183:, dedicated to the subject of contemporary music. For eleven years he worked in the music division of the Radio Nacional de España, and for three years was professor of music history at the Universidad Nacional de Educación a Distancia (UNED) and professor of composition at the Conservatorio Real in Madrid. He has served as technical director of the Spanish National Orchestra (1981–85) and the Center for the Promotion of Contemporary Music (1985–95), and founded the Alicante International Contemporary Music Festival which he directed for eleven seasons. In 1996 he became Director General of the Instituto Nacional de las Artes Escenicas y la Música (National Institute for Music and the Performing Arts), a post he held until 1999.
178:
In addition to the effect of his prodigious compositional output, he has had a strong influence on
Spanish musical life through his work as a critic, broadcaster, writer, editor, educator, and administrator. After five years working as a music critic for various newspapers and magazines, in 1967 he
51:
Marco was born in Madrid where he later studied violin and composition, while at the same time pursuing the study of law (he received his licenciate in law in 1963). He turned to composition in 1958, and in 1962 began attending the
1204:
La creación musical como imágen del mundo entre el pensamiento lógico y el pensamiento mágico: Discurso académico del electo Excmo. Sr. D. Tomás Marco Aragón, leído en el acto de su recepción pública el día 7 de noviembre de
195:, in 1969 and again in 2002. He won the Prix d’Honneur of the VI Bienalle de Paris in 1969 and, in that year as well as in 1971, received prizes from the Gaudeamus Foundation in the Netherlands. His composition
121:. He helped to found the Studio Nueva Generación in 1967, by which time some of his compositions were beginning to include references to historical styles and quotations from earlier composers—for example,
1522:
1215:
1512:
1331:
1459:
Zapke, Susana. 1997. "Annäherung an die spanische Musik der
Nachkriegszeit: Concierto de música contemporánea española bajo el signo del cincuentenario de Falla."
204:
1487:
1517:
1547:
1532:
1497:
1482:
203:
in 1976. For his activities as a broadcaster he was awarded the Premio
Nacional de Radiodifusión in 1975. In 1993 he was elected to membership in the
1537:
1507:
1492:
1242:
1999. "La máquina como extensión musical". Actas del coloquio internacional antropología y música: Diálogos. II—Hombres, música y máquinas.
1542:
1502:
663:(flute part, in a collaborative composition, supervised by Karlheinz Stockhausen), for 12 instruments, tapes, and live electronics (1967)
482:, concerto for soprano, consort (harp, accordion, alto saxophone, timpani, and a percussionist), 3 distant violins, and orchestra (2006)
200:
1416:. Artistas españoles contemporáneos. Serie músicos 74. Madrid: Servicio de Publicaciones del Ministerio de Educación y Ciencia, D.L.
1421:
1340:
1326:
1278:
1264:
1169:
1157:
1143:
147:
53:
1448:
1283:
2005. "Lo folclórico en el sinfonismo: Nacionalismo turístico y de postal." Pensar el flamenco desde las ciencias sociales.
1552:
192:
1124:. Artistas españoles contemporáneos 6. Madrid: Dirección General de Bellas Artes, Ministerio de Educación y Ciencia.
109:(1968). In 1965 he began a brief association with the neo-Dada composers’ group Zaj, founded the previous year by
1131:. Artistas españoles contemporáneos 34. Madrid: Servicio de Publicaciones del Ministerio de Educación y Ciencia.
263:
795:, for flute, clarinet, violin, and cello (with crotales and triangles), with or without lighting effects (1969)
73:
1355:
Soler, Agustín
Charles. 1994. "Tomás Marco: Análisis del lenguaje musical empleado en las sinfonías 4 y 5."
1527:
82:
114:
65:
110:
103:(1966)—both are composed for 16 solo voices—as well as the harmonic overtone-singing of Stockhausen’s
1477:
1403:
99:
235:
1192:(co-authored with Carles Guinovart). Barcelona: Generalitat de Catalunya, Departament de Cultura.
118:
1417:
1336:
1274:
1260:
1165:
1153:
1139:
141:, and his Fourth and Fifth Symphonies (1987 and 1989, respectively) both use a quotation from
77:
271:
90:
69:
207:, and in 1998 was awarded a Doctor Honoris Causa by the Universidad Complutense de Madrid.
