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The Two Faces of January

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195:, a private detective questions McFarland, who accidentally kills him during a struggle in his hotel room. A recent acquaintance, a young American law graduate and poet named Rydal Keener, decides to help them, in part because McFarland reminds him of his recently deceased father, from whom he was estranged. He helps McFarland and Colette hide the body and leave Athens under false passports procured by his friend Niko, a local street vendor. 247:
While waiting for his boat, MacFarland gets drunk in a bar and is mugged, robbed of everything except his overcoat. In his stupor, he is arrested and identified by the French police. In custody, MacFarland gets hold of a guard's pistol, fires at him, and is shot in turn. As he dies, MacFarland takes
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to get rid of Keener once and for all. However, MacFarland is unaware that the "hitman", whom he pays in advance, is in fact a florist whom Keener paid to set him up. Keener goes into hiding from the police, while MacFarland procures another false passport and books a flight to
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and install themselves in a hotel under assumed names. Colette flirts with a smitten Keener in front of McFarland, whose jealousy eventually gets the better of him. On a rainy morning, while they visit the palace of
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him. Unbeknownst to McFarland, Keener is working with the police to get him to confess to Colette's murder. Leaving behind all his possessions except his cash stuffed into his pockets, McFarland travels by taxi to
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at him from above, but accidentally kills Colette instead. Both MacFarland and Keener separately flee the scene undetected and take the same boat back to Athens, now more dependent on each other than ever.
231:. Nevertheless, he believes that going back to America and starting afresh under a new name is the only option left to him. Keener, who McFarland had assumed was dead, suddenly reappears and 248:
responsibility for Colette's death, exonerating Keener. After the police clear Keener of any wrongdoing, he promises to go to MacFarland's funeral service out of gratitude.
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Back in Athens, MacFarland is interviewed by the police, and states that Keener murdered Colette. At the same time, he hires a
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claims the title is 'appropriate for the janus-faced, flux-like nature of her protagonists'.
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MacFarland learns from his accomplices that he is wanted in the U.S. over a
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A first screen adaptation of the novel was filmed in Germany in 1986, as
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of the novel was released in 2014. It was written and directed by
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called it "an offbeat, provocative and absorbing suspense novel".
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the Best Crime Novel (foreign) for 1964. Writing in
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In 21:The Two Faces of January (film) 1: 395:Die zwei Gesichter des Januar 284:Die zwei Gesichter des Januar 913:Novels by Patricia Highsmith 582:People Who Knock on the Door 928:Doubleday (publisher) books 688:Mermaids on the Golf Course 641:The Boy Who Followed Ripley 944: 198:The trio take a flight to 18: 481:(as Claire Morgan) (1952) 464: 448: 258:Crime Writers Association 180:Chester MacFarland is an 31: 27:The Two Faces of January 898:American thriller novels 827:The Two Faces of January 787:Once You Meet a Stranger 731:Once You Kiss a Stranger 672:Little Tales of Misogyny 526:The Two Faces of January 262:The Two Faces of January 149:The Two Faces of January 795:The Talented Mr. Ripley 664:Short story collections 617:The Talented Mr. Ripley 598:Small g: a Summer Idyll 323:Wilson, Andrew (2003). 