360:". For Sachs, a bricoleur is one "who hobbles together functional contraptions out of already given or collected materials, which he re-tools and re-signifies into new objects with novel uses, but more importantly, which he regenerates into a new, oscillating syntax: one of loss, gain, and more than anything, one of play." After the failure of Sony Outsider, Sachs began to focus on leaving visible traces of his work, saying this a few years later:
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578:). After the astronauts' first step, they used Sachs' handmade shotguns to "patrol the surface", before planting a flag and taking rock samples—by drilling into the gallery floor. Much of Apollo's TV footage was restaged using special effects sculptures that Sachs made himself, including ones that reproduced the Saturn V takeoff, the Moon landing, and the reentry of Apollo's capsule in Earth's atmosphere.
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In 2023, Sachs came under fire from past studio employees for creating a cult-like and fear-inducing work environment. Past workers told
Hyperallergic about how difficult it was to quit. "It is like a true cult in that they make it really hard to leave," they said, citing "manipulation and threats."
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Around 1990, Sachs moved from L.A. to New York. He founded a studio in the disappearing machinery district downtown called Allied
Cultural Prosthetics, which took its name from the previous tenant—Allied Machine Exchange—implying that contemporary culture had become nothing but a prosthetic for real
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to release a statement that the company was "deeply concerned by the very serious allegations". "We are in contact with Tom and his studio, seeking to better understand the situation and how these issues are being addressed," the company said. Others have since come out in support of the artist,
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to release the Mars Yard sneaker. Ten years later, Sachs and Nike released a new sneaker called the
General Purpose Shoe. Nike quietly altered the packaging for a sneaker collaboration with artist Tom Sachs in 2017, scrubbing the box of his NikeCraft Mars Yard 2.0 shoe of the phrase "work like a
706:
Sachs spent two years in Gehry's shop as a fabricator and adopted use of the term from
Kromelow. Knolling is now integral to his process. Sachs adopted the phrase "Always be Knolling" (abbreviated as ABK) as a mantra for his studio (in direct reference to Blake's famous "Always be Closing" in
395:(Berlin) in 2003. The large-scale installation covered a whole floor, and invited viewers to interact by driving remote-controlled vehicles on asphalt tracks throughout the installation. Several of Sachs' most famous works debuted at this exhibition, including
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is historically inaccurate, often humorously. The Lunar
Excursion Module (LEM) was built full-scale, but had many modifications that were probably not on any Apollo mission, including a fully stocked Vodka bar and a library (with titles such as
527:, "It's almost as if he goes out of his way to sow discomfort and pawns it off as if he's a genius. It's like a ruse. So many people out there know that he's cruel, but the art world is tiny and no one gives a shit." The revelations caused
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in Paris. The collection featured large white bronze casts of foamcore Hello Kitty and Miffy foamcore sculptures—a particular style distinctive to the artist. In addition, unpainted casts of battery towers, a skateboarding halfpipe, and
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Sachs continues to work on developing the Space
Program, noting after the exhibition in 2008, "The Space Program continues in full force... Such is the nature of improvised construction technique." After collecting twelve pounds of fake
332:, and was a leap from handmade art into expensive outsourced fabrication. Ultimately, it was not well received by critics or even the artist himself - he later published a zine titled "The Failure of SONY Outsider"). For many, including
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In the mid and late 1990s, Sachs' career began to take off. His first major solo show, "Cultural
Prosthetics", opened at New York's Morris-Healy Gallery in 1995. Many works from the show conflated fashion and violence, as with
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writes in his monograph on the artist published by the
Fondazione Prada, Milan, "The images and objects that make up the militarized space of consumption and fashion are at the very heart of Tom Sachs's visual passion."
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art critic, the piece "bore no trace of Mr. Sachs's hand" and "could have been the work of several other artists." As Sachs says about the piece: "At the time I didn't fully grasp the value of my handcrafted
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in 2007. Sachs built a 1:1 model of the Apollo lunar module, a mission control with 29 closed-circuit video monitors, and outfitted two female astronauts with handmade Tyvek space suits. In
October 2007 at
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famous compositions . Like the Hermes sculptures, the
Mondrian paintings were things Sachs desired but could not have, so he made them instead. As Sachs puts it, "making it is a way of having it."
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Accompanying the co-branded tees is select hardware from Tom Sachs studio such as foldable chairs, quarter screws, Japanese playing cards, note pads, multi-tonal pens, as well as the
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703:, in that the tools were arranged in right angles—similar to Knoll furniture. The result was an organized surface that allowed the user to see all objects at once.
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logo. This contemporary revision of the nativity scene received great attention (not all of it positive) and demonstrated Sachs' interest in the phenomena of
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The entrance passes through a quirky bodega (its hours are as erratic as everything else in Sachs World) that offers for sale such souvenirs as the phony
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483:. The shoes nearly made it to retail with the phrase on the inside of the lid of the box before Nike moved to have the text removed, sources say.
