Knowledge (XXG)

The Totteridge XI

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breeder Francis Redmond. Redmond took a high level of interest in the painting, with Wardle remarking many years later, "Mr Redmond stood over me and made me 'perfect' all his dogs – shorten their backs, lengthen their necks and muzzles, make their ears and feet smaller than they really were – and so
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of the Kennel Club between 1922 and 1925, the painting came into the possession of the club in 1940 from Captain Tudor Crosthwaite on behalf of Redmond's niece, Sarah Talbot. The painting was the star exhibit during a temporary exhibition at the Kennel Club in London, entitled "The Fox Terrier in
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on. None of them were half as good as in their picture". Such were the corrections insisted upon by Redmond, that an outline of a completed painted over dog can be seen to the right of the painting, and where corrections were made to individual dogs, the original lines are still hazily visible.
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show dogs from Francis Redmond's kennel. The dogs are (clockwise from back left), Dryad, Ch. Daddy, Dame, Dalby, Divorcee, Diamond Court, Ch. Donnington, Ch. D'Orsay, Ch. Dame Fortune, Ch. Donna Fortune, and Ch. Dominie. Each dog was situated so that it appeared in a
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show dogs, although the artist remarked several years after creating it that the dogs were significantly closer to the
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in the painting than they were in real life. The painting is now owned by
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Best in show: the dog in art from the Renaissance to today
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pose. It was described by Edward Cecil Ash in his book
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Index


Arthur Wardle
The Kennel Club Art Gallery
Arthur Wardle
Smooth Fox Terrier
breed standard
The Kennel Club
Arthur Wardle
Fox Terrier
Chairman
American Kennel Club
Smooth Fox Terrier
conformation show



Best in show: the dog in art from the Renaissance to today
ISBN
978-0-89090-143-4


"The Totteridge XI"
"Inside the Kennel Club art gallery"


ISBN
978-0-900890-14-7
"'Fox Terrier in Art' at the Kennel Club"
Categories
1897 paintings

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