19:For the 2014 film, see 158:psychological thriller 74:Psychological thriller 558:The Tremor of Forgery 542:A Suspension of Mercy 502:A Game for the Living 923:Novels set in Greece 903:1964 American novels 707:Strangers on a Train 470:Strangers on a Train 369:"Criminals at Large" 340:"Criminals at Large" 918:Novels set in Paris 811:Ripley Under Ground 747:This Sweet Sickness 739:The American Friend 625:Ripley Under Ground 590:Found in the Street 550:Those Who Walk Away 510:This Sweet Sickness 141:PS3558.I366 T8 1988 28: 819:The Cry of the Owl 771:The Cry of the Owl 649:Ripley Under Water 518:The Cry of the Owl 442:Patricia Highsmith 373:The New York Times 347:The New York Times 267:The New York Times 162:Patricia Highsmith 48:Patricia Highsmith 885: 884: 659: 658: 478:The Price of Salt 288:second adaptation 145: 144: 100:Publication place 54:Cover artist 935: 843:A Kind of Murder 779:The Story Teller 462: 435: 428: 421: 412: 405: 404: 403: 402: 390: 384: 383: 381: 379: 364: 358: 357: 355: 353: 344: 335: 329: 328: 320: 137: 111: 91:Publication date 65:English language 36: 29: 943: 942: 938: 937: 936: 934: 933: 932: 888: 887: 886: 881: 865: 694: 680:The Black House 655: 604: 453: 444: 439: 409: 408: 400: 398: 392: 391: 387: 377: 375: 366: 365: 361: 351: 349: 342: 337: 336: 332: 322: 321: 317: 312: 296:Viggo Mortensen 280: 272:Anthony Boucher 254: 240:and then on to 217:contract killer 178: 126: 92: 39: 24: 17: 12: 11: 5: 941: 939: 931: 930: 925: 920: 915: 910: 905: 900: 890: 889: 883: 882: 880: 879: 873: 871: 867: 866: 864: 863: 855: 847: 839: 831: 823: 815: 807: 799: 791: 783: 775: 767: 763:The Glass Cell 759: 755:A Dog's Ransom 751: 743: 735: 727: 719: 711: 702: 700: 696: 695: 693: 692: 684: 676: 667: 665: 661: 660: 657: 656: 654: 653: 645: 637: 629: 621: 612: 610: 606: 605: 603: 602: 594: 586: 578: 570: 566:A Dog's Ransom 562: 554: 546: 538: 534:The Glass Cell 530: 522: 514: 506: 498: 490: 482: 474: 465: 459: 455: 454: 449: 446: 445: 440: 438: 437: 430: 423: 415: 407: 406: 385: 359: 330: 314: 313: 311: 308: 294:, and starred 279: 276: 253: 250: 177: 174: 143: 142: 139: 131: 130: 127: 122: 119: 118: 113: 105: 104: 101: 97: 96: 93: 90: 87: 86: 81: 77: 76: 71: 67: 66: 63: 59: 58: 55: 51: 50: 45: 41: 40: 37: 15: 13: 10: 9: 6: 4: 3: 2: 940: 929: 926: 924: 921: 919: 916: 914: 911: 909: 906: 904: 901: 899: 896: 895: 893: 878: 875: 874: 872: 868: 861: 860: 856: 853: 852: 848: 845: 844: 840: 837: 836: 832: 829: 828: 824: 821: 820: 816: 813: 812: 808: 805: 804: 803:Ripley's Game 800: 797: 796: 792: 789: 788: 784: 781: 780: 776: 773: 772: 768: 765: 764: 760: 757: 756: 752: 749: 748: 744: 741: 740: 736: 733: 732: 728: 725: 724: 720: 717: 716: 712: 709: 708: 704: 703: 701: 697: 690: 689: 685: 682: 681: 677: 674: 673: 669: 668: 666: 662: 651: 650: 646: 643: 642: 638: 635: 634: 633:Ripley's Game 630: 627: 626: 622: 619: 618: 614: 613: 611: 609:Ripley series 607: 600: 599: 595: 592: 591: 587: 584: 583: 579: 576: 575: 574:Edith's Diary 571: 568: 567: 563: 560: 559: 555: 552: 551: 547: 544: 543: 539: 536: 535: 531: 528: 527: 523: 520: 519: 515: 512: 511: 507: 504: 503: 499: 496: 495: 491: 488: 487: 486:The Blunderer 483: 480: 479: 475: 472: 471: 467: 466: 463: 460: 456: 452: 447: 443: 436: 431: 429: 424: 422: 417: 416: 413: 397: 396: 389: 386: 374: 370: 363: 360: 348: 341: 334: 331: 326: 319: 316: 309: 307: 305: 301: 300:Kirsten Dunst 297: 293: 292:Hossein Amini 289: 285: 277: 275: 273: 269: 268: 263: 259: 256:The UK-based 251: 249: 245: 243: 239: 234: 230: 225: 223: 218: 213: 210: 206: 201: 196: 194: 190: 187:traveling in 186: 183: 175: 173: 171: 167: 163: 159: 155: 151: 150: 140: 138: 136:LC Class 132: 128: 125: 124:Dewey Decimal 120: 117: 114: 112: 106: 103:United States 102: 98: 94: 88: 85: 82: 78: 75: 72: 68: 64: 60: 57:Polly Cameron 56: 52: 49: 46: 42: 38:First edition 35: 30: 22: 857: 849: 841: 833: 825: 817: 809: 801: 793: 785: 777: 769: 761: 753: 745: 737: 729: 721: 713: 705: 686: 678: 670: 647: 639: 631: 623: 615: 596: 588: 580: 572: 564: 556: 548: 540: 532: 525: 524: 516: 508: 500: 492: 484: 476: 468: 451:Bibliography 399:, retrieved 394: 388: 378:December 12, 376:. 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The 260:named 209:pithos 193:Athens 189:Greece 44:Author 835:Carol 343:(PDF) 222:Paris 200:Crete 166:Janus 70:Genre 380:2015 354:2015 302:and 238:Lyon 154:1964 110:OCLC 95:1964 894:: 371:. 345:. 306:. 298:, 270:, 224:. 434:e 427:t 420:v 382:. 356:. 152:( 23:.

Index

The Two Faces of January (film)

Patricia Highsmith
Psychological thriller
Doubleday
OCLC
16923778
Dewey Decimal
LC Class
1964
psychological thriller
Patricia Highsmith
Janus
alcoholic
con artist
Greece
Athens
Crete
Knossos
pithos
contract killer
Paris
Ponzi scheme
blackmails
Lyon
Marseille
Crime Writers Association
The New York Times
Anthony Boucher
second adaptation

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