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The composition process can be traced from entries in Weber's diary: on 8 April 1818 he "worked on trio"; on 12 May he probably began composing the finale rondo (in
Dresden). He then fell ill and resumed work on two first movements only in July 1819. The whole trio was finished on 25 July 1819 in
51:(composed in 1813 in Prague), a work today lost. It is believed that the composer revised it for piano, flute and cello (or viola) in 1815 (J.Anh.58). This was composed for Weber's friend Dr. Philipp Jungh, a fine flautist: they met in
165:, which Weber was composing at the same time as the Trio. These include among other the diabolical trill motif from Caspar's drinking song (measures 7-8) and the turn motif from chorus
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he ever wrote, albeit scored for flute rather than the more conventional violin, and is one of his most substantial chamber pieces. A typical performance lasts 21-25 min.
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There is an alternative version with violin instead of flute, published posthumously, and thus scored for a more conventional
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in 1820 (plate number 1053): he sent the first two engraved copies to Weber on 21 July 1820.
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in 1813. He also became the dedicatee of the Trio. Another Prague friend of Weber was
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Matthias
Viertel pointed that the theme of the third movement is based on a lied (
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to an edition of the Trio published by G. Henle Verlag (2000).
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in 1818–1819 and published the next year. It is the only
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Adagio with
Variations for cello and piano, J.Anh.42
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96:The Trio consists of four traditional movements:
69:The manuscript of the piece is preserved in the
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20:Trio for Piano, Flute and Cello in G minor
510:Hochschule fĂĽr Musik Carl Maria von Weber
236:International Music Score Library Project
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152:Gesänge mit der Begleitung der Chitarra
161:The finale provides some allusions to
591:Chamber music by Carl Maria von Weber
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520:Carl-Maria-von-Weber-Gesamtausgabe
216:Booklet notes to Hyperion CDA67464
167:Laßt lustig die Hörner er schallen
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416:Concertino for Horn and Orchestra
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305:Peter Schmoll und seine Nachbarn
62:First performance took place in
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501:(compiler of Jähns catalogue)
133:, though notated in G minor)
129:IV. Finale. Allegro (mostly
16:Trio by Carl Maria von Weber
606:Compositions for piano trio
515:Carl Maria von Weber Museum
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111:. Allegro vivace (G minor)
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57:Johann Baptist Gänsbacher
601:Compositions in G minor
499:Friedrich Wilhelm Jähns
475:Invitation to the Dance
410:Concertino for Clarinet
404:Clarinet Concerto No. 2
398:Clarinet Concerto No. 1
122:). Andante espressivo (
611:Compositions for flute
150:published in 1804 (in
114:III. Schäfers Klage (
100:I. Allegro moderato (
445:Grand Duo Concertant
288:List of compositions
272:Carl Maria von Weber
116:Shepherd's Complaint
28:Carl Maria von Weber
493:Max Maria von Weber
468:Piano Sonata No. 2
169:(measures 49-50).
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120:Shepherd's Lament
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234:: Scores at the
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453:(1818–1819)
385:Concertante
377:(1806–1807)
64:Louis Spohr
585:Categories
321:Abu Hassan
198:References
86:piano trio
45:Hosterwitz
32:piano trio
22:, Op. 63,
337:Euryanthe
138:Allusions
92:Structure
538:Category
190:Comments
486:Related
360:, 1888)
313:Silvana
184:Preface
173:Sources
131:G major
109:Scherzo
102:G minor
38:History
561:Portal
478:(1819)
470:(1816)
447:(1816)
441:(1811)
424:(1821)
418:(1815)
412:(1811)
406:(1811)
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394:(1811)
358:Mahler
348:(1826)
345:Oberon
340:(1823)
332:(1821)
324:(1811)
316:(1810)
308:(1802)
297:Operas
156:Goethe
79:Berlin
75:London
53:Prague
24:J. 259
548:Audio
495:(son)
146:) by
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107:II.
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