210:
259:
133:
183:
119:
331:
in the middle board, and the left-hand boards wrap the left side and the front of the books, and the right boards wrap the right side and on top of the left side boards. The right side front board has the title tag pasted on the top right-hand side. The rightmost edge has a lip, from which two straps with ivory or bone tallies are connected to. These straps are pulled down the left side, where there are the loops where they are inserted to secure the whole case together.
233:. The accordion-fold books were easier to handle than bound scrolls while reading and reciting sutras. The advantage was that it was now possible to flip to a reference without unfolding the entire document. Woodblock prints also made the new format easier by allowing two mirror images to be easily replicated on a single sheet. Thus two pages were printed on a sheet, which was then folded inwards. The sheets were then pasted together at the fold to make a
270:
298:. The covers tend to be a stronger type of paper which is dyed dark blue. Yellow silk can be used and it is more common in works funded by the ruler. The cover is then backed by normal xuan paper to strengthen it. Hardcovers are rare and only used in very important books. The silk cord is almost always white. The case for the books is usually made of wood or bookboard, covered with cloth or silk. The book's inside is covered in paper.
1155:
1165:
1145:
22:
197:, most Chinese books were bound scrolls made of materials such as bamboo, wood, silk, or paper. Originally bamboo and wooden tablets were tied together with silk and hemp cords to fold onto each other like an accordion. Silk and paper gradually replaced bamboo and wood. Some books were not rolled up but pleated and called
209:
317:
The third stage is to punch holes at the spine edge, around 1 cm from the spine. Four holes are the standard. In China, six holes may be used on important books. If the book is a quality edition, the edges of the spine side are wrapped in silk which is stuck on to protect the edges. In Korea, an
313:
The second stage is to gather all the folded leaves into order and assemble the back and front covers. Important or luxury edition books have a further single leaf inserted in the fold of the leaves. Front covers tend to be replaced over time if it gets damaged. For very old books, the front cover is
330:
After a group of books are printed, they are often put in a case. This is a cloth case that is constructed from boards that have a cloth upholstering. Traditional cloth cases are a single line of boards attached together and covered by the cloth; the insides are papered. The pile of books are placed
246:旋風裝) was to secure the first and last leaves to a single large sheet, so that the book could be opened like an accordion. During the 16th and 17th centuries, pasted bindings were replaced by stitched "thread bindings". Also known as side-stitched binding (
237:
with alternate openings of printed and blank pairs of pages. In the 14th century, the folding was reversed outwards to give continuous printed pages, each backed by a blank hidden page. This development, known as wrapped-back binding
1066:
334:
Modern cases are much like
Western ones. They are basically cuboid with an opening in one side where the books slot in. The Chinese have a separate board to wrap the books before inserting into the case.
242:包背裝), was used during the Southern Song dynasty and the Ming dynasty; it improved upon the butterfly binding by folding pages the opposite way. The next development known as "whirlwind binding" (
39:
310:
The first stage is to fold the printed paper sheets. The printing method was to print on a large sheet, then fold it in half so the text appears on both sides.
546:
86:
490:
58:
221:
During the 9th and 10th centuries, bound scrolls were gradually replaced by a new book format known as "butterfly binding" (經摺裝, also see
258:
186:
460:
65:
1113:
537:
512:
105:
927:
321:
The fourth stage is to stitch the whole book together using a thin double silk cord. The knot is tied and concealed in the spine.
72:
593:
1034:
358:
43:
54:
551:
1194:
937:
942:
755:
32:
294:
and painting. Stronger and better quality papers may be used for more detailed works that involve multicoloured
922:
79:
724:
807:
648:
132:
1093:
1024:
719:
182:
118:
1189:
824:
680:
665:
586:
291:
1164:
1130:
1039:
295:
230:
408:
1008:
839:
643:
508:
496:
486:
430:
269:
1148:
1108:
1076:
907:
464:
420:
154:
1119:
902:
897:
829:
819:
557:
The
Herbert Offen Research Collection of the Phillips Library at the Peabody Essex Museum
353:
1158:
1125:
1051:
966:
961:
932:
912:
745:
660:
579:
278:
250:線裝), this type of binding was the final phase of traditional bookbinding in East Asia.
