Knowledge (XXG)

The Woman Next Door (novel)

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neighbors in the fictional affluent neighbourhood of Katterjin in Cape Town. However, their contrasting backgrounds and personalities create a tension-filled dynamic between them. After an accident renders them immobile, they discuss their pasts, their regrets, and their shared experiences, leading to a deeper understanding of each other's lives and struggles.
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referred to it as "this charming, touching, occasionally radiant tale of two prickly octogenarians: two women, one black and one white, neighbours who discover after 20 years of exchanging digs and insults that they might help each other... Omotoso captures the changing racial relations since the
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The novel is set in South Africa. The story revolves around the lives of two women, both widows in their 80s: Hortensia James, an international fashion designer who is the only black homeowner in the suburb, and Marion Agostino, a white Jewish woman who is an architect. Hortensia and Marion are
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The plot of the novel, including the revelation of secrets, proceeds slowly and gradually. Despite its serious themes, it incorporates lighter storylines and a sense of humor. It has been described as "wickedly funny," especially for the verbal sparring between Marion and Hortensia.
307:, it received a 3.5 star rating, citing that it "reads more like a beach book than a serious piece of literature, the novel's discussion of difficult topics such as racism, apartheid, grief, and the past add a depth that a lesser novel would lack", while Freya Neason of 260:". Regarding the novel's treatment of poet-Apartheid reconciliation, Omotoso said "I didn't want to write a book with a very simple, happy ending ... I think it's important to remember, as we connect and repair, that it's delicate." 278:
1950s, as well as the immigrant experience through personal detail and small psychological insights into mixed emotions, the artist's eye, and the widow's remorse. Hers is a fresh voice as adept at evoking the peace of walking up a
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in 2012. During this trip, she spoke with her grandmother and began reflecting on the experience of old age. She started writing the novel between 2013 and 2014. In preparation, Omotoso conducted interviews, read news from the
160:, one black and one white, who begin as acrimonious neighbors but come to know each other better after an accident. The novel was first conceived in 2012, and draws on Omotoso's research on 359: 666: 164:
in South Africa and Jewish history in Cape Town. Thematically, the novel combines a serious examination of post-Apartheid reconciliation with witty debates between its characters.
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gave a less positive review, citing as shortcomings the storyline, writing style and the characters' "constant grumbles and criticisms quickly cumbersome".
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Hortensia and Marion's conflicts over the course of the novel, according to Danette Frederique, serve to reveal "the skeletons in South Africa's post-
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called the book " pleasing tale of reconciliation laced with acid humor and a cheery avoidance of sentimentality." Olatoun Williams of
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described it as "a finely observed account of female prejudice, redemption and that often elusive commodity – friendship."
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Omotoso found inspiration for one of the characters, Hortensia, at the funeral of her grandfather in
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in South Africa. It was Omotoso's second novel and her first to be published in the US.
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called it "a thought provoking, and immensely readable fictional biography."
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in South Africa and spent time in a Jewish old-people's home in