789:, for trumpet, piano, vibraphone, percussion, guitar, electric guitar, and cello (1962–63)
267:
142:
130:
199:
was awarded the Golden Harp Prize in 1975, and the UNESCO Young
Composers’ Prize at the
152:
1471:
1322:
126:
61:
57:
391:, for four singers (S, MzS, T, B), clarinet, trombone, vibraphone, and cello (1970)
138:
22:
1110:. Punto omega,coleccion Universitaria de bolsillo. Madrid: Ediciones Guadarrama.
224:(text: Kurt Schwitters), for two reciters, instrumental ensemble, and tape (1967)
231:
168:
1059:, for contrabass, with or without simultaneous electronic transformation (1971)
533:
Sinfonietta No. 1 ("Opaco resplandor de la memoria"), for orchestra (1998–99)
1138:. Madrid: Servicio de Publicaciones del Ministerio de Educación y Ciencia.
80:. In 1967 he participated in Stockhausen’s collective composition project
615:, for piano, organ, three instrumental groups, and violins in echo (1975)
164:
156:
105:
155:
composers. Around 1970 he began to employ traditional forms such as the
1164:
translated by Cola
Franzen, Cambridge: Harvard University Press, 1993.
287:
26:
1368:
Marco, Tomás. 1995. "Mis relaciones compositivas con la guitarra." In
937:, for five-octave marimba (with “algunos instrumentos de boca”) (2004)
172:
160:
151:—and for this reason his name is sometimes connected with the German
43:(born 12 September 1942) is a Spanish composer and writer on music.
603:, for variable ensemble of woodwinds, strings, and keyboards (1975)
250:(text: Lewis Carroll), for actress and instrumental ensemble (1966)
801:,for trumpet, trombone, 2 percussionists, viola, and cello (1966)
291:
244:(text: Eugenio de Vicente), for actress and ten instruments (1967)
171:
involves amongst other things a number of important works for the
864:, for tuba, piano, and percussion (vibraphone and marimba) (1962)
741:, for flute, oboe, clarinet, violin, cello, and percussion (1973)
274:), monodrama, for soprano, strings, and two percussionists (1994)
1178:, edited by José Luis García del Busto, 159–78. Madrid: Taurus.
810:
String
Quartet No. 3 ("Anatomía fractal de los ángeles") (1993)
566:
Triple
Concerto, for violin, cello, piano, and orchestra (1987)
1152:
6: Siglo XX. Edited by Pablo López de Osaba. Madrid: Alianza.
332:, cantata for reciter, choir, and instrumental ensemble (1976)
1454:: 28 (archive from 19 July 2011, accessed 3 September 2014).
1372:
6, edited by
Eusebio Rioja Vázquez, 11–22. Córdoba: Posada.
1225:
6, edited by
Eusebio Rioja Vázquez, 11–22. Córdoba: Posada.
1433:. Colección Ethos-Música 14. Oviedo: Universidad de Oviedo.
1402:
Análisis de la música española del siglo XX: En torno a la
813:
String Quartet No. 4 ("Los desastres de la guerra") (1996)
693:, for flute, oboe, clarinet, bassoon, and horn (1969/72)
1386:
Ariznavarreta, Idoia. 1996. "Entrevista a Tomás Marco."
1221:
1995. "Mis relaciones compositivas con la guitarra." In
1207:. Madrid: Real Academia de Bellas Artes de San Fernando.
1304:
Haines, Edmund. 1967. "The New Dada in Spanish Music."
1117:. Temas españoles 508. Madrid: Publicaciones Españolas.
822:
String Quartet No. 7 ("Primus Circumdediste me") (2018)
681:, for 1, 2, or 3 clarinets, live and/or recorded (1977)
518:, for six groups of at least six performers each (1988)
1447:
Villasol, Jesús S. 2002. "Anatomía de una seducción."
585:, for flute, clarinet, violin, cello, and piano (1970)
89:
His compositional style is rooted in the music of the
1316:
1314:
892:
Naturaleza muerta con guitarra (Homenaje a Picasso)
816:
String Quartet No. 5 ("Memorial del olvido") (2007)
591:, for ondes Martenot, piano, and percussion (1978)
1321:Medina, Angel (2001). "Marco (Aragón), Tomás". In
846:, for harpsichord, violin, viola, and cello (1977)
771:, for flute, harp, violin, viola, and cello (1984)
621:, for a stringed instrument and harpsichord (1988)
374:, narrator, 3 choirs, brass, and percussion (1983)
307:, music for the film by José Esteban Lasala (1974)
179:founded, together with Ramón Barce, the magazine
129:, the Cello Concerto (1976) is based on themes by
753:, for 4 saxophones, piano, and two percussionists
380:(text: Gerardo Diego), for voice and piano (1973)
1523:International Rostrum of Composers prize-winners
1461:Bayerische Akademie der Schönen Künste: Jahrbuch
834:, for piano 4 hands and 13 instruments (1974–76)
536:Sinfonietta No. 2 ("Curvas del Guadiana") (2004)
1438:Sagastume, Manu. 1996. "La Generación del 51."
