198:, sets up a bullfighting school in his flat, perhaps Mailer's mischievous nod to Hemingway. Rumor of his sexual prowess and stamina spreads quickly through the Village until he is "scoring three and four times a week, literally combing the pussy out of my hair." Sergius, the "messiah of the one-night stand," then meets a collegiate New York girl, Denise Gondelman, Jewish and middle-class. The first night together, they "made love like two club fighters in an open exchange." Sergius is unable to produce an orgasm in Denise; she confides that she has never orgasmed, and Sergius takes this as a challenge to his masculinity. The pair begin an affair – for Denise has been dating a passive Jewish college mate, Arthur, all the while. On the third night, Denise arrives at O'Shaugnessy's place after, she reveals, having spent the evening with Arthur. O'Shaugnessy finds himself lacking on their first try, but he quickly rallies and, by sodomizing her and calling her "a dirty little Jew," produces her orgasm. The morning after, Denise, upset by Sergius' violation of her, tells him, "... your whole life is a lie, and you do nothing but run away from the homosexual that is you," and leaves before Sergius can respond that "she was a hero fit for ."
276:
Thus
Sergius must conquer "the male in her to acquire ("ingest") her desirable masculine qualities ... he needs to reduce her to the status of helpless female." Only by taking Denise's masculine attributes for himself is O'Shaugnessy able to bolster his own masculinity and conquer the female, "thereby defeating and subjugating any suggestion of the female in himself. For him to allow any of his own female characteristics to emerge would be to allow the possibility that he could be conquered, dependent, inferior." Nevertheless, Mailer does indicate "an awareness of the androgynous nature of the human psyche" by recognizing the mixture of masculine and feminine traits in both Denise and Sergius. When Denise leaves Sergius post-coitus for the last time in the work, she accuses him of being a closeted homosexual. His reaction reveals "that his fear of female sexuality is coupled with his knowledge of himself as a possible female victim." Mailer's world is one "dominated by the masculine ideals of violence, virility, and vitality." Here "a man must be a sexual master in order to achieve and maintain social and cultural power," while the admission of femininity, "which O'Shaugnessy equates with homosexuality ... is to lose."
272:," and, as Lucas points out, makes us consider just what it is his penis is avenging. Gordon evaluates Sergius as a typical incomplete hero from Mailer's work, failing to fulfill his full potential due to self-doubt and weakness, while Dearborn interprets Sergius as having an "absolute contempt for women" — his actions bespeaking a "terrible misogyny". The act of sex is often portrayed as a type of combat or warfare in the short story. Here, is Sergius supposed to be the bull fighter, and Denise the bull, in need of slaying with his sword? Sex "takes on the qualities of a championship boxing match, an encounter between a matador and bull or an epic struggle for survival between two savage beasts in a jungle clearing." Yet, Sergius, interprets Heyne, is here like a Hemingway hero: a victim of "doomed courage." Just when his ego has been reduced to the point where he would be receptive to life lessons from Denise, she is gone. It seems Mailer has pulled a reversal: it was actually Denise that was the matador.
265:, the orgasm seems to be the measure of psychic well-being, speaking for its paramount importance in "Time" and its attack on civilizing psychoanalysis. Trilling considers the contest between Sergius and Denise as a battle of egos: Denise has been satisfied by Sergius, and she doesn't like it, so she must do her best to rob him of his masculine pride. This leaves both parties battered by the end, and Denise "bound again for the Freudian couch" where she initially learned how to defeat Sergius in the first place. In contrast, Eric Heyne sees Denise as having learned all she needed from Sergius — having become "a real killer" — thus she is ready to move on at the end.
254:, although in some respects it is more acceptable than that novel because it is more ironic and self-mocking." Mailer has been criticized for his usage of "tired stereotypes," of women, Jews, and blacks, present in "The Time of Her Time." The character of Sergius O'Shaugnessy is Mailer's first active narrator, "a Nordic superman who tackles Denise Gondelman... in a sweaty sexual slugfest, a great sporting bout." Due to this and other parallels between Sergius' character and the author, many critics have questioned the authorial gap between Sergius' and Mailer's philosophy of sex. Indeed, Gerald R. Lucas links the Hipster's quest for the "apocalyptic orgasm" in "
258:" to Sergius' own sexual romps through the Village, as if the latter seems to be Mailer's literary exemplar of his figuration. Like the Hipster, Sergius is a larger-than-life figure, at least in his own mind, as he teaches bull fighting in Greenwich Village; Lucas suggests that Mailer is setting up the audience's expectations by giving a Hemingway-like hero that must save the girl from her repressive and numbing psychoanalyzed life. Here, Sergius is the opposite of Denise's shrink, Stanford Joyce.
