640:," or "coming to terms with the past," within the television landscape. He contends that the film contributes little to an already saturated market of history-themed television programming. Höhne directs particular criticism towards the director, Mommertz, for elevating the significance of Adolf Eichmann within the narrative, suggesting that Eichmann's historical role was not as pivotal as portrayed in the film. However, Höhne's perspective on Eichmann's portrayal diverges from other assessments that laud the film's depiction. This discrepancy stems from Höhne's acceptance of Eichmann's testimony at face value, particularly Eichmann's claim during his 1961 trial that he was merely a low-ranking subordinate. Höhne references Eichmann's earlier and later contradictory statements to argue against the existence of discussions regarding mass murder during the Wannsee Conference.
558:, correspondence from Hermann Göring and Adolf Eichmann, and Eichmann's testimony from his 1961 trial for war crimes in Israel. Schmemann highlights the extensive research conducted by Manfred Korytowski, a West German-Israeli television producer, who aimed to use the film as an educational tool to impart knowledge about Germany's history to younger audiences. He underscores Korytowski's commitment to authenticity, with efforts made to ensure accuracy in details such as the dialect of German spoken (reflecting Nazi-era language rather than classical German) and the props worn by actors, including pens and watches.
644:
potential alterations made by
Heydrich subsequent to the conference. Eichmann's own testimony during his trial suggests that the language of the Protocol did not accurately reflect the candid discussions surrounding the topics of killing and elimination. Eichmann attested that Heydrich edited the minutes to render them more palatable to the public, deviating from the precise legal terminology typically employed. However, the absence of the original Wannsee Conference minutes precludes definitive confirmation of Heydrich's edits.
972:
234:
919:
219:
As the conference progresses, Heydrich emphasizes the need for secrecy and coordination to ensure the success of the "Final
Solution." The film concludes with the attendees departing from the villa, leaving Eichmann behind to oversee the implementation of the genocidal policies discussed at Wannsee.
643:
Nicolas K. Johnson, in a master's thesis analyzing the film, highlights the significance of Höhne's review in offering an alternative interpretation of the
Wannsee Protocol. Höhne's analysis relies on accepting the veracity of the Protocol's contents without considering the nuanced language and
624:
His review focused particularly on the film’s usage of camera angles, describing the camera's movements as those of a "restless impotent ghost who sees all and can do nothing." He notes that Schirk and
Mommertz are clearly intentionalists ("the doctrine that the actual intentions of artists are
215:
Throughout the meeting, tensions arise among the participants, reflecting differing attitudes towards the implementation of the genocide. Some express moral qualms or concerns about the logistical challenges, while others advocate for ruthless efficiency in carrying out the plan.
204:
Led by
Heydrich, the conference is convened ostensibly to discuss administrative matters related to the Jewish population under Nazi control. However, it soon becomes apparent that the true purpose of the meeting is to coordinate the systematic extermination of European Jews.
212:," including the establishment of extermination camps and the deportation of Jews from across Europe to these facilities. The attendees engage in chillingly pragmatic discussions about the most efficient methods of mass murder, referring to Jews in dehumanizing terms.
160:, held in Berlin in January 1942. The script is derived from the minutes of the meeting. Since no verbatim transcription of the meeting exists, the dialogue is necessarily fictionalised. The main theme of the film is the bureaucratic nature of the genocide.
565:. This cynicism, he contends, echoes themes explored in other German and Austrian productions of the time, which sought to confront previously overlooked or sanitized aspects of history. This movement toward confronting the past, known as
573:
distinguishes itself from other works in this genre by its singular focus on the perpetrators and its avoidance of sentimentalism, thereby standing apart from the prevailing tendency to absolve German guilt.
636:, scrutinizes the film's treatment of historical events within the context of television production trends in 1980s West Germany. Höhne critiques what he perceives as an overemphasis on "
507:
396:
561:
While
Schmemann acknowledges the film's artistic vision, he asserts that its most significant aspect lies in its depiction of the profound cynicism exhibited during the
699:
1009:
255:
181:
opens with the arrival of a group of high-ranking Nazi officials at a luxurious villa on the shores of Lake
Wannsee. Among the attendees are SS-Obergruppenführer
1068:
1078:
956:
1048:
1098:
763:
1063:
744:
317:
1088:
1043:
1002:
863:
1058:
846:
724:
281:
1083:
1033:
259:
689:
995:
834:
637:
566:
461:
378:
949:
665:
521:
244:
1073:
1038:
440:
263:
248:
569:("coming to terms with the past"), is a central theme in German historiography. However, Schmemann observes that
1053:
368:
1093:
450:
364:
942:
654:
327:
165:
306:
499:
346:
1028:
481:
455:
433:
374:
42:
513:
402:
52:
694:
617:
562:
547:
531:
527:
475:
298:
186:
157:
32:
485:
437:
904:
871:
842:
720:
661:
493:
467:
382:
358:
309:
182:
979:
926:
555:
420:
392:
340:
323:
194:
971:
716:"Getting History Right": East and West German Collective Memories of the Holocaust and War
605:
543:
503:
354:
471:
745:"HBO AND THE HOLOCAUST: CONSPIRACY, THE HISTORICAL FILM, AND PUBLIC HISTORY AT WANNSEE"
629:
613:
609:
596:
444:
330:
209:
190:
1022:
620:
in a short (85-minute) feature that's unlike any other
Holocaust film I've ever seen.