1183:
1056:
864:
834:
782:
165:
that the
Chinese, Koreans, Japanese, and Vietnamese used before adopting the modern
1168:
1029:
777:
762:
692:
675:
194:
140:
126:
971:
881:
792:
767:
729:
714:
633:
626:
616:
263:
162:
21:
556:
1046:
917:
750:
687:
621:
566:
561:
425:
287:
434:
409:"The history and characteristics of traditional Korean books and bookbinding"
1061:
991:
812:
802:
709:
702:
697:
670:
1071:
983:
976:
874:
847:
787:
771:
655:
226:
225:), from the late Tang period onward. This change is tied to the rise of
869:
859:
852:
638:
274:
1081:
222:
214:
525:, Harvard University Asia Center for the Harvard-Yenching Institute
1103:
1086:
1001:
996:
797:
268:
257:
234:
208:
181:
166:
131:
117:
1098:
602:
575:
314:
usually not original; for facsimiles, it is most certainly not.
318:
odd number of holes is normally used, typically three or five.
15:
483:
Japanese
Bookbinding: Instructions from a Master Craftsman
571:
567:
A video lesson in
Chinese wrapped-back binding (pt. 2)
562:
A video lesson in
Chinese wrapped-back binding (pt. 1)
201:, although this was still one long piece of material.
290:(宣紙). This is an absorbent paper used in traditional
1017:
951:
890:
738:
609:
46:. Unsourced material may be challenged and removed.
507:, vol. 5 part 1, Cambridge University Press,
306:The method of this binding is in several stages:
538:The Chinese Book: Its Evolution and Development
205:Butterfly binding, whirlwind binding and others
587:
8:
594:
580:
572:
447:
424:
106:Learn how and when to remove this message
413:Journal of the Institute of Conservation
286:The paper used as the leaves is usually
193:Up until the 9th century during the mid-
543:, Vol.III, No.I, August 1936, pp.25-33.
344:
125:, an example of a stitched bound book,
461:"Dunhuang concertina binding findings"
273:The binding of a Chinese bamboo book (
391:
379:
7:
402:
400:
44:adding citations to reliable sources
187:Sutra of the Great Virtue of Wisdom
505:Science and Civilization in China:
14:
55:"Traditional Chinese bookbinding"
1163:
1154:
1153:
1143:
352:Chinnery, Colin (July 2, 2007).
20:
1144:
147:Traditional Chinese bookbinding
31:needs additional citations for
359:International Dunhuang Project
262:Bamboo slips containing text,
1:
523:Chinese History: A New Manual
1067:Conservation and restoration
521:Wilkinson, Endymion (2012),
1211:
123:Records of Wenlan Pavilion
1139:
426:10.1080/19455220802630743
725:Collection (publishing)
649:Illuminated manuscripts
552:Vietnamese bookbinding
283:
266:
218:
190:
143:
129:
1094:Intellectual property
720:Volume (bibliography)
485:. Weatherhill, 1986.
272:
261:
212:
185:
135:
121:
547:Japanese bookbinding
407:Song, Minah (2009).
161:), is the method of
40:improve this article
292:Chinese calligraphy
1195:Chinese literature
1131:World Book Capital
541:T'ien Hsia Monthly
503:, Needham, Joseph
501:Paper and Printing
497:Tsien, Tsuen-Hsuin
481:Kosanjin Ikegami:
296:woodblock printing
284:
267:
231:woodblock printing
219:
191:
189:, from 5th century
144:
137:Yin shan zheng yao
130:
1177:
1176:
1009:Coffee table book
840:Bookworm (insect)
491:978-0-8348-0196-7
467:on March 9, 2000.