289:, and the short story bearing a similar title. Just as Sergius strips Denise of her "innocence" in "The Time of Her Time," Mailer has done the same for his reading public. Taking the parallel even further, as Denise turns her back on her revelatory sexual experience with Sergius, the reading public may turn its back on "Mailer's considerable insights into those parts of ourselves and our culture we may not be eager to face."
1944:
143:, and thirteen other critics, to solicit support for publication in order to avoid prosecution for obscenity. Mailer's 1961 letter to André Deutsch, his publisher in England, continues to argue the merits of "Time" and why it should be published, making it "clear that he was less and less able to bridle his irrationality" about this matter. In an untitled postscript to "Time" in the British version of
1219:
169:
publishing, was brave for publishing the short story, despite its status as "a salacious object in its time". When Minton published it, "a great many of us, not only writers, but critics as well, novelists collaborated to a degree, in the sense that we were fighting the
Philistines who wanted to hold
275:
Helon Howell Raines has written extensively on the sexual metaphor present here. The sex between Denise and
Sergius is a struggle between the masculine and the feminine qualities present in both of them. Sergius "sees himself as the virile male," while Denise is his "physical and sexual opposite."
147:, Mailer notes that the second part of "Time" was omitted because it "is the considered opinion of some of the best legal and literary names of the Realm" that its inclusion would have held up publication of the volume. The full text was printed in a subsequent 1968 edition in England.
139:, Mailer describes "Time" as part of a novel-in-progress: "it's interesting I believe, real blow by blow stuff, not hot, but direct enough in its details to be considered pornographic." In light of this fact, Mailer wrote to
117:. The story depicts macho Irish Catholic bullfighting instructor Sergius O'Shaugnessy and his sexual conquest of a young, middle-class Jewish college girl, Denise Gondelman. The short story was adapted to film in 2000 by
231:, "makes it possible to interpret the unconscious undercurrents of society" by, as Poirier explains, finding a "stylistic equivalence to the imagined correlation among, social, political, and individual psychoses."
190:
The story — set in what could be inspired by the airy Lower East Side loft Mailer rented during a career downturn in the early 1950s — follows
Sergius O'Shaugnessy after he has adjusted to life in
174:, was published without any censorship, though "The Time of Her Time" was absent from the English publication. Mailer has maintained that "The Time of Her Time" has acted as the godfather of
243:
notes that "ll of Mailer's obsessions are concentrated and disciplined in this wry tale", and
Dearborn avers that the story could reflect Mailer's own "passing fantasy".
182:
was he saw he could get away with it... he realized that for all the brouhaha over the dangers of publishing 'The Time of Her Time,' nothing had happened".
227:— but rather than experimental and ponderous, it's witty and more playful, perhaps reflecting the bravado of its narrator. This technique, he explains in
1878:
1275:
940:
1689:
1629:
1327:
1247:
1035:
315:
161:
1420:
1367:
239:
Despite its bawdy content, "The Time of Her Time" has been generally accepted as one of Mailer's most well-written short stories.
1675:
1657:
194:
and his sexual exploration and conquests there. O'Shaugnessy, having recently departed from Mexico and his career as an amateur
1971:
1947:
1381:
1463:
1199:
1101:
1058:
989:
919:
844:
821:
781:
1892:
1778:
209:
Mailer's style in "Time" is a bit of a departure for him. He continues his penchant for the long sentence — developed in
1966:
1353:
1268:
1917:
1898:
1792:
1413:
1346:
1320:
1233:
217:
113:
75:
1785:
1586:
1388:
250:. The two works have "a very close relationship in subject matter. ... 'Time' can be considered a test run for
1334:
1682:
1451:
1434:
1141:
1299:
1261:
166:
1912:
1499:
1470:
1833:
1733:
1549:
321:
1873:
1865:
1482:
223:
1930:
1128:
269:
268:
Sergius identifies his penis as "the avenger," lending some credence to Denise's labeling him a "
1119:
Raines, Helon Howell (Spring 1977). "Norman Mailer's
Sergius O'Shaugnessy, Villain and Victim".