1332:The New Grove Dictionary of Music and Musicians
807:String Quartet No. 2 ("Espejo desierto") (1987)
356:, for piano, double choir, and orchestra (1983)
33: and the second or maternal family name is
898:Paisaje grana (Homenaje a Juan Ramón Jiménez)
470:, for amplified guitar and orchestra (1976–78)
1271:Historia de la música occidental del siglo XX
1254:
313:, music for the film by Javier Aguirre (1970)
205:Real Academia de Bellas Artes de San Fernando
8:
1450:Diverdi: boletín de información discográfica
1216:Centro de Documentación Musical de Andalucía
1084:, for solo flute (or with percussion) (1967)
850:Trio concertante no. 1: en homenaje a Mompou
551:Symphony No. 5 "Modelos de universo" (1989)
403:, for voice and instrumental ensemble (1975)
1232:, 1–28. Granada: Fundación Caja de Granada.
1212:Manuel Castillo: "Cinco sonetos lorquianos"
1078:, for a woodwind instrument and tape (1976)
819:String Quartet No. 6 ("Gaia's Song") (2011)
401:Ultramarina (Epitafio para Lope de Aguirre)
1357:Nassarre: Revista aragonesa de musicología
1285:Música oral del sur: Revista internacional
1244:Música oral del sur: Revista internacional
781:Recóndita armonía (Chamber Symphony No. 1)
709:Luciérnaga furiosa (Duo concertante no. 5)
572:, for organ and string orchestra (1968–69)
545:Symphony No. 3, for small orchestra (1985)
1228:1996. "Granada, una ciudad musical." In
627:, for 3 clarinets and 3 saxophones (1965)
557:Sinfonía No. 7 "Comoedia Millenni" (2004)
548:Symphony No. 4 "Espacio quebrado" (1987)
530:, for string quartet and string orchestra
506:, for an orchestra of 38 musicians (1970)
191:Marco has twice been awarded the Spanish
1392:(Originally published in the periodical
542:Symphony No. 2 "Espacio cerrado" (1985)
464:, for violin and string orchestra (1982)
446:Concerto for Violin and Orchestra (1971)
354:Espacio sagrado (Concierto coral no. 2)
1513:Complutense University of Madrid alumni
1297:
745:La nuit de Bordeaux: aguafuerte Goyesca
443:Concerto for Cello and Orchestra (1976)
338:, for choir and chamber ensemble (1991)
1090:, three pieces for solo trumpet (1999)
832:Tauromaquia (Concierto barrocco no. 2)
747:, for guitar and string quartet (1998)
426:Arbol de arcángeles (serenata virtual)
56:, where he furthered his studies with
54:Darmstädter Internationale Ferienkurse
858:, for flute, violin, and viola (1984)
852:, for violin, cello, and piano (1983)
777:, for violin, cello, and piano (1988)
723:, for guitar and percussion (1969–70)
7:
1230:VII Jornadas de Música Contemporánea
1115:La música de la España contemporánea
935:Algunas maneras de nombrar la lluvia
804:String Quartet No. 1 ("Aura") (1968)
560:Symphony No. 8 "Gaia's Dance" (2008)
554:Symphony No. 6 "Imago mundi" (1992)
344:, for double choir and violin (1980)
1488:20th-century Spanish male musicians
1429:García del Busto, José Luis. 1986.
1335:(2nd ed.). London: Macmillan.
1160:(7-volume set). English edition as
1518:Composers for the classical guitar
1237:Cuadernos de música iberoamericana
613:Autodafé (Concierto barrocco no.1)
201:International Rostrum of Composers
97:(1974) strongly recalls Ligeti’s
14:
1162:Spanish Music in the 20th Century
500:, for violin and orchestra (1973)
458:, for guitar and orchestra (1993)
254:Llanto por Ignacio Sánchez Mejías
1548:Spanish male classical composers
1533:Madrid Royal Conservatory alumni
1498:21st-century classical composers
1483:20th-century classical composers
828:, for four percussionists (1979)
699:, for saxophone and piano (1988)
675:, for double wind quintet (1982)
563:Symphony No. 9 "Thalassa" (2009)
494:, for cello and orchestra (2001)
228:El caballero de la triste figura
1538:Pupils of Karlheinz Stockhausen
1400:Charles Soler, Agustín. 2002.
