194:, dedicated to the subject of contemporary music. For eleven years he worked in the music division of the Radio Nacional de España, and for three years was professor of music history at the Universidad Nacional de Educación a Distancia (UNED) and professor of composition at the Conservatorio Real in Madrid. He has served as technical director of the Spanish National Orchestra (1981–85) and the Center for the Promotion of Contemporary Music (1985–95), and founded the Alicante International Contemporary Music Festival which he directed for eleven seasons. In 1996 he became Director General of the Instituto Nacional de las Artes Escenicas y la Música (National Institute for Music and the Performing Arts), a post he held until 1999.
189:
In addition to the effect of his prodigious compositional output, he has had a strong influence on
Spanish musical life through his work as a critic, broadcaster, writer, editor, educator, and administrator. After five years working as a music critic for various newspapers and magazines, in 1967 he
62:
Marco was born in Madrid where he later studied violin and composition, while at the same time pursuing the study of law (he received his licenciate in law in 1963). He turned to composition in 1958, and in 1962 began attending the
1215:
La creación musical como imágen del mundo entre el pensamiento lógico y el pensamiento mágico: Discurso académico del electo Excmo. Sr. D. Tomás Marco Aragón, leído en el acto de su recepción pública el día 7 de noviembre de
206:, in 1969 and again in 2002. He won the Prix d’Honneur of the VI Bienalle de Paris in 1969 and, in that year as well as in 1971, received prizes from the Gaudeamus Foundation in the Netherlands. His composition
132:. He helped to found the Studio Nueva Generación in 1967, by which time some of his compositions were beginning to include references to historical styles and quotations from earlier composers—for example,
1533:
1226:
1523:
1342:
1470:
Zapke, Susana. 1997. "Annäherung an die spanische Musik der
Nachkriegszeit: Concierto de música contemporánea española bajo el signo del cincuentenario de Falla."
215:
1498:
1528:
1558:
1543:
1508:
1493:
214:
in 1976. For his activities as a broadcaster he was awarded the Premio
Nacional de Radiodifusión in 1975. In 1993 he was elected to membership in the
1548:
1518:
1503:
1253:
1999. "La máquina como extensión musical". Actas del coloquio internacional antropología y música: Diálogos. II—Hombres, música y máquinas.
1553:
1513:
674:(flute part, in a collaborative composition, supervised by Karlheinz Stockhausen), for 12 instruments, tapes, and live electronics (1967)
493:, concerto for soprano, consort (harp, accordion, alto saxophone, timpani, and a percussionist), 3 distant violins, and orchestra (2006)
211:
1427:. Artistas españoles contemporáneos. Serie músicos 74. Madrid: Servicio de Publicaciones del Ministerio de Educación y Ciencia, D.L.
1432:
1351:
1337:
1289:
1275:
1180:
1168:
1154:
158:
64:
1459:
1294:
2005. "Lo folclórico en el sinfonismo: Nacionalismo turístico y de postal." Pensar el flamenco desde las ciencias sociales.
1563:
203:
1135:. Artistas españoles contemporáneos 6. Madrid: Dirección General de Bellas Artes, Ministerio de Educación y Ciencia.
120:(1968). In 1965 he began a brief association with the neo-Dada composers’ group Zaj, founded the previous year by
1142:. Artistas españoles contemporáneos 34. Madrid: Servicio de Publicaciones del Ministerio de Educación y Ciencia.
274:
806:, for flute, clarinet, violin, and cello (with crotales and triangles), with or without lighting effects (1969)
84:
1366:
Soler, Agustín
Charles. 1994. "Tomás Marco: Análisis del lenguaje musical empleado en las sinfonías 4 y 5."
1538:
93:
125:
76:
121:
114:(1966)—both are composed for 16 solo voices—as well as the harmonic overtone-singing of Stockhausen’s
1488:
1414:
110:
246:
1203:(co-authored with Carles Guinovart). Barcelona: Generalitat de Catalunya, Departament de Cultura.