1923:
1904:
1374:
1195:
1107:
1097:
1068:
Peppard, Victor (2016). "The
Curious Story of Norman Mailer's Engagement With Short Fiction".
1054:
1031:
995:
985:
936:
915:
896:
886:
840:
817:
777:
191:
870:
1650:
1643:
1556:
1506:
1427:
1360:
140:
1162:"'Don't Go Away Feeling Unequal': 'The Time of Her Time' and Mailer's Conciliatory Impulse"
1093:
1825:
1817:
1406:
1240:
1081:
255:
1191:
1185:
206:"Time" is a first-person narrative told from the point of view of Sergius O'Shaugnessy.
1884:
1857:
1849:
1184:
Trilling, Diana (1972). "The
Radical Moralism of Norman Mailer". In Braudy, Leo (ed.).
281:
262:
240:
121:. On multiple occasions, Mailer has touted "The Time of Her Time" as "the godfather of
1960:
1809:
1313:
1306:
1284:
1224:
975:
833:
211:
118:
108:
33:
863:
770:
1086:
302:
1047:
1008:
979:
909:
890:
811:
1841:
306:
298:
136:
29:
1218:
1214:
957:
865:
Writer's Choice: Each of Twenty
American Authors Introduces His Own Best Story
311:
Writer’s Choice: Each of Twenty
American Authors Introduces His Own Best Story
87:
1111:
999:
900:
1706:
813:
An American Dreamer: A Psychoanalytic Study of the Fiction of Norman Mailer
792:
1636:
1132:
246:
Andrew Gordon considers "The Time of Her Time" to be the forerunner to
59:
930:
155:"The Time of Her Time" was first published in 1959 in the collection,
297:
In 2000, "The Time of Her Time" was adapted by Francis Delia into an
195:
178:. "Later, Minton used to love to say one of the reasons he published
123:
835:
The Columbia Companion to the Twentieth-Century American Short Story
1518:
Of a Small and Modest Malignancy, Wicked and Bristling with Dots
1253:
831:
Heyne, Eric (2000). "Norman Mailer". In Gelfant, Blanche (ed.).
1257:
929:—; Lennon, Donna Pedro (2018). Lucas, Gerald R. (ed.).
453:
451:
1161:
285:
links the title of Mailer's 1998 collection of his works,
648:
646:
612:
610:
675:
673:
346:
344:
342:
935:(Revised, Expanded ed.). Norman Mailer Society.
438:
436:
434:
633:
631:
629:
627:
625:
421:
419:
1802:
1768:
1699:
1667:
1621:
1596:
1571:
1541:
1398:
1291:
1092:. Modern Masters. New York: Viking Press. pp.
165:. Mailer said that his publisher, Walter Minton of
94:
82:
70:
65:
55:
47:
39:
23:
1085:
1046:
1013:Academy of Achievement: A Museum of Living History
862:
832:
769:
309:. Mailer chose "Time" as his best short story for
816:. Madison: Fairleigh Dickinson University Press.
1187:Norman Mailer: A Collection of Critical Essays
1269:
8:
751:
457:
410:
1721:Deaths for the Ladies (and Other Disasters)
1879:Stabbing of Adele Morales by Norman Mailer
1276:
1262:
1254:
791:Delia, Francis (Director, Writer) (2000).
703:
652:
589:
170:literature back". The story collection,
565:
541:
481:
442:
338:
715:
691:
664:
616:
601:
577:
553:
529:
517:
505:
493:
469:
425:
398:
386:
374:
362:
350:
313:in 1974. "Time" was also reprinted in
20:
1613:The Selected Letters of Norman Mailer
1121:Frontiers: A Journal of Women Studies
956:Lucas, Gerald R. (January 25, 2013).