735:, for six percussionists (1971)
717:, for cello and piano (1968–69)
687:, for clarinet and piano (1971)
476:, for guitar and strings (1973)
452:, for oboe and orchestra (1981)
362:, for soprano and guitar (1991)
256:, ballet, with orchestra (1985)
1508:21st-century Spanish musicians
1493:20th-century Spanish musicians
1251:Pensamiento musical y siglo XX
1150:Historia de la música española
759:, for saxophone quartet (1988)
645:, for violin and guitar (1976)
539:Symphony No. 1 "Aralar" (1976)
1:
1235:1996. "Sobre mis sinfonías."
1108:Música española de vanguardia
924:, 22 pieces for guitar (1991)
711:, for flute and guitar (1991)
705:, for chamber ensemble (1978)
651:, for violin and piano (1978)
633:, for chamber ensemble (1987)
428:, for string orchestra (1995)
286:, opera in one act after the
280:(text: Tomás Marco) (1965–73)
175:, including three concertos.
1176:Escritos sobre Luis de Pablo
943:, for solo percussion (1969)
941:Floreal: música celestial II
657:, for viola and piano (1980)
609:, for flute and piano (1986)
498:Les mécanismes de la mémoire
432:Bis, encore, zugabe, propina
350:, for choir and organ (1975)
25:, the first or paternal
16:Spanish composer (born 1942)
1543:Spanish classical composers
1503:21st-century male musicians
1442:, no. 32 (July–August): 27.
1390:, no. 32 (July-Aug): 27–28.
1002:Le Palais du facteur cheval
840:, for six saxophones (2002)
783:, for 15 instruments (1990)
570:Vitral (música celestial I)
397:, for 16 solo voices (1974)
1569:
1412:Gomez Amat, Carlos. 1974.
1370:La guitarra en la historia
1308:27, no. 1 (Spring): 76–88.
1223:La guitarra en la historia
669:, for 12 saxophones (1988)
420:Angelus novus (Mahleriana)
372:La Pasión segun San Marcos
20:
1452:11, no. 106 (July–August)
1255:
1101:Writings (selective list)
729:, for eight cellos (1993)
242:Cantos del pozo artesiano
193:Premio Nacional de Música
1195:"Treinta años después."
1181:1988. "La sinfonía hoy"
1174:1987. "Los Módulos." In
998:, for harpsichord (1977)
948:Keyboard & accordion
639:, for two guitars (1974)
516:La Périphérie du paradis
74:Gottfried Michael Koenig
1183:Temporadas de la música
1096:, for solo flute (1984)
886:Fantasia Sobre Fantasia
799:Schwan (ein Liebeslied)
765:, for two pianos (1968)
480:Del tiempo y la memoria
348:Ecos de Antonio Machado
163:, and, especially, the
148:Also sprach Zarathustra
1016:, for accordion (1999)
856:Trio concertante no. 2
524:, for orchestra (1986)
512:, for orchestra (1995)
488:, for orchestra (1974)
434:, for orchestra (1993)
422:, for orchestra (1971)
416:, for orchestra (1970)
264:Gustavo Adolfo Bécquer
230:, chamber opera after
1051:Partita del obradoiro
992:, for piano (1967–68)
962:, for organ (1969–70)
655:Dúo concertante no. 4
649:Dúo concertante no. 3
643:Dúo concertante no. 2
637:Dúo concertante no. 1
342:Concierto coral no. 1
66:Karlheinz Stockhausen
1273:. Madrid: Alpuerto.
1256:Fundación Autor-SGAE
1197:Revista de Occidente
838:Teatro de la Memoria
769:Quinteto filarmónico
311:Temporalidad interna
266:and a poem from the
1553:Writers about music
1407:. Valencia: Rivera.