129:
1428:
1347:
1285:
1271:
1176:
1164:
1150:
152:, and his Fourth and Fifth Symphonies (1987 and 1989, respectively) both use a quotation from
88:
282:
101:
80:
218:, and in 1998 was awarded a Doctor Honoris Causa by the Universidad Complutense de Madrid.
800:, for trumpet, piano, vibraphone, percussion, guitar, electric guitar, and cello (1962–63)
278:
153:
141:
210:
was awarded the Golden Harp Prize in 1975, and the UNESCO Young
Composers’ Prize at the
163:
1482:
1333:
137:
72:
68:
402:, for four singers (S, MzS, T, B), clarinet, trombone, vibraphone, and cello (1970)
149:
33:
1121:. Punto omega,coleccion Universitaria de bolsillo. Madrid: Ediciones Guadarrama.
235:(text: Kurt Schwitters), for two reciters, instrumental ensemble, and tape (1967)
242:
179:
1070:, for contrabass, with or without simultaneous electronic transformation (1971)
544:
Sinfonietta No. 1 ("Opaco resplandor de la memoria"), for orchestra (1998–99)
1149:. Madrid: Servicio de Publicaciones del Ministerio de Educación y Ciencia.
17:
91:. In 1967 he participated in Stockhausen’s collective composition project
626:, for piano, organ, three instrumental groups, and violins in echo (1975)
175:
167:
116:
166:
composers. Around 1970 he began to employ traditional forms such as the
1175:
translated by Cola
Franzen, Cambridge: Harvard University Press, 1993.
298:
37:
1379:
Marco, Tomás. 1995. "Mis relaciones compositivas con la guitarra." In
948:, for five-octave marimba (with “algunos instrumentos de boca”) (2004)
183:
171:
162:—and for this reason his name is sometimes connected with the German
54:(born 12 September 1942) is a Spanish composer and writer on music.
614:, for variable ensemble of woodwinds, strings, and keyboards (1975)
261:(text: Lewis Carroll), for actress and instrumental ensemble (1966)
812:,for trumpet, trombone, 2 percussionists, viola, and cello (1966)
302:
255:(text: Eugenio de Vicente), for actress and ten instruments (1967)
182:
involves amongst other things a number of important works for the
875:, for tuba, piano, and percussion (vibraphone and marimba) (1962)
752:, for flute, oboe, clarinet, violin, cello, and percussion (1973)
285:), monodrama, for soprano, strings, and two percussionists (1994)
1189:, edited by José Luis García del Busto, 159–78. Madrid: Taurus.
821:
String
Quartet No. 3 ("Anatomía fractal de los ángeles") (1993)
577:
Triple
Concerto, for violin, cello, piano, and orchestra (1987)
1163:
6: Siglo XX. Edited by Pablo López de Osaba. Madrid: Alianza.
343:, cantata for reciter, choir, and instrumental ensemble (1976)
1465:: 28 (archive from 19 July 2011, accessed 3 September 2014).
1383:
6, edited by
Eusebio Rioja Vázquez, 11–22. Córdoba: Posada.
1236:
6, edited by
Eusebio Rioja Vázquez, 11–22. Córdoba: Posada.
1444:. Colección Ethos-Música 14. Oviedo: Universidad de Oviedo.
1413:
Análisis de la música española del siglo XX: En torno a la
824:
String Quartet No. 4 ("Los desastres de la guerra") (1996)
704:, for flute, oboe, clarinet, bassoon, and horn (1969/72)
1397:
Ariznavarreta, Idoia. 1996. "Entrevista a Tomás Marco."
1232:
1995. "Mis relaciones compositivas con la guitarra." In
1218:. Madrid: Real Academia de Bellas Artes de San Fernando.
1315:
Haines, Edmund. 1967. "The New Dada in Spanish Music."
1128:. Temas españoles 508. Madrid: Publicaciones Españolas.
