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is considered one of the most technically difficult works in the repertoire and the foremost representative of the genre in the 1800s. The Liszt toccata is a very short and austere composition from his late period, and is practically a toccata only by name. Smaller-scale toccatas are sometimes called
231:. These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand. Among the composers working in Venice at this time was the young
435:, is more sectional and increased in length, intensity and virtuosity from the Renaissance version, reaching heights of extravagance equivalent to the overwhelming detail seen in the architecture of the period. It often featured rapid runs and
736:. In addition to several toccatas for organ, she has written three for piano (that of 1979 is frequently played), one for flute chorus, one for violin and piano, one for solo timpani and one for six mallet percussion. Both the finales of
481:
is one of the most popular organ works today, although its authorship is disputed by some authorities. His toccatas for organ are improvisatory compositions, and are often followed by an independent
744:
often utilizes toccatas or toccata-like forms as the finales of his works; notably in the Harp
Concerto, Piano Concerto No.1, Violin Concerto, Guitar Sonata, and his Piano Sonatas. Russian
649:. Toccatas in this style usually consist of rapid chord progressions combined with a powerful tune (often played in the pedal). The most famous examples are the ending movement of
371:
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235:, who studied with the Gabrielis; he brought the form back with him to Germany. It was in Germany where it underwent its highest development, culminating in the work of
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interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of
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BWV 910-916 are multi-sectional works which include fugal writing, rhetorical flourishes, recitative, and aria-like movements as part of their structure.
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Beyond the
Baroque period, toccatas are found less frequently. There are a few notable examples, however. From the
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period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as
53:
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Charles Van Den Borren (May 1, 1923). "Research regarding the fictional toccata by
Galuppi of Browning's poem".
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732:(a viola concerto) is written as a toccata. Another contemporary composer who has written many toccatas is
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Composed by Johann
Pachelbel, performed on a church organ in Trubschachen, Switzerland by Burghard Fischer
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featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without
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is entitled "Toccare," again referring to the origins of the word toccata; and the first movement (
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The toccata form was of great importance in the French romantic organ school, something of which
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composed two toccatinas: one as part of his Eight
Concert Etudes, Op. 40 and another, Opus 36.
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740:'s violin concerto and piano concerto can be described as toccatas. The Argentinian composer
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reverted to the earlier multi-sectional manner of Bach in his piano cycle called
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movement. In such cases, the toccata is used in place of the usually more stable
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779:" (although Galuppi did not actually write any piece with the name 'Toccata').
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622:, his six examples being designed to be interpolated between the seven Bach
164:, literally, "to touch", with "toccata" being the action of touching) is a
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Bach's toccatas are among the most famous examples of the form, and his
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Other
Baroque composers of toccatas, in the period before Bach, include
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parts. Sometimes there was a lack of regular tempo and almost always an
17:
518:"toccatina": Liszt's contemporary and well-known virtuoso in his day
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Kammermusik No. 5, for viola and orchestra, Op. 36, No. 4. About.
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composed a brief toccatina as his last published work (Op. 75).
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Composed by Johann
Sebastian Bach, performed on a piano by
795:"BWV 565: a toccata in D minor for organ by J. S. Bach?",
710:'s 2nd piano concerto are toccatas. The final movement of
670:
Toccatas occasionally make appearances in works for full
862:
Robert
Browning, "A Toccata of Galuppi's" published 1855
698:
are toccatas in all but name. The first movements of
775:
to evoke thoughts of human transience in his poem "
67:. Unsourced material may be challenged and removed.
674:; a notable example is the final movement of the
513:each wrote a piano toccata. Schumann's ambitious
27:Type of virtuoso instrumental musical composition
626:BWV 910-916. The same composer's earlier cycle
808:Roberge, Marc-André (25 September 2012).
