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1417:. Although he condemned Scorțescu's editorial policy, Toni advised Stere to withdraw his demand for satisfaction, or else "all the crooks and vermin will only have to learn how to duel and that's how the press will be banned from taking a stand." In his column of 1 October, when he discussed the Conservatives' decision to expel all "trouble-making" students, he admitted that the complications of the affair surpassed his power of understanding: "I could not say anymore, there's a sort of black confusion in my mind".
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1641:. Public mourning was taken up by both Fleva and Caragiale. According to the former: "Through every sort of trouble, through every storm I ever had to cross into, I felt strong knowing that Anton Bacalbașa was with me. It is to his talent, his heart and his friendship that I owe the best years of my public life." The same year, the PSDMR itself disappeared from the scene:
1121:. He wrote: " a sinister character emerges, in the person of Anton Bacalbașa, the graduate of two gymnasium classes, along with other unknown celebrities . It is certain that such transitions from one stance to the other have disgusted the cultured public, giving birth to a deep resentment for this sheet that, once taken over by Anton Bacalbașa, did not embrace
1244:, calling them the work of "some stupid parvenu". His conflict with the Gherea socialists was, according to Călinescu, rather pointless, since Bacalbașa is "only apparently an adversary of Vlahuță's". The debate nevertheless grew into a mutual animosity. In one of his letters, Vlahuță feigns shock at the discovery that Toni has judged him to be "talentless".
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and socialist milieus. He was, by various accounts, a good public speaker, who knew how to address the workers, but who avoided issues of doctrine and made ample use of "mean gibes" against the politicians in power. Bacalbașa and his brothers became interested in socialist politics at a time when the
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in looks and speech", was a favorite of the
Bucharest workers, and made an impression on them by touching the issue of penniless senior citizens. Bacalbașa himself did not have a stable domicile, and slept on the tables at Sotir. By 1893, Kirițescu notes, the task of representing "Marxist orthodoxy"
1842:
Some of
Bacalbașa's writings are of a more restrained nature, and even include somber pieces. A younger colleague, C. Cosco, recalled: "We knew that, under his ferocious sarcasm, under his biting wit, he was hiding the sentimentality of a German maiden." In his more serious poems, Toni follows the
1904:
grew in scope, and began publishing satires of
Christianity. These earned it a poor reputation in the media, created a political controversy, and nearly resulted in a trial of Ranetti. Additionally, Ranetti used one of Bacalbașa's final texts as preface to a collection of jokes, which saw print in
1760:
Teacă and the other infantry officers are especially violent toward the recruits, and use a wide inventory of corporal punishments, on an advancing scale. In addition to hitting the young soldiers (with their bare knuckles, with sword belts, or with sticks), they force some to run around for hours
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During his 1890s polemics, Anton
Bacalbașa explained at length what his vision of didacticism meant. His stated belief was that: "In all of our works, that which is alive first and foremost is ourselves." Nevertheless, George Călinescu writes, Toni "was far from pouring socialism over everything",
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cultural supplement, which gave him the opportunity to engage in major debates over literary theory. Călinescu describes enterprise as reflecting "the socialist spirit". When
Caragiale lost his position as a civil servant and fell back on money earned with his restaurant, Toni attempted to stir an
1699:, which endures as Bacalbașa's best liked series, is a tragicomic account of military life. The eponymous hero is a grotesque Army Captain, who is comically illiterate but savage in his treatment of the recruits. The reader never learns his actual name, but only his nickname, literally "Old Man
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piece, calling on the PNL to move further to the left, by "openly embracing the democratic ideals." The offer of a liberal-socialist alliance was announced by the PSDMR's own program, but ignored by the PNL; as a result of this attitude, the PSDMR's
Diamandy even suggested an alliance with the
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A serious scandal erupted in June 1894, when the socialists found themselves targeted by nationalist students mobs, who objected to the PSDMR's alleged snubbing of the
Romanians of Transylvania. The demonstrations soon degenerated into an attack on private institutions, including the
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published a piece attacking Nădejde for having organized that meeting behind closed doors. He may still have been present at that reunion, representing another club. Toni was also a noted guest at the Sotir meeting acknowledging the party's establishment, addressing a packed hall.
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His political role was recognized by his peers, who nominated him for the
Commission drafting the party program, then elected him on the party's governing body (the General Council). Bacalbașa was one of the six people elected by the congress into a ten-member delegation to the
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Bacalbașa's other humorous works are scattered. Călinescu describes him as a restless "buffoon" and "an unpretentious journalist", but acknowledges that his French wit and verve have raised the level of
Romania's media. Toni's parodies of Symbolism, published in
434:, the exact date of Anton's birth is a mystery, but, judging by one of Toni's poems, may be 21 February 1865. Authors note that Toni was a passionate and extrovert person, but with a generally weak constitution. Born prematurely, he was reputedly an
1263:, allowed himself to be entirely absorbed into the polemic. Bacalbașa was widely credited as the winner of this collateral dispute, and even Hasdeu was pleasantly surprised by his talents, recommending him as Romania's only genuine journalist.
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of military life. According to his own account, he was insulted by a senior officer for not reporting to him concerning the suicide of one recruit; he avenged himself by punching his superior in front of the entire company. Bacalbașa faced a
1480:, but also criticized it for not allowing a state monopoly on mines. Also that year, Bacalbașa dueled with a certain Bogdanovici, having Caragiale as his witness. The event is remembered in literature because Caragiale, using his trademark
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has swelled, he asks, "Who gave the order for this?" He provides his men with incomprehensible advice on how to march, instructs them how to make a polite retreat if the enemy catches them without a weapon, and, while on maneuvers on the
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vied for attention with the same niche of the working public. One of Stere's colleagues, the socialist N. Quinezu, denounced Anton
Bacalbașa for being in a conflict of interest, for holding a PSDMR office while still working at
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1274:("The Romanian Rot"). Bacalbașa's political and artistic preoccupations formed the basis for three new books, all printed in 1894. One was dedicated to, and named after, his conference on the topic of "art for art's sake" (
1005:, most likely written by Bacalbașa himself. The pieces were many times anonymous, and it is occasionally difficult for researchers to distinguish between Caragiale and Bacalbașa's articles. According to Caragiale expert
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for good. It is possible that this rift occurred because of Beldiman, who ceded his stock to Mille without even considering Bacalbașa for a successor. The issue was of interest to the entire socialist movement, since
1102:, making it the informal PSDMR platform. Toni was appointed as one of the paper's editors, and authored what is probably the first-ever interview in Romanian media history. The other Bacalbașas were also enlisted by
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each had adherents in Romania. The proponents of a non-violent and liberal Marxism, as theorized political refugee Dobrogeanu-Gherea, eventually won the day, and the socialist clubs began constructing programs for a
1255:, Bacalbașa and his journal reacted with vehemence, debating over this issue with Steuerman-Rodion, a more moderate socialist chronicler. Yet another target for Toni's criticism was the old historian and novelist
1125:, but proceeded to insult with brutality all those things that are notable in industry, commerce, finance". In retrospect, Constantin Bacalbașa also admitted that the socialist takeover was made possible because
1707:" (Bacalbașa hints that derogatory nicknames were commonly used by the recruits when referring to their unpopular superiors). It is generally held that Toni's anti-hero is in large part inspired by a standard of
1251:, an anti-didacticist, degenerated into "a suburbanite airing of dirty laundry"; while Cosco writes that their quarrel was "a waste of humor". When Gherea was challenged from the left by a pseudonymous author,
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Mille's group found a friend in Constantin Stere, by then a maverick member of the PNL, who began maneuvering against the PNL's right-wing from the inside. Managing a literary sheet put out by the pro-PNL
1163:, and for this reason did not get along with Beldiman. According to one account, he and Beldiman got into a war of nerves, interrupting each other's activities with the sound of bells—moving from standard
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also reported that the students had originally asked Bacalbașa to tone down his agenda, to which he allegedly replied: "Get out, you dastards!" Reportedly, the rioters were violently dispersed by the
729:, who joined the Sotir group as a 17-year-old, recalls that both men "carried the brunt" of organizing and educating the socialist sympathizers. According to journalist I. Felea, Toni, who "resembled
1769:, the soldiers react badly to injustice and stage a protest, but their effort is ultimately wasted by intrigues. Other categories of servicemen are also touched by Bacalbașa's wit. His stories show
761:, and was originally apolitical, but moved to the left once Bacalbașa took over. He himself lived for a while in the city, and, like Radovici, sat on the Ploiești Workers' Club Executive Committee.
315:, who inspired in him the idea of a socialist art addressed to the masses. He was himself a popularizer of Marxist ideas, and one of the first Marxist intellectuals in Romanian political history.