591:
517:
416:
350:
489:
423:
410:
388:
714:
788:
633:
616:, the director Heinz Schirk and the writer Paul Mommertz have reconstructed the
233:
198:
336:
875:
604:
Using the secretary's notes from this meeting, along with letters written by
413:: Deputy Reich Minister, Reich Ministry for the Occupied Eastern Territories.
406:
898:
163:
The same events were later depicted in the 2001 English-language film
810:"The New York Times - Breaking News, US News, World News and Videos"
918:
427:
294:
The cast of the 15 participants of the conference is as follows:
582:
The film has a 7.7 IMDb rating from 1,300 user reviews on IMDb.
313:
625:
relevant to the interpretation of the artworks they create.")
227:
809:
302:
554:, noting its reliance on historical sources such as the
156:) is a 1984 German TV film portraying the events of the
983:
930:
658:, a 2001 English language film, about the same subject.
790:
397:
Reich
Ministry for the Occupied Eastern Territories
343:: State Secretary, Reich Ministry for the Interior.
130:
125:
113:
97:
89:
81:
76:
68:
58:
48:
38:
28:
21:
371:: Undersecretary and SS liaison, Foreign Ministry.
208:Heydrich outlines the logistical details of the "
524:: SD officer assigned to the General Government.
978:This article related to a German TV movie is a
690:"Film: Holocaust's birth, 'Wannsee Conference'"
670:(The Wannsee Conference, a 2022 German TV film)
602:
1003:
950:
318:Deputy Reichsprotektor of Bohemia and Moravia
8:
464:: Chief of RSHA Department IV (the Gestapo).
841:. Cambridge University Press. p. 197.
262:. Unsourced material may be challenged and
1010:
996:
957:
943:
612:(a meeting participant), and testimony by
18:
632:, the editor of the German news magazine
282:Learn how and when to remove this message
719:. Rowman & Littlefield. p. 98.
550:, details the production process behind
839:Beyond Aesthetics: Philosophical Essays
751:: 65–98 – via IUPUI ScholarWorks.
680:
117:Infafilm GmbH Manfred Korytowski Munich
762:Schmemann, Serge (November 22, 1987).
743:Johnson, Nicolas K. (December 2016).
702:from the original on October 9, 2013.
7:
968:
966:
915:
913:
738:
736:
614:Eichmann at his 1961 trial in Israel
260:adding citations to reliable sources
925:This article about a war film is a
749:Indiana University Graduate Journal
688:Vincent Canby (November 18, 1987).
177:Set in Berlin on January 20, 1942,
982:. You can help Knowledge (XXG) by
929:. You can help Knowledge (XXG) by
428:SS Race and Settlement Main Office
16:1984 film directed by Heinz Schirk
14:
764:"85 Minutes That Scarred History"
1069:German-language television shows
970:
917:
395:: Head of Political Department,
232:
197:), and other key figures of the
594:, in a review published in the
1079:Das Erste original programming
864:"Eine Falle der Betroffenheit"
1:
1049:German drama television films
1099:German television film stubs
379:Friedrich Wilhelm Kritzinger
1064:1980s German-language films
862:Höhne, Heinz (1984-12-16).
121:Bavarian Broadcasting Corp.
1115:
965:
912:
474:: State Secretary for the
443:: Director, Office of the
377:as Ministerialdirektor Dr
314:Reich Security Main Office
189:), SS-Obersturmbannführer
119:Austrian Television-O.R.F.
1089:German World War II films
1044:Austrian television films
638:Vergangenheitsbewältigung
567:Vergangenheitsbewältigung
508:Reich Ministry of Justice
1059:Films about Nazi Germany
628:In a critical analysis,
522:Karl Eberhard Schöngarth
713:Wolfgram, Mark (2011).
