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106:, and the main center for religion. With each passing of an archbishop, a new archbishop would be appointed who brought his own artisans to town. Utrecht was thus an important art center and saw many innovations in the arts in general over the centuries. The smiths were split into guilds, one for the gold- and silversmiths under St. Eligius, and one for the bronze, iron and tin workers (including lock-, knife-, and clock makers) in the
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Like other Dutch cities, Utrecht required membership in the guilds in order to sell wares falling under those guilds. In the 14th century, the
Utrecht saddlemakers, painters, sculptors, book illustrators, and bookbinders were all united in the Zadelaarsgilde. In those days oil painters were just as
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likely to paint on leather parchment or harness as on wooden panels or sculptures, so the choice of trades united in this guild is not so strange. Utrecht in the Middle Ages was the largest city in the
Northern Netherlands, capital of the
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was for a number of trades that were connected to the art industry, though the smiths had their own guild called the "St. Eloyen" guild. The second collective was founded for visual artists after the
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guild. All three guilds existed well before the 14th century and were led by two "dekens" (deacons or aldermen), and they were associated with different churches.
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141:". The title means "love of art" and the members tended to apply themselves to the fashionable art of imitating the Dutch masters from the 17th century.
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that had been held in the St. Hieronymusschool since 1696. In 1814 the name changed again, and it became the
Painting and Drawing Society "
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During the course of the 17th century this slowly changed. The oil painters were reorganized under the leadership of
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This article is about a local Guild of St. Luke. For the main articles on this subject, see
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Some notable members of the
Utrecht Guild of Saint Luke (or Zadelaarsgilde) were
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Two artist collectives in
Utrecht; the Saddler's Guild and Sint Lucas Gilde
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73:(Saddler's Guild) dating from the Middle Ages, as well as the newer
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Today the society is housed on
Nobelstraat 12a in Utrecht.
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feast of the gods at the wedding of Peleus and Thetis
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historical overview of the guilds of
Utrecht (Dutch)
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49:Plaque in memory of the Smith's guild in the
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89:and the St. Eloyen guild fell under
65:refers to two artist collectives in
281:Dutch artist groups and collectives
148:Guild members registered in Utrecht
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77:established in 1611. The first
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286:Painters from Utrecht (city)
226:Charles Cornelisz. de Hooch
63:Utrecht Guild of Saint Luke
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276:History of Utrecht (city)
271:Guilds in the Netherlands
230:Johannes van Wijckersloot
170:Johannes van Haensbergen
202:Jan Vermeer van Utrecht
178:Gijsbert d'Hondecoeter
83:Protestant Reformation
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154:Balthasar van der Ast
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182:Gerard van Honthorst
104:Bishopric of Utrecht
174:Steven van Herwijck
87:Luke the Evangelist
69:; the old Catholic
25:Guild of Saint Luke
210:Jan Baptist Weenix
166:Hendrick Bloemaert
135:Stadstekenacademie
127:St. Eloy's Hospice
123:St. Eloyengasthuis
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214:Abraham Willaerts
162:Abraham Bloemaert
158:Dirck van Baburen
115:Abraham Bloemaert
35:Abraham Bloemaert
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252:Utrecht Archives
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194:Herman Saftleven
186:Nikolaus Knüpfer
131:Schilderscollege
75:Sint Lucas Gilde
55:Museum Speelklok
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190:Paulus Moreelse
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119:Sint Lukasgilde
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139:Kunstliefde
265:Categories
236:References
206:Jan Weenix
117:into the
53:(now the
51:Buurkerk
41:in 1638.
97:History
108:Smeden
79:guild
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