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848:, Toni wrote in favor of a workers' art, inspired by the sheer realities of industrial life, and published, in addition to his own short prose, fragments from various socially minded authors—
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The busiest part of Toni Bacalbașa's short career covers the years 1893–1894. He had by then befriended the influential satirist Caragiale, and, with him, began work on the humorous gazette
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Moș Teacă has lived all his life in the army, having been a drummer boy by vocation. His obtuse nature greatly disturbs his understanding of civilian affairs: when he is informed that the
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After prolonged debates and negotiations, the various socialist assemblies fused with each other, creating, in March 1893, the PSDMR. It has been described as Romania's "first nation-wide
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in its campaign for literary didacticism, and organized rallies of solidarity with the Bucharest socialists. This happened just as Toni was publishing satirical pieces targeting
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party", and called itself "the vanguard of socialism" in Romania. Toni Bacalbașa was not delegated by Bucharest to represent the Sotir circle at the original PSDMR Congress, and
690:, a major affair which involved both Conservatives and socialists. In June 1891, "Bacalbașa Anton" was also announced as one of the leading contributors to the literary magazine
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Eventually, Bacalbașa formalized his split with the socialist party. From 1896, both he and his rival Scorțescu were members of a PNL splinter group, presided upon by lawyer
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tradition, while his memoirs record the involuntarily humorous rhyming of a poet-soldier. Călinescu finds them amusing but, in large part, copied from the French prankster
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430:, from 1834 to 1841, then settled in Brăila with his wife Aneta; they had thirteen children, seven of whom died before reaching maturity. According to literary historian
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The Romanian socialist clubs, which first held congress during that year, were still undecided about which school of thought should inspire their agenda: Marxism,
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governing Conservatives. Bacalbașa, Mille and Beldiman were all present at a January 1894 conference, which aimed to coalesce the left into a pressure group for
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introduced Bacalbașa as an active participant to "the discussion on art", and reported that the book "enjoyed an unusually great success" in a Romanian context.
738:; the "occult leader" Dobrogeanu-Gherea, already "an invalid", was rarely visiting the club, and was losing support among the rank and file. Two other figures,
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The journalist settled down to a family life, marrying Alexandrina Scărișoreanu (who was ten years his younger). He also accepted an offer from Transylvania's
1804:, are described by Cioculescu as even better than those signed by Caragiale, since they hit closer to "the mark". Many of his other written contributions are
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commented that Moș Teacă was the stuff of imagination, and propaganda "for the naive". Toni himself probably intended to make Teacă reach beyond the topic of
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During 1899, Bacalbașa followed Fleva's group as it merged into the Conservative Party. His presence alongside Maiorescu was recorded with displeasure by the
1888:("Stupid Ion"), which, although believed by the publisher to be Bacalbașa's work, may in fact be a forgotten contribution by Caragiale. At around that time,
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for a second series, wherein he continued to poke fun at the Symbolists and awarded a special prize to the stupidest literary work sent in for publishing.
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Toni was later inducted into the Marxist club formed by Constantin Mille at Sotir Hall, Bucharest, and lectured for the public on a weekly basis. Author
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Bacalbașa's efforts were again mainly dedicated to the promotion of didactic art. The main cultural battle was no longer carried between the PSDMR and
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articles which were evidently pro-socialist, and which are most likely Toni's contributions, were attributed to Caragiale by official authors such as
1623:. Toni still pursued his literary interests: together with "Constantin Ivan" (the common pseudonym of his two brothers), he wrote the 3-act political
1187:
Several sources note that Bacalbașa was a harsh reviewer of literary works, who made sure to point out the flaws of literary debutantes. In the end,
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and Alexandru Georgescu, represented the working class on the Sotir presidium, but they were both in the process of becoming prosperous businessmen.
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The boy had difficulties completing his education. He attended school only up to the 8th grade, and, upon turning 17, volunteered for service in the
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and his "generous ones" faction denounced socialist politics as too feeble for the Romanian context, and joined the PNL, leaving a minority, under
539:'s version of the "socialist catechism". As the years progressed, Anton himself joined in the effort: in 1887, he became the editorial director of
4519:
1854:. In a controversial article he wrote in 1890, Toni asserted that Eminescu was a unique genius, who did not fit in with any school of literature.
1290:("From the Military Life"). Also in 1894, Toni and Radovici made new visits to Ploiești, where they recruited members for the socialist movement.
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as a grim spectacle: the physicians are either criminally incompetent or sadistic, driving recruits to the brink of suicide. The elite cavalry (
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magazine, and continued to write humorous pieces in the manner introduced by Caragiale and Toni (a subject-matter that Călinescu has named
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943:. Its title translates into "The Romanian Trifle" or "The Romanian Nonsense", referencing one's uppity answer to things presented as new:
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381:. He created the stereotype of the cruel, violent and incompetent officer, and brought to public attention the hazing of young recruits.
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1607:, as one of the reasons why Conservative politics had become ineffectual. A Conservative cabinet was called to power, with Fleva as the
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reported with sarcasm that Panu's promise to fight corruption "with the Bacalbașas" could only bring his party votes from "the naive".
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1733:, who argues: "As a former army volunteer, the future journalist Bacalbașa did not need the French model proposed by Charles Leroy in
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905:. The two authors had different backgrounds: to Bacalbașa's socialism, Caragiale opposed a conservatism formed during his stay with
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went out of business on 13 February 1895, and Mille found himself expelled from the PSDMR after the Third Party Congress of April.
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According to one account, Caragiale himself visited Sotir, where he lectured about the causes and consequences of human stupidity.
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became a rather important voice for the socialist movement, receiving collaborations from Gherea, Demetrescu, Mille, I. Nădejde,
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350:). His choice of subjects and his perceived harshness were the subject of several controversies, and, in 1894, he defended the
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1792:. In order to ridicule his colleagues in the media, Bacalbașa created an alternative character, the self-seeking newspaperman
643:. Maiorescu reassured Gherea that his followers had no intention of sabotaging the socialist clubs in this disputable manner.
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policy. Soon, Toni embarked on an additional venture, creating a satirical magazine named after (and featuring stories with)
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cabinet was working on expelling Gherea from the country. Gherea himself was alarmed by this, and requested an audience with
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1788:. As he explained, Teacă might just as well be active in environments other than the boot camp, from the marketplace to the
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438:. In one of his later poems, Bacalbașa describes himself as unattractive, uncouth, "wax-faced, dead-eyed", and pessimistic.
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staff: Mille and Alexandru Ionescu were taken into custody and released a short while after, whereas Bacalbașa absconded.
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1874:. She survived her second husband by several decades. When she died, in 1954, she was buried next to her first husband.
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economy. Anton Bacalbașa had an essential contribution in this process. After 1881, he joined the Marxist group around
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1581:("Fun"), but the venture failed to interest the public and was abandoned. On 22 March 1898, Bacalbașa began reissuing
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800:, as envisaged by Gherea. The socialists were unnerved by Conservative theorists, who countered with the principle of
618:, picking up just 6 votes. By then, Dobrogeanu-Gherea and his pupils had caught negative attention from the governing
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The dispute over such issues grew more heated as others joined in. According to Kirițescu, Toni's debate with Doctor
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daily, then as a public speaker, organizing rallies at Dacia Hall and agitating the public for the reinstatement of
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and greatly increased foreign investment in the Romanian economy. The PSDMR, committed to the Marxist theory on the
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Constantin Bacalbașa continued to take the initiative when it came to publicizing Gherea's cause. His 1883 magazine
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and upholding Gherea's political line. His articles touched a sensitive subject: the Law on Mining, passed by the
777:. According to historian Paul D. Popescu, the editorial opinion was divisible into three factions: Gherea was the
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headquarters. According to the hostile account of Ilie Ighel, this was the public's way of punishing Bacalbașa's
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office building from rioting anti-socialist students. Over the following years, Bacalbașa drifted away from both
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local socialist movement was taking its first steps. In 1879, Constantin established a leftist magazine, called
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1593:("Mill the Crocodile"). The co-author of such material was Ranetti-Namuna, who arrived there after a stint at
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1438:. On 25 September 1894, Bacalbașa presented his resignation from the PSDMR Council. He also reconciled with
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974:, parodying stories about peasant life. A predilect victim was the nationalist scholar and Caragiale critic
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518:. Bacalbașa's literary ambitions were satisfied the same year. Some of his poems saw print in the magazine
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seated in the foreground. Toni, in the white hat, is standing behind Morțun, holding him by the shoulder.
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543:(also translatable as "The Emancipation"), which advertised itself as a voice of the "working men party" (
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2410:"Lumea românească la 1900. Traseismul în politică la sfârșitul secolului al XIX-lea. Cazul Gheorghe Panu"
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In addition to Kirițescu and Cosco's notes, Toni was the subject of a 1924 monograph by socialist critic
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1589:("Civilian and Military Newspaper"). One of its preferred targets was Mille, referred to in the paper as
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1117:, there was a swift transition from republicanism to socialism, effected when some of the old staff left
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daily into a socialist tribune, serving as its editor and directing its short-lived literary supplement (
1940:), applied to army men who are thought to display the same characteristics as Bacalbașa's anti-hero. In
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445:, where he became a Sergeant. He preserved a bittersweet record of his army service, reflected in both
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owner George A. Scorțescu, which left Stere in an awkward position. Stere was consequently accused by
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and Toni's own satirical portrait of Caragiale as a political opportunist, gravitating between the
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Army men were generally irritated by Bacalbașa's comedy. Some ten years after the author's death,
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thus notes that, while Dobrogeanu-Gherea kept silent, his young pupils launched "a veritable anti-
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Caragiale's paper was in large part poking fun at the nationalist and traditionalist current in
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colleagues, including Maiorescu—whom it depicted as a libertine and a seducer of schoolgirls.