217:, printed in 1265
116:
115:
108:
90:
1202:
1167:
1157:
1156:
1147:
1146:
1077:History of books
596:
589:
582:
573:
526:
517:
469:
468:
463:. Archived from
457:
451:
445:
439:
438:
428:
404:
395:
389:
383:
377:
371:
370:
368:
366:
349:
111:
104:
100:
97:
91:
89:
48:
24:
16:
1210:
1209:
1205:
1204:
1203:
1201:
1200:
1199:
1180:
1179:
1178:
1173:
1135:
1120:The Philobiblon
1013:
947:
886:
734:
681:limited edition
605:
600:
533:
520:
515:
495:
478:
473:
472:
459:
458:
454:
446:
442:
406:
405:
398:
390:
386:
378:
374:
364:
362:
351:
350:
346:
341:
328:
304:
256:
244:xuanfeng zhuang
207:
180:
175:
112:
101:
95:
92:
49:
47:
37:
25:
12:
11:
5:
1208:
1206:
1198:
1197:
1192:
1182:
1181:
1175:
1174:
1172:
1171:
1161:
1151:
1140:
1137:
1136:
1134:
1133:
1128:
1126:World Book Day
1123:
1116:
1111:
1106:
1101:
1096:
1091:
1090:
1089:
1084:
1074:
1069:
1064:
1059:
1054:
1052:Book packaging
1049:
1044:
1043:
1042:
1037:
1027:
1021:
1019:
1015:
1014:
1012:
1011:
1006:
1005:
1004:
999:
994:
986:
981:
980:
979:
974:
969:
964:
955:
953:
949:
948:
946:
945:
940:
938:United Kingdom
935:
930:
925:
920:
915:
910:
905:
900:
894:
892:
888:
887:
885:
884:
879:
878:
877:
867:
862:
857:
856:
855:
850:
842:
837:
832:
827:
822:
817:
816:
815:
810:
805:
800:
790:
785:
780:
775:
765:
760:
759:
758:
748:
742:
740:
736:
735:
733:
732:
727:
722:
717:
712:
707:
706:
705:
700:
695:
685:
684:
683:
678:
673:
668:
663:
653:
652:
651:
641:
636:
631:
630:
629:
619:
613:
611:
607:
606:
601:
599:
598:
591:
584:
576:
570:
569:
564:
559:
554:
549:
544:
532:
531:External links
529:
528:
527:
518:
513:
493:
477:
474:
471:
470:
452:
450:, p. 912.
448:Wilkinson 2012
440:
396:
394:, p. 231.
384:
382:, p. 227.
372:
343:
342:
340:
337:
327:
324:
323:
322:
319:
315:
311:
303:
300:
279:The Art of War
255:
252:
213:Collection of
206:
203:
179:
176:
174:
171:
149:, also called
114:
113:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
1207:
1196:
1193:
1191:
1188:
1187:
1185:
1170:
1166:
1162:
1160:
1152:
1150:
1142:
1141:
1138:
1132:
1129:
1127:
1124:
1122:
1121:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1100:
1097:
1095:
1092:
1088:
1085:
1083:
1080:
1079:
1078:
1075:
1073:
1070:
1068:
1065:
1063:
1060:
1058:
1057:Book swapping
1055:
1053:
1050:
1048:
1045:
1041:
1038:
1036:
1033:
1032:
1031:
1028:
1026:
1023:
1022:
1020:
1016:
1010:
1007:
1003:
1000:
998:
995:
993:
990:
989:
987:
985:
982:
978:
975:
973:
970:
968:
965:
963:
960:
959:
957:
956:
954:
950:
944:
943:United States
941:
939:
936:
934:
931:
929:
926:
924:
921:
919:
916:
914:
911:
909:
906:
904:
901:
899:
896:
895:
893:
889:
883:
880:
876:
873:
872:
871:
868:
866:
865:Print culture
863:
861:
858:
854:
851:
849:
846:
845:
843:
841:
838:
836:
833:
831:
828:
826:
823:
821:
818:
814:
811:
809:
806:
804:
801:
799:
796:
795:
794:
791:
789:
786:
784:
783:Bibliotherapy
781:
779:
776:
773:
769:
766:
764:
761:
757:
754:
753:
752:
749:
747:
744:
743:
741:
737:
731:
728:
726:
723:
721:
718:
716:
713:
711:
708:
704:
701:
699:
696:
694:
691:
690:
689:
686:
682:
679:
677:
674:
672:
669:
667:
664:
662:
659:
658:
657:
654:
650:
647:
646:
645:
642:
640:
637:
635:
632:
628:
625:
624:
623:
620:
618:
615:
614:
612:
608:
604:
597:
592:
590:
585:
583:
578:
577:
574:
568:
565:
563:
560:
558:
555:
553:
550:
548:
545:
542:
539:
536:K.T. Wu 吳光清,
535:
534:
530:
524:
519:
516:
514:0-521-08690-6
510:
506:
502:
498:
494:
492:
488:
484:
480:
479:
475:
466:
462:
456:
453:
449:
444:
441:
436:
432:
427:
422:
418:
414:
410:
403:
401:
397:
393:
388:
385:
381:
376:
373:
361:
360:
355:
354:"Bookbinding"
348:
345:
338:
336:
332:
325:
320:
316:
312:
309:
308:
307:
301:
299:
297:
293:
289:
281:
280:
276:
271:
265:
260:
253:
251:
249:
245:
241:
240:baobei zhuang
236:
232:
228:
224:
216:
211:
204:
202:
200:
196:
188:
184:
177:
172:
170:
168:
164:
160:
156:
152:
148:
142:
138:
134:
128:
124:
120:
110:
107:
99:
96:November 2013
88:
85:
81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
1118:
1114:Preservation
1030:Book burning
1025:Banned books
778:Bibliophilia
763:Bibliography
693:advance copy
676:instant book
644:Illustration
627:dust jackets
540:
522:
504:
500:
482:
465:the original
455:
443:
416:
412:
387:
375:
363:. Retrieved
357:
347:
333:
329:
305:
285:
277:
247:
243:
239:
220:
198:
195:Tang dynasty
192:
178:Bound scroll
158:
150:
146:
145:
141:Ming dynasty
136:
127:Qing dynasty
122:
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
1190:Bookbinding
1047:Book curses
923:Netherlands
793:Bookselling
768:Bibliomania
751:Bestsellers
739:Consumption
730:Book series
715:Typesetting
264:Qin dynasty
248:xian zhuang
163:bookbinding
159:xian zhuang
1184:Categories
992:audiobooks
891:By country
844:Furniture
835:Digitizing
830:Collecting
820:Censorship
803:book towns
688:Publishing
671:incunabula
610:Production
476:Literature
392:Tsien 1985
380:Tsien 1985
339:References
326:Encasement
288:xuan paper
66:newspapers
1062:Book tour
1035:incidents
967:miniature
962:fictional
848:bookcases
788:Bookmarks
703:paperback
698:hardcover
435:1945-5224
419:(1): 62.
365:March 31,
275:Sun Tzu's
254:Materials
153:binding (
1159:Category
1072:Dog ears
988:Formats
984:Grimoire
977:textbook
928:Pakistan
875:literacy
853:bookends
772:tsundoku
656:Printing
499:(1985),
227:Buddhism
151:stitched
139:, 1330,
1149:Outline
1109:Outline
1018:Related
958:Genres
908:Germany
882:Reviews
870:Reading
860:Library
808:history
666:history
661:edition
639:Editing
617:Binding
199:zhe ben
173:History
155:Chinese
80:scholar
1169:Portal
1082:scroll
997:Ebooks
972:pop-up
903:France
898:Brazil
798:blurbs
746:Awards
634:Design
622:Covers
511:
489:
433:
302:Method
223:Orihon
215:Zhu Xi
169:form.
82:
75:
68:
61:
53:
1104:Novel
1087:codex
1002:Folio
952:Other
933:Spain
918:Japan
913:Italy
825:Clubs
603:Books
235:codex
167:codex
157:: 線裝
87:JSTOR
73:books
1099:ISBN
1040:Nazi
813:used
756:list
710:Size
509:ISBN
487:ISBN
431:ISSN
367:2016
229:and
59:news
421:doi
42:by
1186::
429:.
417:32
415:.
411:.
399:^
356:.
774:)
770:(
595:e
588:t
581:v
437:.
423::
369:.
282:)
238:(
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