833:
String Quartet No. 7 ("Primus Circumdediste me") (2018)
692:, for 1, 2, or 3 clarinets, live and/or recorded (1977)
529:, for six groups of at least six performers each (1988)
1458:
Villasol, Jesús S. 2002. "Anatomía de una seducción."
596:, for flute, clarinet, violin, cello, and piano (1970)
100:
His compositional style is rooted in the music of the
1327:
1325:
903:
Naturaleza muerta con guitarra (Homenaje a Picasso)
827:
String Quartet No. 5 ("Memorial del olvido") (2007)
602:, for ondes Martenot, piano, and percussion (1978)
1332:Medina, Angel (2001). "Marco (Aragón), Tomás". In
857:, for harpsichord, violin, viola, and cello (1977)
782:, for flute, harp, violin, viola, and cello (1984)
632:, for a stringed instrument and harpsichord (1988)
385:, narrator, 3 choirs, brass, and percussion (1983)
318:, music for the film by José Esteban Lasala (1974)
190:founded, together with Ramón Barce, the magazine
140:, the Cello Concerto (1976) is based on themes by
764:, for 4 saxophones, piano, and two percussionists
391:(text: Gerardo Diego), for voice and piano (1973)
1534:International Rostrum of Composers prize-winners
1472:Bayerische Akademie der Schönen Künste: Jahrbuch
845:, for piano 4 hands and 13 instruments (1974–76)
547:Sinfonietta No. 2 ("Curvas del Guadiana") (2004)
1449:Sagastume, Manu. 1996. "La Generación del 51."
1343:The New Grove Dictionary of Music and Musicians
818:String Quartet No. 2 ("Espejo desierto") (1987)
367:, for piano, double choir, and orchestra (1983)
44: and the second or maternal family name is
909:Paisaje grana (Homenaje a Juan Ramón Jiménez)
481:, for amplified guitar and orchestra (1976–78)
1282:Historia de la música occidental del siglo XX
1265:
324:, music for the film by Javier Aguirre (1970)
216:Real Academia de Bellas Artes de San Fernando
8:
1461:Diverdi: boletín de información discográfica
1227:Centro de Documentación Musical de Andalucía
1095:, for solo flute (or with percussion) (1967)
861:Trio concertante no. 1: en homenaje a Mompou
562:Symphony No. 5 "Modelos de universo" (1989)
414:, for voice and instrumental ensemble (1975)
1243:, 1–28. Granada: Fundación Caja de Granada.
1223:Manuel Castillo: "Cinco sonetos lorquianos"
1089:, for a woodwind instrument and tape (1976)
830:String Quartet No. 6 ("Gaia's Song") (2011)
412:Ultramarina (Epitafio para Lope de Aguirre)
1368:Nassarre: Revista aragonesa de musicología
1296:Música oral del sur: Revista internacional
1255:Música oral del sur: Revista internacional
792:Recóndita armonía (Chamber Symphony No. 1)
720:Luciérnaga furiosa (Duo concertante no. 5)
583:, for organ and string orchestra (1968–69)
556:Symphony No. 3, for small orchestra (1985)
1239:1996. "Granada, una ciudad musical." In
638:, for 3 clarinets and 3 saxophones (1965)
568:Sinfonía No. 7 "Comoedia Millenni" (2004)
559:Symphony No. 4 "Espacio quebrado" (1987)
541:, for string quartet and string orchestra
517:, for an orchestra of 38 musicians (1970)
202:Marco has twice been awarded the Spanish
1403:(Originally published in the periodical
553:Symphony No. 2 "Espacio cerrado" (1985)
475:, for violin and string orchestra (1982)
457:Concerto for Violin and Orchestra (1971)
365:Espacio sagrado (Concierto coral no. 2)
1524:Complutense University of Madrid alumni
1308:
756:La nuit de Bordeaux: aguafuerte Goyesca
454:Concerto for Cello and Orchestra (1976)
349:, for choir and chamber ensemble (1991)
1101:, three pieces for solo trumpet (1999)
843:Tauromaquia (Concierto barrocco no. 2)
758:, for guitar and string quartet (1998)
437:Arbol de arcángeles (serenata virtual)
67:, where he furthered his studies with
65:Darmstädter Internationale Ferienkurse
869:, for flute, violin, and viola (1984)
863:, for violin, cello, and piano (1983)
788:, for violin, cello, and piano (1988)
734:, for guitar and percussion (1969–70)
7:
1241:VII Jornadas de Música Contemporánea
1126:La música de la España contemporánea
946:Algunas maneras de nombrar la lluvia
815:String Quartet No. 1 ("Aura") (1968)
571:Symphony No. 8 "Gaia's Dance" (2008)
565:Symphony No. 6 "Imago mundi" (1992)
355:, for double choir and violin (1980)
1499:20th-century Spanish male musicians
1440:García del Busto, José Luis. 1986.
