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hand no doubt held a fish, which (with his dog if present) would have identified him. From the 18th century onwards the group was known as "Figure Led by an Angel".
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parish, where his family had their chapel and which also contained the chapel of the
Confraternity of Saint Raphael. The latter chapel had an altarpiece by
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The works' later history is unknown and until the 1930s they were in separate locations, with the archangel in
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They were commissioned, possibly as votive figures, by
Rafaello Torrigiani, a Florentine merchant living in
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influences first picked up by the artist whilst based in
107:) in the Germanisches Nationalmuseum. Tobias's missing
227:Collection of the Germanisches Nationalmuseum
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96:), both also showing Raphael and Tobias.
103:and Tobias (then mistaken for one of the
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73:and working on Piotr of Bnin's tomb in
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16:Sculptural group by Veit Stoss
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35:sculptures carved in 1516 by
232:Wooden sculptures in Germany
178:Germanisches Nationalmuseum
65:in style, it is also shows
55:Germanisches Nationalmuseum
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222:Sculptures by Veit Stoss
94:Galleria dell'Accademia
92:(the latter now in the
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47:the archangel Raphael
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101:St. Jakob, Nuremberg
42:Tobias and the Angel
28:Tobias and the Angel
191:Zdzisław Kępiński,
90:Francesco Botticini
75:Włocławek Cathedral
67:Italian Renaissance
31:is a group of two
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129:"Catalogue entry"
88:and later one by
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212:1510s sculptures
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195:, Warszawa, 1981
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53:, now in the
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167:(in Polish).
165:"ASKI entry"
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133:. Retrieved
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109:proper right
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189:(in Polish)
151:"WGA entry"
135:20 November
131:(in German)
63:late Gothic
206:Categories
193:Wit Stwosz
115:References
37:Veit Stoss
61:. Whilst
59:Nuremberg
39:showing
33:limewood
45:, with
71:Kraków
51:Tobias
137:2020
105:Magi
49:and
57:in
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139:.
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