1136:Carmelo A. Bernaola
918:, for guitar (1990)
912:, for guitar (1985)
906:, for guitar (1996)
900:, for guitar (1975)
894:, for guitar (1975)
888:, for guitar (1989)
882:, for guitar (1965)
260:Ojos verdes de luna
1129:Cristóbal Halffter
1065:, for cello (1977)
1040:, for piano (1974)
1034:, for piano (1982)
1028:, for piano (1977)
1026:Sonata de Vesperia
1010:, for piano (1965)
1004:, for piano (1984)
986:, for piano (1970)
980:, for piano (1987)
974:, for piano (1980)
956:, for organ (1979)
954:Aria de la batalla
631:Diwanes y quasidas
597:, for two marimbas
474:Concierto Guadiana
462:Concierto del alma
456:Concierto del agua
438:Campo de estrellas
368:, for choir (1978)
336:Ceremonia barrocca
41:Tomás Marco Aragón
1404:Generación del 51
1199:, no. 151:115–18.
904:Presto mormorando
869:Solo instrumental
528:Quasi una requiem
450:Concierto austral
384:(S) Otto Voci (e)
378:Retrato del poeta
284:El viaje circular
125:(1971) refers to
78:Theodor W. Adorno
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1359:10, no. 1:17–60.
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1258:
1257:
1190:Xavier Benguerel
1185:6, no. 19:69–73.
1020:Sonata atlantica
1014:Sonata acueducto
757:Paraíso mecánico
751:Paraíso dinámico
667:Espejo de viento
492:Laberinto Marino
326:, cantata (2000)
318:Choral and vocal
272:Ludovico Ariosto
167:. His return to
135:Cant dels ocells
111:Walter Marchetti
91:Darmstadt School
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395:Transfiguración
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268:Orlando Furioso
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143:Richard Strauss
133:as well as the
131:Manuel de Falla
93:. For example,
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1287:no. 6:337–47.
1286:
1282:
1280:
1279:84-381-0382-0
1276:
1272:
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1266:
1265:84-8048-469-1
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1234:
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1227:
1224:
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1206:
1201:
1198:
1194:
1191:
1187:
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1170:0-674-83102-0
1167:
1163:
1159:
1158:84-206-8988-2
1155:
1151:
1147:
1145:
1144:84-369-0048-0
1141:
1137:
1133:
1130:
1126:
1123:
1122:Luis de Pablo
1119:
1116:
1112:
1109:
1105:
1104:
1100:
1095:
1092:
1089:
1086:
1083:
1080:
1077:
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1069:
1064:
1061:
1058:
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1015:
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1003:
1000:
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994:
991:
988:
985:
982:
979:
978:Cuatro cartas
976:
973:
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967:
964:
961:
958:
955:
952:
951:
947:
942:
939:
936:
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928:
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917:
914:
911:
908:
905:
902:
899:
896:
893:
890:
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884:
881:
878:
877:
873:
868:
863:
860:
857:
854:
851:
848:
845:
842:
839:
836:
833:
830:
827:
824:
821:
818:
815:
812:
809:
806:
803:
800:
797:
794:
791:
788:
785:
782:
779:
776:
775:Quinto cantar
773:
770:
767:
764:
761:
758:
755:
752:
749:
746:
743:
740:
737:
734:
731:
728:
725:
722:
719:
716:
713:
710:
707:
704:
701:
698:
695:
692:
689:
686:
683:
680:
677:
674:
673:Espejo velado
671:
668:
665:
662:
659:
656:
653:
650:
647:
644:
641:
638:
635:
632:
629:
626:
623:
620:
617:
614:
611:
608:
607:Arias de aire
605:
602:
599:
596:
593:
590:
587:
584:
581:
580:
577:Chamber music
576:
571:
568:
565:
562:
559:
556:
553:
550:
547:
544:
541:
538:
535:
532:
529:
526:
523:
520:
517:
514:
511:
510:Oculto carmen
508:
505:
502:
499:
496:
493:
490:
487:
484:
481:
478:
475:
472:
469:
468:Concierto Eco
466:
463:
460:
457:
454:
451:
448:
445:
442:
439:
436:
433:
430:
427:
424:
421:
418:
415:
412:
411:
407:
402:
399:
396:
393:
390:
387:
385:
382:
379:
376:
373:
370:
367:
364:
361:
358:
355:
352:
349:
346:
343:
340:
337:
334:
331:
328:
325:
322:
321:
317:
312:
309:
306:
303:
302:
298:
293:
289:
285:
282:
279:
276:
273:
269:
265:
261:
258:
255:
252:
249:
246:
243:
240:
237:
233:
229:
226:
223:
220:
219:
215:
210:
208:
206:
202:
198:
194:
186:
184:
182:
176:
174:
170:
166:
162:
158:
154:
150:
149:
144:
140:
136:
132:
128:
127:Gustav Mahler
124:
123:Angelus novus
120:
116:
112:
108:
107:
102:
101:
96:
92:
87:
85:
84:
79:
75:
71:
70:György Ligeti
67:
63:
62:Pierre Boulez
59:
58:Bruno Maderna
55:
47:Life and work
46:
44:
42:
36:
32:
28:
24:
19:
1460:
1449:
1439:
1430:
1413:
1401:
1393:
1387:
1369:
1364:
1356:
1351:
1330:
1305:
1300:
1284:
1270:
1250:
1243:
1236:
1229:
1222:
1211:
1203:
1196:
1189:
1182:
1175:
1161:
1149:
1135:
1128:
1121:
1114:
1107:
1093:
1087:
1081:
1075:
1062:
1056:
1053:, for violin
1050:
1037:
1031:
1025:
1019:
1013:
1007:
1001:
995:
989:
983:
977:
971:
965:
959:
953:
940:
934:
921:
915:
909:
903:
897:
891:
885:
879:
861:
855:
849:
843:
837:
831:
825:
798:
792:
786:
780:
774:
768:
762:
756:
750:
744:
738:
733:Necronomicon
732:
726:
720:
714:
708:
702:
696:
690:
684:
678:
672:
666:
660:
654:
648:
642:
636:
630:
625:Car en effet
624:
618:
612:
606:
600:
594:
588:
582:
569:
527:
521:
515:
509:
503:
497:
491:
485:
479:
473:
467:
461:
455:
449:
437:
431:
425:
419:
413:
400:
394:
388:
383:
377:
371:
365:
359:
353:
347:
341:
335:
329:
323:
310:
304:
283:
277:
259:
253:
247:
241:
227:
221:
211:Compositions
196:
190:
180:
177:
146:
139:Pablo Casals
134:
122:
115:Juan Hidalgo
104:
98:
94:
88:
81:
50:
40:
39:
34:
30:
23:Spanish name
18:
1478:1942 births
1431:Tomás Marco
1414:Tomás Marco
1214:. Granada:
1022:, for piano
968:, for piano
703:Locus solus
366:Misa básica
330:Apocalypsis
305:Módulo '74'
248:Jabberwocky
232:Don Quijote
169:nationalism
119:Ramón Barce
100:Lux aeterna
1472:Categories
1463:11:383–90.
1253:. Madrid:
1038:Temporalia
966:Bachground
960:Astrolabio
929:Percussion
793:Rosa-Rosae
763:Paso a dos
408:Orchestral
299:Film music
222:Anna Blume
1394:El correo
1239:1:283–95.
1082:Octavário
880:Albayalde
826:Tartessos
685:Jetztzeit
619:Bastilles
389:Tea Party
236:Cervantes
1329:(eds.).
1246:4:85–95.
1076:Akelarre
996:Herbania
990:Fétiches
691:Kukulcán
679:Hoquetus
661:Ensemble
595:Anaconda
504:Mysteria
486:Escorial
414:Anábasis
197:Autodafé
165:concerto
157:symphony
106:Stimmung
83:Ensemble
21:In this
1292:Sources
1063:Sicigia
1045:Strings
910:Sempere
862:Trivium
721:Miriada
697:Kwaidan
601:Arcadia
589:Algaida
324:América
288:Odyssey
262:(text:
216:Theatre
187:Honours
27:surname
1440:Kantuz
1420:
1388:Kantuz
1339:
1277:
1269:2003.
1263:
1249:2002.
1210:1993.
1202:1993.
1188:1991.
1168:
1156:
1148:1983.
1142:
1134:1976.
1127:1972.
1120:1971.
1113:1970.
1106:1970.
1008:Pirana
922:Tarots
874:Guitar
844:Tormer
522:Pulsar
294:(2002)
278:Selene
238:(2004)
173:guitar
161:sonata
117:, and
76:, and
35:Aragón
1094:Zobel
1070:Winds
1032:Soleá
583:Albor
292:Homer
181:Sonda
31:Marco
1418:ISBN
1337:ISBN
1275:ISBN
1261:ISBN
1205:1993
1166:ISBN
1154:ISBN
1140:ISBN
984:Evos
739:Nuba
727:Miró
715:Maya
360:Luar
290:by
270:by
234:by
145:'s
137:by
29:is
1474::
1396:.)
1325:;
1313:^
1259:.
159:,
113:,
72:,
68:,
64:,
60:,
1424:.
1345:.
1218:.
37:.
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