1084:German war drama films
900:The Wannsee Conference
622:
153:
149:The Wannsee Conference
23:The Wannsee Conference
1034:1984 television films
590:American film critic
451:Friedrich G. Beckhaus
365:Hans-Werner Bussinger
333:: Head of RSHA IV B4.
667:Die Wannseekonferenz
600:, praised the film:
571:Die Wannseekonferenz
552:Die Wannseekonferenz
530:, as the secretary (
460:as SS-Gruppenführer
256:improve this section
179:Die Wannseekonferenz
154:Die Wannseekonferenz
114:Production companies
85:Siegfried B. Glökler
506:: State Secretary,
492:: Commander of the
478:of occupied Poland.
357:: State Secretary,
328:Obersturmbannführer
768:The New York Times
695:The New York Times
618:Wannsee conference
563:Wannsee Conference
548:The New York Times
532:Ingeburg Werlemann
476:General Government
299:Dietrich Mattausch
187:Dietrich Mattausch
158:Wannsee Conference
33:Wannsee Conference
1074:Films set in 1942
1039:West German films
991:
990:
938:
937:
662:Matti Geschonneck
586:Critical Response
494:Sicherheitsdienst
468:Reinhard Glemnitz
383:Reich Chancellery
359:Party Chancellery
310:Reinhard Heydrich
307:Obergruppenführer
292:
291:
284:
183:Reinhard Heydrich
145:
144:
109:
104:
69:Original language
59:Country of origin
1106:
1012:
1005:
998:
974:
967:
959:
952:
945:
921:
914:
886:
885:
883:
882:
859:
853:
852:
831:
825:
824:
822:
821:
806:
800:
799:
798:
797:
785:
779:
778:
776:
774:
759:
753:
752:
740:
731:
730:
710:
704:
703:
685:
556:Wannsee Protocol
459:
393:Georg Leibbrandt
341:Wilhelm Stuckart
287:
280:
276:
273:
267:
236:
228:
141:
139:
126:Original release
107:
102:
19:
1114:
1113:
1109:
1108:
1107:
1105:
1104:
1103:
1054:Holocaust films
1019:
1018:
1017:
1016:
964:
963:
910:
895:
890:
889:
880:
878:
861:
860:
856:
849:
833:
832:
828:
819:
817:
814:www.nytimes.com
808:
807:
803:
795:
793:
787:
786:
782:
772:
770:
761:
760:
756:
742:
741:
734:
727:
712:
711:
707:
687:
686:
682:
677:
650:
606:Hermann Goering
588:
580:
544:Serge Schmemann
541:
504:Roland Freisler
496:(SD) in Latvia.
486:Sturmbannführer
462:Heinrich Müller
453:
438:Sturmbannführer
426:: Chief of the
381:: Deputy Head,
355:Gerhard Klopfer
312:: Chief of the
288:
277:
271:
268:
253:
237:
226:
175:
137:
135:
120:
118:
108:(United States)
105:
63:
17:
12:
11:
5:
1112:
1110:
1102:
1101:
1096:
1094:War film stubs
1091:
1086:
1081:
1076:
1071:
1066:
1061:
1056:
1051:
1046:
1041:
1036:
1031:
1021:
1020:
1015:
1014:
1007:
1000:
992:
989:
988:
975:
962:
961:
954:
947:
939:
936:
935:
922:
908:
907:
894:
893:External links
891:
888:
887:
854:
847:
826:
801:
780:
754:
732:
725:
705:
679:
678:
676:
673:
672:
671:
659:
649:
646:
610:Adolf Eichmann
597:New York Times
587:
584:
579:
576:
546:, writing for
540:
537:
536:
535:
525:
511:
500:Rainer Steffen
497:
479:
465:
448:
445:Four Year Plan
431:
414:
400:
386:
372:
362:
347:Günter Spörrle
344:
334:
331:Adolf Eichmann
321:
290:
289:
240:
238:
231:
225:
222:
210:Final Solution
191:Adolf Eichmann
174:
171:
143:
142:
132:
128:
127:
123:
122:
115:
111:
110:
99:
95:
94:
93:Ulla Möllinger
91:
87:
86:
83:
79:
78:
74:
73:
70:
66:
65:
60:
56:
55:
50:
46:
45:
40:
36:
35:
30:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
1111:
1100:
1097:
1095:
1092:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1045:
1042:
1040:
1037:
1035:
1032:
1030:
1027:
1026:
1024:
1013:
1008:
1006:
1001:
999:
994:
993:
987:
985:
981:
976:
973:
969:
960:
955:
953:
948:
946:
941:
940:
934:
932:
928:
923:
920:
916:
911:
906:
902:
901:
897:
896:
892:
877:
873:
870:(in German).