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(28 February 2017). 330:in 2017, was longlisted for the 2017 7: 470: 468: 475:Frederique, Danette (12 May 2016). 336:International Dublin Literary Award 332:Bailey's Women's Prize for Fiction 14: 746:"A Q&A with Yewande Omotoso" 697:The Johannesburg Review of Books 691:Malec, Jennifer (25 June 2017). 671:The Johannesburg Review of Books 579:Conroy, Deirdre (27 June 2016). 358:Omotoso, Yewande (3 July 2017). 321:University of Johannesburg Prize 665:Malec, Jennifer (6 June 2017). 635:Neason, Freya (16 April 2017). 1: 717:Kean, Danuta (8 March 2017). 16:2016 novel by Yewande Omotoso 517:(Interview). Interviewed by 365:Johannesburg Review of Books 177:Development and publication 152:is a 2016 novel written by 857: 428:Borders Literature Online 328:Barry Ronge Fiction Prize 296:Borders Literature Online 224:was published in 2016 by 24: 319:was shortlisted for the 841:Novels set in Cape Town 808:The Mail & Guardian 542:. Dublin Lterary Award. 228:in the United Kingdom, 232:in the United States, 206:, as well as visiting 140:An Unusual Grief  768:Obi-Young, Otosirieze 610:"THE WOMAN NEXT DOOR" 554:"The Woman Next Door" 256:, reconciliation and 198:during the period of 836:2016 Nigerian novels 831:2016 American novels 238:Penguin Random House 96:Penguin Random House 20:The Woman Next Door 641:by Yewande Omotoso" 639:The Woman Next Door 585:by Yewande Omotoso" 583:The Woman Next Door 519:Lulu Garcia-Navarro 451:The Harvard Crimson 419:Williams, Olatoun. 317:The Woman Next Door 304:The Harvard Crimson 222:The Woman Next Door 208:District Six Museum 149:The Woman Next Door 21: 387:Omotoso, Yewande. 252:closet, including 616:. 6 November 2016 589:Irish Independent 558:Publishers Weekly 285:Irish Independent 274:Publishers Weekly 226:Chatto and Windus 145: 144: 78:Chatto and Windus 848: 801:Kwanele Sosibo, 789: 788: 786: 784: 770:(6 April 2018). 764: 758: 757: 755: 753: 742: 736: 735: 733: 731: 714: 708: 707: 705: 703: 688: 682: 681: 679: 677: 662: 656: 655: 653: 651: 632: 626: 625: 623: 621: 606: 600: 599: 597: 595: 576: 570: 569: 567: 565: 550: 544: 543: 536: 530: 529: 527: 525: 504: 498: 497: 495: 493: 472: 463: 462: 460: 458: 441: 432: 431: 425: 416: 407: 406: 404: 402: 384: 378: 377: 375: 373: 355: 323:in 2016 and the 244:Style and themes 136:Followed by 126:Preceded by 29: 22: 856: 855: 851: 850: 849: 847: 846: 845: 821: 820: 798: 793: 792: 782: 780: 766: 765: 761: 751: 749: 744: 743: 739: 729: 727: 716: 715: 711: 701: 699: 690: 689: 685: 675: 673: 664: 663: 659: 649: 647: 634: 633: 629: 619: 617: 608: 607: 603: 593: 591: 578: 577: 573: 563: 561: 552: 551: 547: 538: 537: 533: 523: 521: 506: 505: 501: 491: 489: 474: 473: 466: 456: 454: 443: 442: 435: 423: 418: 417: 410: 400: 398: 386: 385: 381: 371: 369: 357: 356: 349: 344: 270: 246: 236:in Nigeria and 179: 170: 154:Yewande Omotoso 101: 38:Yewande Omotoso 17: 12: 11: 5: 854: 852: 844: 843: 838: 833: 823: 822: 819: 818: 812: 811:, 13 May 2026. 797: 796:External links 794: 791: 790: 759: 737: 709: 683: 657: 637:"Book Review: 627: 614:Kirkus Reviews 601: 571: 545: 531: 499: 464: 433: 408: 379: 346: 345: 343: 340: 291:Kirkus Reviews 269: 266: 245: 242: 178: 175: 169: 166: 143: 142: 137: 133: 132: 127: 123: 122: 120:978-0008203566 117: 111: 110: 107: 103: 102: 100: 99: 98:(South Africa) 93: 87: 81: 74: 72: 68: 67: 64: 60: 59: 58:, South Africa 53: 49: 48: 45: 41: 40: 35: 31: 30: 15: 13: 10: 9: 6: 4: 3: 2: 853: 842: 839: 837: 834: 832: 829: 828: 826: 816: 813: 810: 809: 804: 800: 799: 795: 779: 778: 777:Brittle Paper 773: 769: 763: 760: 747: 741: 738: 726: 725: 720: 713: 710: 698: 694: 687: 684: 672: 668: 661: 658: 646: 642: 640: 631: 628: 615: 611: 605: 602: 590: 586: 584: 575: 572: 560:. 12 May 2016 559: 555: 549: 546: 541: 535: 532: 520: 516: 515: 510: 503: 500: 488: 484: 483: 478: 471: 469: 465: 453: 452: 447: 440: 438: 434: 429: 422: 415: 413: 409: 396: 395: 390: 383: 380: 367: 366: 361: 354: 352: 348: 341: 339: 337: 333: 329: 327: 322: 318: 314: 312: 311: 306: 305: 299: 297: 293: 292: 287: 286: 281: 276: 275: 267: 265: 261: 259: 255: 251: 243: 241: 239: 235: 231: 227: 223: 219: 217: 213: 212:Jewish Museum 209: 205: 201: 197: 196: 191: 190: 184: 176: 174: 167: 165: 163: 159: 155: 151: 150: 141: 138: 134: 131: 130:Bom Boy  128: 124: 121: 118: 116: 112: 108: 104: 97: 94: 91: 88: 85: 82: 79: 76: 75: 73: 69: 65: 61: 57: 54: 50: 46: 42: 39: 36: 32: 28: 23: 806: 781:. 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Index


Yewande Omotoso
Cape Town
Chatto and Windus
Picador
Farafina
Penguin Random House
ISBN
978-0008203566
Yewande Omotoso
Cape Town
Apartheid
Barbados
Cape Argus
Cape Times
Apartheid
Cape Town
District Six Museum
Jewish Museum
Slave Lodge
Chatto and Windus
Picador
Farafina
Penguin Random House
Apartheid
land rights
white guilt
Publishers Weekly
kopje
Irish Independent

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