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590:. In addition, Sachs allows followers to download an up-to-date "Moon Rock Report" that includes detailed information on each collected sample.
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in New York. Much of the 2007 Space Program equipment was included, as well as new bricolage sculptures for the challenges of colonizing Mars:
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Sachs organized an exhibition at Sperone Westwater in 2000 entitled "American Bricolage" that featured the work of 12 artists including
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1209:"Former Tom Sachs Employees Detail New Allegations of Meager Pay and Dehumanizing Work for the Artist and His Wife, Sarah Hoover"
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372:... We have the "your way", "my way", and "the right way," and I must insist everything is done my way, even if it takes longer.
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After several solo exhibitions in New York and abroad, "Nutsy's" opened at the Bohen Foundation (New York City) in 2002 and
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699:'s angular furniture. Kromelow would arrange any displaced tools at right angles on all surfaces, and called this routine
441:
425:. The Neistat Brothers, who began their careers working for Sachs, were instrumental in the operation of "Nutsy's".
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281:(1998), moved away from explicit references to violence and paired fashion with other successful brands, like
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His next major show, "Creativity is the Enemy", opened in 1998 at New York's Thomas Healy Gallery and Paris'
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Sachs is represented by Thaddaeus Ropac, Acquavella Galleries, Tomio Koyama Gallery, and Baldwin Gallery.
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751:, both full-scale replicas of Knoll furniture of the same name. Knolling is also present in the work of
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252:. Sachs and his assistants would make similar guns and sell them back to the city as part of New York's
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586:", he named each significant piece and encased them in carefully constructed display boxes, like with
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in Los Angeles, Sachs launched his spacecraft, landed on the "Moon", and explored its surface.
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A box for a replica pair of the Tom Sachs x Nike Mars Yard 2.0 showing the full Brancusi quote
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https://medium.com/@Lyst/your-favorite-insta-aesthetic-has-an-unexpected-history-a929e078d4ea
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lamps were also shown. As of April 2010, the Wind-Up Hello Kitty sculpture is still up at
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506:, or traditional Japanese tea ceremony. The exhibition was originally organized by The
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263:. It built on the discourse established in "Cultural Prosthetics" with sculptures like
188:. In 1994, he was invited to create a scene for their Christmas displays and titled it
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Align or square all objects to either the surface they rest on, or the studio itself.
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In 2006, the artist had two major survey exhibitions mounted in Europe, first at the
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Scan your environment for materials, tools, books, music, etc. which are not in use.
436:, Milan. His work can be found in major museum collections worldwide, including the
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in New York, where Boone was famously arrested after Sachs allowed visitors to take
1227:"Nike 'Deeply Concerned' Over Allegations Against Long-Time Collaborator Tom Sachs"
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1248:"Nike 'Deeply Concerned' With 'Very Serious Allegations' Against Artist Tom Sachs"
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Sachs had built numerous space-related sculptures throughout his career (such as
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1050:"Nike Covered Up a Reference to Slave Work on Tom Sachs Sneaker Box in 2017"
789:"THE WAY WE LIVE NOW: 3-10-02: QUESTIONS FOR TOM SACHS; Designer Death Camp"
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before deciding to return to the States. He then spent two years working in
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691:'s furniture fabrication shop. At the time, Gehry was designing chairs for
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packaging. Although these sculptures were non-functional, another piece -
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Tetris challenge: emergency services worldwide go flat-out in viral meme
368:... and of showing the scars of our labor and the history of our efforts
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Fleming, J. (2007). Logjam. (p. 11). Des Moines: Des Moines Art Center.
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For a few years Sachs worked odd jobs, including lighting displays at
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In May 2012, Sachs opened the Space Program 2.0: MARS exhibit at the
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Learning from this experience, Sachs fully embraced the practice of "
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201:
411:, in particular, is one of Sachs' masterpieces—a 1:25 recreation of
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1396:"Tom Sachs – Space Program: Rare Earths ⎪ Deichtorhallen Hamburg"
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Put away everything not in use. If you aren't sure, leave it out.
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While the Apollo program was source of precedent, much of Sachs'
1475:"Knoll Thy Enemy: Combatting Chaos with Carefully Arrayed Items"
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Alumni of the Architectural Association School of Architecture
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Tom Sachs at Lance Armstrong 2009 Charity Exhibition "STAGES"
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We have our system of making things out of certain materials
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slave" before the project launched that year, sources tell
285:. Also included in the show were gaffer's tape versions of
1108:"A Look Inside the Tom Sachs x BEAMS Pop-Up Shop in Tokyo"
747:(currently at the San Francisco Museum of Modern Art) and
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in 2017, which focused on Sachs' distinctive reworking of
1025:"Tom Sachs Wants to Change the Way You Look at Sneakers"
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was first used in 1987 by Andrew Kromelow, a janitor at
553:, 1999). His obsession with space, and specifically the
324:. The sculpture was outwardly a full-scale model of the
216:, branding, and the cultural fetishization of products.