911:The Selected Letters of Norman Mailer
739:
727:
679:
637:
7:
1690:Master Spy: The Robert Hanssen Story
111:, first appearing in his miscellany
215:and perfected in later pieces like
1563:Portrait of Picasso as a Young Man
1328:The Short Fiction of Norman Mailer
1248:The Short Fiction of Norman Mailer
1028:The Short Fiction of Norman Mailer
316:The Short Fiction of Norman Mailer
162:The Short Fiction of Norman Mailer
14:
1421:Superman Comes to the Supermarket
107:is a 1959 short story written by
1943:
1942:
1217:
895:. New York: Simon and Schuster.
18:Short story by Norman Mailer
1382:The Gospel According to the Son
1140:Shapiro, James (May 10, 1998).
1464:Miami and the Siege of Chicago
1:
1893:New York City: the 51st State
1759:Lipton’s: A Marijuana Journal
1142:"Advertisements for Himself,"
932:Norman Mailer: Works and Days
839:. Columbia University Press.
1494:St. George and The Godfather
1009:"Norman Mailer on Integrity"
892:Norman Mailer: A Double Life
776:. Boston: Houghton Mifflin.
1604:Norman Mailer's Letters on
1354:Of Women and Their Elegance
1988:
1918:Norman Mailer bibliography
1190:. Prentice Hall. pp.
914:. New York: Random House.
768:Dearborn, Mary V. (1999).
1940:
1913:The Norman Mailer Society
1899:In the Belly of the Beast
1793:Marilyn: The Untold Story
1523:Pieces and Pontifications
1414:Advertisements for Myself
1234:Advertisements for Myself
984:. Cambridge: Harvard UP.
981:Advertisements for Myself
229:Advertisements for Myself
172:Advertisements for Myself
157:Advertisements for Myself
114:Advertisements for Myself
76:Advertisements for Myself
28:
1587:The Man Who Studied Yoga
1458:The Idol and the Octopus
1441:Cannibals and Christians
1389:The Castle in the Forest
1030:. New York, N.Y.: Dell.
869:. D. McKay Co. pp.
797:(Motion Picture). Turkey
752:Lennon & Lennon 2018
458:Lennon & Lennon 2018
411:Lennon & Lennon 2018
293:Adaptations and Reprints
1452:The Armies of the Night
1435:The Presidential Papers
810:Gordon, Andrew (1980).
1972:Works by Norman Mailer
1779:The Naked and the Dead
1676:The Executioner's Song
1658:Tough Guys Don't Dance
1368:Tough Guys Don't Dance
1347:The Executioner's Song
1341:A Transit to Narcissus
1335:Why Are We in Vietnam?
1300:The Naked and the Dead
235:Analysis and Reception
105:"The Time of Her Time"
24:"The Time of Her Time"
1834:Norris Church Mailer
1500:The Faith of Graffiti
1471:Of a Fire on the Moon
1160:Stubin, Enid (2016).
958:"The Minuet of Macho"
544:, pp. 68–69, 71.
279:James Shapiro of the
1866:John Buffalo Mailer
1743:(poems and drawings)
1734:The Time of Our Time
1580:The Time of Her Time
1550:Marilyn: A Biography
1049:The Time of Our Time
861:Hills, Rust (1974).
794:The Time of Her Time
377:, pp. 247, 250.
322:The Time of Our Time
287:The Time of Our Time
135:In a 1958 letter to
1874:Norman Mailer Prize
1489:Existential Errands
1483:The Prisoner of Sex
772:Mailer: A Biography
224:The Prisoner of Sex
167:G. P. Putnam's Sons
1967:1959 short stories
1931:River of Fundament
1727:Some Honorable Men
1533:Why Are We At War?
887:Lennon, J. Michael
742:, pp. 251–77.
270:phallic narcissist
261:For Mailer, notes
1954:
1953:
1924:The Mailer Review
1909:
1905:J. Michael Lennon
1869:
1861:
1853:
1845:
1837:
1829:
1821:
1813:
1786:An American Dream
1606:An American Dream
1321:An American Dream
1166:The Mailer Review
1070:The Mailer Review
942:978-1-7326519-0-6
718:, pp. 73–74.