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of being a spy and a tool for the Conservatives. The incidents were reviewed with caution by
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The friendship between Bacalbașa and Mille had soured over those months, and Toni soon left
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are reclining in front of them. Also pictured, first from the left in the same row, is poet
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received contributions from, among others, Demetrescu, Constantin Stere (with the pen name
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campaign"; among those he lists in this category are Bacalbașa, Demetrescu, S. Nădejde and
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humorists"). Both Anton and Constantin Bacalbașa were also early pioneers of the Romanian
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1556:. In its first series, the periodical hosted a lampoon piece by the young leftist writer
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closed down. Also in 1893, Constantin Mille took over leadership of the republican daily
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Following Toni's death, Alexandrina Bacalbașa remarried, to the Transylvanian literato
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socialists, Toni was openly courting the much larger PNL. In early 1894, he wrote an
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anti-government reaction among the general public. His publicity stunt, taken up by
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After 1893, Bacalbașa was at the center of Marxist politics, as an executive of the
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proved influential for the work of other Romanian writers, who were active in the
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Both Toni and Constantin were press delegates to the 1890 Congress of Students in
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1324:
910:
825:
746:
711:
694:("The Weekly Echo"), alongside a gathering of journalists and social activists:
687:
654:
514:
403:
342:
1685:
and believed that poetry in particular should be apolitical. As early as 1894,
1540:
socialists (represented by A. Ionescu), also protested when PNL Prime Minister
1240:
than Mille's. Vlahuță was already outraged by Caragiale's unsigned parodies in
1951:
1750:
1545:
1477:
1340:
1313:
1237:
960:
482:
17:
1633:
This was to be his last known endeavor: on 1 October 1899, having contracted
1184:, announcing that, if stripped of a salary, Caragiale was (as good as) dead.
745:
Beginning in early 1892, Toni centered his activity on the industrial hub of
4114:
1805:
1762:
1754:
1524:
1484:, called on the duelers to fire their pistols from a distance of ten paces.
1413:
When Stere challenged Scorțescu to a duel, Bacalbașa covered the affair for
1266:
Toni's socialist disciples prolonged the scandal, publishing an offshoot of
1200:
1032:
1001:
did host the occasional socialist article, including an unsigned tribute to
778:
509:
486:
462:
427:
358:
and the PSDMR, switching his allegiance to the political club formed around
304:
2321:"Socialiștii români la început de drum. Clarificări și replieri doctrinare"
921:
agenda, skeptical toward all cultural innovation. According to philologist
423:
395:
66:
4241:
The Formation of Labour Movements, 1870–1914: An International Perspective
4227:
I. Felea, "Din vremea cînd socialismul făcea primii pași la 'Sotir' ", in
281:
political journalist, humorist and politician, chiefly remembered for his
4264:
4164:
2249:
1995:, alongside selected pieces by other hand-picked republicans-socialists (
1704:
1700:
1181:
1164:
964:
809:
786:
785:; Toni, who made a lasting impression among the readers, represented the
435:
4319:
4185:
1765:) on their back, or to hold aim while staring directly into the sun. In
1270:, entirely dedicated to satirizing the anti-PSDMR coalition, and titled
1222:, but between the socialist and non-socialist advocates of didacticism.
657:. Constantin was afterward the publisher of Panu's political newspaper,
377:, most of which reflect his critique of the political mainstream in the
1980:
1881:
1832:
1827:
1549:
1283:
1168:
624:
308:
278:
192:
172:
146:
1693:
editor had been straying away from Dobrogeanu-Gherea's didactic path.
1657:, to establish a more radical workers' party (embryo of the post-1910
3465:
3357:
1577:
magazine (co-edited by Caragiale) to set up its satirical supplement
934:
926:
667:(PNL), which had for long been the nominal leftist side of Romania's
622:, and especially from the Conservatives' political-literary faction,
450:
415:
187:
177:
167:
1378:
typographers. The Police intervened in the squabble, and placed the
978:, his life's work of gathering etymological data ridiculed as "the
458:
but, since the recruits refused to report him, was merely demoted.
1624:
1456:
During that year, Toni was still active in the party, writing for
419:
197:
1987:
After 1948, Bacalbașa's republicanism made him a favorite of the
1106:: Constantin was one of the main editors; Ioan was famous as the
4080:& Ovidiu Șincai Social Democratic Institute, Bucharest, 2003
1382:
building under armed guard. Arrest warrants were issued for the
757:"). The weekly paper was financed by a lawyer and entrepreneur,
714:, Berman Goldner-Giordano etc. Also joining them were draftsmen
4535:
People from the United Principalities of Moldavia and Wallachia
4207:
3925:
3429:
3276:
3177:
3149:
3055:
2932:
2735:
2472:
2441:
2354:
2203:
365:
At the time of his death, aged 34, Bacalbașa had served in the
307:
militant. For a while, his career was intertwined with that of
2920:"George Ranetti despre debutul său literar"; "Note biografice"
1676:
reading about himself in the eponymous magazine—caricature by
663:. Panu and his men tried to negotiate an alliance against the
646:
Around that time, Toni and his brothers became members of the
535:("The Emancipation") made history for circulating portions of
1354:, caricatured as the "avaricious" emperor and the repulsive
1215:, and who referred to Bacalbașa as "my literary godfather".
1991:. In the 1950s, his anti-monarchic work was central to the
1936:. The name itself was virtually turned into a common noun (
1973:
wrote his deceased friend into the autobiographical novel
1311:. It reached out to the Radicals and liberal democrats at
1020:, while Toni had updated his writing to the latest norms.
982:". Also featured were Caragiale's first jibes against the
4097:
4093:, Nr. 115-120 (1894), pp. 589–596 (digitized by the
1207:. Also featured, on his debut, was the aspiring humorist
671:. Their program included a promise that the outgoing PNL
4139:
Istoria literaturii române de la origini pînă în prezent
2019:. This was a counter-factual effort of transforming the
461:
After leaving the Land Forces, he moved to the capital,
1282:("Beatings in the Army"). The third was a selection of
955:
was a national characteristic, what "spleen" is to the
4257:
Ion Iacoș, "Primul Congres Socialist din România", in
4239:, "Rumania", in Marcel van der Linden, Jürgen Rojahn,
2715:
2713:
508:, was the first ever introduction to, and summary of,
330:, his close friend, in editing the satirical magazine
2366:"Alegerile generale pentru Cameră. Colegiul III", in
1912:
The Bacalbașa genre had other significant effects on
1536:. All three Bacalbașas, together with Fleva and the
1023:
In parallel, Toni completed the first collection of
277:
etc.; 21 February 1865 – 1 October 1899) was a
4500:
Conservative Party (Romania, 1880–1918) politicians
3533:Anton Bacalbașa, "Captain Scabbard (excerpts)", in
3255:
3253:
1506:s editorial staff in 1897, after Toni's departure.
1499:(first seated, from left) and the other members of
206:
160:
152:
142:
119:
84:
72:
53:
34:
3780:Ce este cu Era nouă în oștire. Studiu retrospectiv
2452:
2450:
4203:, Nr. 8/1930, pp. 114–115 (digitized by the
4021:"Modelele prezumtive în romanul lui C. Stere" (I)
3851:, Editura Biblioteca Bucureștilor, 2004, p.224.
3782:, Albert Baer, Bucharest, 1909, pp.59–62, 101–102
3313:
3311:
4415:19th-century Romanian dramatists and playwrights
4271:, Vol. I-II, Editura Minerva, Bucharest, 1998.
1796:(said to have been based on a real-life model).
1522:. He served the "Flevist" cause as a writer for
1027:stories, printed in Bucharest with the subtitle
2912:
2910:
2908:
1729:. This interpretation is nuanced by researcher
1195:, "A Hypochondriac Observer"), H. Sanielevici,
426:. Costache had a military career in autonomous
4314:, Vol. II, Editura Minerva, Bucharest, 1971.
4195:"Ctitorii. Anton Bacalbașa"; "Note biografice"
4050:"Literatura română în școala anilor cincizeci"
4218:"C. Stere și 'Afacerea de onoare' de la 1894"
3849:Titu Maiorescu în fața instanței documentelor
3529:
3527:
3088:Vasile Niculae, "Liga votului universal", in
2655:
2653:
2398:
2396:
2242:
2240:
2238:
1835:genre, which the former helped popularize at
1449:("Guarding the Marketplace", December 1894).
8:
4505:Members of the Chamber of Deputies (Romania)
4111:Bucureștii de altădată. Vol. II: 1885 — 1901
3545:
3543:
3272:, Nr. 51/1894, pp.601–603 (digitized by the
3215:
3213:
3125:
3123:
2999:"Cum se împacă literații cu muzicienii (II)"
2731:, Nr. 50/1894, pp.598–599 (digitized by the
2667:"Procesul stalinist al 'tovarășului Camil' "
2493:Felea, p.7. See also Sanielevici, pp.219–220
2182:
2180:
2178:
1434:, and for vetoing funds for the PSDMR sheet
1129:, the newspaper's owner, was "weak-willed".