1346:(2nd ed.). London: Macmillan.
1171:(7-volume set). English edition as
1529:Composers for the classical guitar
1248:Cuadernos de música iberoamericana
624:Autodafé (Concierto barrocco no.1)
212:International Rostrum of Composers
108:(1974) strongly recalls Ligeti’s
25:
1173:Spanish Music in the 20th Century
511:, for violin and orchestra (1973)
469:, for guitar and orchestra (1993)
265:Llanto por Ignacio Sánchez Mejías
1559:Spanish male classical composers
1544:Madrid Royal Conservatory alumni
1509:21st-century classical composers
1494:20th-century classical composers
839:, for four percussionists (1979)
710:, for saxophone and piano (1988)
686:, for double wind quintet (1982)
574:Symphony No. 9 "Thalassa" (2009)
505:, for cello and orchestra (2001)
239:El caballero de la triste figura
1549:Pupils of Karlheinz Stockhausen
1411:Charles Soler, Agustín. 2002.
746:, for six percussionists (1971)
728:, for cello and piano (1968–69)
698:, for clarinet and piano (1971)
487:, for guitar and strings (1973)
463:, for oboe and orchestra (1981)
373:, for soprano and guitar (1991)
267:, ballet, with orchestra (1985)
1519:21st-century Spanish musicians
1504:20th-century Spanish musicians
1262:Pensamiento musical y siglo XX
1161:Historia de la música española
770:, for saxophone quartet (1988)
656:, for violin and guitar (1976)
550:Symphony No. 1 "Aralar" (1976)
1:
1246:1996. "Sobre mis sinfonías."
1119:Música española de vanguardia
935:, 22 pieces for guitar (1991)
722:, for flute and guitar (1991)
716:, for chamber ensemble (1978)
662:, for violin and piano (1978)
644:, for chamber ensemble (1987)
439:, for string orchestra (1995)
297:, opera in one act after the
291:(text: Tomás Marco) (1965–73)
186:, including three concertos.
1187:Escritos sobre Luis de Pablo
954:, for solo percussion (1969)
952:Floreal: música celestial II
668:, for viola and piano (1980)
620:, for flute and piano (1986)
509:Les mécanismes de la mémoire
443:Bis, encore, zugabe, propina
361:, for choir and organ (1975)
36:, the first or paternal
27:Spanish composer (born 1942)
1554:Spanish classical composers
1514:21st-century male musicians
1453:, no. 32 (July–August): 27.
1401:, no. 32 (July-Aug): 27–28.
1013:Le Palais du facteur cheval
851:, for six saxophones (2002)
794:, for 15 instruments (1990)
581:Vitral (música celestial I)
408:, for 16 solo voices (1974)
1580:
1423:Gomez Amat, Carlos. 1974.
1381:La guitarra en la historia
1319:27, no. 1 (Spring): 76–88.