248:An American Dream
218:An American Dream
192:Greenwich Village
102:
101:
1979:
1946:
1945:
1907:
1867:
1859:
1851:
1843:
1835:
1827:
1826:Beverly Bentley
1819:
1818:Jeanne Campbell
1811:
1683:American Tragedy
1651:Town Bloody Hall
1477:King of the Hill
1428:In the Red Light
1361:Ancient Evenings
1278:
1271:
1264:
1255:
1227:
1222:
1221:
1205:
1180:
1178:
1177:
1156:
1154:
1153:
1136:
1115:
1091:
1082:Poirier, Richard
1077:
1064:
1053:. Random House.
1052:
1045:— (1998).
1041:
1026:— (1967).
1022:
1020:
1019:
1007:— (1989).
1003:
971:
969:
968:
952:
950:
949:
925:
908:— (2014).
904:
882:
880:
878:
868:
857:
855:
853:
838:
827:
806:
804:
802:
787:
775:
755:
749:
743:
737:
731:
725:
719:
713:
707:
701:
695:
689:
683:
677:
668:
662:
656:
650:
641:
635:
620:
614:
605:
599:
593:
587:
581:
575:
569:
563:
557:
551:
545:
539:
533:
527:
521:
515:
509:
503:
497:
491:
485:
479:
473:
467:
461:
455:
446:
440:
429:
423:
414:
408:
402:
396:
390:
384:
378:
372:
366:
360:
354:
348:
159:, then later in
141:Dwight Macdonald
95:Publication date
21:
1987:
1986:
1982:
1981:
1980:
1978:
1977:
1976:
1957:
1956:
1955:
1950:
1936:
1858:Stephen Mailer
1850:Michael Mailer
1798:
1770:
1764:
1755:(conversations)
1749:(conversations)
1695:
1663:
1617:
1592:
1567:
1537:
1513:Genius and Lust
1407:The White Negro
1394:
1287:
1282:
1241:The White Negro
1223:
1216:
1213:
1208:
1202:
1183:
1175:
1173:
1159:
1151:
1149:
1139:
1118:
1104:
1080:
1067:
1061:
1044:
1038:
1025:
1017:
1015:
1006:
992:
974:
966:
964:
955:
947:
945:
943:
928:
922:
907:
885:
876:
874:
860:
851:
849:
847:
830:
824:
809:
800:
798:
790:
784:
767:
763:
758:
750:
746:
738:
734:
726:
722:
714:
710:
702:
698:
690:
686:
678:
671:
663:
659:
651:
644:
636:
623:
615:
608:
600:
596:
588:
584:
576:
572:
564:
560:
552:
548:
540:
536:
528:
524:
516:
512:
504:
500:
492:
488:
480:
476:
468:
464:
456:
449:
441:
432:
424:
417:
409:
405:
397:
393:
385:
381:
373:
369:
361:
357:
349:
340:
336:
331:
295:
256:The White Negro
237:
204:
188:
153:
133:
19:
12:
11:
5:
1985:
1983:
1975:
1974:
1969:
1959:
1958:
1952:
1951:
1941:
1938:
1937:
1935:
1934:
1927:
1920:
1915:
1910:
1902:
1895:
1890:
1889:
1888:
1885:The Last Party
1876:
1871:
1863:
1855:
1847:
1839:
1831:
1823:
1815:
1810:Adele Morales
1806:
1804:
1800:
1799:
1797:
1796:
1789:
1782:
1774:
1772:
1766:
1765:
1763:
1762:
1756:
1750:
1744:
1738:
1730:
1724:
1718:
1712:
1703:
1701:
1697:
1696:
1694:
1693:
1686:
1679:
1671:
1669:
1665:
1664:
1662:
1661:
1654:
1647:
1640:
1633:
1630:Beyond the Law
1625:
1623:
1619:
1618:
1616:
1615:
1610:
1600:
1598:
1594:
1593:
1591:
1590:
1583:
1575:
1573:
1569:
1568:
1566:
1565:
1560:
1553:
1545:
1543:
1539:
1538:
1536:
1535:
1530:
1528:The Spooky Art
1525:
1520:
1515:
1510:
1503:
1496:
1491:
1486:
1479:
1474:
1467:
1460:
1455:
1448:
1443:
1438:
1431:
1424:
1417:
1410:
1402:
1400:
1396:
1395:
1393:
1392:
1385:
1378:
1375:Harlot's Ghost
1371:
1364:
1357:
1350:
1343:
1338:
1331:
1324:
1317:
1310:
1303:
1295:
1293:
1289:
1288:
1283:
1281:
1280:
1273:
1266:
1258:
1252:
1251:
1244:
1237:
1229:
1228:
1212:
1209:
1207:
1206:
1200:
1181:
1157:
1146:New York Times
1137:
1116:
1102:
1078:
1065:
1059:
1042:
1037:978-0523480091
1036:
1023:
1004:
990:
976:Mailer, Norman
972:
953:
941:
926:
920:
905:
883:
858:
845:
828:
822:
807:
788:
782:
764:
762:
759:
757:
756:
744:
732:
720:
708:
706:, p. 136.