804:. Initially, this was a direct dispute with
27:Romanian writer and politician (1880 - 1899)
3630:"Pentru urechile și sufletele personajelor"
3240:
3238:
3075:
3073:
2943:
2941:
2798:
2796:
2794:
2792:
2523:
2521:
2519:
2517:
1476:, supported the law as a step forward into
796:Around that date, Anton Bacalbașa endorsed
524:, which was put out in Bucharest by writer
398:, where his father Costache was serving as
2866:
2864:
2090:
2088:
2086:
2060:
2058:
2056:
1884:was put out in 1900, featuring the sketch
602:are among those standing in the bottom row
31:
4405:19th-century Romanian short story writers
2703:
2701:
2699:
2697:
679:, would be made to face trial. The PNL's
320:Romanian Social Democratic Workers' Party
4410:Romanian male dramatists and playwrights
3960:Lumea ca ziar. A patra putere: Caragiale
3517:
3515:
2898:
2896:
2894:
2829:
2827:
2825:
2823:
2821:
2819:
2817:
2146:
2144:
2142:
2140:
2138:
1866:Anton Bacalbașa on a 1965 Romanian stamp
1861:
1757:with a verbal inspection of the cattle.
1737:; he was directly familiarized with the
1668:
1491:
1131:
877:
557:
402:chief. The family traced its origins to
4510:Republicanism in the Kingdom of Romania
4087:"Le parti social-démocrate de Roumanie"
4073:110 ani de social-democrație în România
3823:"Cu toată seriozitatea despre epigramă"
3145:, Nr. 21/1894, p.251 (digitized by the
3051:, Nr. 36/1929, p.563 (digitized by the
3022:
3020:
2928:, Nr. 21/1928, p.335 (digitized by the
2773:
2771:
2468:, Nr. 22/1891, p.262 (digitized by the
2350:, Nr. 45/1887, p.539 (digitized by the
2199:, Nr. 25/1894, p.296 (digitized by the
2136:
2134:
2132:
2130:
2128:
2126:
2124:
2122:
2120:
2118:
2043:
1259:, who, still grieving for his daughter
1110:(and infamous for never using commas).
418:") when one of them became leader of a
4284:, "Trapanaua prietenului Pițurcă", in
3488:C. Bacalbașa, p.257; Călinescu, p.1006
3224:"Părintele ziaristicii române moderne"
2437:, Nr. 79/1912, p.10 (digitized by the
2228:
2226:
1278:). Another one was a social pamphlet,
1171:. Toni was later assigned to lead the
1031:("From the Boot Camp"). Addressing an
606:Anton Bacalbașa ran for a seat in the
465:, where he began associating with the
3921:, Nr. 12/1900, p.1 (digitized by the
3463:Vasile Goldiș West University of Arad
3425:, Nr. 6/1895, p.70 (digitized by the
3388:"I.L. Caragiale orator și om politic"
3173:, Nr. 21/1894, p.6 (digitized by the
2973:Călinescu, p.564; Durnea (2009), p.42
2216:
2214:
2212:
1236:, whose pro-didactic agenda was more
1153:Proletarians of all countries, unite!
1142:, 1895. The female figure represents
1113:As noted by journalist Ilie Ighel in
749:, where he became managing editor of
240:
7:
3557:"Personajele. Porecle și diminutive"
2023:writer into a champion of the left.
1637:, Bacalbașa died, and was buried at
1323:newspapers, and then to independent
1226:directed its passion against author
947:(in the same sense of "bollocks!").
4247:, Leiden, 1990, pp. 369–392.
3459:și tribunismul în context european"
2850:"Caragiale în tradiția interviului"
1944:, the writer's name was given to a
1548:refugees for having questioned his
4129:Nicolae Iorga Institute of History
3996:"Înapoi la bucătăria tradițională"
3867:Bezviconi, p.154; Călinescu, p.564
3694:"La cremenal! Avocați și osîndiți"
2588:Cioculescu, pp.41–46; Vianu, p.185
913:notes that, in a cheerful manner,
808:and Maiorescu. Cultural historian
242:[anˈtonkosˈtakebakalˈbaʃa]
25:
4400:Romanian male short story writers
3581:Călinescu, p.564; Kirițescu, p.47
3479:C. Bacalbașa, p.270; Cosco, p.115
3335:Cosco, p.115; Durnea (2009), p.42
2623:"Mai avem azi un Maiorescu? (II)"
1703:", but also rendered as "Captain
1136:PSDMR propaganda in the magazine
562:An 1892 gathering at Sotir, with
48:Photograph of Bacalbașa, ca. 1890
4530:Deaths from pneumonia in Romania
4375:19th-century Romanian memoirists
4095:Bibliothèque nationale de France
4036:, January 2002; Călinescu, p.761
3509:, pp.12–15; Hitchins, pp.380–381
3043:"Amintiri despre Haralamb Lecca"
2431:"Amintiri despre artistul Liciu"
2286:, pp.11–12; Hitchins, pp.376–377
1468:, which did away with the PNL's
1350:and at his designated successor
42:
4470:Romanian human rights activists
4298:Probleme sociale și psihologice
3751:"Cai, călăreți și atelaje hipo"
3662:"Agresiuni, încăierări și arme"
1761:with a "bitch" (the regimental
1488:Conservative politics and death
791:dictatorship of the proletariat
704:Gheorghe "din Moldova" Kernbach
4520:Romanian Land Forces personnel
2050:Călinescu, p.564; Cosco, p.114
1961:, and of a 1938 memoir by his
1343:-like lampoon directed at the
1298:Together with Mille and other
299:, he entered public life as a
1:
4208:Transsylvanica Online Library
4048:Andrei Grigor, Simona Marin,
3926:Transsylvanica Online Library
3719:"Personaje, boale și doftori"
3430:Transsylvanica Online Library
3277:Transsylvanica Online Library
3178:Transsylvanica Online Library
3150:Transsylvanica Online Library
3056:Transsylvanica Online Library
2933:Transsylvanica Online Library
2736:Transsylvanica Online Library
2606:Cioculescu, pp.63–64, 134–135
2473:Transsylvanica Online Library
2442:Transsylvanica Online Library
2355:Transsylvanica Online Library
2204:Transsylvanica Online Library
2099:"Enigmaticul I. Saint Pierre"
1905:1901. Caragiale also revived
1211:, who received the signature
1159:Toni was a noisy presence at
734:had fallen on a new arrival,
566:(holding his two daughters),
504:magazine. His 1883 brochure,
291:. Together with his brothers
4490:Romanian Marxist journalists
4290:, Nr. 4/1928, pp. 43–58
4261:, April 1973, pp. 54–59
4224:, Nr. 2/2009, pp. 30–46
3467:Studii de Știință și Cultură
3302:Adevărul Literar și Artistic
2786:Felea, p.7; Iacoș, pp.54, 59
2552:Ornea (1998, II), pp.357–358
2390:Ornea (1998, II), pp.315–316
2274:, p.11; Hitchins, pp.374–376
1753:, orders them to combat the
1368:proletarian internationalism
925:, the magazine was mainly a
572:Constantin Dobrogeanu-Gherea
313:Constantin Dobrogeanu-Gherea
4440:Romanian newspaper founders
4395:19th-century Romanian poets
3417:"Salon. Literatură și arte"
3412:Călinescu, p.564. See also
3317:Ornea (1998, I), pp.329–330
3189:Durnea (2009), pp.33, 42–44
2723:"Salon. Literatură și arte"
2460:"Salon. Literatură și arte"
1611:, and Bacalbașa ran in the
1514:stand directly behind Mille
614:, 3rd College), during the
551:Democratic Radical, Sotir,
406:, changing their name from
369:as a representative of the
4551:
4445:Romanian newspaper editors
4430:Romanian magazine founders
4233:, March 1968, pp. 4–8
4153:Caragiale față cu kitschul
3966:, Bucharest, 2011, p.47.