756:wrote a jazz-inspired toccata as part of his
8:
771:used the motif or concept of a toccata by
581:wrote four toccatas for solo piano, while
127:Learn how and when to remove this message
569:" (which is a toccata but not in name),
810:"Titles of Works Grouped by Categories"
788:
682:. It could be said that the finales of
593:, opens with a toccata. The first piece
619:Steps Volume 6: Toccatas and Fantasias
417:
688:Concerto for Two Pianos and Orchestra
634:, with reference to the Italian verb
479:Toccata and Fugue in D minor, BWV 565
261:Toccata and Fugue in D Minor, BWV 565
149:Toccata and Fugue in D minor, BWV 565
7:
207:The form first appeared in the late
65:adding citations to reliable sources
630:includes a toccata movement called
612:is a toccata. The British composer
816:. Retrieved 25 November 2012.
799:, vol. 9, July, 1981, pp. 330–337.
418:Problems playing these files? See
283:rendition uploaded by Ashtar Moïra
25:
336:, Switzerland by Burghard Fischer
332:, performed on a church organ in
239:more than a hundred years later.
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168:piece of music typically for a
52:needs additional citations for
537:each wrote a toccata for solo
1:
645:laid the foundation with his
628:Steps Volume 1: An anthology
608:Veritables Preludes flasques
439:alternating with chordal or
290:Toccata in D major, BWV 912
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579:Kaikhosru Shapurji Sorabji
541:, as did French composers
194:being a notable example).
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591:Piano Suite No. 2, Op. 10
464:Jan Pieterszoon Sweelinck
174:plucked string instrument
624:toccatas for harpsichord
491:toccatas for harpsichord
431:toccata, beginning with
32:Toccata (disambiguation)
643:Jacques-Nicolas Lemmens
883:Classical music styles
777:A Toccata of Galuppi's
680:Ralph Vaughan Williams
548:Le Tombeau de Couperin
520:Charles-Valentin Alkan
460:Johann Jakob Froberger
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814:Sorabji Resource Site
567:Jardins sous la pluie
277:Johann Sebastian Bach
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237:Johann Sebastian Bach
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659:, and the Finale of
605:'s 1912 composition
595:, "Sévère réprimande
577:'s Toccata Op. 155.
468:Alessandro Scarlatti
433:Girolamo Frescobaldi
408:Alessandro Scarlatti
380:Girolamo Frescobaldi
61:improve this article
30:For other uses, see
847:. pp. 314–316.
651:Charles-Marie Widor
472:Dieterich Buxtehude
827:Classical Archives
773:Baldassare Galuppi
515:Toccata in C major
456:Michelangelo Rossi
343:Toccata in F major
314:Toccata in E minor
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229:Luzzasco Luzzaschi
186:Claudio Monteverdi
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143:The first page of
844:The Musical Times
758:Four Piano Pieces
742:Alberto Ginastera
535:Aram Khachaturian
497:After the Baroque
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117:November 2012
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275:Composed by
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59:Please help
54:verification
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797:Early Music
729:Kammermusik
585:wrote two.
545:as part of
511:Franz Liszt
209:Renaissance
203:Renaissance
872:Categories
783:References
764:Literature
712:John Adams
603:Erik Satie
575:York Bowen
565:and also "
420:media help
145:J. S. Bach
87:newspapers
760:, Op. 1.
748:composer
726:'s fifth
672:orchestra
531:Prokofiev
489:. Bach's
437:arpeggios
188:'s opera
178:imitative
76:"Toccata"
878:Toccatas
170:keyboard
166:virtuoso
18:Toccatas
647:Fanfare
636:toccare
632:A Touch
487:prelude
429:Baroque
392:Toccata
364:Toccata
243:Baroque
198:History
191:L'Orfeo
162:toccare
159:Italian
155:Toccata
101:scholar
864:e-text
601:), of
470:, and
447:feel.
227:, and
217:Andrea
157:(from
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722:) of
539:piano
483:fugue
441:fugal
182:fugal
108:JSTOR
94:books
746:jazz
706:and
690:and
573:and
533:and
509:and
427:The
281:MIDI
219:and
80:news
702:'s
694:'s
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