696:
694:, p. 117.
684:
682:, p. 350.
669:
667:, p. 254.
657:
642:
621:
619:, p. 115.
606:
604:, p. 114.
594:
592:, p. 135.
582:
580:, p. 113.
570:
558:
556:, p. 438.
546:
534:
532:, p. 342.
522:
520:, p. 340.
510:
508:, p. 329.
498:
496:, p. 324.
486:
484:, p. 312.
474:
472:, p. 135.
462:
460:, p. 134.
447:
430:
415:
403:
401:, p. 277.
391:
389:, p. 284.
379:
367:
365:, p. 234.
355:
353:, p. 318.
337:
335:
332:
330:
327:
294:
291:
282:New York Times
263:Diana Trilling
241:George Steiner
236:
233:
203:
200:
187:
184:
152:
149:
145:Advertisements
132:
129:
100:
99:
96:
92:
91:
84:
80:
79:
72:
68:
67:
63:
62:
57:
53:
52:
49:
45:
44:
41:
37:
36:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
1984:
1973:
1970:
1968:
1965:
1964:
1962:
1949:
1939:
1933:
1932:
1928:
1926:
1925:
1921:
1919:
1916:
1914:
1911:
1906:
1903:
1901:
1900:
1896:
1894:
1891:
1887:
1886:
1882:
1881:
1880:
1877:
1875:
1872:
1870:
1864:
1862:
1856:
1854:
1848:
1846:
1840:
1838:
1832:
1830:
1828:(fourth wife)
1824:
1822:
1816:
1814:
1812:(second wife)
1808:
1807:
1805:
1801:
1795:
1794:
1790:
1788:
1787:
1783:
1781:
1780:
1776:
1775:
1773:
1767:
1760:
1757:
1754:
1751:
1748:
1747:The Big Empty
1745:
1742:
1739:
1736:
1735:
1731:
1728:
1725:
1722:
1719:
1716:
1715:The Deer Park
1713:
1711:
1709:
1705:
1704:
1702:
1698:
1692:
1691:
1687:
1685:
1684:
1680:
1678:
1677:
1673:
1672:
1670:
1666:
1660:
1659:
1655:
1653:
1652:
1648:
1646:
1645:
1641:
1639:
1638:
1634:
1632:
1631:
1627:
1626:
1624:
1620:
1614:
1611:
1609:
1605:
1602:
1601:
1599:
1595:
1588:
1584:
1581:
1577:
1576:
1574:
1570:
1564:
1561:
1559:
1558:
1557:Oswald's Tale
1554:
1552:
1551:
1547:
1546:
1544:
1540:
1534:
1531:
1529:
1526:
1524:
1521:
1519:
1516:
1514:
1511:
1509:
1508:
1504:
1502:
1501:
1497:
1495:
1492:
1490:
1487:
1485:
1484:
1480:
1478:
1475:
1473:
1472:
1468:
1466:
1465:
1461:
1459:
1456:
1454:
1453:
1449:
1447:
1446:The Bullfight
1444:
1442:
1439:
1437:
1436:
1432:
1429:
1425:
1422:
1418:
1416:
1415:
1411:
1409:
1408:
1404:
1403:
1401:
1397:
1391:
1390:
1386:
1384:
1383:
1379:
1377:
1376:
1372:
1370:
1369:
1365:
1363:
1362:
1358:
1356:
1355:
1351:
1349:
1348:
1344:
1342:
1339:
1337:
1336:
1332:
1330:
1329:
1325:
1323:
1322:
1318:
1316:
1315:
1314:The Deer Park
1311:
1309:
1308:
1307:Barbary Shore
1304:
1302:
1301:
1297:
1296:
1294:
1290:
1286:
1285:Norman Mailer
1279:
1274:
1272:
1267:
1265:
1260:
1259:
1256:
1250:
1249:
1245:
1242:
1238:
1236:
1235:
1231:
1230:
1226:
1225:Novels portal
1220:
1215:
1210:
1203:
1197:
1193:
1189:
1188:
1182:
1171:
1167:
1163:
1158:
1147:
1143:
1138:
1134:
1130:
1126:
1122:
1117:
1113:
1109:
1105:
1099:
1095:
1090:
1089:
1088:Norman Mailer
1083:
1079:
1076:(1): 310–317.