2011:). However, the anonymous
394:Bacalbașa was a native of
4455:Romanian male journalists
4435:Romanian magazine editors
4370:Romanian literary critics
3915:"Din Romania. Dela Senat"
3117:; retrieved 12 March 2012
3112:Marxists Internet Archive
3110:, accessible through the
2159:Călinescu, p.564; Cosco,
1969:. In the 1930s, the aged
1442:, where he published his
1333:Constantin Dobrescu-Argeș
414:(literally, "head of the
41:
4485:Romanian revolutionaries
4450:19th-century journalists
4026:11 November 2010 at the
3756:26 February 2013 at the
3635:10 December 2010 at the
3344:C. Bacalbașa, pp.196–197
3133:"Ce e nou? Studenții și
3115:Romanian Literature page
2570:Cazimir, pp.20–21, 28–31
2484:Cosco, p.114; Felea, p.7
2112:, Nr. 312, February 2011
2005:Dumitru Theodor Neculuță
1613:general election of 1899
1257:Bogdan Petriceicu Hasdeu
976:Bogdan Petriceicu Hasdeu
963:, and "Nihilism" to the
648:Democratic Radical Party
616:election of October 1888
234:Anton Costache Bacalbașa
4425:Romanian epigrammatists
4390:Romanian-language poets
4365:Romanian male essayists
4205:Babeș-Bolyai University
4123:Gheorghe G. Bezviconi,
4078:Social Democratic Party
3923:Babeș-Bolyai University
3427:Babeș-Bolyai University
3274:Babeș-Bolyai University
3198:Durnea (2009), pp.36–37
3175:Babeș-Bolyai University
3147:Babeș-Bolyai University
3094:, August 1973, pp.72–73
3053:Babeș-Bolyai University
3004:2 February 2014 at the
2930:Babeș-Bolyai University
2733:Babeș-Bolyai University
2470:Babeș-Bolyai University
2439:Babeș-Bolyai University
2381:Ornea (1998, II), p.315
2352:Babeș-Bolyai University
2254:"Capitala de odinioară"
2201:Babeș-Bolyai University
2104:30 October 2018 at the
2033:List of peace activists
1916:, and in particular on
1659:Social Democratic Party
1474:relations of production
1193:Un observator ipohondru
1043:, the cultural journal
951:editorials had it that
238:Romanian pronunciation:
4355:19th-century essayists
3982:Călinescu, pp.782, 929
3913:, Nr. 2/1900, pp.2–3;
3809:Călinescu, pp.564, 565
3776:Constantin I. Brătianu
3441:Călinescu, pp.564, 728
2873:Florentina Tone, , in
2372:, 16 October 1888, p.1
2191:"Salon. Din Bucureșci"
1967:Izabela Sadoveanu-Evan
1867:
1687:Avram Steuerman-Rodion
1681:
1515:
1156:
959:, "chauvinism" to the
896:
842:Avram Steuerman-Rodion
779:evolutionary socialist
665:National Liberal Party
603:
4269:Junimea și junimismul
3876:Bezviconi, pp.58, 154
3791:Călinescu, pp.564–565
3455:"Ioan Slavici –
3356:Cornelia Ștefănescu,
3326:Călinescu, pp.493–494
3297:, prin filele vremii"
1975:În preajma revoluției
1892:also tried to revive
1865:
1818:épater la bourgeoisie
1672:
1587:Jurnal Țivil și Cazon
1495:
1135:
909:. Literary historian
881:
561:
545:partidul lucrătorilor
4282:Constantin Kirițescu
4180:, Bucharest, 1974.
4159:, Bucharest, 1988.
4107:Constantin Bacalbașa
3885:Cioculescu, pp.43–46
3828:7 March 2009 at the
3800:Cioculescu, pp.63–64
3724:7 April 2014 at the
3667:7 April 2014 at the
3603:7 April 2014 at the
3562:7 April 2014 at the
3393:7 April 2014 at the
3363:7 April 2014 at the
3067:"Le parti...", p.589
2756:"Le parti...", p.596
2672:7 April 2014 at the
2628:7 April 2014 at the
2597:Cioculescu, pp.64–65
2342:"Literatură și arte"
1621:Assembly of Deputies
1609:Agriculture Minister
1534:Metropolitan-Primate
1512:Constantin Bacalbașa
1123:scientific socialism
1076:Second International
980:Magnum Mophtologicum
727:Constantin Kirițescu
608:Assembly of Deputies
526:Alexandru Macedonski
443:Romanian Land Forces
367:Assembly of Deputies
245:, commonly known as
4460:Adevărul columnists
4420:Romanian columnists
4385:Romanian male poets
4380:Romanian memoirists
4125:Necropola Capitalei
4091:La Revue Socialiste
4033:Convorbiri Literare
3946:Cazimir, pp.101–102
3907:"Depravație morală"
3835:Convorbiri Literare
3610:Convorbiri Literare
3594:Constantin Ciopraga
3207:Durnea (2009), p.44
3108:Urechilă Moștenitor
3079:Durnea (2009), p.32
2888:C. Bacalbașa, p.160
2802:Durnea (2009), p.42
2502:Kirițescu, pp.48–49
1993:Romanian curriculum
1914:Romanian literature
1825:("the technique of
1735:Le Colonel Ramollot
1731:Constantin Ciopraga
1711:, in particular by
1635:bacterial pneumonia
1329:Vasile Kogălniceanu
1039:and other parts of
972:Romanian literature
937:, prevalent in the
886:", as portrayed by
375:Romanian literature
4525:Romanian duellists
4515:People from Brăila
4475:Romanian pacifists
4360:Romanian essayists
4350:Romanian humorists
4294:Henric Sanielevici
4056:, Nr. 1/2011, p.31
3847:C. Popescu-Cadem,
3470:, Nr. 4/2008, p.80
3382:Cioculescu, p.23;
3232:, 21 December 2008
2964:, 30 December 2008
2952:"Scriitorii de la
2879:, 31 December 2008
2533:Democrația Socială
2172:Sanielevici, p.220
2080:, 11 February 2012
2070:Democrația Socială
1868:
1682:
1678:Constantin Jiquidi
1655:Christian Rakovsky
1516:
1394:, Stere supported
1348:Carol I of Romania
1309:universal suffrage
1288:Din viața militară
1197:Simion Sanielevici
1157:
1127:Alexandru Beldiman
1096:Democrația Socială
984:Symbolist movement
897:
894:Constantin Jiquidi
846:Democrația Socială
834:Henric Sanielevici
830:Raicu Ionescu-Rion
818:Garabet Ibrăileanu
802:art for art's sake
789:, prophesying the
763:Democrația Socială
759:Alexandru Radovici
751:Democrația Socială
731:Ferdinand Lassalle
720:Constantin Jiquidi
638:Education Minister
620:Conservative Party
604:
596:Henric Sanielevici
588:Simion Sanielevici
553:Democrația Socială
478:("Human Rights").
371:Conservative Party
328:Ion Luca Caragiale
129:opinion journalist
36:Anton C. Bacalbașa
4480:Romanian Marxists
4304:, Bucharest, 1920
4200:Universul Literar
4170:Șerban Cioculescu
4157:Cartea Românească
4145:, Bucharest, 1986
4131:, Bucharest, 1972
4120:, Bucharest, 1928
4115:Editura Ziarului
4017:Alexandru Burlacu
4004:, 21 January 2009
3972:978-973-50-2954-8
3937:Călinescu, p.1019
3919:Tribuna Poporului
3911:Tribuna Poporului
3386:Ion N. Nastasia,
3358:"Substanța umană"
3264:"La garda pieții"
3262:Anton Bacalbașa,
3222:Florentina Tone,
3170:Universul Literar
3106:Anton Bacalbașa,
3048:Universul Literar
2950:Florentina Tone,
2925:Universul Literar
2707:Călinescu, p.1006
2561:Vianu, pp.183–184
2543:, 4 February 2012
2530:Paul D. Popescu,
2329:, 7 December 2007
2319:Mircea Dumitriu,
2163:; Kirițescu, p.46
2067:Paul D. Popescu,
2001:Traian Demetrescu
1790:Senate of Romania
1771:military medicine
1709:French literature
1530:Ghenadie Petrescu
1358:("Floppy Ears").
1228:Alexandru Vlahuță
1007:Șerban Cioculescu
854:Guy de Maupassant
740:Alexandru Ionescu
696:Traian Demetrescu
681:George D. Pallade
576:Alexandru Ionescu
476:Drepturile Omului
231:
230:
207:Literary movement
16:(Redirected from
4542:
4465:Adevărul editors
4312:Scriitori români
4287:Viața Românească
4245:Brill Publishers
4215:
4192:
4178:Editura Eminescu
4135:George Călinescu
4085:
4070:
4057:
4047:
4043:
4037:
4015:
4011:
4005:
4001:Ziarul Financiar
3993:
3989:
3983:
3980:
3974:
3956:Ioana Pârvulescu
3953:
3947:
3944:
3938:
3935:
3929:
3905:
3901:
3895:
3894:Călinescu, p.728
3892:
3886:
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3877:
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3859:
3845:
3839:
3820:
3816:
3810:
3807:
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3798:
3792:
3789:
3783:
3773:
3767:
3763:România Literară
3745:
3741:
3735:
3731:România Literară
3713:
3709:
3703:
3702:, Nr. 23-24/2008
3688:
3684:
3678:
3674:România Literară
3656:
3652:
3646:
3642:România Literară
3624:
3620:
3614:
3592:
3588:
3582:
3579:
3573:
3569:România Literară
3551:
3547:
3538:
3531:
3522:
3521:Călinescu, p.565
3519:
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3400:România Literară
3385:
3380:
3374:
3370:România Literară
3355:
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3333:
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3024:
3015:
3011:România Literară
2995:Ioana Pârvulescu
2993:
2989:
2983:
2980:
2974:
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2949:
2945:
2936:
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2691:Cioculescu, p.43
2689:
2683:
2679:România Literară
2661:
2657:
2648:
2645:
2639:
2635:România Literară
2619:Ioana Pârvulescu
2617:
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2418:, 8 October 2009
2415:Ziarul Financiar
2404:
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2259:România Literară
2248:
2244:
2233:
2230:
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2218:
2207:
2188:
2184:
2173:
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2151:
2150:Călinescu, p.564
2148:
2113:
2096:
2092:
2081:
2066:
2062:
2051:
2048:
1989:communist regime
1971:Constantin Stere
1942:Romanian cuisine
1930:Gheorghe Brăescu
1849:
1811:, or samples of
1782:General Brătianu
1741:of yesteryear."