1625:"The way we live now: 3-10-02: questions for Tom Sachs"
165:. Upon graduation, he studied architecture at London's
1090:, a deck of Sachs-designed playing cards and assorted
854:"Barneys Halts Store Display Of Pop Creche in Window"
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Knolling is present in Sachs' oeuvre in pieces like
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program of the 1960s and 1970s, culminated with his
1246:News, Shoshy Ciment for Footwear (March 16, 2023).
1174:Quinlan, Katy Schneider, Adriane (March 13, 2023).
895:"From the Haute Bricolage Exhibition: Art on Trial"
173:L.A. furniture shop, where he began using the term
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713:), which he expands on in his 2009 studio manual,
1069:"Tom Sachs's Workshop: Willy Wonka Would Approve"
1573:"This Is His Life: A Blue Whale and Hello Kitty"
167:Architectural Association School of Architecture
1282:"Tom Healy | the Questionable Tom Sachs"
8:
1310:"Tom Sachs - Artists - Acquavella Galleries"
1192:: CS1 maint: multiple names: authors list (
721:BULLET VIII: ALWAYS BE KNOLLING (ABK)
532:citing Sachs' irreverence as ubiquitous.
292:Similar shows opened the following year at
646:, Baldwin Gallery (in Aspen, CO), and the
513:Sachs has printed several decks of custom
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1442:Examples of what is also called knolling.
616:As of 2021–2022, the current edition of
1376:. Park Avenue Armory & Creative Time
1372:Park Avenue Armory & Creative Time.
430:Astrup Fearnley Museet for Moderne Kunst
1337:https://www.baldwingallery.com/artists/
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1157:"The Sick, Abusive World of Tom Sachs"
876:
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236:, both of which were models made with
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1136:Bellafante, Ginia (March 24, 2023).
991:"ART IN REVIEW; Robert Rauschenberg"
989:Smith, Roberta (December 22, 2000).
829:. Superficial Dragon. Archived from
613:rover, and a solar-powered boombox.
125:(born July 26, 1966) is an American
312:vase. Around the same time, Sachs'
1699:Artists from Westport, Connecticut
1664:21st-century American male artists
1654:20th-century American male artists
1498:(2nd ed.). Fondazione Prada.
1023:Flores, Gerald (August 29, 2022).
145:on July 26, 1966, and raised as a
25:
1464:. Milan: Fondazione Prada. p. 47.
1374:"Tom Sachs - Space Program: Mars"
1207:Cascone, Sarah (March 21, 2023).
1106:Estiler, Keith (April 22, 2019).
852:Bruce Weber (December 13, 1994).
825:Jason, Forrest (September 1998).
605:plants—and an accompanying opium
517:featuring photos of his artwork.
208:, and the stable was marked by a
1587:C International Contemporary Art
1413:Smith, Roberta (June 13, 2008).
1155:Velie, Elaine (March 15, 2023).
1067:Lubow, Arthur (March 11, 2016).
467:hosted a solo exhibition titled
1709:Sculptors from New York (state)
1669:21st-century American sculptors
1659:20th-century American sculptors
1593:McDonough, Tom (July 1, 2003).
1176:"Tom Sachs Promised a Fun Cult"
675:system have been arranged in a
638:In 2008 and 2009, the artist's
521:One former studio manager told
353:to make those perfect things."
248:(1995) - was an actual working
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498:held a solo exhibition titled
474:In 2012, Sachs partnered with
471:featuring the artist in 2007.
463:The Des Moines Art Center and
446:Whitney Museum of American Art
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1583:Tom Sachs; A Visit to Nutsy's
939:Roberta Smith (May 8, 1998).
1485:General and cited references
745:Knoll Loveseat and End Table
442:Solomon R. Guggenheim Museum
1633:The New York Times Magazine
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277:(1998). Other pieces, like
153:, attending high school at
27:American artist (born 1966)
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1704:Sculptors from Connecticut
1684:Artists from New York City
1558:Tom Sachs official website
1138:"Who Is the Bad Art Boss?"
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880:
827:"Interview with Tom Sachs"
755:, Sachs' former employee.
438:Metropolitan Museum of Art
204:bra, the three Kings were
1689:Bennington College alumni
1517:. Des Moines Art Center.
1094:that the studio puts out.
731:Group all 'like' objects.
345:... I should leave it to
41:
1144:– via NYTimes.com.
1124:x Tom Sachs floor lamps.