1075:
1071:
1066:
1062:
1056:
1051:
1050:
1043:
1039:
1033:
1029:
1024:
1014:
1010:
1005:
1001:
997:
993:
987:
983:
982:
977:
973:
963:
959:
954:
944:
938:
934:
933:
927:
923:
917:
913:
912:
906:
902:
898:
894:
893:
888:
884:
872:
867:
866:
859:
848:
842:
837:
836:
829:
825:
819:
815:
814:
808:
796:
795:
789:
785:
779:
774:
773:
766:
765:
760:
754:, p. 72.
753:
748:
745:
741:
736:
733:
729:
724:
721:
717:
712:
709:
705:
704:Dearborn 1999
700:
697:
693:
688:
685:
681:
676:
674:
670:
666:
661:
658:
655:, p. 60.
654:
653:Trilling 1972
649:
647:
643:
639:
634:
632:
630:
628:
626:
622:
618:
613:
611:
607:
603:
598:
595:
591:
590:Dearborn 1999
586:
583:
579:
574:
571:
568:, p. 69.
567:
562:
559:
555:
550:
547:
543:
538:
535:
531:
526:
523:
519:
514:
511:
507:
502:
499:
495:
490:
487:
483:
478:
475:
471:
466:
463:
459:
454:
452:
448:
444:
439:
437:
435:
431:
427:
422:
420:
416:
413:, p. 42.
412:
407:
404:
400:
395:
392:
388:
383:
380:
376:
371:
368:
364:
359:
356:
352:
347:
345:
343:
339:
333:
328:
326:
324:
323:
318:
317:
312:
308:
304:
300:
292:
290:
288:
284:
283:
277:
273:
271:
266:
264:
259:
257:
253:
249:
244:
242:
234:
232:
230:
226:
225:
220:
219:
214:
213:
212:Barbary Shore
207:
201:
199:
197:
193:
185:
183:
181:
177:
173:
168:
164:
163:
158:
150:
148:
146:
142:
138:
130:
128:
126:
125:
120:
119:Francis Delia
116:
115:
110:
109:Norman Mailer
106:
98:November 1959
97:
93:
89:
85:
81:
78:
77:
73:
69:
64:
61:
58:
54:
50:
46:
43:United States
42:
38:
35:
34:Norman Mailer
31:
27:
22:
16:
1929:
1922:
1908:(biographer)
1897:
1883:
1842:Kate Mailer
1820:(third wife)
1791:
1784:
1777:
1769:Film and TV
1758:
1752:
1746:
1741:Modest Gifts
1740:
1732:
1726:
1720:
1714:
1707:
1688:
1681:
1674:
1656:
1649:
1642:
1635:
1628:
1612:
1607:
1603:
1579:
1562:
1555:
1548:
1532:
1527:
1522:
1517:
1512:
1505:
1498:
1493:
1488:
1481:
1476:
1469:
1462:
1457:
1450:
1445:
1440:
1433:
1412:
1405:
1387:
1380:
1373:
1366:
1359:
1352:
1345:
1340:
1333:
1326:
1319:
1312:
1305:
1298:
1246:
1232:
1186:
1174:. Retrieved
1172:(1): 302–309
1169:
1165:
1150:. Retrieved
1145:
1127:(1): 71–75.