1726:Joseph Prudhomme
1691:Adevărul Literar
1585:, introduced as
1542:Dimitrie Sturdza
1505:
1497:Constantin Mille
1451:Adevărul Literar
1280:Bătaia în armată
1276:Artă pentru artă
1272:Putregaiul Român
1230:and his journal
1224:Adevărul Literar
1189:Adevărul Literar
1178:Adevărul Literar
1173:Adevărul Literar
1144:social democracy
1108:gossip columnist
1055:Adevărul Literar
1011:Romanian letters
838:Constantin Stere
783:liberal democrat
755:Social Democracy
692:Ecoul Sĕptĕmânii
669:two-party system
592:Henric Streitman
564:Constantin Mille
432:George Călinescu
348:Adevărul Literar
338:Constantin Mille
283:antimilitaristic
244:
239:
79:
64:21 February 1865
63:
61:
46:
32:
21:
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4259:Magazin Istoric
4230:Magazin Istoric
4216:Victor Durnea,
4213:
4190:
4143:Editura Minerva
4101:digital library
4083:
4068:
4065:
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4028:Wayback Machine
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3821:Liviu Grăsoiu,
3818:
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3613:, November 2002
3605:Wayback Machine
3598:"Proze recente"
3590:
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3564:Wayback Machine
3549:
3548:
3541:
3535:Plural Magazine
3532:
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3513:
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3501:
3497:Bezviconi, p.58
3496:
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3309:
3305:, 19 April 2011
3291:Simona Chițan,
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3098:
3091:Magazin Istoric
3087:
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3035:
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3026:Kirițescu, p.46
3025:
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2811:Iacoș, pp.58–59
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2747:Hitchins, p.378
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2511:Kirițescu, p.48
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2307:Hitchins, p.376
2306:
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2270:
2266:
2246:
2245:
2236:
2232:Kirițescu, p.47
2231:
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2219:
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2171:
2167:
2158:
2154:
2149:
2116:
2106:Wayback Machine
2097:Victor Durnea,
2094:
2093:
2084:
2064:
2063:
2054:
2049:
2045:
2041:
2029:
1959:Barbu Lăzăreanu
1934:Neagu Rădulescu
1926:interwar period
1860:
1847:
1767:La garda pieții
1746:Dâmbovița River
1739:Prussian spirit
1689:noted that the
1680:, February 1896
1667:
1591:Millu Crocodilu
1503:
1490:
1464:Prime Minister
1447:La garda pieții
1296:
1253:I. Saint Pierre
1080:Zurich Congress
1059:
1041:Austria-Hungary
1033:ethnic Romanian
917:reflected that
876:
822:Dimitrie Anghel
781:, Radovici the
775:George Diamandy
716:Nicolae Vermont
700:Saniel Grossman
600:Ion Păun-Pincio
556:
392:
387:
379:monarchical era
237:
227:
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4326:External links
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4291:
4279:
4262:
4255:
4237:Keith Hitchins
4234:
4225:
4211:
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4149:Ștefan Cazimir
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3453:Stelean Boia,
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3293:"Ieri și azi:
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2765:Felea, pp.6, 8
2758:
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2663:Al. Săndulescu
2649:
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2608:
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2554:
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2540:Ziarul Prahova
2513:
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2446:
2435:Românul (Arad)
2420:
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2359:
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2326:România Liberă
2309:
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2114:
2082:
2077:Ziarul Prahova
2052:
2042:
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2036:
2035:
2028:
2025:
2017:Camil Petrescu
2009:Alexandru Toma
1918:comedy-writing
1890:George Ranetti
1859:
1856:
1852:Mihai Eminescu
1809:one-line jokes
1786:antimilitarism
1666:
1663:
1647:C. Z. Buzdugan
1639:Bellu cemetery
1558:Gala Galaction
1489:
1486:
1295:
1292:
1209:George Ranetti
1058:
1051:
1035:readership in
923:Ștefan Cazimir
884:Symbolist poet
875:
870:
858:Mircea Rosetti
708:Dumitru Teleor
673:Prime Minister
641:Titu Maiorescu
580:C. Z. Buzdugan
555:
549:
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386:
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326:, Toni joined
324:Romanian humor
251:Tony Bacalbașa
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80:(aged 34)
76:1 October 1899
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4302:Editura Socec
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4283:
4280:
4278:
4277:973-21-0562-3
4274:
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4253:90-04-09276-5
4250:
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3857:973-8369-16-9
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3537:, Nr. 10/2001
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3271:
3270:
3265:
3260:(in Romanian)
3256:
3254:
3250:
3246:
3241:
3239:
3235:
3231:
3230:
3225:
3220:(in Romanian)
3216:
3214:
3210:
3204:
3201:
3195:
3192:
3186:
3183:
3179:
3176:
3172:
3171:
3166:
3162:(in Romanian)
3158:
3155:
3151:
3148:
3144:
3143:
3138:
3136:
3130:(in Romanian)
3126:
3124:
3120:
3116:
3113:
3109:
3104:(in Romanian)
3100:
3097:
3093:
3092:
3085:
3082:
3076:
3074:
3070:
3064:
3061:
3057:
3054:
3050:
3049:
3044:
3040:
3036:(in Romanian)
3032:
3029:
3023:
3021:
3017:
3014:, Nr. 16/2009
3013:
3012:
3007:
3003:
3000:
2996:
2992:(in Romanian)
2988:
2985:
2979:
2976:
2970:
2967:
2963:
2962:
2957:
2955:
2948:(in Romanian)
2944:
2942:
2938:
2934:
2931:
2927:
2926:
2921:
2917:(in Romanian)
2913:
2911:
2909:
2905:
2899:
2897:
2895:
2891:
2885:
2882:
2878:
2877:
2871:(in Romanian)
2867:
2865:
2861:
2857:
2856:
2851:
2847:
2843:(in Romanian)
2839:
2836:
2830:
2828:
2826:
2824:
2822:
2820:
2818:
2814:
2808:
2805:
2799:
2797:
2795:
2793:
2789:
2783:
2780:
2774:
2772:
2768:
2762:
2759:
2753:
2750:
2744:
2741:
2737:
2734:
2730:
2729:
2724:
2720:(in Romanian)
2716:
2714:
2710:
2704:
2702:
2700:
2698:
2694:
2688:
2685:
2682:, Nr. 11/1999
2681:
2680:
2675:
2671:
2668:
2664:
2660:(in Romanian)
2656:
2654:
2650:
2644:
2641:
2638:, Nr. 20/2009
2637:
2636:
2631:
2627:
2624:
2620:
2616:(in Romanian)
2612:
2609:
2603:
2600:
2594:
2591:
2585:
2582:
2576:
2573:
2567:
2564:
2558:
2555:
2549:
2546:
2542:
2541:
2536:
2534:
2528:(in Romanian)
2524:
2522:
2520:
2518:
2514:
2508:
2505:
2499:
2496:
2490:
2487:
2481:
2478:
2474:
2471:
2467:
2466:
2461:
2457:(in Romanian)
2453:
2451:
2447:
2443:
2440:
2436:
2432:
2428:(in Romanian)
2424:
2421:
2417:
2416:
2411:
2407:
2403:(in Romanian)
2399:
2397:
2393:
2387:
2384:
2378:
2375:
2371:
2370:
2363:
2360:
2356:
2353:
2349:
2348:
2343:
2339:(in Romanian)
2335:
2332:
2328:
2327:
2322:
2317:(in Romanian)
2313:
2310:
2304:
2301:
2297:
2292:
2289:
2285:
2280:
2277:
2273:
2268:
2265:
2262:, Nr. 13/2001
2261:
2260:
2255:
2251:
2247:(in Romanian)
2243:
2241:
2239:
2235:
2229:
2227:
2223:
2217:
2215:
2213:
2209:
2205:
2202:
2198:
2197:
2192:
2187:(in Romanian)
2183:
2181:
2179:
2175:
2169:
2166:
2162:
2156:
2153:
2147:
2145:
2143:
2141:
2139:
2137:
2135:
2133:
2131:
2129:
2127:
2125:
2123:
2121:
2119:
2115:
2111:
2107:
2103:
2100:
2095:(in Romanian)
2091:
2089:
2087:
2083:
2079:
2078:
2073:
2071:
2065:(in Romanian)
2061:
2059:
2057:
2053:
2047:
2044:
2038:
2034:
2031:
2030:
2026:
2024:
2022:
2018:
2014:
2010:
2006:
2002:
1998:
1994:
1990:
1985:
1983:
1982:
1976:
1972:
1968:
1965:acquaintance
1964:
1960:
1955:
1953:
1949:
1948:
1943:
1939:
1935:
1931:
1927:
1923:
1919:
1915:
1910:
1908:
1903:
1899:
1895:
1891:
1887:
1883:
1880:
1875:
1873:
1864:
1857:
1855:
1853:
1846:
1843:model set by
1840:
1838:
1834:
1830:
1829:
1824:
1820:
1819:
1814:
1810:
1807:
1803:
1797:
1795:
1791:
1787:
1783:
1778:
1776:
1772:
1768:
1764:
1758:
1756:
1752:
1747:
1742:
1740:
1736:
1732:
1728:
1727:
1722:
1721:Henry Monnier
1718:
1717:Col. Ramollot
1714:
1713:Charles Leroy
1710:
1706:
1702:
1698:
1694:
1692:
1688:
1679:
1675:
1671:
1665:Literary work
1664:
1662:
1660:
1656:
1652:
1648:
1644:
1640:
1636:
1631:
1629:
1626:
1622:
1618:
1615:, earning an
1614:
1610:
1606:
1603:
1598:
1596:
1592:
1588:
1584:
1580:
1576:
1575:
1569:
1568:'s Radicals.