1234:La guitarra en la historia
680:, for 12 saxophones (1988)
431:Angelus novus (Mahleriana)
383:La Pasión segun San Marcos
31:
1463:11, no. 106 (July–August)
1266:
1112:Writings (selective list)
740:, for eight cellos (1993)
253:Cantos del pozo artesiano
204:Premio Nacional de Música
1206:"Treinta años después."
1192:1988. "La sinfonía hoy"
1185:1987. "Los Módulos." In
1009:, for harpsichord (1977)
959:Keyboard & accordion
650:, for two guitars (1974)
527:La Périphérie du paradis
85:Gottfried Michael Koenig
1194:Temporadas de la música
1107:, for solo flute (1984)
897:Fantasia Sobre Fantasia
810:Schwan (ein Liebeslied)
776:, for two pianos (1968)
491:Del tiempo y la memoria
359:Ecos de Antonio Machado
174:, and, especially, the
159:Also sprach Zarathustra
1027:, for accordion (1999)
867:Trio concertante no. 2
535:, for orchestra (1986)
523:, for orchestra (1995)
499:, for orchestra (1974)
445:, for orchestra (1993)
433:, for orchestra (1971)
427:, for orchestra (1970)
275:Gustavo Adolfo Bécquer
241:, chamber opera after
1062:Partita del obradoiro
1003:, for piano (1967–68)
973:, for organ (1969–70)
666:Dúo concertante no. 4
660:Dúo concertante no. 3
654:Dúo concertante no. 2
648:Dúo concertante no. 1
353:Concierto coral no. 1
77:Karlheinz Stockhausen
1284:. Madrid: Alpuerto.
1267:Fundación Autor-SGAE
1208:Revista de Occidente
849:Teatro de la Memoria
780:Quinteto filarmónico
322:Temporalidad interna
277:and a poem from the
1564:Writers about music
1418:. Valencia: Rivera.
1147:Carmelo A. Bernaola
929:, for guitar (1990)
923:, for guitar (1985)
917:, for guitar (1996)
911:, for guitar (1975)
905:, for guitar (1975)
899:, for guitar (1989)
893:, for guitar (1965)
271:Ojos verdes de luna
1140:Cristóbal Halffter
1076:, for cello (1977)
1051:, for piano (1974)
1045:, for piano (1982)
1039:, for piano (1977)
1037:Sonata de Vesperia
1021:, for piano (1965)
1015:, for piano (1984)
997:, for piano (1970)
991:, for piano (1987)
985:, for piano (1980)
967:, for organ (1979)
965:Aria de la batalla
642:Diwanes y quasidas
608:, for two marimbas
485:Concierto Guadiana
473:Concierto del alma
467:Concierto del agua
449:Campo de estrellas
379:, for choir (1978)
347:Ceremonia barrocca
52:Tomás Marco Aragón
1415:Generación del 51
1210:, no. 151:115–18.
915:Presto mormorando
880:Solo instrumental
539:Quasi una requiem
461:Concierto austral
395:(S) Otto Voci (e)
389:Retrato del poeta
295:El viaje circular
136:(1971) refers to
89:Theodor W. Adorno
16:(Redirected from
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1370:10, no. 1:17–60.
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1269:
1268:
1201:Xavier Benguerel
1196:6, no. 19:69–73.
1031:Sonata atlantica
1025:Sonata acueducto
768:Paraíso mecánico
762:Paraíso dinámico
678:Espejo de viento
503:Laberinto Marino
337:, cantata (2000)
329:Choral and vocal
283:Ludovico Ariosto
178:. His return to
146:Cant dels ocells
122:Walter Marchetti
102:Darmstadt School
21:
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1391:Further reading
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451:, for orchestra
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406:Transfiguración
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279:Orlando Furioso
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154:Richard Strauss
144:as well as the
142:Manuel de Falla
104:. For example,
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1338:Tyrrell, John
1335:
1328:
1326:
1322:
1318:
1312:
1309:
1302:
1298:no. 6:337–47.
