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by pointing out that many geisha were forced to turn to sex work in order to survive because of this law. She also challenged the social discrimination faced by geisha due to ancient social traditions and customs that they were still required to observe, including customary indentured servitude which
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Matsuda, Yukiko (2012). "1. Shōwa 20 nendai-zenhan made no rōdō jōken - geigi kagyō keiyaku to zenshakukin keiyaku (Working conditions up to the first half of the Showa 20's — indentured servitude and advance debt contracts for geisha)".
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She publicly criticized the
Japanese government in the 1920s and 1930s for preventing geisha to take on other professions in order to earn a living. In her book "Geigitsū" Hanazono annoyed leading women's right activists
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36:(January 1905 – 1982) was a Japanese writer, modern dancer, geisha and a Japanese traditional dance master by the name of Tamae Hanazono at her later years.
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154:, Kora, Rumiko ; Iwami, Teruyo (eds.), Yumani Shobo, 2004. Vol.II (Josei no mita kindai series), No. 4, Josei to rodo.
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In her latter years, she founded her own school of
Hanazono of traditional Japanese dance, named herself their first
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Hanazono wrote works about women's rights, criticizing Japan's patriarchal society, and studied modern dance.
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Hanazono was born in
January 1905, educated at the Tokyo Women's Pharmaceutical School (a predecessor to
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There is an observation that
Hanazono's "Geigitsū" of 1930 was written by her husband Shunkichi Kurose.
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191:"Onna kara ningen e — Josei bunka kenkyū shiryō ichiran" , Tokyo : Ōsawa Tadashi, 1931.
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As a renowned book collector for the theme of geigi, Hanazono joined the Meiji
Culture Study Group
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who practiced then top notch modern dance at that troop, and joined a burlesque studio in
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Relocation of the labor of geisha — On laws that protect the rights of workers
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343:(in Japanese). Survival Study Center at Ritsumeikan University. pp. 309–312.
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Geigi to iu rōdō no sai teii - rōdō-sha no kenri o mamoru shohō o megutte
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381:"Geigitsū", Tokyo: Shiroku Shoin, 1930. Vol.29, Tsū Sōsho Series,
139:"Geigitsū", Tōkyō: Shiroku Shoin, 1930. Vol.29, Tsū Sōsho Series,
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or the head master, with the name of Tamae
Hanazono.
438:Butterfly's Sisters: The Geisha in Western Culture
308:20th Century Japan's 100 Genius and Great Talents
310:]. Asahi One Theme Magazine (in Japanese).
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260:: Yoshino Sakuzo Kinenkan: 4.
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302:(1993). "Hanazono Utako".
246:"Yoshino Sakuzō Kōza 2005"
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467:intersections.anu.edu.au
506:Japanese female dancers
254:Yoshino Sakuzō Dayori
120:Japanese vaudeville.
256:(in Japanese) (13).
82:indentured contract
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68:. It was in
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491:1982 deaths
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480:Categories
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391:"Geigitsu"
223:References
168:4843312142
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152:"Geigitsu"
59:Kurose Nao
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357:cite book
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40:Biography
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203:Notes
443:ISBN
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369:help
345:OCLC
273:2014
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156:ISBN
141:OCLC
118:yose
116:and
53:黒瀬 直
31:花園歌子
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