1567:
1563:
1559:
1555:
1551:
1547:
1543:
1539:
1535:
1531:
1527:
1526:
1521:
1520:Nicolae Fleva
1513:
1509:
1502:
1498:
1494:
1487:
1485:
1483:
1479:
1475:
1471:
1470:protectionism
1467:
1466:Petre P. Carp
1463:
1459:
1454:
1452:
1448:
1445:
1441:
1437:
1433:
1428:
1423:
1418:
1416:
1411:
1409:
1405:
1401:
1397:
1393:
1387:
1385:
1381:
1377:
1373:
1369:
1365:
1359:
1357:
1353:
1349:
1346:
1345:Romanian King
1342:
1338:
1334:
1330:
1326:
1322:
1321:
1316:
1315:
1310:
1305:
1301:
1294:1894 scandals
1293:
1291:
1289:
1285:
1281:
1277:
1273:
1269:
1264:
1262:
1258:
1254:
1250:
1249:Alceu Urechia
1245:
1243:
1239:
1235:
1234:
1229:
1225:
1221:
1216:
1214:
1210:
1206:
1202:
1198:
1194:
1190:
1185:
1183:
1180:, was a faux
1179:
1174:
1170:
1166:
1162:
1155:
1154:
1149:
1145:
1141:
1140:
1134:
1130:
1128:
1124:
1120:
1116:
1111:
1109:
1105:
1101:
1097:
1093:
1092:
1087:
1086:
1081:
1077:
1071:
1068:
1064:
1063:working-class
1056:
1052:
1050:
1048:
1047:
1042:
1038:
1034:
1030:
1026:
1021:
1019:
1015:
1012:
1008:
1004:
1000:
995:
993:
990:taunted some
989:
985:
981:
977:
973:
968:
966:
962:
958:
954:
950:
946:
942:
941:
940:fin de siècle
936:
932:
928:
924:
920:
916:
912:
908:
904:
903:
895:
891:
890:
885:
880:
874:
871:
869:
867:
863:
862:Ivan Turgenev
859:
855:
851:
847:
843:
839:
835:
831:
827:
823:
820:, along with
819:
815:
811:
807:
803:
799:
794:
792:
788:
784:
780:
776:
772:
768:
767:Sofia Nădejde
764:
760:
756:
752:
748:
743:
741:
737:
732:
728:
723:
721:
717:
713:
709:
705:
701:
697:
693:
689:
684:
682:
678:
674:
670:
666:
662:
661:
656:
653:
649:
644:
642:
639:
635:
631:
627:
626:
621:
617:
613:
609:
601:
597:
593:
589:
585:
581:
577:
573:
569:
568:Vasile Morțun
565:
560:
554:
550:
548:
546:
542:
538:
534:
529:
527:
523:
522:
517:
516:
511:
507:
503:
502:
501:Contemporanul
497:
492:
488:
484:
479:
477:
472:
468:
464:
459:
457:
456:court-martial
452:
448:
444:
439:
437:
433:
429:
425:
421:
417:
413:
409:
405:
401:
397:
389:
384:
382:
380:
376:
372:
368:
363:
361:
360:Nicolae Fleva
357:
353:
349:
345:
344:
339:
335:
334:
329:
325:
321:
316:
314:
310:
306:
302:
298:
294:
290:
289:
284:
280:
276:
272:
268:
264:
260:
256:
252:
248:
243:
235:
224:
223:
222:Contemporanul
219:
217:
216:
212:
211:
209:
205:
199:
196:
194:
191:
189:
186:
184:
181:
179:
176:
174:
171:
169:
166:
165:
163:
159:
156:ca. 1881–1899
155:
151:
148:
145:
141:
134:
131:
128:
125:
124:
122:
118:
111:
108:
105:
102:
99:
96:
93:
90:
89:
87:
83:
75:
71:
68:
56:
52:
45:
40:
33:
30:
19:
4311:
4297:
4285:
4268:
4258:
4240:
4228:
4222:Transilvania
4221:
4198:
4174:Caragialiana
4173:
4152:
4138:
4124:
4116:
4110:
4098:
4090:
4072:
4054:Transilvania
4053:
4041:
4031:
4009:
3999:
3994:Ioana Mitu,
3987:
3978:
3959:
3951:
3942:
3933:
3918:
3910:
3899:
3890:
3881:
3872:
3863:
3848:
3843:
3838:, April 2003
3833:
3814:
3805:
3796:
3787:
3779:
3771:
3761:
3747:Horia Gârbea
3739:
3729:
3715:Horia Gârbea
3707:
3697:
3690:Horia Gârbea
3682:
3672:
3658:Horia Gârbea
3650:
3645:, Nr. 2/2008
3640:
3626:Horia Gârbea
3618:
3608:
3586:
3577:
3572:, Nr. 7/2012
3567:
3553:Horia Gârbea
3534:
3506:
3502:
3493:
3484:
3475:
3466:
3456:
3446:
3437:
3420:
3408:
3403:, Nr. 6/2001
3398:
3378:
3373:, Nr. 3/2003
3368:
3349:
3340:
3331:
3322:
3300:
3294:
3284:
3267:
3244:
3227:
3203:
3194:
3185:
3168:
3157:
3140:
3134:
3107:
3099:
3089:
3084:
3063:
3046:
3039:Ludovic Dauș
3031:
3009:
2987:
2982:Vianu, p.185
2978:
2969:
2959:
2953:
2923:
2902:Cosco, p.114
2884:
2874:
2858:, Nr. 9/2005
2853:
2838:
2833:Cosco, p.115
2807:
2782:
2761:
2752:
2743:
2726:
2687:
2677:
2643:
2633:
2611:
2602:
2593:
2584:
2579:Vianu, p.183
2575:
2566:
2557:
2548:
2538:
2532:
2507:
2498:
2489:
2480:
2463:
2434:
2423:
2413:
2386:
2377:
2367:
2362:
2345:
2334:
2324:
2312:
2303:
2295:
2291:
2283:
2279:
2271:
2267:
2257:
2194:
2189:Ilie Ighel,
2168:
2160:
2155:
2109:
2075:
2069:
2046:
2020:
2013:Moftul Român
2012:
1986:
1978:
1974:
1962:
1956:
1947:delicatessen
1945:
1938:un moș teacă
1937:
1921:
1911:
1907:Moftul Român
1906:
1901:
1897:
1893:
1885:
1878:
1876:
1869:
1844:
1841:
1836:
1826:
1823:Alfred Jarry
1816:
1813:absurd humor
1802:Moftul Român
1801:
1798:
1793:
1779:
1774:
1766:
1759:
1743:
1734:
1724:
1716:
1696:
1695:
1690:
1683:
1643:Ioan Nădejde
1632:
1627:
1619:seat in the
1617:Ilfov County
1605:Ioan Slavici
1601:
1599:
1594:
1590:
1586:
1582:
1578:
1572:
1570:
1561:
1553:
1537:
1523:
1517:
1500:
1461:
1457:
1455:
1450:
1446:
1444:sketch story
1439:
1435:
1431:
1426:
1421:
1419:
1414:
1412:
1407:
1403:
1399:
1395:
1391:
1388:
1383:
1379:
1375:
1371:
1363:
1360:
1355:
1336:
1318:
1312:
1303:
1299:
1297:
1287:
1279:
1275:
1271:
1267:
1265:
1252:
1246:
1241:
1231:
1223:
1219:
1217:
1212:
1205:Artur Stavri
1192:
1188:
1186:
1177:
1172:
1160:
1158:
1151:
1137:
1118:
1114:
1112:
1103:
1099:
1095:
1089:
1083:
1072:
1067:Moftul Român
1066:
1060:
1054:
1044:
1037:Transylvania
1028:
1024:
1022:
1017:
1013:
999:Moftul Român
998:
996:
991:
988:Moftul Român
987:
979:
969:
952:
948:
944:
938:
918:
914:
906:
902:Moftul Român
900:
898:
889:Moftul Român
887:
873:Moftul Român
872:
845:
813:
805:
798:didactic art
795:
762:
750:
744:
736:Ioan Nădejde
724:
691:
685:
677:Ion Brătianu
658:
651:
645:
633:
629:
623:
612:Ilfov County
605:
584:Artur Stavri
552:
544:
540:
537:Jules Guesde
532:
530:
519:
513:
505:
499:
496:collectivist
480:
475:
467:left-liberal
460:
446:
440:
411:
407:
393:
364:
355:
351:
347:
341:
336:. He helped
333:Moftul Român
331:
317:
286:
274:
270:
266:
262:
258:
254:
253:, pen names
250:
246:
233:
232:
220:
213:
183:sketch story
78:(1899-10-01)
29:
4345:1899 deaths
4340:1865 births
4308:Tudor Vianu
4084:(in French)
2777:Iacoș, p.54
1997:N. D. Cocea
1950:variety of
1886:Ion prostul
1872:Nerva Hodoș
1806:homographic
1651:I. C. Frimu
1566:George Panu
1482:black humor
1404:Evenimentul
1400:Evenimentul
1392:Evenimentul
1327:activists (
1320:Evenimentul
1029:Din cazarmă
933:and modern
931:neoromantic
911:Tudor Vianu
892:cartoonist
826:Emil Fagure
712:Maica Smara
655:George Panu
636:leader and
533:Emanciparea
521:Literatorul
515:Das Kapital
404:Gorj County
390:Early years
215:Literatorul
143:Nationality
4334:Categories
4193:C. Cosco,
4063:References
3699:Luceafărul
3507:110 ani...