1124:
1120:
1087:
1073:
1069:
1048:
1027:
1016:. Retrieved
1012:
980:
965:. Retrieved
961:
946:. Retrieved
931:
910:
891:
875:. Retrieved
864:
850:. Retrieved
834:
812:
799:. Retrieved
793:
771:
761:Bibliography
747:
735:
723:
711:
699:
687:
660:
597:
585:
573:
566:Poirier 1972
561:
549:
542:Poirier 1972
537:
525:
513:
501:
489:
482:Peppard 2016
477:
465:
443:Shapiro 1998
406:
394:
382:
370:
358:
320:
319:in 1967 and
314:
310:
303:Linden Ashby
296:
286:
280:
278:
274:
267:
260:
251:
247:
245:
238:
228:
222:
216:
210:
208:
205:
189:
179:
175:
171:
160:
156:
154:
144:
134:
122:
112:
104:
103:
74:
71:Published in
15:
1771:adaptations
1737:(anthology)
1729:(anthology)
1608:, 1963-1969
1399:Non-fiction
962:GRLucas.net
716:Raines 1977
692:Gordon 1980
665:Mailer 1967
617:Gordon 1980
602:Gordon 1980
578:Gordon 1980
554:Mailer 1992
530:Mailer 1998
518:Mailer 1998
506:Mailer 1998
494:Mailer 1998
470:Lennon 2013
426:Mailer 1989
399:Lennon 2013
387:Lennon 2014
375:Lennon 2014
363:Lennon 2014
351:Mailer 1998
307:Leslie Bega
299:erotic film
196:bullfighter
151:Publication
137:Mickey Knox
66:Publication
30:Short story
1961:Categories
1844:(daughter)
1201:0135455332
1176:2019-11-04
1152:2013-12-11
1103:000632617X
1060:0375500979
1018:2011-06-20
991:0674005902
967:2020-02-24
948:2018-10-13
921:0812986091
846:0231110987
823:0838621589
783:0395736552
740:Hills 1974
728:Delia 2000
680:Heyne 2000
638:Lucas 2013
329:References
131:Background
88:Miscellany
83:Media type
1761:(journal)
1708:Strawhead
1668:Teleplays
1644:Maidstone
1542:Biography
1507:The Fight
1112:473033417
1096:–69, 71.
1000:771096402
978:(1992) .
901:873006264
325:in 1998.
301:starring
1948:Category
1723:(poetry)
1211:See also
1084:(1972).
889:(2013).
56:Genre(s)
48:Language
1803:Related
1637:Wild 90
1597:Letters
1572:Stories
1292:Fiction
1133:3346110
877:25 July
186:Summary
86:Print (
60:Fiction
51:English
40:Country
1836:(wife)
1753:On God
1717:(play)
1710:(play)
1198:
1131:
1110:
1100:
1057:
1034:
998:
988:
939:
918:
899:
852:May 3,
843:
820:
780:
180:Lolita
176:Lolita
124:Lolita
1868:(son)
1860:(son)
1852:(son)
1700:Other
1148:. Web
1129:JSTOR
801:3 May
334:Cited
252:Dream
202:Style
1622:Film
1196:ISBN
1108:OCLC
1098:ISBN
1055:ISBN
1032:ISBN
996:OCLC
986:ISBN
937:ISBN
916:ISBN
897:OCLC
879:2017
854:2017
841:ISBN
818:ISBN
803:2017
778:ISBN
305:and
221:and
873:–77
871:251
127:."
32:by
1963::
1194:.
1192:60
1170:10
1168:.
1164:.
1144:.
1123:.
1106:.
1094:68
1074:10
1072:.
1011:.
994:.
960:.
672:^
645:^
624:^
609:^
450:^
433:^
418:^
341:^
1589:"
1585:"
1582:"
1578:"
1430:"
1426:"
1423:"
1419:"
1277:e
1270:t
1263:v
1243:"
1239:"
1204:.
1179:.
1155:.
1135:.
1125:2
1114:.
1063:.
1040:.
1021:.
1002:.
970:.
951:.
924:.
903:.
881:.
856:.
826:.
805:.
786:.
730:.
640:.
445:.
428:.
90:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.