256:(for up to $ 300 each).
231:Tiffany Glock (Model 19)
227:HG (Hermès Hand Grenade)
1679:American male sculptors
1618:, at www.paris-art.com
1605:(7): 58. Archived from
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500:Tom Sachs: Tea Ceremony
496:Nasher Sculpture Center
450:Centre Georges Pompidou
421:made completely out of
294:Galerie Thaddaeus Ropac
261:Galerie Thaddaeus Ropac
129:who lives and works in
1513:Fleming, Jeff (2007).
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695:, a company known for
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48:Sachs in February 2024
1575:, Hilarie M. Sheets,
1400:www.deichtorhallen.de
1232:The New York Observer
916:"Tom Sachs Biography"
719:
671:The elements of this
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151:Westport, Connecticut
137:Life and early career
1595:"A day at the races"
1563:Tomio Koyama Gallery
1536:. Gagosian Gallery.
833:on November 30, 2002
620:is exhibited in the
328:that was dropped on
246:Hecho in Switzerland
190:Hello Kitty Nativity
155:Greens Farms Academy
1616:Tom Sachs. Disaster
1589:, #77, Spring 2003.
1532:Sachs, Tom (2008).
1460:Celant, G. (2006).
710:Glengarry Glen Ross
551:Lunar Module (1:18)
393:Deutsche Guggenheim
254:gun buyback program
127:contemporary artist
1577:The New York Times
1419:the New York Times
1266:has generic name (
1142:The New York Times
1074:The New York Times
995:The New York Times
945:The New York Times
858:The New York Times
793:The New York Times
749:Barcelona Pavilion
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595:Park Avenue Armory
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418:Unité d'Habitation
405:Barcelona Pavilion
401:Nutsy's McDonald's
302:Mary Boone Gallery
159:Bennington College
141:Sachs was born in
18:Tom Sachs (artist)
1635:, March 10, 2002.
1611:on March 3, 2016.
1543:978-0-8478-3226-2
1524:978-1-879003-49-1
1235:. March 16, 2023.
640:Bronze Collection
633:Bronze Collection
336:, the well-known
316:(1998) opened at
279:Hermés Value Meal
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114:tomsachs.com
91:Sarah Hoover
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1649:1966 births
1620:(in French)
1324:"Tom Sachs"
1296:"Tom Sachs"
1264:|last=
1213:Artnet News
1110:. Hypebeast
965:Celant 2006
893:Tom Sachs.
881:Celant 2006
689:Frank Gehry
673:Print Gocco
657:Lever House
644:Lever House
628:, Germany.
549:, 2003 and
382:Greg Colson
326:atomic bomb
310:Alvar Aalto
270:(1998) and
229:(1995) and
214:consumerism
198:Hello Kitty
194:Virgin Mary
1643:Categories
1421:. New York
1360:Sachs 2008
1348:Sachs 2008
1008:August 24,
584:Moon rocks
322:New Mexico
283:McDonald's
268:Guillotine
210:McDonald's
147:Reform Jew
60:1966-07-26
1496:Tom Sachs
1462:Tom Sachs
1380:April 25,
1114:March 28,
1080:March 28,
1003:0362-4331
950:April 22,
924:April 22,
900:April 22,
863:April 22,
837:April 22,
799:March 17,
776:Citations
683:The term
648:Trocadero
452:, Paris.
358:bricolage
275:Deathcamp
181:culture.
123:Tom Sachs
80:Sculpture
36:Tom Sachs
1494:(2006).
1425:July 24,
1256:cite web
1188:cite web
759:See also
741:Hardcore
701:knolling
685:knolling
663:Knolling
448:and the
423:foamcore
351:Motorola
330:Nagasaki
308:from an
298:Salzburg
175:knolling
1054:Complex
1029:Esquire
679:manner.
677:knolled
626:Hamburg
588:Florida
547:Crawler
504:chanoyu
481:Complex
242:Tiffany
163:Vermont
109:Website
103:
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555:Apollo
524:Curbed
469:Logjam
403:, and
384:, and
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343:
341:things
266:Chanel
238:Hermès
233:(1995)
220:Career
202:Chanel
86:Spouse
1092:zines
967:: 249
919:(PDF)
883:: 147
693:Knoll
603:poppy
601:with
409:Unité
397:Unité
273:Prada
97:(
93:
1538:ISBN
1519:ISBN
1500:ISBN
1427:2015
1382:2012
1362:: 18
1350:: 15
1268:help
1194:link
1116:2023
1082:2023
1036:2022
1010:2023
999:ISSN
952:2010
926:2010
902:2010
865:2010
839:2010
801:2023
611:Mars
529:Nike
494:The
476:Nike
347:Sony
54:Born
979:: 7
624:in
609:—a
455:As
415:'s
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