1297:
1293:
1291:
1290:84-381-0382-0
1287:
1283:
1279:
1277:
1276:84-8048-469-1
1273:
1263:
1259:
1256:
1252:
1249:
1245:
1242:
1238:
1235:
1231:
1228:
1224:
1220:
1217:
1212:
1209:
1205:
1202:
1198:
1195:
1191:
1188:
1184:
1182:
1181:0-674-83102-0
1178:
1174:
1170:
1169:84-206-8988-2
1166:
1162:
1158:
1156:
1155:84-369-0048-0
1152:
1148:
1144:
1141:
1137:
1134:
1133:Luis de Pablo
1130:
1127:
1123:
1120:
1116:
1115:
1111:
1106:
1103:
1100:
1097:
1094:
1091:
1088:
1085:
1084:
1080:
1075:
1072:
1069:
1066:
1063:
1060:
1059:
1055:
1050:
1047:
1044:
1041:
1038:
1035:
1032:
1029:
1026:
1023:
1020:
1017:
1014:
1011:
1008:
1005:
1002:
999:
996:
993:
990:
989:Cuatro cartas
987:
984:
981:
978:
975:
972:
969:
966:
963:
962:
958:
953:
950:
947:
944:
943:
939:
934:
931:
928:
925:
922:
919:
916:
913:
910:
907:
904:
901:
898:
895:
892:
889:
888:
884:
879:
874:
871:
868:
865:
862:
859:
856:
853:
850:
847:
844:
841:
838:
835:
832:
829:
826:
823:
820:
817:
814:
811:
808:
805:
802:
799:
796:
793:
790:
787:
786:Quinto cantar
784:
781:
778:
775:
772:
769:
766:
763:
760:
757:
754:
751:
748:
745:
742:
739:
736:
733:
730:
727:
724:
721:
718:
715:
712:
709:
706:
703:
700:
697:
694:
691:
688:
685:
684:Espejo velado
682:
679:
676:
673:
670:
667:
664:
661:
658:
655:
652:
649:
646:
643:
640:
637:
634:
631:
628:
625:
622:
619:
618:Arias de aire
616:
613:
610:
607:
604:
601:
598:
595:
592:
591:
588:Chamber music
587:
582:
579:
576:
573:
570:
567:
564:
561:
558:
555:
552:
549:
546:
543:
540:
537:
534:
531:
528:
525:
522:
521:Oculto carmen
519:
516:
513:
510:
507:
504:
501:
498:
495:
492:
489:
486:
483:
480:
479:Concierto Eco
477:
474:
471:
468:
465:
462:
459:
456:
453:
450:
447:
444:
441:
438:
435:
432:
429:
426:
423:
422:
418:
413:
410:
407:
404:
401:
398:
396:
393:
390:
387:
384:
381:
378:
375:
372:
369:
366:
363:
360:
357:
354:
351:
348:
345:
342:
339:
336:
333:
332:
328:
323:
320:
317:
314:
313:
309:
304:
300:
296:
293:
290:
287:
284:
280:
276:
272:
269:
266:
263:
260:
257:
254:
251:
248:
244:
240:
237:
234:
231:
230:
226:
221:
219:
217:
213:
209:
205:
197:
195:
193:
187:
185:
181:
177:
173:
169:
165:
161:
160:
155:
151:
147:
143:
139:
138:Gustav Mahler
135:
134:Angelus novus
131:
127:
123:
119:
118:
113:
112:
107:
103:
98:
96:
95:
90:
86:
82:
81:György Ligeti
78:
74:
73:Pierre Boulez
70:
69:Bruno Maderna
66:
58:Life and work
57:
55:
53:
47:
43:
39:
35:
30:
19:
1471:
1460:
1450:
1441:
1424:
1412:
1404:
1398:
1380:
1375:
1367:
1362:
1341:
1316:
1311:
1295:
1281:
1261:
1254:
1247:
1240:
1233:
1222:
1214:
1207:
1200:
1193:
1186:
1172:
1160:
1146:
1139:
1132:
1125:
1118:
1104:
1098:
1092:
1086:
1073:
1067:
1064:, for violin
1061:
1048:
1042:
1036:
1030:
1024:
1018:
1012:
1006:
1000:
994:
988:
982:
976:
970:
964:
951:
945:
932:
926:
920:
914:
908:
902:
896:
890:
872:
866:
860:
854:
848:
842:
836:
809:
803:
797:
791:
785:
779:
773:
767:
761:
755:
749:
744:Necronomicon
743:
737:
731:
725:
719:
713:
707:
701:
695:
689:
683:
677:
671:
665:
659:
653:
647:
641:
636:Car en effet
635:
629:
623:
617:
611:
605:
599:
593:
580:
538:
532:
526:
520:
514:
508:
502:
496:
490:
484:
478:
472:
466:
460:
448:
442:
436:
430:
424:
411:
405:
399:
394:
388:
382:
376:
370:
364:
358:
352:
346:
340:
334:
321:
315:
294:
288:
270:
264:
258:
252:
238:
232:
222:Compositions
207:
201:
191:
188:
157:
150:Pablo Casals
145:
133:
126:Juan Hidalgo
115:
109:
105:
99:
92:
61:
51:
50:
45:
41:
34:Spanish name
29:
1489:1942 births
1442:Tomás Marco
1425:Tomás Marco
1225:. Granada:
1033:, for piano
979:, for piano
714:Locus solus
377:Misa básica
341:Apocalypsis
316:Módulo '74'
259:Jabberwocky
243:Don Quijote
180:nationalism
130:Ramón Barce
111:Lux aeterna
18:Tomas Marco
1483:Categories
1474:11:383–90.
1264:. Madrid:
1049:Temporalia
977:Bachground
971:Astrolabio
940:Percussion
804:Rosa-Rosae
774:Paso a dos
419:Orchestral
310:Film music
233:Anna Blume
1405:El correo
1250:1:283–95.
1093:Octavário
891:Albayalde
837:Tartessos
696:Jetztzeit
630:Bastilles
400:Tea Party
247:Cervantes
1340:(eds.).
1257:4:85–95.
1087:Akelarre
1007:Herbania
1001:Fétiches
702:Kukulcán
690:Hoquetus
672:Ensemble
606:Anaconda
515:Mysteria
497:Escorial
425:Anábasis
208:Autodafé
176:concerto
168:symphony
117:Stimmung
94:Ensemble
32:In this
1303:Sources
1074:Sicigia
1056:Strings
921:Sempere
873:Trivium
732:Miriada
708:Kwaidan
612:Arcadia
600:Algaida
335:América
299:Odyssey
273:(text:
227:Theatre
198:Honours
38:surname
1451:Kantuz
1431:
1399:Kantuz
1350:
1288:
1280:2003.
1274:
1260:2002.
1221:1993.
1213:1993.
1199:1991.
1179:
1167:
1159:1983.
1153:
1145:1976.
1138:1972.
1131:1971.
1124:1970.
1117:1970.
1019:Pirana
933:Tarots
885:Guitar
855:Tormer
533:Pulsar
305:(2002)
289:Selene
249:(2004)
184:guitar
172:sonata
128:, and
87:, and
46:Aragón
1105:Zobel
1081:Winds
1043:Soleá
594:Albor
303:Homer
192:Sonda
42:Marco
1429:ISBN
1348:ISBN
1286:ISBN
1272:ISBN
1216:1993
1177:ISBN
1165:ISBN
1151:ISBN
995:Evos
750:Nuba
738:Miró
726:Maya
371:Luar
301:by
281:by
245:by
156:'s
148:by
40:is
1485::
1407:.)
1336:;
1324:^
1270:.
170:,
124:,
83:,
79:,
75:,
71:,
1435:.
1356:.
1229:.
48:.
20:)
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