3245:110 ani...
2647:Felea, p.8
2296:110 ani...
2284:110 ani...
2272:110 ani...
2220:Felea, p.7
1952:smoked ham
1794:Spanachidi
1751:Prut River
1538:Lumea Nouă
1478:capitalism
1458:Lumea Nouă
1436:Lumea Nouă
1341:fairy-tale
1238:right-wing
1150:is marked
1146:, and the
1139:Lumea Nouă
1085:Lumea Nouă
1053:PSDMR and
961:Hungarians
866:Émile Zola
541:Desrobirea
483:Lassallism
301:republican
297:Constantin
259:Wunderkind
135:politician
120:Occupation
106:Wunderkind
60:1865-02-21
4117:Universul
3964:Humanitas
3461:, in the
3295:Literarul
2846:Ion Simuț
2406:Ion Bulei
1922:Moș Teacă
1902:Moș Teacă
1898:Moftology
1894:Moș Teacă
1879:Moș Teacă
1763:Maxim gun
1755:epizootic
1697:Moș Teacă
1674:Moș Teacă
1583:Moș Teacă
1562:Junimists
1554:Moș Teacă
1546:Aromanian
1544:expelled
1525:Dreptatea
1352:Ferdinand
1201:Ion Gorun
1167:to heavy
1165:handbells
1057:campaigns
1025:Moș Teacă
850:Mór Jókai
510:Karl Marx
506:Capitalul
487:Anarchism
463:Bucharest
449:and some
447:Moș Teacă
436:epileptic
428:Wallachia
412:Bacalbașa
385:Biography
340:to turn
305:socialist
288:Moș Teacă
4265:Z. Ornea
4165:21523836
4024:Archived
3826:Archived
3754:Archived
3722:Archived
3665:Archived
3633:Archived
3601:Archived
3560:Archived
3391:Archived
3361:Archived
3229:Adevărul
3135:Adevĕrul
3002:Archived
2961:Adevărul
2954:Adevĕrul
2876:Adevărul
2670:Archived
2626:Archived
2369:Adevărul
2250:Z. Ornea
2102:Archived
2027:See also
2021:Junimist
1963:Adevărul
1877:A final
1828:Ubuesque
1705:Scabbard
1701:Scabbard
1602:Junimist
1501:Adevărul
1462:Junimist
1432:Adevărul
1427:Adevărul
1422:Adevărul
1415:Adevărul
1408:Adevărul
1396:Adevărul
1384:Adevărul
1380:Adevărul
1376:Adevărul
1364:Adevărul
1356:Urechilă
1337:Adevărul
1325:agrarian
1304:Adevărul
1300:Adevărul
1284:novellas
1182:obituary
1169:cowbells
1161:Adevărul
1148:red flag
1119:Adevărul
1104:Adevărul
1100:Adevărul
992:Junimist
965:Russians
919:Junimist
814:Junimist
810:Z. Ornea
787:far left
747:Ploiești
688:Botoșani
652:Junimist
630:Junimist
491:Nihilism
356:Adevărul
352:Adevărul
343:Adevărul
279:Romanian
147:Romanian
126:humorist
85:Pen name
4320:7431692
4186:6890267
4099:Gallica
3457:Tribuna
3422:Familia
3269:Familia
3165:"Știri"
3142:Familia
2728:Familia
2465:Familia
2347:Familia
2196:Familia
2110:Cultura
1981:Baclava
1932:, then
1882:almanac
1845:Junimea
1833:epigram
1815:in the
1775:Roșiori
1628:Pardon!
1550:Balkans
1440:Familia
1372:Familia
1314:Românul
1220:Junimea
1115:Familia
1046:Familia
1003:May Day
957:English
929:of the
907:Junimea
806:Junimea
771:O. Carp
634:Junimea
625:Junimea
471:Radical
451:memoirs
416:grocers
408:Telescu
309:Marxist
285:series
193:epigram
173:novella
4318:
4275:
4251:
4184:
4163:
3970:
3855:
3247:, p.12
2298:, p.11
2161:passim
1858:Legacy
1837:Moftul
1268:Moftul
1242:Moftul
1233:Vieața
1213:Namuna
949:Moftul
935:kitsch
927:parody
915:Moftul
424:Galați
400:Police
396:Brăila
311:doyen
255:Rigolo
188:memoir
178:parody
168:satire
153:Period
103:Rigolo
67:Brăila
4220:, in
4197:, in
4089:, in
4052:, in
4030:, in
3998:, in
3917:, in
3909:, in
3832:, in
3760:, in
3728:, in
3696:, in
3671:, in
3639:, in
3607:, in
3566:, in
3419:, in
3397:, in
3367:, in
3299:, in
3266:, in
3226:, in
3167:, in
3139:, in
3045:, in
3008:, in
2958:, in
2922:, in
2852:, in
2725:, in
2676:, in
2632:, in
2537:, in
2462:, in
2433:, in
2412:, in
2344:, in
2323:, in
2256:, in
2193:, in
2108:, in
2074:, in
2072:(II)"
2039:Notes
1979:Toni
1977:, as
1848:'
1625:revue
1595:Lupta
1579:Hazul
1574:Vatra
1504:'
1261:Iulia
1091:Munca
953:moft!
945:moft!
882:"The
868:etc.
844:. At
660:Lupta
420:guild
198:revue
161:Genre
4316:OCLC
4273:ISBN
4249:ISBN
4182:OCLC
4161:OCLC
3968:ISBN
3853:ISBN
2535:(I)"
1719:and
1653:and
1564:and
1510:and
1508:Ioan
1317:and
1203:and
1016:and
840:and
773:and
718:and
578:and
570:and
489:and
303:and
295:and
293:Ioan
275:Zig.
271:Wus.
267:Jus.
263:Inot
247:Toni
132:poet
112:Zig.
109:Wus.
100:Jus.
97:Inot
73:Died
54:Born
1900:).
1723:'s
1715:'s
1661:).
1532:as
1094:),
1078:'s
547:).
512:'s
422:in
410:to
249:or
4336::
4310:,
4300:,
4296:,
4267:,
4243:,
4176:,
4172:,
4155:,
4151:,
4141:,
4137:,
4127:,
4113:,
4109:,
4076:,
4019:,
3962:,
3958:,
3778:,
3749:,
3717:,
3692:,
3660:,
3628:,
3596:,
3555:,
3542:^
3526:^
3514:^
3310:^
3252:^
3237:^
3212:^
3122:^
3072:^
3041:,
3019:^
2997:,
2940:^
2907:^
2893:^
2863:^
2848:,
2816:^
2791:^
2770:^
2712:^
2696:^
2665:,
2652:^
2621:,
2516:^
2449:^
2408:,
2395:^
2252:,
2237:^
2225:^
2211:^
2177:^
2117:^
2085:^
2055:^
2007:,
2003:,
1999:,
1984:.
1954:.
1928::
1920:.
1850:s
1839:.
1649:,
1630:.
1597:.
1370:.
1339:a
1331:,
1286:,
1199:,
1088:,
967:.
864:,
860:,
856:,
852:,
836:,
832:,
828:,
824:,
793:.
769:,
753:("
722:.
710:,
706:,
702:,
698:,
675:,
598:,
594:,
590:,
586:.
528:.
485:,
469:,
362:.
273:,
269:,
265:,
261:,
257:,
4210:)
4103:)
3928:)
3432:)
3279:)
3180:)
3152:)
3137:"
3058:)
2956:"
2935:)
2738:)
2475:)
2444:)
2357:)
2206:)
1018:ê
1014:ĕ
610:(
236:(
62:)
58:(
20:)
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