869:
865:
858:
855:
850:
848:0-521-78656-8
844:
840:
836:
835:Carroll, Noël
830:
827:
815:
811:
805:
802:
792:
791:
784:
781:
769:
765:
758:
755:
750:
746:
739:
737:
733:
728:
726:9781611480061
722:
718:
717:
709:
706:
701:
697:
696:
691:
684:
681:
674:
669:
668:
663:
660:
657:
656:
652:
651:
647:
645:
641:
639:
635:
631:
626:
621:
619:
615:
611:
607:
601:
599:
598:
593:
592:Vincent Canby
585:
583:
577:
575:
572:
568:
564:
559:
557:
553:
549:
545:
538:
533:
529:
526:
523:
519:
515:
512:
509:
505:
501:
498:
495:
491:
487:
483:
482:Martin Lüttge
480:
477:
473:
469:
466:
463:
457:
452:
449:
446:
442:
441:Erich Neumann
439:
435:
434:Dieter Groest
432:
429:
425:
422:
421:Gruppenführer
418:
417:Robert Atzorn
415:
412:
408:
404:
401:
398:
394:
390:
387:
384:
380:
376:
375:Franz Rudnick
373:
370:
369:Martin Luther
366:
363:
360:
356:
352:
348:
345:
342:
338:
335:
332:
329:
325:
324:Gerd Böckmann
322:
319:
315:
311:
308:
304:
300:
297:
296:
295:
286:
283:
275:
265:
261:
257:
251:
250:
246:
241:This section
239:
235:
230:
229:
223:
221:
217:
213:
211:
206:
202:
200:
196:
195:Gerd Böckmann
192:
188:
184:
180:
172:
170:
168:
167:
161:
159:
155:
151:
150:
133:
129:
124:
116:
112:
100:
96:
92:
88:
84:
80:
75:
71:
67:
61:
57:
54:
51:
47:
44:
43:Paul Mommertz
41:
37:
34:
31:
27:
24:
20:
984:expanding it
977:
931:expanding it
924:
909:
899:
879:. Retrieved
867:
857:
838:
829:
818:. Retrieved
816:. 2024-03-23
813:
804:
794:, retrieved
789:
783:
771:. Retrieved
767:
757:
748:
715:
708:
693:
683:
666:
664:(director):
653:
642:
627:
623:
603:
595:
589:
581:
570:
560:
551:
542:
514:Gerd Rigauer
490:Rudolf Lange
472:Josef Bühler
424:Otto Hofmann
411:Alfred Meyer
403:Harald Dietl
389:Jochen Busse
293:
278:
272:January 2023
269:
254:Please help
242:
218:
214:
207:
203:
178:
176:
164:
162:
148:
147:
146:
98:Running time
64:West Germany
53:Heinz Schirk
22:
868:Der Spiegel
773:February 6,
630:Heinz Höhne
528:Anita Mally
454: [
316:(RSHA) and
199:Nazi regime
193:(played by
185:(played by
106:87 minutes
101:85 minutes
49:Directed by
1029:1984 films
1023:Categories
881:2024-03-23
820:2024-03-23
796:2024-03-23
675:References
655:Conspiracy
539:Production
518:Oberführer
351:Oberführer
337:Peter Fitz
166:Conspiracy
77:Production
39:Written by
876:2195-1349
578:Reception
407:Gauleiter
243:does not
152:(German:
103:(Germany)
837:(2001).
700:Archived
648:See also
82:Producer
29:Based on
634:Spiegel
264:removed
249:sources
136: (
131:Release
62:Austria
874:
845:
723:
516:as SS-
502:as Dr
484:as SS-
470:as Dr
436:as SS-
419:as SS-
391:as Dr
349:as SS-
339:as Dr
326:as SS-
90:Editor
72:German
458:]
980:stub
927:stub
905:IMDb
872:ISSN
843:ISBN
775:2024
721:ISBN
608:and
247:any
245:cite
224:Cast
173:Plot
138:1984
134:1984
903:at
520:Dr
488:Dr
409:Dr
405:as
367:as
353:Dr
301:as
258:by
1025::
866:.
812:.
766:.
747:.
735:^
698:.
692:.
456:de
303:SS
201:.
169:.
1011:e
1004:t
997:v
986:.
958:e
951:t
944:v
933:.
884:.
851:.
823:.
777:.
729:.
534:)
510:.
447:.
430:.
399:.
385:.
361:.
320:.
305:-
285:)
279:(
274:)
270:(
266:.
252:.
140:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
