Ross,
3147:Billboard
3136:, p. 190.
3124:S. Hill,
2943:, p. 188.
2920:BBC Wales
2313:Bbc.co.uk
2262:Bbc.co.uk
2087:Bbc.co.uk
1939:19 August
1928:"Britpop"
1832:29 August
1717:25 August
1537:’s album
1383:the Vines
1379:the Hives
1362:Eyes Open
1273:Catatonia
1211:the Verve
1207:Radiohead
1128:Radiohead
1124:the Verve
1120:Radiohead
887:Mr Blobby
822:John Robb
721:S*M*A*S*H
671:(1993).
550:Morrissey
357:the Kinks
349:indie pop
345:punk rock
341:glam rock
231:indie pop
227:punk rock
223:glam rock
161:power pop
116:Subgenres
85:indie pop
80:punk rock
70:glam rock
4504:Pop-punk
4475:Twee pop
4425:Pop rock
4382:Category
4286:Nu metal
4207:Shoegaze
4156:Slowcore
4151:New rave
4080:Dolewave
3987:New wave
3904:Pop Cult
3822:Vice.com
3447:AllMusic
3443:"Travis"
3332:BBC News
3307:AllMusic
3291:AllMusic
3287:"Feeder"
3275:AllMusic
3235:AllMusic
3219:AllMusic
3185:AllMusic
3085:Archived
3055:, p. 21.
3011:AllMusic
2961:AllMusic
2892:Archived
2876:BBC News
2816:Archived
2794:AllMusic
2677:Archived
2064:AllMusic
1933:AllMusic
1881:AllMusic
1847:Adam Ant
1734:The Face
1657:Pop Cult
1608:See also
1511:Dua Lipa
1442:BBC Four
1407:Coldplay
1367:Coldplay
1337:Coldplay
1271:", were
1255:Idlewild
1227:Coldplay
1185:(2000),
1177:Coldplay
1156:Coldplay
1101:Pavement
1071:Parklife
941:tabloids
866:Elastica
861:Menswear
830:the La's
765:Parklife
742:Parklife
737:Parklife
691:Elastica
587:Popscene
440:the La's
397:Adam Ant
369:Elastica
288:Coldplay
273:teen pop
196:shoegaze
156:pop-punk
90:new wave
4638:Britpop
4555:New Pop
4465:Emo pop
4449:Doo-wop
4321:Artists
4217:Nu gaze
4048:Britpop
3867:Sources
3848:Nme.com
3766:31 July
3732:31 July
3386:25 July
3339:17 July
2602:BBC Two
2578:26 July
2573:Nme.com
2546:Nme.com
2490:Nme.com
2445:14 June
2343:23 June
2154:9 April
1687:The Age
1526:Britpop
1521:AG Cook
1321:Embrace
1194:X&Y
879:Seattle
853:Sleeper
699:Nirvana
546:the Who
489:Nirvana
180:British
176:Britpop
39:Britpop
4316:Anorak
4107:Grunge
3880:
3759:
3651:
3469:
3429:
3408:
3361:
3325:
3254:
3166:
3132:
3051:
3026:
2990:
2939:
2853:
2822:12 May
2739:
2240:
1912:11 May
1782:
1755:
1663:
1403:Travis
1291:Feeder
1251:Travis
1223:Feeder
1215:Travis
1148:Travis
1109:
965:Bosnia
826:Sounds
730:While
695:
655:grunge
606:Select
589:" and
566:Select
525:Loaded
461:grunge
436:grunge
367:, and
284:Travis
192:grunge
21:Bitpop
4185:Baggy
4102:Grebo
2522:. BBC
1557:Oasis
1494:DMA's
1446:Oasis
1333:Keane
1329:Doves
1317:Elbow
1097:lo-fi
937:Oasis
921:Oasis
907:Oasis
842:Baggy
747:Oasis
687:Suede
643:" by
623:Denim
615:Suede
600:Suede
591:Suede
463:music
404:indie
280:indie
258:Oasis
246:Suede
238:Oasis
65:baggy
27:, or
3878:ISBN
3856:2021
3830:2021
3768:2024
3757:ISSN
3734:2024
3708:2019
3683:2019
3660:2019
3649:ISSN
3624:2019
3598:2019
3568:2019
3560:Spin
3524:2010
3496:2010
3467:ISBN
3427:ISBN
3406:ISBN
3388:2011
3359:ISBN
3341:2019
3252:ISBN
3164:ISBN
3130:ISBN
3049:ISBN
2988:ISBN
2937:ISBN
2851:ISBN
2824:2018
2716:2019
2635:2021
2580:2017
2554:2019
2528:2019
2497:2019
2447:2019
2345:2019
2320:2020
2295:2020
2269:2020
2238:ISBN
2217:2018
2191:2011
2156:2011
1941:2012
1914:2018
1849:and
1834:2020
1780:ISBN
1753:ISBN
1719:2017
1661:ISBN
1566:Blur
1432:– a
1421:and
1397:and
1289:and
1237:and
1209:and
1154:and
1136:and
1122:and
979:and
967:and
955:was
905:and
903:Blur
859:and
836:and
808:DJ)
723:and
675:Blur
663:Blur
637:Blur
631:Pulp
629:and
593:'s "
583:Blur
532:and
513:Cast
511:and
485:Ride
474:Blur
422:and
395:and
383:and
373:Wire
353:Blur
343:and
286:and
264:and
256:and
254:Blur
250:Pulp
248:and
242:Blur
225:and
166:Romo
4327:C86
4085:Emo
3890:NME
3617:NME
3488:BBC
2743:NME
2628:NME
2421:NME
2399:NME
1990:NME
1960:NME
1826:NPR
1600:NME
1588:'s
1584:on
1440:on
1434:BBC
1373:or
1105:NME
1042:NME
1028:NME
989:Quo
963:in
945:NME
925:NME
757:BPI
712:NME
703:NME
542:mod
501:NME
491:'s
472:of
387:'s
385:XTC
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